Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra
SKU:
SU.91580100
For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013.
Opera in Three Acts. Composed by Meredith Oakes. Full Orchestra (Full Score); ...(+)
Opera in Three Acts.
Composed
by Meredith Oakes. Full
Orchestra (Full Score);
Larger Works;
Masterworks;
Performance Music
Ensemble.
Faber Edition.
Masterwork.
Score. Faber Music #12-
057153872X. Published by
Faber Music
Composed by Georges Bizet (1838-1875). Orchestra. Full Orchestra (Full Score); L...(+)
Composed by Georges Bizet
(1838-1875). Orchestra.
Full Orchestra (Full
Score); Larger Works;
Masterworks. Dover
Edition. Masterwork;
Romantic. Full Score.
Published by Dover
Publications
March and One Step. Composed by Henry Fillmore (1881-1958). Edited by Robert E. ...(+)
March and One Step.
Composed by Henry
Fillmore (1881-1958).
Edited by Robert E.
Foster. Arranged by
Robert E. Foster.
Authentic Fillmore
Edition. Score and
part(s). With Standard
notation. Duration 1
minute, 48 seconds. Carl
Fischer #CB148. Published
by Carl Fischer
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra - Grade 2.5 SKU: AP.49016 Featured in the Disney/Pixar Movie...(+)
Orchestra - Grade 2.5
SKU: AP.49016
Featured in the
Disney/Pixar Movie
Soul. Composed by
Curtis Mayfield. Arranged
by Chris M. Bernotas. 5
or More; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Pop
Intermediate String
Orchestra. Jazz; Light
Concert; Movie; Pop;
Swing. Score and Part(s).
87 pages. Duration 2:30.
Alfred Music #00-49016.
Published by Alfred Music
(AP.49016).
ISBN
9781470646899. UPC:
038081566122.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Written by Curtis
Mayfield and made famous
in the 1960s by The
Impressions, this
timeless classic has been
covered by several major
artists and was featured
in the Disney/Pixar smash
hit movie Soul. This
arrangement by Chris M.
Bernotas will put a smile
on everyone's face and
will be a great way to
help students learn to
play in the swing style.
(2:30) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 2.5 SKU: AP.49016S Featured in the Disney/Pixar Movi...(+)
Orchestra - Grade 2.5
SKU: AP.49016S
Featured in the
Disney/Pixar Movie
Soul. Composed by
Curtis Mayfield. Arranged
by Chris M. Bernotas. 5
or More; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Pop
Intermediate String
Orchestra. Jazz; Light
Concert; Movie; Pop;
Swing. Score. 12 pages.
Duration 2:30. Alfred
Music #00-49016S.
Published by Alfred Music
(AP.49016S).
ISBN
9781470646905. UPC:
038081566139.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Written by Curtis
Mayfield and made famous
in the 1960s by The
Impressions, this
timeless classic has been
covered by several major
artists and was featured
in the Disney/Pixar smash
hit movie Soul. This
arrangement by Chris M.
Bernotas will put a smile
on everyone's face and
will provide a great way
to help students learn to
play in the swing style.
(2:30) This title
available in MakeMusic
Cloud.
Orchester-Ballade.
Composed by Leos Janacek.
Edited by Jarmil
Burghauser and Radomil
Eliska. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek
D/6. Complete edition,
Score. Composed
1912-1914. Duration 12
minutes. Baerenreiter
Verlag #BA06848_00.
Published by Baerenreiter
Verlag (BA.BA06848).
ISBN 9790006483303.
34.4 x 27 cm inches.
Text: Svatopluk
Cech.
Over the
years Janácek’s
uvre has increasingly
received the recognition
it so richly merits and
performances of his works
are becoming more and
more frequent. This
development is, however,
offset by a manuscript
tradition so disorderly
that some of
Janácek’s works
continue, as before, to
be played in versions
which are heavily
adapted, corrupt or
otherwise contrary to the
composer’s
intentions. Thus, a
critical edition of
Janácek’s music
is indispensable for
scholars and performers
alike.
This editon
presents an authentic
printed text based on all
available sources for
each work. In addition to
the musical text, each
volume also contains a
critical report (Czech /
German), a rendition of
deleted or rejected
versions, and a
comprehensive appendix of
facsimiles.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: HL.49009576 Battle Symphony. Composed by Ludwig van...(+)
Orchestra
SKU:
HL.49009576
Battle
Symphony. Composed by
Ludwig van Beethoven.
Edited by Hans-Werner
Kuethen. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Op. 91. 96 pages.
Eulenburg Edition #ETP
1367. Published by
Eulenburg Edition
(HL.49009576).
ISBN
9783795762490. UPC:
841886011908.
5.25x7.5x0.263
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
(Study Score -
Flute/Piccolo, Oboe,
Clarinet, Horn, Bassoon,
Bass). Composed by Leos
Jan�¡cek. Edited by
JirÃ?Â
Zahr�¡dka. For Mixed
Woodwind Ensemble,
Woodwind Ensemble (Study
Score). Henle Study
Scores. Softcover. G.
Henle #HN7093. Published
by G. Henle
Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra
Dackow. Conductor's score
and set of performance
parts for string
orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- 3rd violin/viola
(treble clef), 5 - viola,
5 - cello, 5 - string
bass, 1 - piano
accompaniment). Series:
Orchestra Expressions
Series. Published by
Alfred Publishing.
The Tempest Orchestre [Conducteur] Faber Music Limited
An Opera in Three Acts (Full Score). Composed by Thomas Ades (1971-). Full Orc...(+)
An Opera in Three Acts
(Full
Score). Composed by
Thomas
Ades (1971-). Full
Orchestra
(Full Score); Larger
Works;
Performance Music
Ensemble.
Faber Edition. Score.
Faber
Music #12-057153838X.
Published by Faber Music
Eulenburg Audio Score 72. Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-...(+)
Eulenburg Audio Score 72.
Composed by Nikolay
Andreyevich
Rimsky-Korsakov
(1844-1908). Sheet music
with CD. Eulenberg Audio
plus Score. Jetzt neu:
Studienpartitur plus
Audio-CD zum gunstigen
Preis. In bewahrter
Qualitat:
lesefreundliches Format,
ausgezeichnetes
Druckbild, hochwertiges
Papier. Classical.
Softcover with CD. 272
pages. Eulenburg Edition
#EAS172. Published by
Eulenburg Edition
Orchestra SKU: HL.49009448 Composed by Franz Schubert. Edited by Max Albe...(+)
Orchestra
SKU:
HL.49009448
Composed
by Franz Schubert. Edited
by Max Alberti. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
54 pages. Duration 8'.
Eulenburg Edition #ETP
1130. Published by
Eulenburg Edition
(HL.49009448).
ISBN
9790200209600.
5.5x7.5x0.165
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra (Full Score) SKU: HL.14043216 Orchestra Full Score. Comp...(+)
Orchestra (Full Score)
SKU: HL.14043216
Orchestra Full
Score. Composed by
Michael Nyman. Music
Sales America. Classical,
Contemporary. Softcover.
160 pages. Chester Music
#CH60952. Published by
Chester Music
(HL.14043216).
ISBN
9781783056200.
English.
Mic
hael Nyman's
Musique A Grande
Vitesse
(MGV)
translates as ‘high
speed music’ and
was commissioned by the
Festival de Lille for the
inauguration of the TGV
North EuropeanParis-Lille
line in 1993.
This
piece of sheet music runs
continuously, but was
conceived as an abstract,
imaginary journey; or
rather five
inter-connected journeys,
each ending with a slow,
mainly stepwise melody
which isonly heard in its
'genuine' form when the
piece reaches its
destination.
Thematic
'transformation' is a key
to MGV
as a whole. Throughout
the piece ideas -
rhythmic, melodic,
harmonic, motivic,
textural -constantly
change their identity as
they pass through
different musical
'environments'.
The opening bars
establish both a
recurrent rhythmic
principle - 9, 11, or
13-beat rhythmic cycles
heard against a regular 8
- and aharmonic process -
chord sequences (mainly
over C and E) which have
the note E in common.
(Coincidentally,
MGV
begins in C and ends in
E). A later scalic,
syncopated figure (again
first heard over C, E and
A)begins the second
section, featuring Brass,
in D flat.
The
topography of
MGV
should be experienced
without reference to
planning, description or
timetables. Its tempo
changes and unpredictable
slowings downbear no
logical relation to the
high speed of the
Paris-Lille journey,
while the temptation to
treat
MGV as a
concerto grosso, with the
Michael Nyman
band as the ripeno, was
resisted: more suitably
theband (amplified in
live performance) lays
down the tracks on which
MGV
runs.
Eulenburg Audio Score Series. By Georges Bizet. This edition: EAS105. Eulenburg ...(+)
Eulenburg Audio Score
Series. By Georges Bizet.
This edition: EAS105.
Eulenburg Audio Score
(Pocket Scores CD).
Study score and CD. 176
pages. Published by
Eulenburg.
Eulenburg Audio Score Series. By Edvard Grieg. This edition: EAS139. Eulenburg A...(+)
Eulenburg Audio Score
Series. By Edvard Grieg.
This edition: EAS139.
Eulenburg Audio Score
(Pocket Scores CD).
Study score and CD. 92
pages. Published by
Eulenburg.
Composed by Sergei Rachmaninoff (1873-1943). Orchestra. Full Orchestra (Miniatur...(+)
Composed by Sergei
Rachmaninoff (1873-1943).
Orchestra. Full Orchestra
(Miniature Score); Larger
Works; Masterworks. Dover
Edition. 20th Century;
Masterwork; Romantic.
Miniature Score.
Published by Dover
Publications
Orchestra; Score (Study Score) Overture. Composed by Ludwig van Beethoven (1770-...(+)
Orchestra; Score (Study
Score)
Overture. Composed by
Ludwig van Beethoven
(1770-1827). Edited by
Max Unger. Arranged by
Max Unger. This edition:
Saddle stitching. Sheet
music. Eulenburg
Taschenpartituren (Pocket
Scores). Classical. Study
Score. Op. 124. 84 pages.
Eulenburg Edition
#ETP627. Published by
Eulenburg Edition
Chamber Orchestra (Study Score) SKU: HL.49009544 For Small Orchestra(+)
Chamber Orchestra (Study
Score)
SKU:
HL.49009544
For
Small Orchestra.
Composed by Hugo Wolf.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
40 pages. Duration 8'.
Eulenburg Edition
#ETP1322. Published by
Eulenburg Edition
(HL.49009544).
ISBN
9783795771485. UPC:
800522001543.
5.25x7.5x0.127
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by Richard Wagner (1813-1883). Edited by Ulrich Konrad. This edition:...(+)
Composed by Richard
Wagner
(1813-1883). Edited by
Ulrich
Konrad. This edition:
facsimile. Half-leather
binding. Documenta
musicologica II/56 /
Barenreiter Facsimile.
Facsimile. Baerenreiter
Verlag #BVK02418.
Published
by Baerenreiter Verlag
Orchestra SKU: HL.49009442 Overture. Composed by Franz Joseph Hayd...(+)
Orchestra
SKU:
HL.49009442
Overture. Composed
by Franz Joseph Haydn.
Edited by H. C. Robbins
Landon. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1779. 50 pages.
Duration 7'. Eulenburg
Edition #ETP1124.
Published by Eulenburg
Edition (HL.49009442).
ISBN 9790200209556.
5.5x7.5x0.118
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.