Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Full orchestra SKU: LO.30-3681MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3681MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and CD
with printable parts.
Medallion Music
#30/3681MD. Published by
Medallion Music
(LO.30-3681MD).
UPC:
000308153286.
Orche
stral Score and CD with
Printable Parts for
55/1199MD This deeply
moving collection from
Jay Rouse includes six
songs that glory in the
cross of Christ. Highly
appropriate for use
throughout the Easter
season, it is just as
impactful year-round. It
includes the classic
Annie Herring Easter Song
in an easily learned
contemporary style; a
gospel setting of the
much-loved hymn My
Savior’s Love; two
modern worship anthems,
Broken Bread, Broken Life
and Jesus Crucified; the
beloved Dottie Rambo song
I Will Glory in the
Cross; and an elegant
setting of the timeless
hymn Beneath the Cross of
Jesus. Optional
narrations from gifted
writer Rose Aspinall will
bring the truths of
scripture to life in a
refreshing way.
There’s an eternal
mystery in the cross,
that instrument of death
and grace. Hanging there
by His own choosing, the
Son of God purchases life
for you and me..
Full orchestra SKU: LO.30-3680MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3680MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and
parts. Medallion Music
#30/3680MD. Published by
Medallion Music
(LO.30-3680MD).
UPC:
000308153279.
Orche
stral Score and Parts for
55/1199MD This deeply
moving collection from
Jay Rouse includes six
songs that glory in the
cross of Christ. Highly
appropriate for use
throughout the Easter
season, it is just as
impactful year-round. It
includes the classic
Annie Herring Easter Song
in an easily learned
contemporary style; a
gospel setting of the
much-loved hymn My
Savior’s Love; two
modern worship anthems,
Broken Bread, Broken Life
and Jesus Crucified; the
beloved Dottie Rambo song
I Will Glory in the
Cross; and an elegant
setting of the timeless
hymn Beneath the Cross of
Jesus. Optional
narrations from gifted
writer Rose Aspinall will
bring the truths of
scripture to life in a
refreshing way.
There’s an eternal
mystery in the cross,
that instrument of death
and grace. Hanging there
by His own choosing, the
Son of God purchases life
for you and me..
Orchestra - Grade 2.5 SKU: AP.38405S Composed by Peter Ilyich Tchaikovsky...(+)
Orchestra - Grade 2.5
SKU: AP.38405S
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Michael Story.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Orchestra Expressions.
Form: Overture.
Masterwork Arrangement;
Romantic. Score. 8 pages.
Alfred Music #00-38405S.
Published by Alfred Music
(AP.38405S).
UPC:
038081437378.
English.
200 years
after the event it
commemorates, let's
celebrate Tchaikovsky
with a very playable
reduction of his great
overture. Perfect for
festival or contest---or
just for fun, using paper
bags for the canon
effect!
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Full...(+)
Featuring: Just the
Way You Are / When I Was
Your Man / Uptown
Funk. Full Orchestra;
Score. Pop Concert Full
Orchestra. Pop. 32 pages.
Published by Alfred Music
(AP.45853S).
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Arranged by...(+)
Featuring: Just the Way
You Are / When I Was Your
Man / Uptown Funk.
Arranged by Victor Lopez.
Full Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Pop. 248
pages. Published by
Alfred Music
Rosamunde Overture Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
By Franz Schubert. Arranged by Richard Meyer. By Franz Schubert / arr. Richard M...(+)
By Franz Schubert.
Arranged by Richard
Meyer. By Franz Schubert
/ arr. Richard Meyer. For
Full Orchestra. Full
Orchestra. First
Philharmonic. Level:
Grade 2. Conductor Score
and Parts. Published by
Alfred Publishing.
By Franz Schubert. Arranged by Richard Meyer. By Franz Schubert / arr. Richard M...(+)
By Franz Schubert.
Arranged by Richard
Meyer. By Franz Schubert
/ arr. Richard Meyer. For
Full Orchestra. Full
Orchestra. First
Philharmonic. Level:
Grade 2. Conductor Score.
Published by Alfred
Publishing.
Featuring: Just the Way You Are (Amazing) / When I Was Your Man / Locked Out ...(+)
Featuring: Just the
Way You Are (Amazing) /
When I Was Your Man /
Locked Out of Heaven.
Arranged by Victor Lopez.
Full Orchestra; Score.
Pop Concert Full
Orchestra. Form: Medley.
Pop. 28 pages. Published
by Alfred Music
(AP.43801S).
Bruno Mars' Greatest Hits Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Just the Way You Are (Amazing) / When I Was Your Man / Locked Out of...(+)
(Featuring: Just the Way
You Are (Amazing) / When
I Was Your Man / Locked
Out of Heaven). Arranged
by Victor Lopez.
Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Medley.
Pop. Grade 3. 230 pages.
Published by Alfred Music
String Orchestra (Full Score) SKU: HL.51483320 For String Orchestra St...(+)
String Orchestra (Full
Score)
SKU:
HL.51483320
For
String Orchestra Study
Score. Composed by
Edvard Grieg. Edited by
Ernst-Gü and nter
Heinemann. Henle Music
Folios. Classical.
Softcover. 28 pages. G.
Henle #HN3320. Published
by G. Henle
(HL.51483320).
UPC:
196288308140.
9.25x12.25x0.13
inches.
The
occasion for the
composition, described as
a âsuite in the old
styleâ, was the
200th birthday of the
Norwegian-Danish poet
Ludvik Holberg
(1684-1754), which was
celebrated in Bergen with
several festive events.
Initially, a piano
version of the work was
written in August 1884,
but the composer already
had the arrangement for
string orchestra in mind,
which he made just one
month later. As a
starting point, Grieg
chose baroque dance
movements from Holberg's
era, but skilfully
combined them with
elements of his own tonal
language, such as
chromatic progressions
and dynamic swells. The
orchestral version of the
âHolberg
Suiteâ, which was
very successful right
from the beginning, is
still one of Grieg's most
popular compositions
today and now enriches
the Henle programme for
string orchestra.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Arranged by Michael Story. Orchestra. Full Orchestra. Belwin Intermediate Full O...(+)
Arranged by Michael
Story. Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Christmas;
Light Concert; Winter.
Grade 2.5. Conductor
Score and Parts. 54
pages. Duration 1:43.
Published by Belwin Music
Mladi - Die Jugend Orchestre [Conducteur d'étude / Miniature] Barenreiter
(Blasersextett). By Leos Janacek (1854-1928). Edited by Jan Dolezal. For Flute (...(+)
(Blasersextett). By Leos
Janacek (1854-1928).
Edited by Jan Dolezal.
For Flute (including
piccolo) Oboe, Clarinet,
Horn, Bassoon,
Bass-Clarinet. Study
Score (paperbound).
Published by Baerenreiter
Verlag
Grade 3 SKU: CL.LDP-7022-00 Song For James Dean. Composed by Daehn...(+)
Grade 3
SKU:
CL.LDP-7022-00
Song For James
Dean. Composed by
Daehn. Full Orchestra.
Score and set of parts.
Composed 1999. Daehn
Publications
#LDP-7022-00. Published
by Daehn Publications
(CL.LDP-7022-00).
This is the big
beautiful piece for that
special quiet place in
your next concert or
festival. Inspired by the
inscription on a James
Dean statue.
Unforgettably moving!
Orchestra (Study Score) SKU: HL.51489059 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489059
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 58 pages. G.
Henle #HN9059. Published
by G. Henle
(HL.51489059).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489060 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489060
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 64 pages. G.
Henle #HN9060. Published
by G. Henle
(HL.51489060).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Canon Noel Orchestre [Conducteur et Parties séparées] Carl Fischer
Composed by Traditional. Arranged by Deborah Baker Monday. Set of Score and P...(+)
Composed by Traditional.
Arranged by Deborah Baker
Monday. Set of Score and
Parts. 8 8 2 5 5 5 8
pages.
Duration 2:30. Carl
Fischer
Music #YAS218. Published
by
Carl Fischer Music
(BWV 565). By Johann Sebastian Bach (1685-1750). Arranged by Victor LÌ_pez. Orc...(+)
(BWV 565). By Johann
Sebastian Bach
(1685-1750). Arranged by
Victor LÌ_pez.
Orchestra. Full
Orchestra; Masterworks;
Score. Belwin Concert
Full Orchestra. Form:
Fugue; Toccata. Baroque;
Masterwork Arrangement.
Grade 4.5. 28 pages.
Published by Belwin
Publishing
Orchestra - Grade 3 SKU: AP.41226 From Opus 38 Including Berceu...(+)
Orchestra - Grade 3
SKU: AP.41226
From Opus 38
Including Berceuse,
Elegy, and Halling.
Composed by Edvard Grieg.
Arranged by Steven H.
Brook. MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score and Part(s). 124
pages. Belwin Music
#00-41226. Published by
Belwin Music (AP.41226).
UPC: 038081483665.
English.
How do you
capture the spirit and
soul of a people? Grieg
has done just that, with
melodic beauty and
harmonic richness evoking
images of the Norwegian
way of life, and the
rugged splendor of the
countryside. Berceuse,
Elegy, and Halling,
reveal the composer's
deepest feelings. (5:00)
This title is available
in MakeMusic Cloud.
Orchestra - Grade 1 SKU: AP.43748S Arranged by Jack Bullock. Performance ...(+)
Orchestra - Grade 1
SKU: AP.43748S
Arranged by Jack Bullock.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Light Concert;
Sacred; Traditional.
Score. 8 pages. Duration
2:00. Belwin Music
#00-43748S. Published by
Belwin Music (AP.43748S).
UPC: 038081496146.
English.
Traditional.
The
striking melodies, the
simple and meaningful
words, and the many ways
the music can be
interpreted create an
immortal song that
touches us all. This
beautiful setting allows
for adjustment of the
dynamics and the tempo to
suit your ensemble.
(2:00).
O Holy Night Orchestre [Conducteur et Parties séparées] - Facile Belwin
Arranged by Robert W. Smith. Orchestra. Full Orchestra. Belwin Intermediate Full...(+)
Arranged by Robert W.
Smith. Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Christmas;
Winter. Grade 2.5.
Conductor Score and
Parts. 128 pages.
Duration 3:37. Published
by Belwin Publishing
Orchestra SKU: PE.EP71041 For Orchestra. Composed by James Dillon....(+)
Orchestra
SKU:
PE.EP71041
For
Orchestra. Composed
by James Dillon. Score.
Peters Contemporary
Library. Living Composer.
Score. 76 pages. Edition
Peters #98-EP71041.
Published by Edition
Peters (PE.EP71041).
ISBN
9790577009483.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Orchestra SKU: PE.EP72293A Composed by James Dillon. Score. Peters Contem...(+)
Orchestra
SKU:
PE.EP72293A
Composed
by James Dillon. Score.
Peters Contemporary
Library. Living Composer.
Score. 94 pages. Edition
Peters #98-EP72293A.
Published by Edition
Peters (PE.EP72293A).
ISBN
9790577003856.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Bach: Three Chorales Orchestre [Conducteur et Parties séparées] Queenwood Publications
Composed by Anne McGinty (1945-). For orchestra. Orchestra method/study. Queenwo...(+)
Composed by Anne McGinty
(1945-). For orchestra.
Orchestra method/study.
Queenwood Developing
String Orchestra. Score
and parts. Published by
Queenwood Publications