By Carter Burwell. Arranged by Edward Lee. (Score & Parts). Flex-Band. Published by Hal Leonard.

Orchestra

SKU: SU.94010400

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400).

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob Phillips and Daryl Silberman. Book; CD; Play-Along; String Orchestra Collection. Rock. 48 pages. Published by Alfred Music (AP.40742).

(As featured on Glee). Arranged by Patrick Roszell. Orchestra. Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Broadway; Swing; TV. Grade 3. 210 pages. Published by Alfred Music

(As featured on Glee (Featuring: Have Yourself a Merry Little Christmas / Jingle Bell Rock)). Arranged by Patrick Roszell. Orchestra. Full Orchestra; Part(s); Score. Pop Intermediate Full Orchestra. Form: Medley. Christmas; Secular; TV; Winter. Grade 3. 202 pages. Published by Alfred Music

By Wagner, Lee. Full orchestra. Cantata/musical. Published by Sacred Music Press.

Orchestra

SKU: SU.94010560

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010560. Published by Subito Music Corporation (SU.94010560).

Instrumentation : 2,1 2,1 2,1 2,1; 4331; timp, 3 perc; stgs
Duration: 5'
Composed: 2016
Published by: Subito Music Publishing
Performance materials available on rental only from the Subito Music Rental Library.

Orchestra

SKU: SU.94010110

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010110. Published by Subito Music Corporation (SU.94010110).

2,1 2,1 2,1 2,1; 4331; timp, perc, hp, pno/cel; stgs Duration: 23' Composed: 2008 Published by: Subito Music PublishingFull Score &

Parts: available on rental:

Orchestra

SKU: SU.94010290

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010290. Published by Subito Music Corporation (SU.94010290).

Performance materials available on rental only.
Instrumentation: 2,1 2,1 2,1 2,1; 4331; timp, perc, hp; stgs
Duration: 12' '
Composed: 2011
Published by: Subito Music Publishing.

Orchestra

SKU: SU.94010300

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010300. Published by Subito Music Corporation (SU.94010300).

Performance materials available on rental only. 2,1 2,1 2,1 2,1; 4331; timp, perc, hp, pno/cel; stgs Duration: 10' ' Composed: 2011 Published by: Subito Music Publishing 2011 Sphinx Consortium CommissionFull Score & Parts: available on rental:.

Orchestra

SKU: SU.25100010

For Orchestra. Composed by Davis Brown. Orchestra. Study Score. Gusthold Music Publisher #25100010. Published by Gusthold Music Publisher (SU.25100010).

A medley of classic Christmas carols. An ideal Christmas concert opener. Dr. Brown's answer to Leroy Anderson.Orchestra Duration: 9’ Composed: 2005 Published by: Gusthold Music Publisher Performance materials available on rental only:.

Orchestra (Study Score)

SKU: HL.49010075

Overture. Composed by Carl Maria von Weber. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 59. 54 pages. Eulenburg Edition #ETP 612. Published by Eulenburg Edition (HL.49010075).

ISBN 9790200205329. 5.25x7.5x0.13 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

SKU: CL.016-0023-00

March. Composed by J. S. Taylor. Orchestra. Score and set of parts. Composed 1898. C.L. Barnhouse #016-0023-00. Published by C.L. Barnhouse (CL.016-0023-00).

(Based on God Rest Ye Merry, Gentlemen ). Arranged by Michael Story. Orchestra. Full Orchestra; Part(s); Score; SmartMusic. Belwin Intermediate Full Orchestra. Christmas; Sacred; Winter. Grade 2.5. 120 pages. Published by Belwin Music

Orchestra - Grade 2

SKU: AP.40458S

By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Andrew H. Dabczynski. Masterworks; Music Prodigy; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Form: Transcription; Waltz. Masterwork Arrangement; Romantic. Score. 8 pages. Highland/Etling #00-40458S. Published by Highland/Etling (AP.40458S).

UPC: 038081454177. English.

The melodies of Tchaikovsky's celebrated ballets are beloved worldwide, and no more so than this famous waltz. In this Romantic-era masterpiece, young string students will discover beautiful musical figures with rhythms, bowings, and fingerings achievable even by students in their first year of study. All sections have interesting parts; however, the firsts are featured. More advanced students will also find the arrangement fulfilling and motivational. This is a selection that will enhance any string orchestra concert program at any time of the year. This title is available in Music Prodigy.

(Op. 164a). By Robert Sheldon. Orchestra. Full Orchestra; Part(s); Score; SmartMusic. Belwin Concert Full Orchestra. Grade 4. 236 pages. Published by Belwin Music

Natural horn brass band - Grade 2

SKU: RM.DUPL07261-CO

Composed by Duplant. Batterie, clairons et cors. Orchestra. Conductor's score. Editions Robert Martin #DUPL07261-CO. Published by Editions Robert Martin (RM.DUPL07261-CO).

Cello and orchestra

SKU: HL.49015261

En forme de Pas de trois. Composed by Bernd Alois Zimmermann. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1965-1966. 106 pages. Duration 24'. Schott Music #ED 7164. Published by Schott Music (HL.49015261).

ISBN 9790001075091. 9.25x12.0x0.305 inches.

3 (3. auch Picc.) * 3 (2., 3. auch Ob. d'am.) * 3 (3. auch Bassklar.) * Altsax. (auch Sopransax.) * 3 (3. auch Kfg.) - 2 * 2 (auch Cornett in B) * 2 * 1 - P. (1 Spieler) S. (2 Beck. * 3 hg. Beck. * Tamb. * Trgl. * Hi-Hat * 3 Tomt. * Ruhrtr. * kl. Tr. * gr. Tr. * Holztr. * Ratsche * Peitsche * Schuttelrohr * Mar. * Kuhgl. * Gurke * Kast. * Clav. * Glsp. * Vibr.) (5 Spieler) - Git. (auch E-Git.) * Mand. * Hfe. * Klav. (auch Cemb.) * Glasharfe (Cel.) * Zimbal - Str. (7 * 7 * 6 * 5 * 4).

Orchestra - Grade 2.5

SKU: AP.49008

Featuring: Jump / Panama. Composed by Alex Van Halen, David Lee Roth, and Eddie Van Halen. Arranged by Victor Lopez. Full Orchestra; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Pop Intermediate String/Full Orchestra. Pop/Rock. Score and Part(s). 194 pages. Duration 4:05. Alfred Music #00-49008. Published by Alfred Music (AP.49008).

ISBN 9781470646851. UPC: 038081566085. English.

Van Halen Hits, arranged by Victor López, will treat your students and audience to a Van Halen classic rock tour at your next program. This ultimate classic rock medley showcases Panama and Jump, two of Van Halen's biggest hits. Released in 1984 and still hot today, these tunes will definitely get your audience jumping in a heartbeat. This arrangement will work great with strings and percussion alone or full orchestra. (4:05) This title is available in MakeMusic Cloud.

Orchestra

SKU: SU.91580100

For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100).

A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013.

Orchestra - Grade 2.5

SKU: AP.49008S

Featuring: Jump / Panama. Composed by Alex Van Halen, David Lee Roth, and Eddie Van Halen. Arranged by Victor Lopez. Full Orchestra; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Pop Intermediate String/Full Orchestra. Pop/Rock. Score. 24 pages. Duration 4:05. Alfred Music #00-49008S. Published by Alfred Music (AP.49008S).

ISBN 9781470646868. UPC: 038081566092. English.

Van Halen Hits, arranged by Victor López, will treat your students and audience to a Van Halen classic rock tour at your next program. This ultimate classic rock medley showcases Panama and Jump, two of Van Halen's biggest hits. Released in 1984 and still hot today, these tunes will definitely get your audience jumping in a heartbeat. This arrangement will work great with strings and percussion alone or full orchestra. (4:05) This title available in MakeMusic Cloud.

By Kaye / Hill / Lee. For band. Serie evergreens for band. Evergreens for Band. Grade 2. Conductor's score. Published by Edition Andel

Recorded by Frank Sinatra. Edited by Rob DuBoff, Jeffrey Sultanof, and Dylan Canterbury. Arranged by Don Costa. Jazz, Swing. Score and parts. Published by Jazz Lines Publications (JL.JLP-9510).

Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.