Orchestra

SKU: BR.SON-627

Ouverture JS 145, Baletscen JS 163. Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 196 pages. Breitkopf and Haertel #SON 627. Published by Breitkopf and Haertel (BR.SON-627).

ISBN 9790004803295. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Orchestra

SKU: BR.SON-625

Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625).

ISBN 9790004803271. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

String orchestra

SKU: HL.49027126

From Musikalisches Opfer. Composed by Johann Sebastian Bach. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violoncello II. 2 pages. Schott Music #CON11-16. Published by Schott Music (HL.49027126).

String orchestra

SKU: HL.49027124

From Musikalisches Opfer. Composed by Johann Sebastian Bach. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Viola. 2 pages. Schott Music #CON11-14. Published by Schott Music (HL.49027124).

String orchestra

SKU: HL.49027121

From Musikalisches Opfer. Composed by Johann Sebastian Bach. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violin I. 2 pages. Schott Music #CON11-11. Published by Schott Music (HL.49027121).

String orchestra

SKU: HL.49027125

From Musikalisches Opfer. Composed by Johann Sebastian Bach. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violoncello I. 2 pages. Schott Music #CON11-15. Published by Schott Music (HL.49027125).

String orchestra

SKU: HL.49027122

From Musikalisches Opfer. Composed by Johann Sebastian Bach. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violin II. 2 pages. Schott Music #CON11-12. Published by Schott Music (HL.49027122).

String orchestra

SKU: HL.49027127

From Musikalisches Opfer. Composed by Johann Sebastian Bach. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Double bass. 2 pages. Schott Music #CON11-17. Published by Schott Music (HL.49027127).

String orchestra

SKU: HL.49027123

From Musikalisches Opfer. Composed by Johann Sebastian Bach. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violin III. 2 pages. Schott Music #CON11-13. Published by Schott Music (HL.49027123).

Orchestra

SKU: HL.14021435

Composed by Palle Mikkelborg. Music Sales America. Classical. Score. Music Sales #KP01379. Published by Music Sales (HL.14021435).

ISBN 9788759878606. English.

Palle Mikkelborg GOING TO PIECES WITHOUT FALLING APART 2002 for violin, harpe og strygereTilegnet Elise Batnes og Helen DaviesForord l Programnote En solful d morgentur i Melbourne bragte mig forbi en boghandel der specialiserede sig i spiritualbooks, og i vinduet faldt mine ojne pa et citat som ojeblikkeligt ramte mig folelsesmaessigtstaerkt- og jeg folte at jeg havde fundet titlen pa den komposition jeg pa tankeplan allerede vari gang med. Citatet lod:going to pieces ... without falling apartTre temaer og relaterede skalaer, baseret pa henholdsvis Elise Batnes', Helen Davies' og BergenKammerensembles navne, har vaeret afgorende for dele af tonesproget, og forekommer badeielose-up og mere douche i kompositionens syv hovedafsnit. Det barnlige, det enkle, det her-og-nu naive, det umiddelbare, kom til at spille en vigtig rolleunder arbejdet. Ikke fordi selve mit tonesprog er saerligt meget anderledes end ellers (hvordanskulle det ogsa kunne blive det?), men formuleringen: at go to pieces fik mig til at taenke pa atblive som barn pa ny, atter at vaere u-bange, at turde tro pa det enkle.Udover denne- i bedste betydning- enkle inspiration er onsket at kompositionens kurve kanopleves som en mulig meditiations-rejse: i starten en tro pa egen ro, langsomt breder uroensig, og i lystfulde glimt ser man sig selv danse en rituel dans, med andehuller her og der: ogfristelsen til at rive forhaenget vaek og go to pieces, og angsten for maske at miste sig selv undervejs,breder sig. Dog, til sidst erkender man at det var rejsen vaerd, og at man heller ikke denne gangfaldt apart, men kan se frem mod atter at vise livet sin respekt ved spirituelt fuldstaendigt at givesig hen, dog vel vidende at livet merciless & merciful, med kaerlig hand villade diggo to pieces ... without falling apartMen selvklart er mit egentlige onske: at man blot lader musikken leve sit eget ordlose liv - atlytteren har sin egen rejse. Palle Mikkelborg.

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27044

Composed by Alfred Pfortner and Gioachino Rossini. Music book. Neil A. Kjos Music Company #JS27044. Published by Neil A. Kjos Music Company (KJ.JS27044).

UPC: 8402704266.

Orchestra full orchestra - Grade 2.5

SKU: KJ.JS27003F

Composed by Carl Maria von Weber and Pfortner. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27003F. Published by Neil A. Kjos Music Company (KJ.JS27003F).

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27036F

Composed by Giuseppe Verdi and Pfortner. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27036F. Published by Neil A. Kjos Music Company (KJ.JS27036F).

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27033

Composed by Pfortner and Straub. Arranged by Pfortner. Score and parts. Neil A. Kjos Music Company #JS27033. Published by Neil A. Kjos Music Company (KJ.JS27033).

UPC: 8402701900.

Orchestra full orchestra - Grade 2

SKU: KJ.JS27010

Composed by Pfortner. Arranged by Pfortner. Score and parts. Neil A. Kjos Music Company #JS27010. Published by Neil A. Kjos Music Company (KJ.JS27010).

UPC: 8402701873.

Orchestra orchestra - Grade 4

SKU: KJ.JSO372C

Composed by Steven Amundson. Score and parts. Neil A. Kjos Music Company #JSO372C. Published by Neil A. Kjos Music Company (KJ.JSO372C).

UPC: 8402704686.

Big Ole was the legendary first settler of Minnesota. He was a Norwegian Viking who came over on a ship and made a trek to what is now Alexandria, Minnesota, where a 25-foot statue of Big Ole now proudly stands. This enchanting work pays homage to Big Ole! It's rhythmic, lyrical, and simply fun for players and audiences.

Duration: 6:31.

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27025F

Composed by Pfortner and Tschaikowski. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27025F. Published by Neil A. Kjos Music Company (KJ.JS27025F).

Orchestra full orchestra - Grade 2

SKU: KJ.JS27015

Composed by Jean-Joseph Mouret and Pfortner. Arranged by Pfortner. Score and parts. Neil A. Kjos Music Company #JS27015. Published by Neil A. Kjos Music Company (KJ.JS27015).

UPC: 8402701878.

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27035F

Composed by Carl Maria von Weber and Pfortner. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27035F. Published by Neil A. Kjos Music Company (KJ.JS27035F).

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27028F

Composed by Antonin Dvorak and Pfortner. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27028F. Published by Neil A. Kjos Music Company (KJ.JS27028F).

Orchestra full orchestra - Grade 2.5

SKU: KJ.JS27003

Composed by Carl Maria von Weber and Pfortner. Arranged by Pfortner. Score and parts. Neil A. Kjos Music Company #JS27003. Published by Neil A. Kjos Music Company (KJ.JS27003).

UPC: 8402701865.

Orchestra full orchestra - Grade 2.5

SKU: KJ.JS27007

Composed by Johannes Brahms and Pfortner. Arranged by Pfortner. Score and parts. Neil A. Kjos Music Company #JS27007. Published by Neil A. Kjos Music Company (KJ.JS27007).

UPC: 8402701869.

Orchestra full orchestra - Grade 2.5

SKU: KJ.JS27008F

Composed by Bedrich Smetana and Pfortner. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27008F. Published by Neil A. Kjos Music Company (KJ.JS27008F).

Orchestra full orchestra - Grade 2

SKU: KJ.JS27014

Composed by Joseph Bodin de Boismortier and Pfortner. Arranged by Pfortner. Score and parts. Neil A. Kjos Music Company #JS27014. Published by Neil A. Kjos Music Company (KJ.JS27014).

UPC: 8402701877.

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27024F

Composed by Pfortner and Tschaikowski. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27024F. Published by Neil A. Kjos Music Company (KJ.JS27024F).

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27029F

Composed by Antonin Dvorak and Pfortner. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27029F. Published by Neil A. Kjos Music Company (KJ.JS27029F).

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27017

Composed by Edvard Grieg and Pfortner. Arranged by Pfortner. Score and parts. Neil A. Kjos Music Company #JS27017. Published by Neil A. Kjos Music Company (KJ.JS27017).

UPC: 8402701880.

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27030F

Composed by Frederic Chopin and Pfortner. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27030F. Published by Neil A. Kjos Music Company (KJ.JS27030F).

Orchestra full orchestra - Grade 3.5

SKU: KJ.JS27034F

Composed by Pfortner and Wolfgang Amadeus Mozart. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27034F. Published by Neil A. Kjos Music Company (KJ.JS27034F).

Orchestra full orchestra - Grade 2

SKU: KJ.JS27009F

Composed by Pfortner. Arranged by Pfortner. Score. Neil A. Kjos Music Company #JS27009F. Published by Neil A. Kjos Music Company (KJ.JS27009F).