Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Full...(+)
Featuring: Just the
Way You Are / When I Was
Your Man / Uptown
Funk. Full Orchestra;
Score. Pop Concert Full
Orchestra. Pop. 32 pages.
Published by Alfred Music
(AP.45853S).
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Arranged by...(+)
Featuring: Just the Way
You Are / When I Was Your
Man / Uptown Funk.
Arranged by Victor Lopez.
Full Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Pop. 248
pages. Published by
Alfred Music
Featuring: Just the Way You Are (Amazing) / When I Was Your Man / Locked Out ...(+)
Featuring: Just the
Way You Are (Amazing) /
When I Was Your Man /
Locked Out of Heaven.
Arranged by Victor Lopez.
Full Orchestra; Score.
Pop Concert Full
Orchestra. Form: Medley.
Pop. 28 pages. Published
by Alfred Music
(AP.43801S).
Bruno Mars' Greatest Hits Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Just the Way You Are (Amazing) / When I Was Your Man / Locked Out of...(+)
(Featuring: Just the Way
You Are (Amazing) / When
I Was Your Man / Locked
Out of Heaven). Arranged
by Victor Lopez.
Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Medley.
Pop. Grade 3. 230 pages.
Published by Alfred Music
Just Add Music Orchestre [Conducteur] - Débutant Alfred Publishing
Orchestra - Grade 1 SKU: AP.47454S A Unique Selection for Musical Crea...(+)
Orchestra - Grade 1
SKU: AP.47454S
A Unique Selection for
Musical Creativity!.
Composed by Scott Watson.
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Light Concert.
Score. 8 pages. Alfred
Music #00-47454S.
Published by Alfred Music
(AP.47454S).
UPC:
038081547398.
English.
This work
contains notes and
rhythms in the printed
music---but no tempo
indication or expressive
markings (such as
dynamics or
articulations). Those
missing items are the
music that you, the
teacher, along with the
ensemble will select and
pencil into the music to
make this piece uniquely
reflect your ensemble!
All the notes and rhythms
you need for a great
concert selection are
included in this recipe
for hands-on learning and
creativity. (Correlates
with Sound Innovations
for String orchestra,
Book 1, level 1).
Orchestra - Grade 1 SKU: AP.47454 A Unique Selection for Musical Creat...(+)
Orchestra - Grade 1
SKU: AP.47454
A
Unique Selection for
Musical Creativity!.
Composed by Scott Watson.
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Light Concert.
Score and Part(s). 88
pages. Alfred Music
#00-47454. Published by
Alfred Music (AP.47454).
UPC: 038081547381.
English.
This work
contains notes and
rhythms in the printed
music---but no tempo
indication or expressive
markings (such as
dynamics or
articulations). Those
missing items are the
music that you, the
teacher, along with the
ensemble will select and
pencil into the music to
make this piece uniquely
reflect your ensemble!
All the notes and rhythms
you need for a great
concert selection are
included in this recipe
for hands-on learning and
creativity. (Correlates
with Sound Innovations
for String orchestra,
Book 1, level 1).
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Grade 3 SKU: CL.LDP-7022-00 Song For James Dean. Composed by Daehn...(+)
Grade 3
SKU:
CL.LDP-7022-00
Song For James
Dean. Composed by
Daehn. Full Orchestra.
Score and set of parts.
Composed 1999. Daehn
Publications
#LDP-7022-00. Published
by Daehn Publications
(CL.LDP-7022-00).
This is the big
beautiful piece for that
special quiet place in
your next concert or
festival. Inspired by the
inscription on a James
Dean statue.
Unforgettably moving!
Grade 3 SKU: CL.LDP-7022-01 Song For James Dean. Composed by Daehn...(+)
Grade 3
SKU:
CL.LDP-7022-01
Song For James
Dean. Composed by
Daehn. Full Orchestra.
Extra full score.
Composed 1999. Daehn
Publications
#LDP-7022-01. Published
by Daehn Publications
(CL.LDP-7022-01).
This is the big
beautiful piece for that
special quiet place in
your next concert or
festival. Inspired by the
inscription on a James
Dean statue.
Unforgettably moving!
Arranged by Michael Story. Orchestra. Full Orchestra. Belwin Intermediate Full O...(+)
Arranged by Michael
Story. Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Christmas;
Light Concert; Winter.
Grade 2.5. Conductor
Score and Parts. 54
pages. Duration 1:43.
Published by Belwin Music
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Full orchestra SKU: LO.30-3683MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3683MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and
parts. Medallion Music
#30/3683MD. Published by
Medallion Music
(LO.30-3683MD).
UPC:
000308153156.
Orche
stral Score and Parts for
Broken Bread, Broken Life
(10/5402MD) - This
passionate worship anthem
by Jay Rouse emphasizes
Christ's ultimate
sacrifice on the cross
and His gift to all
believers of new life. A
serene opening builds to
a profound finale where
the choir repeatedly
proclaims, Lord, You are
the Bread of Life. Thank
You for Your sacrifice.
Highly appropriate for
use throughout the Easter
season, it is just as
impactful year-round.
From Songs of the Cross
(55/1199MD).
Full Orchestra (Print) Choral (Orchestra Accompaniment) SKU: HL.35008056 ...(+)
Full Orchestra (Print)
Choral (Orchestra
Accompaniment)
SKU:
HL.35008056
Composed
by Don Besig.
Orchestration. Shawnee
Sacred. Print on demand -
publisher prints this
title after order is
received. General
Worship, Missions, Youth
Choir. Softcover. Shawnee
Press #LB5255. Published
by Shawnee Press
(HL.35008056).
Don
Besig/Nancy
Price.
Energetic
and driving rhythms
emphasize the urgent need
to go forth and preach
the gospel. Contrasting
legato verses with a
syncopated refrain
stresses the importance
of Jesus' command to his
disciples with a
memorable melody and
exciting accompaniment.
Go Ye into All the World
is a directive to us all,
and this catchy anthem
will make you want to go
out and do just that.
Composed by Johannes Brahms (1833-1897). Arranged by Louis Bergonzi. Full Orches...(+)
Composed by Johannes
Brahms (1833-1897).
Arranged by Louis
Bergonzi. Full Orchestra;
Masterworks; Part(s);
Score. Belwin Concert
Full Orchestra. Form:
Overture. Masterwork
Arrangement; Romantic.
206 pages. Published by
Belwin Music (AP.45856).
Composed by Johannes Brahms (1833-1897). Arranged by Louis Bergonzi. Full Orches...(+)
Composed by Johannes
Brahms (1833-1897).
Arranged by Louis
Bergonzi. Full Orchestra;
Masterworks; Performance
Music Ensemble; Single
Titles. Belwin Concert
Full Orchestra. Form:
Overture. Masterwork
Arrangement; Romantic.
Score. 40 pages. Duration
4:30. Belwin Music
#00-45856S. Published by
Belwin Music (AP.45856S).
10,000 Hours Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.49446S As Performed by Dan + Shay and Ju...(+)
Orchestra - Grade 2.5
SKU: AP.49446S
As Performed by Dan +
Shay and Justin
Bieber. Composed by
Dan Smyers, Jason Boyd,
Jessie Jo Dillon, Jordan
Reynolds, Justin Bieber,
and Shay Mooney. Arranged
by Victor Lopez.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop/Rock. Score. Alfred
Music #00-49446S.
Published by Alfred Music
(AP.49446S).
ISBN
9781470650438. UPC:
038081571218.
English.
Looking
for a way to musically
connect with your
students, 10,000 Hours is
a chart that will do the
trick. This Billboard No.
1 HOT 100, country pop
song, performed by Dan +
Shay and Justin Bieber,
continues to be a global
success. Written at the
young band level, this
arrangement by Victor
López will certainly
engage your students.
(3:00) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 2.5 SKU: AP.49446 As Performed by Dan + Shay and Jus...(+)
Orchestra - Grade 2.5
SKU: AP.49446
As Performed by Dan +
Shay and Justin
Bieber. Composed by
Dan Smyers, Jason Boyd,
Jessie Jo Dillon, Jordan
Reynolds, Justin Bieber,
and Shay Mooney. Arranged
by Victor Lopez.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop/Rock. Score and
Part(s). Belwin Music
#00-49446. Published by
Belwin Music (AP.49446).
ISBN 9781470650421.
UPC: 038081571201.
English.
Looking
for a way to musically
connect with your
students, 10,000 Hours is
a chart that will do the
trick. This Billboard No.
1 HOT 100, country pop
song, performed by Dan +
Shay and Justin Bieber,
continues to be a global
success. Written at the
young band level, this
arrangement by Victor
López will certainly
engage your students.
(3:00) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 3 SKU: AP.41271 An Introduction to the String Orches...(+)
Orchestra - Grade 3
SKU: AP.41271
An Introduction to the
String Orchestra.
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Variations. Score and
Part(s). 124 pages.
Duration 6:10.
Highland/Etling
#00-41271. Published by
Highland/Etling
(AP.41271).
UPC:
038081480916.
English.
Think
Benjamin Britten's Young
Person's Guide but just
for strings! Written to
be used for outreach or
recruiting concerts, this
piece is a great way to
educate audiences of all
ages about the different
instruments of the string
orchestra. All of your
students will love
getting a chance in the
spotlight as the simple
main theme is followed by
five variations, each
featuring a different
section (yes, Violins I
and II get their own
separate variation!). The
piece concludes with a
rousing 6/8 finale in
which phrases of the
theme are tossed from
section to section,
giving your audience a
final review of what they
have learned. Very
playable and very
enjoyable for all! (6:10)
This title is available
in MakeMusic Cloud.
Who's Who? Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 3 SKU: AP.41271S An Introduction to the String Orche...(+)
Orchestra - Grade 3
SKU: AP.41271S
An Introduction to the
String Orchestra.
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Variations. Score. 20
pages. Highland/Etling
#00-41271S. Published by
Highland/Etling
(AP.41271S).
UPC:
038081480923.
English.
Think
Benjamin Britten's Young
Person's Guide but just
for strings! Written to
be used for outreach or
recruiting concerts, this
piece is a great way to
educate audiences of all
ages about the different
instruments of the string
orchestra. All of your
students will love
getting a chance in the
spotlight as the simple
main theme is followed by
five variations, each
featuring a different
section (yes, Violins I
and II get their own
separate variation!). The
piece concludes with a
rousing 6/8 finale in
which phrases of the
theme are tossed from
section to section,
giving your audience a
final review of what they
have learned. Very
playable and very
enjoyable for all! This
title is available in
MakeMusic Cloud.
Mladi - Die Jugend Orchestre [Conducteur d'étude / Miniature] Barenreiter
(Blasersextett). By Leos Janacek (1854-1928). Edited by Jan Dolezal. For Flute (...(+)
(Blasersextett). By Leos
Janacek (1854-1928).
Edited by Jan Dolezal.
For Flute (including
piccolo) Oboe, Clarinet,
Horn, Bassoon,
Bass-Clarinet. Study
Score (paperbound).
Published by Baerenreiter
Verlag
Orchestra - Grade 2.5 SKU: AP.38483 Composed by Almon C. Bock II. Perform...(+)
Orchestra - Grade 2.5
SKU: AP.38483
Composed by Almon C. Bock
II. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score and Part(s). 130
pages. Highland/Etling
#00-38483. Published by
Highland/Etling
(AP.38483).
UPC:
038081432397.
English.
A sprite
is a small or elusive
supernatural being such
as an elf or pixie. This
piece is evocative of
just such beings. It is
playful in character,
portraying images of
these beings as they
dance about and frolic in
their own spaces---be
that wood, water, fields,
or even in our
imagination. These
sprites invite you to
play with them as you
listen to the music.
Sprites Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 2.5 SKU: AP.38483S Composed by Almon C. Bock II. Perfor...(+)
Orchestra - Grade 2.5
SKU: AP.38483S
Composed by Almon C. Bock
II. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score. 12 pages.
Highland/Etling
#00-38483S. Published by
Highland/Etling
(AP.38483S).
UPC:
038081432403.
English.
A sprite
is a small or elusive
supernatural being such
as an elf or pixie. This
piece is evocative of
just such beings. It is
playful in character,
portraying images of
these beings as they
dance about and frolic in
their own spaces---be
that wood, water, fields,
or even in our
imagination. These
sprites invite you to
play with them as you
listen to the music.
Full orchestra SKU: LO.30-3681MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3681MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and CD
with printable parts.
Medallion Music
#30/3681MD. Published by
Medallion Music
(LO.30-3681MD).
UPC:
000308153286.
Orche
stral Score and CD with
Printable Parts for
55/1199MD This deeply
moving collection from
Jay Rouse includes six
songs that glory in the
cross of Christ. Highly
appropriate for use
throughout the Easter
season, it is just as
impactful year-round. It
includes the classic
Annie Herring Easter Song
in an easily learned
contemporary style; a
gospel setting of the
much-loved hymn My
Savior’s Love; two
modern worship anthems,
Broken Bread, Broken Life
and Jesus Crucified; the
beloved Dottie Rambo song
I Will Glory in the
Cross; and an elegant
setting of the timeless
hymn Beneath the Cross of
Jesus. Optional
narrations from gifted
writer Rose Aspinall will
bring the truths of
scripture to life in a
refreshing way.
There’s an eternal
mystery in the cross,
that instrument of death
and grace. Hanging there
by His own choosing, the
Son of God purchases life
for you and me..
Full orchestra SKU: LO.30-3680MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3680MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and
parts. Medallion Music
#30/3680MD. Published by
Medallion Music
(LO.30-3680MD).
UPC:
000308153279.
Orche
stral Score and Parts for
55/1199MD This deeply
moving collection from
Jay Rouse includes six
songs that glory in the
cross of Christ. Highly
appropriate for use
throughout the Easter
season, it is just as
impactful year-round. It
includes the classic
Annie Herring Easter Song
in an easily learned
contemporary style; a
gospel setting of the
much-loved hymn My
Savior’s Love; two
modern worship anthems,
Broken Bread, Broken Life
and Jesus Crucified; the
beloved Dottie Rambo song
I Will Glory in the
Cross; and an elegant
setting of the timeless
hymn Beneath the Cross of
Jesus. Optional
narrations from gifted
writer Rose Aspinall will
bring the truths of
scripture to life in a
refreshing way.
There’s an eternal
mystery in the cross,
that instrument of death
and grace. Hanging there
by His own choosing, the
Son of God purchases life
for you and me..
Composed by Benj Pasek,
Justin Paul, and
Lin-Manuel Miranda.
Arranged by Katie O'Hara
LaBrie. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Broadway; Movie. Score.
Alfred Music #00-49440S.
Published by Alfred Music
(AP.49440S).
ISBN
9781470648671. UPC:
038081569475.
English.
Found/Toni
ght arranged by Katie
O'Hara LaBrie is the
emotional mash-up of You
Will Be Found from
Broadway's Dear Evan
Hansen and The Story of
Tonight from Hamilton.
First premiered by Ben
Platt and Lin-Manuel
Miranda at the 2018 March
for Our Lives, this piece
was dedicated to the kids
impacted by gun violence
in the wake of the
Parkland, Florida
tragedy. In this
arrangement for strings
and optional piano,
melodies get passed from
voice to voice, while
rich harmonies tug at
your heart strings.
(3:10) This title is
available in MakeMusic
Cloud.
Composed by Benj Pasek,
Justin Paul, and
Lin-Manuel Miranda.
Arranged by Katie O'Hara
LaBrie. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Broadway; Movie. Score
and Part(s). Alfred Music
#00-49440. Published by
Alfred Music (AP.49440).
ISBN 9781470648664.
UPC: 038081569468.
English.
Found/Toni
ght arranged by Katie
O'Hara LaBrie is the
emotional mash-up of You
Will Be Found from
Broadway's Dear Evan
Hansen and The Story of
Tonight from Hamilton.
First premiered by Ben
Platt and Lin-Manuel
Miranda at the 2018 March
for Our Lives, this piece
was dedicated to the kids
impacted by gun violence
in the wake of the
Parkland, Florida
tragedy. In this
arrangement for strings
and optional piano,
melodies get passed from
voice to voice, while
rich harmonies tug at
your heart strings.
(3:10) This title is
available in MakeMusic
Cloud.
String Orchestra (Full Score) SKU: HL.51483320 For String Orchestra St...(+)
String Orchestra (Full
Score)
SKU:
HL.51483320
For
String Orchestra Study
Score. Composed by
Edvard Grieg. Edited by
Ernst-Gü and nter
Heinemann. Henle Music
Folios. Classical.
Softcover. 28 pages. G.
Henle #HN3320. Published
by G. Henle
(HL.51483320).
UPC:
196288308140.
9.25x12.25x0.13
inches.
The
occasion for the
composition, described as
a âsuite in the old
styleâ, was the
200th birthday of the
Norwegian-Danish poet
Ludvik Holberg
(1684-1754), which was
celebrated in Bergen with
several festive events.
Initially, a piano
version of the work was
written in August 1884,
but the composer already
had the arrangement for
string orchestra in mind,
which he made just one
month later. As a
starting point, Grieg
chose baroque dance
movements from Holberg's
era, but skilfully
combined them with
elements of his own tonal
language, such as
chromatic progressions
and dynamic swells. The
orchestral version of the
âHolberg
Suiteâ, which was
very successful right
from the beginning, is
still one of Grieg's most
popular compositions
today and now enriches
the Henle programme for
string orchestra.
About Henle
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and explaining all source
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