Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Prime Time Tuesday Orchestre [Conducteur] - Intermédiaire Alfred Publishing
(As performed by the cast of Glee (featuring: Any Way You Want It / Dream...(+)
(As performed by the cast
of Glee
(featuring: Any Way You
Want It / Dream a Little
Dream of Me / Don't Stop
Believin')). Arranged by
Victor LÌ_pez.
Orchestra. Full
Orchestra; Score. Pop
Intermediate Full
Orchestra. Form: Medley.
Jazz; Light Concert; Pop;
TV. Grade 3.5. 28 pages.
Published by Alfred Music
Publishing
Prime Time Tuesday Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(As performed by the cast of Glee (featuring: Any Way You Want It / Dream...(+)
(As performed by the cast
of Glee
(featuring: Any Way You
Want It / Dream a Little
Dream of Me / Don't Stop
Believin')). Arranged by
Victor LÌ_pez.
Orchestra. For full
(Bells/Xylophone, timp
(tambourine), Snare
Drum/Hi-Hat Cymbal/Ride
Cymbal, Bass
Drum,Tom-Toms [Opt.
Drumset], pno opt, vln3).
Full Orchestra; Part(s);
Score. Pop Intermediate
Full Orchestra. Form:
Medley. Jazz; Light
Concert; Pop; TV. Grade
3.5. 226 pages. Published
by Alfred Music
Publishing
A Cantata for
Christmas. Composed
by Heather Sorenson.
Daybreak Christmas
Choral. Advent, Cantata,
Carol, Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3000
seconds. Published by
Daybreak Music
(HL.226377).
ISBN
9781495091506. UPC:
888680674618.
8.5x11.0x2.3
inches.
Composed in
both traditional and
blended choral stylings,
this cantata weaves the
historic symbolism of
both the Lion of Judah
and the Lamb of God into
the Christmas story.
Through original songs
and traditional carols,
singers and listeners are
reminded that this story
is not just an event in
history, but a living
story that still impacts
the world today.
Narration, solos,
congregational
participation and
optional children's
voices, along with
gorgeous orchestrations
by Keith Christopher, all
work together to make
this service a time of
both celebration and
worship. Songs include:
Overture/Sing Christmas!;
And So We Wait; It Came
upon a Midnight Clear;
Who's the Little Baby?;
Sleep Little Lion, Sleep
Little Lamb; Where Is
Peace Tonight?; In This
Moment; Angels from the
Realms of Glory; Carol of
the King. Score and Parts
(fl 1-2/pic, ob, cl 1-2,
bn, tpt 1-3, hn 1-2, tbn
1-2, tbn 3/tba, perc 1-2,
timp, hp, pno, rhy, vn
1-2, va, vc, db)
available as a Printed
Edition and as a digital
download.
Arranged by John Whitney. Arr. John Whitney. For Full Orchestra. Full Orchestra....(+)
Arranged by John Whitney.
Arr. John Whitney. For
Full Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Level:
Medium Easy to Medium
(grade III-IV). Conductor
Score and Parts. 210
pages. Published by
Alfred Publishing.
By Katherine K. Davis, Henry Onorati and Harry Simeone. Arranged by Bob Cerulli....(+)
By Katherine K. Davis,
Henry Onorati and Harry
Simeone. Arranged by Bob
Cerulli. By Katherine
Davis, Henry Onorati and
Harry Simeone / arr. Bob
Cerulli. For Full
Orchestra. Full
Orchestra. Intermediate
Full Orchestra. Level:
Easy to Medium Easy
(grade II-III). Conductor
Score. 16 pages.
Published by Alfred
Publishing.
By Katherine K. Davis, Henry Onorati, Harry Simeone. Arranged by Bob Cerulli. By...(+)
By Katherine K. Davis,
Henry Onorati, Harry
Simeone. Arranged by Bob
Cerulli. By Katherine
Davis, Henry Onorati and
Harry Simeone / arr. Bob
Cerulli. For Full
Orchestra. Full
Orchestra. Intermediate
Full Orchestra. Level:
2.5 (grade 2.5).
Conductor Score and
Parts. 130 pages.
Published by Alfred
Publishing.
Orchestra - Grade 2 SKU: AP.44804S Composed by Harry Simeone, Henry Onora...(+)
Orchestra - Grade 2
SKU: AP.44804S
Composed by Harry
Simeone, Henry Onorati,
and Katherine K. Davis.
Arranged by Bob Cerulli.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Christmas;
Sacred; Winter. Score. 12
pages. Duration 2:45.
Alfred Music #00-44804S.
Published by Alfred Music
(AP.44804S).
UPC:
038081515489.
English.
This true
Christmas classic,
arranged by Bob Cerulli,
is a great way to
introduce col legno and
double stops to your
string players. Easy to
put together and fun to
play, it's a must for any
holiday concert!
(2:45).
Orchestra - Grade 2 SKU: AP.29656 Featuring: One Heart / Some Hearts /...(+)
Orchestra - Grade 2
SKU: AP.29656
Featuring: One Heart /
Some Hearts / Put a
Little Love in Your
Heart. Arranged by
Douglas E. Wagner.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Beginning String
Orchestra. Form: Medley.
Light Concert; Pop. Score
and Part(s). 78 pages.
Duration 2:40. Alfred
Music #00-29656.
Published by Alfred Music
(AP.29656).
Full orchestra SKU: LO.30-3489MD Composed by Jay Rouse. Choral, cantatas....(+)
Full orchestra
SKU:
LO.30-3489MD
Composed
by Jay Rouse. Choral,
cantatas. Advent,
Christmas, Sacred. Full
score and parts, plus CD
with printable parts.
Medallion Music
#30/3489MD. Published by
Medallion Music
(LO.30-3489MD).
UPC:
000308147704.
And
It Came to Pass,
Emmanuel: A compelling
musical triumph that
invites the listener on a
journey that ultimately
leads to worship of the
Christ Child. The text of
the Christmas story
blends seamlessly with
original narrative and
exquisite lyric writing
from Rose Aspinall, and
Jay Rouse's incredible
ability to fashion
original melodies and
arrange Christmas
favorites with nuance and
passion is on full
display. The musical
opens with an ethereal
underscore that leads
effortlessly into a 6/8
interpretation of Adeste
Fideles, followed
directly by the theme
song and anchor ballad
for the musical, And It
Came to Pass. Also
included are a song
written specifically for
this work that gives
voice to Joseph's fears
and longings; a
traditional gospel
setting of the all-time
favorite Jesus, What a
Wonderful Child; a
syncopated, upbeat angel
and shepherd announcement
song titled Fire in the
Sky; and a tender worship
moment at the manger
called Jesus, Prince of
Peace. With a little
something for everyone,
this creative work is
sure to be an important
part of your Christmas
season.
Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra
Dackow. Conductor's score
and set of performance
parts for string
orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- 3rd violin/viola
(treble clef), 5 - viola,
5 - cello, 5 - string
bass, 1 - piano
accompaniment). Series:
Orchestra Expressions
Series. Published by
Alfred Publishing.
A Most Wonderful Christmas Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
Featuring "Winter Wonderland," "I'll Be Home for Christmas," "Santa Claus Is Com...(+)
Featuring "Winter
Wonderland," "I'll Be
Home for Christmas,"
"Santa Claus Is Comin' to
Town," "Have Yourself a
Merry Little Christmas,"
and "It's the Most
Wonderful Time of the
Year". Arranged by Robert
Sheldon. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Secular.
Level: 4 (grade 4).
Conductor Score and
Parts. 224 pages.
Published by Alfred
Publishing.
Featuring "I'll Be Home for Christmas," "Have Yourself a Merry Little Christmas,...(+)
Featuring "I'll Be Home
for Christmas," "Have
Yourself a Merry Little
Christmas," "Santa Claus
Is Coming to Town," and
"Frosty the Snowman". By
Kim Gannon, Walter Kent,
Haven Gillespie, J. Fred
Coots, Steve Nelson, Jack
Rollins, Hugh Martin, And
Ralph Blane. Arranged by
Carl Strommen. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Level: 3
(grade 3). Conductor
Score and Parts. 101
pages. Published by
Alfred Publishing.
Featuring "Harvey Two-Face," "Introduce a Little Anarchy," and "Like a Dog Chasi...(+)
Featuring "Harvey
Two-Face," "Introduce a
Little Anarchy," and
"Like a Dog Chasing
Cars". By Hans Zimmer And
James Newton Howard.
Arranged by Victor Lopez.
For Full Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Level:
3.5 (grade 3.5).
Published by Alfred
Publishing.
Featuring "Harvey Two-Face," "Introduce a Little Anarchy," and "A Dark Knight". ...(+)
Featuring "Harvey
Two-Face," "Introduce a
Little Anarchy," and "A
Dark Knight". By Hans
Zimmer And James Newton
Howard. Arranged by
Douglas E. Wagner. For
Full Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie. Level:
2.5 (grade 2.5). Score.
Published by Alfred
Publishing.
Featuring: Harvey Two-Face / Introduce a Little Anarchy / A Dark Knight. By Hans...(+)
Featuring: Harvey
Two-Face / Introduce a
Little Anarchy / A Dark
Knight. By Hans Zimmer
And James Newton Howard.
Arranged by Douglas E.
Wagner. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie. Level:
2.5 (grade 2.5).
Conductor Score and
Parts. 248 pages.
Published by Alfred
Publishing.