Canon Noel Orchestre [Conducteur et Parties séparées] Carl Fischer
Composed by Traditional. Arranged by Deborah Baker Monday. Set of Score and P...(+)
Composed by Traditional.
Arranged by Deborah Baker
Monday. Set of Score and
Parts. 8 8 2 5 5 5 8
pages.
Duration 2:30. Carl
Fischer
Music #YAS218. Published
by
Carl Fischer Music
Orchestra - Grade 2 SKU: AP.48047S Featuring: Deck the Hall with Bough...(+)
Orchestra - Grade 2
SKU: AP.48047S
Featuring: Deck the
Hall with Boughs of Holly
/ Jolly Old St.
Nicholas. Composed by
Various. Arranged by
Douglas E. Wagner.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Christmas;
Winter. Score. 12 pages.
Duration 1:45. Belwin
Music #00-48047S.
Published by Belwin Music
(AP.48047S).
UPC:
038081550862.
English.
It never
feels like Christmas
until the music starts
playing. Seems like we
just can't get enough of
those familiar carols
that consistently bring
back happy memories year
after year, and enkindle
excitement for yet
another season of joy
ahead with friends and
family.
Instantly
recognizable Christmas
standards, Deck the Hall
and Jolly Old Saint
Nicholas (along with a
hint of Jingle Bells at
the beginning and at the
end), come together in
this lighthearted medley,
Have a Swingin' Merry
Christmas, by Douglas E.
Wagner, arranged in a
laid-back swing groove.
This one is sure
to put a smile on Santa's
face! (1:45) This title
is available in MakeMusic
Cloud.
Orchestra - Grade 2 SKU: AP.48047 Featuring: Deck the Hall with Boughs...(+)
Orchestra - Grade 2
SKU: AP.48047
Featuring: Deck the
Hall with Boughs of Holly
/ Jolly Old St.
Nicholas. Composed by
Various. Arranged by
Douglas E. Wagner.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Christmas;
Winter. Score and
Part(s). 76 pages.
Duration 1:45. Belwin
Music #00-48047.
Published by Belwin Music
(AP.48047).
UPC:
038081550855.
English.
It never
feels like Christmas
until the music starts
playing. Seems like we
just can't get enough of
those familiar carols
that consistently bring
back happy memories year
after year, and enkindle
excitement for yet
another season of joy
ahead with friends and
family.
Instantly
recognizable Christmas
standards, Deck the Hall
and Jolly Old Saint
Nicholas (along with a
hint of Jingle Bells at
the beginning and at the
end), come together in
this lighthearted medley,
Have a Swingin' Merry
Christmas, by Douglas E.
Wagner, arranged in a
laid-back swing groove.
This one is sure
to put a smile on Santa's
face! (1:45) This title
is available in MakeMusic
Cloud.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Arrangement for
chamber orchestra (arr.
J. Linckelmann).
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Joachim
Linckelmann. Carus
digital: Extra digital
products. Full Score. MWV
A 14. Duration 145
minutes. Carus Verlag
#4012950. Published by
Carus Verlag
(CA.4012950).
ISBN
9790007254650.
German/English.
Men
delssohn's St. Paul with
just seven instead of the
usual 18 wind
instruments? Thanks to
this arrangement for
chamber orchestra, a
performance with smaller
forces is now possible,
and presents an
attractive alternative
for performing
Mendelssohn's first
oratorio - not only in
times of Corona. For it
is often considerations
of space, a limited
budget, or the size of
the chorus which call for
flexibility in
scoring. The
arrangement is based on
the Carus Urtext edition.
By reducing the symphonic
wind and brass in
particular, the volume of
sound is more restrained,
but nevertheless the
symphonic character and a
wide dynamic range are
retained. All the vocal
parts (soloists and
chorus) are identical
with the original
version, so that the
vocal scores, choral
scores, and practice aids
of the existing Carus
edition can still be
used.
Major
oratorio can also be
performed by smaller
choirs Wind and brass
parts of the original
version reduced to just
seven single instruments
vocal scores and
choral scores from the
original version can be
used carus plus: the
work (original version)
is available in carus
music, the Choir Coach,
and in the Carus Choir
Coach (Audio only)
series. . Score
available separately -
see item CA.4012900.
(Exercises for the Instrumental Conductor). Arranged by Robert Spradling. Carl F...(+)
(Exercises for the
Instrumental Conductor).
Arranged by Robert
Spradling. Carl Fischer
Band Books Series.
Student Book. 96 pages.
Published by Carl Fischer
Orchestra (Study Score) SKU: HL.51489059 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489059
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 58 pages. G.
Henle #HN9059. Published
by G. Henle
(HL.51489059).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489060 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489060
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 64 pages. G.
Henle #HN9060. Published
by G. Henle
(HL.51489060).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489058 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489058
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 63 pages. G.
Henle #HN9058. Published
by G. Henle
(HL.51489058).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Best of Bach Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
By Johann Sebastian Bach. Arranged by Jerry Brubaker. By Johann Sebastian Bach /...(+)
By Johann Sebastian Bach.
Arranged by Jerry
Brubaker. By Johann
Sebastian Bach / arr.
Jerry Brubaker. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Level: 2.5
(grade 2.5). Conductor
Score and Parts. 120
pages. Published by
Alfred Publishing.
O Holy Night Orchestre [Conducteur et Parties séparées] - Facile Belwin
Arranged by Robert W. Smith. Orchestra. Full Orchestra. Belwin Intermediate Full...(+)
Arranged by Robert W.
Smith. Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Christmas;
Winter. Grade 2.5.
Conductor Score and
Parts. 128 pages.
Duration 3:37. Published
by Belwin Publishing
String Orchestra (Full Score) SKU: HL.51483320 For String Orchestra St...(+)
String Orchestra (Full
Score)
SKU:
HL.51483320
For
String Orchestra Study
Score. Composed by
Edvard Grieg. Edited by
Ernst-Gü and nter
Heinemann. Henle Music
Folios. Classical.
Softcover. 28 pages. G.
Henle #HN3320. Published
by G. Henle
(HL.51483320).
UPC:
196288308140.
9.25x12.25x0.13
inches.
The
occasion for the
composition, described as
a âsuite in the old
styleâ, was the
200th birthday of the
Norwegian-Danish poet
Ludvik Holberg
(1684-1754), which was
celebrated in Bergen with
several festive events.
Initially, a piano
version of the work was
written in August 1884,
but the composer already
had the arrangement for
string orchestra in mind,
which he made just one
month later. As a
starting point, Grieg
chose baroque dance
movements from Holberg's
era, but skilfully
combined them with
elements of his own tonal
language, such as
chromatic progressions
and dynamic swells. The
orchestral version of the
âHolberg
Suiteâ, which was
very successful right
from the beginning, is
still one of Grieg's most
popular compositions
today and now enriches
the Henle programme for
string orchestra.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: PR.UE026294 Composed by Matthias Ruegg. With Standard nota...(+)
Orchestra
SKU:
PR.UE026294
Composed
by Matthias Ruegg. With
Standard notation.
Universal Edition
#UE026294. Published by
Universal Edition
(PR.UE026294).
UPC:
803452061809.
Celeb
rating Rüegg’s
life as an amazingly
prolific jazz arranger
and orchestrator,
Universal Edition has
just released A Centenary
Journey, a compilation of
the great charts by
Rüegg in notated score
form. A rarity in
published music, these
jazz scores “unlock
the secrets†to
phenomenal performances,
echoing the evolution of
jazz itself along the
way. Students of the art
(of any age) can now
follow along with the
written page, and see the
music behind the
experience, to study the
process from concept to
reality. The score
includes an audio CD
recording of select
compositions, as well,
performed by the Vienna
Art Orchestra. An
excellent overview of the
development of jazz from
1900 to its present
form(s).
Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by ...(+)
Orchestra Study Score.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Andreas Friesenhagen.
Henle
Study Scores. Classical.
Softcover. 45 pages. G.
Henle #HN9057. Published
by
G. Henle
A Cantata for
Christmas. Composed
by Heather Sorenson.
Daybreak Christmas
Choral. Advent, Cantata,
Carol, Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3000
seconds. Published by
Daybreak Music
(HL.226377).
ISBN
9781495091506. UPC:
888680674618.
8.5x11.0x2.3
inches.
Composed in
both traditional and
blended choral stylings,
this cantata weaves the
historic symbolism of
both the Lion of Judah
and the Lamb of God into
the Christmas story.
Through original songs
and traditional carols,
singers and listeners are
reminded that this story
is not just an event in
history, but a living
story that still impacts
the world today.
Narration, solos,
congregational
participation and
optional children's
voices, along with
gorgeous orchestrations
by Keith Christopher, all
work together to make
this service a time of
both celebration and
worship. Songs include:
Overture/Sing Christmas!;
And So We Wait; It Came
upon a Midnight Clear;
Who's the Little Baby?;
Sleep Little Lion, Sleep
Little Lamb; Where Is
Peace Tonight?; In This
Moment; Angels from the
Realms of Glory; Carol of
the King. Score and Parts
(fl 1-2/pic, ob, cl 1-2,
bn, tpt 1-3, hn 1-2, tbn
1-2, tbn 3/tba, perc 1-2,
timp, hp, pno, rhy, vn
1-2, va, vc, db)
available as a Printed
Edition and as a digital
download.
Orchestra SKU: AP.48707 15 Arrangements of Traditional Tunes on the D ...(+)
Orchestra
SKU:
AP.48707
15
Arrangements of
Traditional Tunes on the
D & A Strings, Perfect
for Differentiated
Instruction. Composed
by Becky Bush, Bob
Phillips, and Sarah
Lenhart.
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Teacher's
score. 64 pages. Alfred
Music #00-48707.
Published by Alfred Music
(AP.48707).
ISBN
9781470643997. UPC:
038081559919.
English.
Sound
Differentiation is a
motivational, time-saving
supplemental resource
that provides
differentiated parts for
15 well-known
tunes---perfect for a
variety of teaching
situations, including odd
or incomplete
instrumentation, or when
working with a mix of
ability levels. The
arrangements in this
collection are ready for
use in an adaptable
format with identical
parts for all
instruments. The featured
parts are tune, bass
line, harmony, and
variation, and each one
can be assigned to your
choice of soloists,
instrument sections, or
difficulty-leveled
groupings of students of
both like-instrumentation
or mixed-instrumentation.
The difficulty of each
piece progresses
throughout the book.
Here are just
some of the ways to
differentiate with Sound
Differentiation: *
Group students into 3
categories based on skill
level and assign
level-appropriate parts.
* Customize each
arrangement by choosing
the order in which
students play each line
of the song. *
Teachers may assign a new
line order using the
blank Teacher Order
column.
String Orchestra (Full Score) SKU: HL.51481550 For String Orchestra Fu...(+)
String Orchestra (Full
Score)
SKU:
HL.51481550
For
String Orchestra Full
Score. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Chamber, Classical.
Softcover. 67 pages. G.
Henle #HN1550. Published
by G. Henle
(HL.51481550).
UPC:
196288207269.
10.0x12.75x0.236
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. âI'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,â he wrote
to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods â be
it the Mozartian first
movement âin the
form of a sonatinaâ,
the elegant Waltz, the
melancholy
âElegiaâ or the
rousing Finale. For this
new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
King William's March Orchestre [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Jeremiah Clarke (1674-1707). Arranged by Bob Phillips. Orchestra. Full Orches...(+)
By Jeremiah Clarke
(1674-1707). Arranged by
Bob Phillips. Orchestra.
Full Orchestra;
Masterworks; Part(s);
Score. Beginning Full
Orchestra. Form: March.
Baroque; Masterwork
Arrangement. Grade 1.5.
120 pages. Published by
Alfred Music Publishing
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra - Grade 2.5 SKU: AP.43765 Composed by Antonio Vivaldim Jeffrey ...(+)
Orchestra - Grade 2.5
SKU: AP.43765
Composed by Antonio
Vivaldim Jeffrey E.
Turner. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Baroque; Light
Concert; Masterwork
Arrangement. Score and
Part(s). 72 pages.
Duration 3:15. Belwin
Music #00-43765.
Published by Belwin Music
(AP.43765).
UPC:
038081496450. English.
[Based on the music of
Antonio Vivaldi] By
Jeffrey E.
Turner.
This very
accessible arrangement
includes just enough of
each movement to provide
a taste of the original!
Stirring the pot by the
use of a common key for
all four seasons and
simplified rhythms create
the perfect blend of
seasonings to delight all
as only Vivaldi can.
(3:15).
Orchestra - Grade 2.5 SKU: AP.43765S Composed by Antonio Vivaldim Jeffrey...(+)
Orchestra - Grade 2.5
SKU: AP.43765S
Composed by Antonio
Vivaldim Jeffrey E.
Turner. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Baroque; Light
Concert; Masterwork
Arrangement. Score. 12
pages. Duration 3:15.
Belwin Music #00-43765S.
Published by Belwin Music
(AP.43765S).
UPC:
038081496467. English.
[Based on the music of
Antonio Vivaldi] By
Jeffrey E.
Turner.
This very
accessible arrangement
includes just enough of
each movement to provide
a taste of the original!
Stirring the pot by the
use of a common key for
all four seasons and
simplified rhythms create
the perfect blend of
seasonings to delight all
as only Vivaldi can.
(3:15).
Orchestra - Grade 2.5 SKU: AP.38405S Composed by Peter Ilyich Tchaikovsky...(+)
Orchestra - Grade 2.5
SKU: AP.38405S
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Michael Story.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Orchestra Expressions.
Form: Overture.
Masterwork Arrangement;
Romantic. Score. 8 pages.
Alfred Music #00-38405S.
Published by Alfred Music
(AP.38405S).
UPC:
038081437378.
English.
200 years
after the event it
commemorates, let's
celebrate Tchaikovsky
with a very playable
reduction of his great
overture. Perfect for
festival or contest---or
just for fun, using paper
bags for the canon
effect!
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Composed by
Langston Hughes and Rollo
Dilworth. Festival
Choral. African-American,
Choir & Orchestra,
Concert, Festival,
Inspirational,
Multicultural, Spiritual.
116 pages. Published by
Hal Leonard (HL.114464).
UPC: 884088872670.
8.5x11.0x0.525
inches.
Quotes of
the beloved spiritual
“Hold On†are
combined with excerpts
from “Freedom's
Plow†by Langston
Hughes in this powerful
and dramatic work
commissioned by the St.
Louis Symphony. Themes of
the struggle for liberty
and justice throughout
America and the world
make this a magnificent
concert closer for
festival and community
performances with
keyboard, bass and drums
or the optional
orchestral accompaniment!
Available separately:
SATB divisi, Orchestra
score and parts (fl, ob,
cl, bn, hn, tpt 1-3, tbn
1-2 [btbn], bells, perc
1-2, vn 1-2, va, vc, db).
Duration: ca. 5:00.
Orchestra - Grade 1 SKU: AP.43748S Arranged by Jack Bullock. Performance ...(+)
Orchestra - Grade 1
SKU: AP.43748S
Arranged by Jack Bullock.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Light Concert;
Sacred; Traditional.
Score. 8 pages. Duration
2:00. Belwin Music
#00-43748S. Published by
Belwin Music (AP.43748S).
UPC: 038081496146.
English.
Traditional.
The
striking melodies, the
simple and meaningful
words, and the many ways
the music can be
interpreted create an
immortal song that
touches us all. This
beautiful setting allows
for adjustment of the
dynamics and the tempo to
suit your ensemble.
(2:00).
From the series Arcane League of Legends. Composed by Benjamin McKee, Daniel...(+)
From the series Arcane
League
of Legends. Composed by
Benjamin McKee, Daniel
Platzman, Daniel
Reynolds,
Daniel Sermon, Mattias
Larsson, Music by Justin
Tranter, Robin Lennart
Fredriksson, and Words.
Arranged by Chris M.
Bernotas.
Performance Music
Ensemble;
Single Titles; String
Orchestra. Pop
Intermediate
String Orchestra. Light
Concert; Pop/Rock; TV.
Score
and Part(s). Duration
2:15.
Alfred Music #00-49915.
Published by Alfred Music