Composed by Lloyd Larson. For full orchestra. Choral. Sacred Anthem, Advent, Christmas. Orchestration. Exaltation Publications #30/1965L. Published by Exaltation Publications

By Joseph M. Martin. ORCHESTRATION ON CD-ROM. Harold Flammer Christmas. CD-ROM. Published by Harold Flammer Music

Full Orchestra (Print) Choir (Orchestra Accompaniment)

SKU: HL.35032262

Composed by Heather Sorenson and Joseph M. Martin. Shawnee Sacred. Advent, Cantata, Christmas, Christmas/Advent Sacred, General Worship, Sacred. Softcover. Duration 3360 seconds. Published by Shawnee Press (HL.35032262).

ISBN 9781540027139. UPC: 888680746728. 9.0x13.5x2.261 inches. Joseph M. Martin/Heather Sorenson.

The Christmas story is told with fresh perspective in this collaborative cantata from Joseph Martin and Heather Sorenson. Throughout time, God has touched and motivated hearts through dreams and visions. Christmas Dreams visits these moments in scripture and connects the experiences of ancient times with our modern journey of faith, pointing to Christ, in whose birth the hopes, yearnings and dreams of all the world are fulfilled. Using traditional carols, newly composed seasonal selections and thoughtful narration, this rich work delivers a tapestry of sound and emotion. Share this cantata with your people and help them discover God's graceful touch in their lives! Songs include: Christmas Dreams Overture; Advent Dreams; The Promise and the Prayer; A New Morning of Promise; Zechariah's Song; Mary's Dream; All Through the Night; Hark! The Herald Angels Sing; The Magi's Epiphany; Christmas Dreams; A Gentle Christmas Blessing.

Full orchestra

SKU: LO.30-3489MD

Composed by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Full score and parts, plus CD with printable parts. Medallion Music #30/3489MD. Published by Medallion Music (LO.30-3489MD).

UPC: 000308147704.

And It Came to Pass, Emmanuel: A compelling musical triumph that invites the listener on a journey that ultimately leads to worship of the Christ Child. The text of the Christmas story blends seamlessly with original narrative and exquisite lyric writing from Rose Aspinall, and Jay Rouse's incredible ability to fashion original melodies and arrange Christmas favorites with nuance and passion is on full display. The musical opens with an ethereal underscore that leads effortlessly into a 6/8 interpretation of Adeste Fideles, followed directly by the theme song and anchor ballad for the musical, And It Came to Pass. Also included are a song written specifically for this work that gives voice to Joseph's fears and longings; a traditional gospel setting of the all-time favorite Jesus, What a Wonderful Child; a syncopated, upbeat angel and shepherd announcement song titled Fire in the Sky; and a tender worship moment at the manger called Jesus, Prince of Peace. With a little something for everyone, this creative work is sure to be an important part of your Christmas season.

Orchestra (2 (auch 2 Picc.) * 1 * Engl. Hr. (auch Ob. d'am.) * 2 (2. auch Bassklar.) * 1 * Kfg. - 2 * 2 * 0 * 0 - P. S. (Trgl. * Beck. * Tamb. * Tamt. * gr. Tr.) (3 Spieler) - Str.)

SKU: HL.49007462

Ecrite a la memoire de Joseph Haydn. Composed by Jean Franç and aix. Sheet music. Edition Schott. Classical. Conductor's/study score. Composed 1953. 76 pages. Duration 19'. Schott Music #ED 7708. Published by Schott Music (HL.49007462).

ISBN 9790001080279. 9.0x12.0x0.228 inches.

Orchestra

SKU: HL.49010025

Study Score. Composed by Franz Joseph Haydn. Edited by Christa Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1764. 36 pages. Duration 18'. Eulenburg Edition #ETP561. Published by Eulenburg Edition (HL.49010025).

ISBN 9790200204810. UPC: 073999596144. 5.25x7.5x0.095 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Score)

SKU: HL.49010050

Laudon. Composed by Franz Joseph Haydn. Edited by Gwilym Beechey. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. 58 pages. Duration 25'. Eulenburg Edition #ETP 589. Published by Eulenburg Edition (HL.49010050).

ISBN 9790200205091. 5.25x7.5x0.167 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Score)

SKU: HL.49010000

Paris No. 3. Composed by Franz Joseph Haydn. Edited by H. C. Robbins Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 60 pages. Eulenburg Edition #ETP 534. Published by Eulenburg Edition (HL.49010000).

ISBN 9790200204568. UPC: 884088096304. 5.25x7.5x0.154 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.49009442

Overture. Composed by Franz Joseph Haydn. Edited by H. C. Robbins Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1779. 50 pages. Duration 7'. Eulenburg Edition #ETP1124. Published by Eulenburg Edition (HL.49009442).

ISBN 9790200209556. 5.5x7.5x0.118 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.49010045

Study Score. Composed by Franz Joseph Haydn. Edited by Bernhard Paeuler. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1788. 70 pages. Duration 27'. Eulenburg Edition #ETP581. Published by Eulenburg Edition (HL.49010045).

ISBN 9790200205015. UPC: 073999277265. 5.25x7.5x0.248 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Study Score)

SKU: HL.49015921

Composed by Franz Joseph Haydn. Edited by Harry Newstone. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1774. 62 pages. Eulenburg Edition #ETP 571. Published by Eulenburg Edition (HL.49015921).

ISBN 9790200204919. UPC: 073999317428. 5.25x7.5x0.187 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.49010015

Study Score. Composed by Franz Joseph Haydn. Edited by H. C. Robbins Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 44 pages. Eulenburg Edition #ETP551. Published by Eulenburg Edition (HL.49010015).

ISBN 9790200204728. UPC: 073999593365. 5.25x7.5x0.132 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.49010027

Study Score. Composed by Franz Joseph Haydn. Edited by Christa Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1763. 44 pages. Duration 23'. Eulenburg Edition #ETP 563. Published by Eulenburg Edition (HL.49010027).

ISBN 9790200204834. UPC: 073999487336. 5.25x7.5x0.134 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.49010035

Study Score. Composed by Franz Joseph Haydn. Edited by Harry Newstone. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1784. 62 pages. Duration 23'. Eulenburg Edition #ETP 572. Published by Eulenburg Edition (HL.49010035).

ISBN 9790200204926. UPC: 073999563269. 5.25x7.5x0.169 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.49009941

Study Score. Composed by Franz Joseph Haydn. Edited by Harry Newstone. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. 69 pages. Eulenburg Edition #ETP 468. Published by Eulenburg Edition (HL.49009941).

ISBN 9790200204025. UPC: 073999781991. 5.25x7.5x0.229 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.49009988

The Schoolmaster. Composed by Franz Joseph Haydn. Edited by Christa Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 40 pages. Duration 19'. Eulenburg Edition #ETP 518. Published by Eulenburg Edition (HL.49009988).

ISBN 9790200204452. 5.25x7.5x0.108 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Score)

SKU: HL.49010026

Composed by Franz Joseph Haydn. Edited by Christa Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1765. 22 pages. Eulenburg Edition #ETP 562. Published by Eulenburg Edition (HL.49010026).

ISBN 9790200204827. 5.25x7.5x0.093 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Score)

SKU: HL.49010022

Composed by Franz Joseph Haydn. Edited by H. C. Robbins Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 56 pages. Eulenburg Edition #ETP 559. Published by Eulenburg Edition (HL.49010022).

ISBN 9790200204797. 5.25x7.5x0.171 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Score)

SKU: HL.49015922

Composed by Franz Joseph Haydn. Edited by Bernhard Paeuler. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1788. 72 pages. Duration 26'. Eulenburg Edition #ETP 582. Published by Eulenburg Edition (HL.49015922).

ISBN 9790200205022. 5.25x7.5x0.172 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Score)

SKU: HL.49010021

Composed by Franz Joseph Haydn. Edited by H. C. Robbins Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1787. 63 pages. Duration 22'. Eulenburg Edition #ETP558. Published by Eulenburg Edition (HL.49010021).

ISBN 9783795763008. UPC: 841886012318. 5.25x7.5x0.253 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra; Score (Study Score)

SKU: HL.49010049

Composed by Franz Joseph Haydn. Edited by Gwilym Beechey. Arranged by Gwilym Beechey. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 60 pages. Duration 20'. Eulenburg Edition #ETP588. Published by Eulenburg Edition (HL.49010049).

ISBN 9790200205084. UPC: 884088085896. 5.25x7.5x0.137 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.