Viola Orchestra

SKU: HL.49004398

Viola Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Composed 1740. Op. 7/1. 4 pages. Duration 20'. Schott Music #ED 3832-15. Published by Schott Music (HL.49004398).

ISBN 9790001045674. 9.0x12.0x0.008 inches.

Oboe 1 Orchestra

SKU: HL.49004394

Oboe 1 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: ED3832-11. Sheet music. Edition Schott. Classical. Individual part. Composed 1740. Op. 7/1. 3 pages. Duration 20'. Schott Music #ED 3832-11. Published by Schott Music (HL.49004394).

ISBN 9790001045636. UPC: 073999349863. 9.0x12.0x0.015 inches.

Violin 2 Orchestra

SKU: HL.49004397

Violin 2 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: ED3832-14. Sheet music. Edition Schott. Classical. Individual part. Composed 1740. Op. 7/1. 4 pages. Duration 20'. Schott Music #ED 3832-14. Published by Schott Music (HL.49004397).

ISBN 9790001045667. UPC: 073999688122. 9.0x12.0x0.015 inches.

Cello Orchestra

SKU: HL.49004399

Cello Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: ED3832-16. Sheet music. Edition Schott. Classical. Individual part. Composed 1740. Op. 7/1. 4 pages. Duration 20'. Schott Music #ED 3832-16. Published by Schott Music (HL.49004399).

ISBN 9790001045681. UPC: 073999375244. 9.0x12.0x0.025 inches.

Violin 1 Orchestra

SKU: HL.49004396

Violin 1 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Composed 1740. Op. 7/1. 4 pages. Duration 20'. Schott Music #ED3832-13. Published by Schott Music (HL.49004396).

ISBN 9790001045650. 8.25x11.75x0.01 inches.

Orchestra (Score)

SKU: HL.49004393

Score. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Composed 1740. Op. 7/1. 40 pages. Duration 20'. Schott Music #ED 3832. Published by Schott Music (HL.49004393).

ISBN 9790001045629. 8.0x11.75x0.149 inches.

Oboe 2 Orchestra

SKU: HL.49004395

Oboe 2 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: ED3832-12. Sheet music. Edition Schott. Classical. Individual part. Composed 1740. Op. 7/1. 3 pages. Duration 20'. Schott Music #ED 3832-12. Published by Schott Music (HL.49004395).

ISBN 9790001045643. UPC: 073999763461. 9.0x12.0x0.015 inches.

Orchestra (Score)

SKU: HL.49004408

Score. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Composed 1751. Op. 7/3. 36 pages. Duration 19'. Schott Music #ED 3834. Published by Schott Music (HL.49004408).

ISBN 9790001045773. 9.0x12.0x0.125 inches.

Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This edition: urtext edition. Stapled. Urtext from: Joseph Haydn Werke, G. Henle Verlag Munchen. Score. Hob. I:89. Duration 22 minutes. Published by Baerenreiter Verlag (BA.BA10979).

Orchestra (4(3picc).4(cor ang).4(clar[Eb],B-clar)3( dble bsn) - 7.4.3.1 - 2timp.perc(3).hp(2nd ad lib) - str)

SKU: BR.OB-5631-60

Final Version 1910 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

final version 1910

Symphony; Romantic; Late-romantic. Set of parts. 1674 pages. Duration 54'. Breitkopf and Haertel #OB 5631-60. Published by Breitkopf and Haertel (BR.OB-5631-60).

ISBN 9790004343661. 10.5 x 14 inches.

The Symphony No. 1 (originally in five movements) was first performed in Budapest in 1889, but the premiere as well as two further performances in Hamburg and Weimar turned out to be a fiasco. After 1894 Mahler removed the Blumine-movement. Until the last performance under his direction in New York in 1909, Mahler made revisions again and again. This edition strives to present a, for the performance practice, reliable music text of the final extant version that in 1910 Mahler corrected and deemed accurate for the new print. The Editorial Report gives detailed information on the provenance and evaluation of the sources as well as authentic annotations on performance practice. Individual comments document editorial interventions and deviations from current editions.The cloth-bound volume PB 5661 contains next to the final version of the four-movement Symphony, the Blumine movement.Le format permet une lisibilite parfaite; le materiel a ete realise en tenant compte des conseils des bibliothecaires de grands orchestres. Particulierement precieux pour les non-germanistes, on trouve en fin de volume un glossaire traduisant les indications de Mahler de l'allemand vers l'anglais (ou l'italien). (Alain Paris, La Lettre du Musicien).

Orchestra (4(3picc).4(cor ang).4(clar[Eb],B-clar)3( dble bsn) - 7.4.3.1 - 2timp.perc(3).hp(2nd ad lib) - str)

SKU: BR.PB-5631

Final Version 1910 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

final version 1910

Symphony; Romantic; Late-romantic. Full score. 200 pages. Duration 54'. Breitkopf and Haertel #PB 5631. Published by Breitkopf and Haertel (BR.PB-5631).

ISBN 9790004215289. 10.5 x 14 inches.

The Symphony No. 1 (originally in five movements) was first performed in Budapest in 1889, but the premiere as well as two further performances in Hamburg and Weimar turned out to be a fiasco. After 1894 Mahler removed the Blumine-movement. Until the last performance under his direction in New York in 1909, Mahler made revisions again and again. This edition strives to present a, for the performance practice, reliable music text of the final extant version that in 1910 Mahler corrected and deemed accurate for the new print. The Editorial Report gives detailed information on the provenance and evaluation of the sources as well as authentic annotations on performance practice. Individual comments document editorial interventions and deviations from current editions.The cloth-bound volume PB 5661 contains next to the final version of the four-movement Symphony, the Blumine movement.Le format permet une lisibilite parfaite; le materiel a ete realise en tenant compte des conseils des bibliothecaires de grands orchestres. Particulierement precieux pour les non-germanistes, on trouve en fin de volume un glossaire traduisant les indications de Mahler de l'allemand vers l'anglais (ou l'italien). (Alain Paris, La Lettre du Musicien).

Orchestra (4(3picc).4(cor ang).4(clar[Eb],B-clar)3( dble bsn) - 7.4.3.1 - 2timp.perc(3).hp(2nd ad lib) - str)

SKU: BR.PB-5661

Final Version 1910 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Orchestra; Linen. Partitur-Bibliothek (Score Library).

final version 1910

Symphony; Romantic; Late-romantic. Full score. 212 pages. Duration 54'. Breitkopf and Haertel #PB 5661. Published by Breitkopf and Haertel (BR.PB-5661).

ISBN 9790004215982. 10.5 x 14 inches.

The Symphony No. 1 (originally in five movements) was first performed in Budapest in 1889, but the premiere as well as two further performances in Hamburg and Weimar turned out to be a fiasco. After 1894 Mahler removed the Blumine-movement. Until the last performance under his direction in New York in 1909, Mahler made revisions again and again. This edition strives to present a, for the performance practice, reliable music text of the final extant version that in 1910 Mahler corrected and deemed accurate for the new print. The Editorial Report gives detailed information on the provenance and evaluation of the sources as well as authentic annotations on performance practice. Individual comments document editorial interventions and deviations from current editions.The cloth-bound volume PB 5661 contains next to the final version of the four-movement Symphony, the Blumine movement.Le format permet une lisibilite parfaite; le materiel a ete realise en tenant compte des conseils des bibliothecaires de grands orchestres. Particulierement precieux pour les non-germanistes, on trouve en fin de volume un glossaire traduisant les indications de Mahler de l'allemand vers l'anglais (ou l'italien). (Alain Paris, La Lettre du Musicien).

Orchestra (picc.2.2.cor ang.2.B-clar.2.dble bsn - 4.3.3.1. - timp.perc(3) - hp - cel - str)

SKU: BR.PB-5105-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Bremen, February 1, 1982

Symphony; Music post-1945. Study Score. Composed 1981. 68 pages. Duration 17'. Breitkopf and Haertel #PB 5105-07. Published by Breitkopf and Haertel (BR.PB-5105-07).

ISBN 9790004208557. 9 x 12 inches.

Gesualdo, Don Carlo, Furst von Venosa (1560-1613) gehort zu den eigenwilligsten italienischen Madrigal-Komponisten der Spatrenaissance. Seine ungewohnlich kuhne, selbst fur heutige Ohren modern klingende Harmonik, seine chromatischen Stimmfortschreitungen, seine ubersteigerte expressive Tonsprache regten mich schon vor Jahren zu einer grosseren Orgelkomposition an und inspirierten mich 1981 zu den >>Sinfonischen Metamorphosen<<. Dieses Werk ist eine vielgestaltige weitausgesponnene Fantasie. Sieben choralartige typische Klangbeispiele aus Gesualdos spaten funfstimmigen Madrigalen (4., 5. u. 6. Band) werden teils streng, teils frei zitiert und von Holz- oder Blechblasern intoniert. Diese Zitate gliedern, als formale und inhaltliche Schwer- und Ruhepunkte, den Verlauf des gesamten Werks. Jedes Zitat steht zu Beginn eines neuen Satzabschnitts; die darauffolgenden >>Metamorphosen<< entwickeln sich als rhapsodische kontrastreiche Charakterstucke. Im >>Preludio<< werden aus den vertonbaren Buchstaben vom Namen >>Gesualdo<< (G - E - Es - A - D) schwebende Klangflachen, rezitativische Gedanken und ein pragnantes rhythmisches Paukenthema gebildet. Diese ,,Grundelemente (Grundstrukturen) tauchen im Verlauf des Stucks immer wieder leitmotivisch auf. Im zweiten Abschnitt stehen sich lineare Streicher-Episoden und dichte Blaser-Klangballungen kontrastierend gegenuber. Der dritte Teil lauft als Passacaglia (Thema ist der Bass eines Gesualdo-Zitats) in mehreren Variationen ab. Im vierten Abschnitt dominiert lebhafte Streicherbewegung, kontrapunktiert von tiefen Blaser-Signalen. Der funfte Teil steigert sich- nach kantablem Beginn- zum ekstatischen Trauermarsch. Abschnitt sechs stellt sich als >>Rondello<< dar, mit um sich selbst kreisenden Klangfiguren (in verschiedenen Tongruppen (zwei, drei, funf). Im siebten und letzten Teil wird die verhalten-resignierende Stimmung des Anfangs beschworen, ehe eine knappe Stretta in den hymnischen Schluss mundet. In den Textender ausgewahlten Zitatstellen geht es meist um Todessehnsucht, Liebesqual und Verzweiflung. z. B. 1. und 2. Zitat: Moro lasso, al mio duolo (Ich sterbe, matt, an meiner Qual) (6. Buch) 3. Zitat: Gia piansi nel dolore; o dolorosa Sorte (Schon weinte ich in Schmerzen, oh schmerzliches Geschick) (6. Buch) 4. Zitat: Ahi gia mi discolero (Ach schon entfarbte ich mich) (Wehe, der Tod kommt) (4. Buch) 5. Zitat: Dolcissima mia vita (Mein allerliebstes Leben) (Dich zu lieben oder zu sterben) (5. Buch) 6. Zitat: lo moro (Ich sterbe) (5. Buch) Dem Werk liegen zwar eine Reihe von dodekaphonischen Strukturen zugrunde (die teilweise von Gesualdos Klangzitaten abgeleitet wurden), doch sind die einzelnen Abschnitte auf,,tonale Pfeiler (G - E - A - D) gegrundet; das Stuck beginnt in G und endet aufD, ist also ubergeordnet tonal konzipiert, - der Versuch einer Synthese moderner Ausdrucksmittel von Vergangenheit und Gegenwart. Die >>Metamorphosen<< sind ein Stuck Bekenntnismusik - Bekenntnis zum Leben und Schaffen Gesualdos, eines Mannes, der vom Schicksal gezeichnet war, denn der Chronik Neapels bekannt war durch die Ermordung seiner ersten Frau und ihres Liebhabers. Dieser eminente Musiker war zugleich ein Mensch von ubertriebener Sensibilitat und wilder ekstatischer Heftigkeit: ,,Er wurde von einer Horde von Damonen heimgesucht, die ihm keine Ruhe gaben, heisst es in einem zeitgenossischen Bericht. Seine Kunst und sein Leben stand unter dem Gesetz der inneren Zerrissenheit, zwischen Auflehnung und Resignation (Verzweiflung und Hoffnung), zwischen Zartheit und Leidenschaft. Davon will meine Musik etwas aussagen. (Jurg Baur)CD:Sinfonieorchester des Westdeutschen Rundfunks, cond. Rudolf BarschaiCD Thorofon CTH 2270Bibliography:Abels, Robert: Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts (= Studien zur Musik 20), Leiden u. a.: Wilhelm Fink 2017, pp. 277-345, 485-489.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.

Orchestra

SKU: HL.49012387

Exercises and Pieces. Composed by Veit Erdmann-Abele. This edition: Saddle stitching. Sheet music. Workshop. Classical. Playing score. 16 pages. Schott Music #WKS 13. Published by Schott Music (HL.49012387).

ISBN 9790001103558.

Viola Orchestra

SKU: HL.49004406

Viola Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Composed 1743. Op. 7/2. 2 pages. Duration 14'. Schott Music #ED 3833-16. Published by Schott Music (HL.49004406).

ISBN 9790001045759. 9.0x12.0x0.01 inches.

Orchestra

SKU: BT.YKM570369270

Composed by Robert Saxton. Score Only. Composed 2021. 70 pages. University of York Music Press #YKM570369270. Published by University of York Music Press (BT.YKM570369270).

A Hymn to the Thames was commissioned by James Turnbull and the Music Director of the St Paul’s Sinfonia, Andrew Morley. It was begun in 2019 and completed early in 2020. There are four movements played without a break, which follow the Thames from its Cotswold source to the North Sea. As the first performance took place in St ALfege’s Church, Greenwich, this seemed appropriate. The solo oboe represents both a wanderer along the river path and the spirit of the river. The pitch centres of the movements spell out the musical letters of the river (tHAmES—B natural, A, E and E flat) so that the river’s name is projected across the whole work. In addition, the musical letters found in James Turnbull, Andrew Morley and my wife, Teresa Cahill ( who was born in Maidenhead and brought up by the river in Rotherhithe) are entwined in various guises. The first movement grows from the depths, the soloist entering with fanfare-like gestures, followed by lyrical music and breaks into a dance as the river gathers momentum. The third movement is slow and sustained and geographically the Thames flows through Oxford. The music is based on the well-known In Nomine ‘head motif’ from the Gloria tibi Trinitas Mass by the early Tudor composer, John Taverner, who was the first Director of Music at Christ Church, Oxford. The orchestra provides a screen or veil above which the solo oboe dreams and ruminates. This leads directly into the fourth and final movement which begins in the depths once more, interrupting the oboe’s held note from the end of the third movement. The waters’ increasing intensity and power are represented throughout by a moto perpetuo of quick, steady semiquavers. Near the close, the woodwind play O Nata Lux by Thomas Tallis, the great Tudor composer who, with his wife Joan, is buried in St Alfege’s. Beneath this, the lower strings continue the fast semiquaver movement of the river and, above, the violins are heard as a halo of harmonics. At the close, the oboe rises, opening out to the future, and celebrating its voyage, while the orchestra fades as the river meets the sea. A Hymn to the Thames lasts approximately 17 minutes.

Orchestra - Grade 3

SKU: AP.48068

Composed by Peter Ilyich Tchaikovsky. Arranged by Chris M. Bernotas. Full Orchestra; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Concert Full Orchestra. Masterwork Arrangement. Score and Part(s). 176 pages. Duration 3:00. Belwin Music #00-48068. Published by Belwin Music (AP.48068).

ISBN 9781470657017. UPC: 038081557571. English.

Your symphony orchestra will love March Slav by Piotr Ilych Tchaikovsky, arranged by Chris M. Bernotas. Scored for full orchestra or strings only, this arrangement features great themes and a big full symphonic sound. Featuring a reduced number of wind parts to allow for maximum accessibility for a younger full orchestra, this iconic march is a great way to introduce your students to the music of Tchaikovsky. Truly a wonderful choice for a departmental collaboration or any festival or contest. (3:00) This title is available in MakeMusic Cloud.

Orchestra - Grade 3

SKU: AP.48068S

Composed by Peter Ilyich Tchaikovsky. Arranged by Chris M. Bernotas. Full Orchestra; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Concert Full Orchestra. Masterwork Arrangement. Score. 16 pages. Duration 3:00. Belwin Music #00-48068S. Published by Belwin Music (AP.48068S).

ISBN 9781470657024. UPC: 038081557588. English.

Your symphony orchestra will love March Slav by Piotr Ilych Tchaikovsky, arranged by Chris M. Bernotas. Scored for full orchestra or strings only, this arrangement features great themes and a big full symphonic sound. Featuring a reduced number of wind parts to allow for maximum accessibility for a younger full orchestra, this iconic march is a great way to introduce your students to the music of Tchaikovsky. Truly a wonderful choice for a departmental collaboration or any festival or contest. (3:00) This title available in MakeMusic Cloud.

Orchestra (Score)

SKU: HL.49004414

Score. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Op. 7/4. 32 pages. Duration 16'. Schott Music #ED 3835. Published by Schott Music (HL.49004414).

ISBN 9790001045834. 9.0x12.0x0.129 inches.

Oboe 2 Orchestra

SKU: HL.49004416

Oboe 2 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Op. 7/4. 4 pages. Duration 16'. Schott Music #ED 3835-12. Published by Schott Music (HL.49004416).

ISBN 9790001045858.

Oboe 1 Orchestra

SKU: HL.49004415

Oboe 1 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Op. 7/4. 3 pages. Duration 16'. Schott Music #ED3835-11. Published by Schott Music (HL.49004415).

ISBN 9790001045841. UPC: 073999688245. 9.0x12.0x0.015 inches.

Bass Orchestra

SKU: HL.49004420

Bass Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Folding. Sheet music. Edition Schott. Classical. Individual part. Op. 7/4. 4 pages. Duration 16'. Schott Music #ED3835-16. Published by Schott Music (HL.49004420).

ISBN 9790001045896. UPC: 073999935530. 9.0x12.0x0.009 inches.

Orchestra

SKU: HL.49004407

Bass/Cello Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Composed 1743. Op. 7/2. 2 pages. Duration 14'. Schott Music #ED 3833-17. Published by Schott Music (HL.49004407).

ISBN 9790001045766. 9.0x12.0x0.01 inches.

Orchestra (Score)

SKU: HL.49004400

Score. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Composed 1743. Op. 7/2. 30 pages. Duration 14'. Schott Music #ED3833. Published by Schott Music (HL.49004400).

ISBN 9790001045698. UPC: 073999718546. 9.0x12.0x0.115 inches.

Violin 1 Orchestra

SKU: HL.49004417

Violin 1 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Op. 7/4. 4 pages. Duration 16'. Schott Music #ED3835-13. Published by Schott Music (HL.49004417).

ISBN 9790001045865. UPC: 073999735482. 9.0x12.0x0.009 inches.

Oboe 1 Orchestra

SKU: HL.49004401

Oboe 1 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Composed 1743. Op. 7/2. 3 pages. Duration 14'. Schott Music #ED 3833-11. Published by Schott Music (HL.49004401).

ISBN 9790001045704. 9.0x12.0x0.015 inches.

Orchestra

SKU: HL.14033079

Composed by Per Norgard. Music Sales America. Classical. Score. 164 pages. Music Sales #KP01073. Published by Music Sales (HL.14033079).

ISBN 9788759858332. Danish.

There were wild oatsAnd the soil was blackBut sparkledWhen the sun was outThe air sharp in the nostrilsHard to defineSomewhere between knife and coal andAcid and that special light and sweetWhiteness thornbushes exhaleIt was nothing specialBecause everything was special...Thus the opening line of the poem TERRAINS VAGUES by Klaus Rifbjerg, the Danish Poet. I chose to adopt this title for my orchestral work, because of its closeness in associations: an indeterminable, often polarized, state of rhythmic and tonal ambiguity.The expression seems created by the Franch author, Victor Hugo:And here lies the fascination: in the kinds of terrains vagues, which are simultaniously bizarre and ugly, as if created by two alien species of nature. To watch the suburb is like observing and amphibium: trees vanish, roofs appear, grass vanish, cobble stones appear, ploughing fields vanish, shops appear, beaten tracks vanish - passions appear; the murmur of Nature Divine ends, the noise of Mankind takes over. (Victor Hugo)Still, the atmosphere as well as the material of TERRAINS VAGUES have its origin, in my SYMPHONY NO. 6 (1999), the last minute of which, cut up rough, appears as the start of my new work. The music of TERRAINS VAGUES subdivides itself, without breaks, into three sections, or shades:I: TERRAINS - II: VAGUES (Waves) III: TERRAINS VAGUES.Per Norgard, March 2001.

Orchestra (Study Score)

SKU: HL.50606858

In A Major, Op. 141. Composed by Dmitri Shostakovich. Study Score. Classical. Softcover. Sikorski #SIK2515. Published by Sikorski (HL.50606858).

UPC: 196288194552.

Weake ned by a series of chronic illnesses and aware of his impending death, Shostakovich looks back on his life in Symphony No.15 inA major, op.141. The work opens with cheerful reminiscences from his youth, featuring quotations from his early works and allusions to Rossini. But already by the second movement, a funeral march rich with self-quotation, the mood changes. In the cantabile movement which follows, one hears the murmuring ghosts of the past. With echoes of Richard Wagner, the eerie finale ultimately instructs the listener to remain fearful through its crumbling tonality. This volume is part of the revised and corrected new edition of all 15 symphonies by Dmitri Shostakovich published by Boosey & Hawkes and Sikorski as large format study scores for optimal legibility. All scores and the related orchestral parts have been newly computer typeset, and the orchestral parts are also compatible for performance use with scores in “The New Collected Works of DmitriShostakovich” .

Special Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a special import title, it will be shipped from our overseas warehouse. The shipment time will be slower than items shipped directly from our US warehouse and may be subject to delays.

Orchestra; String Orchestra (Score) - Grade 3-4

SKU: HL.4490466

Composed by Leonard Bernstein. Arranged by Stephen Bulla. Music for String Orchestra. Broadway, Movies. 12 pages. Published by Hal Leonard (HL.4490466).

UPC: 073999290868. 9.0x12.0x0.025 inches.

This iconic song from Bernstein's classic stage work remains one of the most popular melodies in American contemporary theater. Stephen Bulla's edition for strings is adapted from the original score, yet features accessibility for younger players. Let your students experience the mastery of this beloved American composer with this first-ever arrangement for string ensemble.