Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen; Christin Heitmann. This edition: urtext edition. Stapled. Score. Hob. I:26. Duration 17 minutes. Published by Baerenreiter Verlag (BA.BA10975).

By Georges Bizet (1838-1875). Edited by Robert Didion. For Orchestra (Study Score). Study Score. Softcover. 64 pages. Hal Leonard #ETP1544. Published by Hal Leonard

Orchestra (solo: S - 4(2picc).3(cor ang).3(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.0.0 - hp.timp.perc(4) - str)

SKU: BR.OB-5634-60

Final Version 1911 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Set of parts. 1076 pages. Duration 55'. Breitkopf and Haertel #OB 5634-60. Published by Breitkopf and Haertel (BR.OB-5634-60).

ISBN 9790004345085. 10.5 x 14 inches.

Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. The Heavenly Life, a humoresque composed in 1892 for soprano and piano, which he already wanted to use in the final movement of the Third Symphony under the title What the Child Tells Me, ultimately became the nucleus and final movement of the Fourth. Even after publication in 1901, Mahler kept repeatedly refining the orchestration. His maxim not without my retouching led to a whole series of revised reprints. It is probably no coincidence that Mahler performed especially the Fourth Symphony in his last two New York concerts in February 1911, using this opportunity to review once again the score and parts. This performance material with his retouching served as the main source for the new edition. Furthermore, included for the first time were corrections and annotations in conjunction with performances of the Fourth, which Mahler entered into the scores of conductors such as Mengelberg and Wickenhauser. PB 5664 has been awarded the Presto Sheet Music Award 2020.

Orchestra (Study Score)

SKU: HL.51489061

Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9061. Published by G. Henle (HL.51489061).

UPC: 840126932836. 6.75x9.5x0.22 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra (Study Score)

SKU: HL.51489063

Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Study Scores. Classical. Softcover. 55 pages. G. Henle #HN906. Published by G. Henle (HL.51489063).

UPC: 840126932867. 6.75x9.5x0.204 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

By Leroy Anderson. By Leroy Anderson. For Full Orchestra. Full Orchestra. Leroy Anderson Classic Full Orchestra. Level: Medium Easy to Medium (grade III-IV). Conductor Score, Parts & CD. 144 pages. Duration 2:27. Published by Alfred Publishing.

Urtext from the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven (1770-1827). Edited by Ernst Herttrich. Score. Breitkopf and Haertel #PB 14617. Published by Breitkopf and Haerte

Urtext from the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven (1770-1827). Edited by Ernst Herttrich. Breitkopf and Haertel #OB 14617-30. Published by Breitkopf and Haertel

Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This edition: urtext edition. Stapled. Urtext from: Joseph Haydn Werke, G. Henle Verlag Munchen. Score. Hob. I:89. Duration 22 minutes. Published by Baerenreiter Verlag (BA.BA10979).

Orchestra

SKU: HH.HH412-FSC

Composed by Ignaz Josef Pleyel. Edited by Anton Gabmayer. Orchestral. Full score. Edition HH Music Publishers #HH412-FSC. Published by Edition HH Music Publishers (HH.HH412-FSC).

ISBN 9790708059882.

The Symphony in F minor, Pleyel’s only complete surviving orchestral work in this key, was published in 1787 by Jean Jérôme Imbault in Paris and was probably written the previous year or even slightly earlier. Its source of inspiration is easily indentifiable, namely Joseph Haydn’s Sturm und Drang works of the late 1760s and early 1770s.

Eulenburg Audio Score Series, Vol. 90. Composed by Richard Wagner (1813-1883). Edited by Peter Jost. Eulenberg Audio plus Score. Softcover with CD. Eulenburg Edition #EAS190. Published by Eulenburg Edition (HL.49044222).

4 recorders, guitar, percussion, string quartet and string orchestra (Score) - advanced

SKU: HL.49001924

Composed by Hans Werner Henze. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. Composed 1984-1985. 60 pages. Duration 10'. Schott Music #CON 203. Published by Schott Music (HL.49001924).

ISBN 9790001024907. UPC: 884088107512.

Henze composed these dances, which can be scored for various instruments, for the orchestra of the conservatory of Deutschlandsberg (Austria). These compositions are based on an anonymous Morissa (Spanish designation for a dance form probably introduced by crusaders) from the English Fitzwilliam Virginal Book.