Orchestra (1111-1000-00-0-strings) SKU: GH.CG-5331P Lyric Suite No. 1<...(+)
Orchestra
(1111-1000-00-0-strings)
SKU: GH.CG-5331P
Lyric Suite No. 1.
Composed by Maurice
Karkoff. Score. Op. 34a.
Duration 11 minutes.
Gehrmans Musikforlag #CG
5331P. Published by
Gehrmans Musikforlag
(GH.CG-5331P).
Orchestra (1111-1000-00-0-strings) SKU: GH.CG-5332P Lyric Suite No. 2<...(+)
Orchestra
(1111-1000-00-0-strings)
SKU: GH.CG-5332P
Lyric Suite No. 2.
Composed by Maurice
Karkoff. Score. Op. 34b.
Duration 10 minutes.
Gehrmans Musikforlag #CG
5332P. Published by
Gehrmans Musikforlag
(GH.CG-5332P).
Composed by Edvard Grieg (1843-1907). Orchestra. Full Orchestra (Full Score); Ma...(+)
Composed by Edvard Grieg
(1843-1907). Orchestra.
Full Orchestra (Full
Score); Masterworks.
Dover Edition.
Masterwork; Romantic.
Full Score. Published by
Dover Publications
Orchestra (Study Score) SKU: HL.49046988 Lyric Trilogy After Maurice M...(+)
Orchestra (Study Score)
SKU: HL.49046988
Lyric Trilogy After
Maurice Maeterlinck Study
Score, French.
Composed by Aribert
Reimann. Edition Schott.
Classical. Softcover. 280
pages. Duration 5400
seconds. Schott Music
#ED23491. Published by
Schott Music
(HL.49046988).
ISBN
9781705174333. UPC:
842819115281.
8.25x11.75x0.695
inches.
SYNOPSIS
Aribert Reimann's
'Trilogie lyrique' is
based on three plays by
Maurice Maeterlinck: In
L'Intruse, a family is
sitting at the table with
their blind grandfather.
They are waiting for the
doctor to arrive and tend
to his daughter who is
lying ill in bed after
having given birth: her
new-born son has not yet
made a single sound. The
old man senses that
something is wrong due to
the uneasy atmosphere in
the room. Who is sitting
in our midst? he asks. He
is the only one who
cansee the presence of
death. Interieur: Once
again a family is
gathered round the table
in the evening, but this
time we observe the
action from outside,
looking through the
window with the
grandfather and a
stranger: no sound can be
heard. Outside the house,
the stranger reports that
the eldest daughter has
drowned and that he has
pulled her out of the
river. Although the
corpse is already being
carried through the
village to the family,
the grandfather cannot
bring himself to destroy
this idyll. La Mort de
Tintagiles: The young
Tintagiles is told a
story about a mysterious
castle and the aged queen
who has all potential
heirsto the throne
murdered. His siblings
sense that Tintagiles has
been summoned to the
castle to be murdered,
but nobody openly
expresses this fact. It
is the sinister
messengers of death from
the interludes, now
visible as the queens
servants, who ful?l her
demand and snatch the
sleeping boy from his
sisters'arms. Commentary
'In comparison with his
Medea for example with
its stormy outbreaks of
emotion and violence,
Reimann's score is worked
in an impressive
refinement of sound. It
begins with rumbling,
hesitating and expressive
music in the first
section, demanding highly
ingenious sound effects
from the lower strings
including tapping and
faltering glissandos in
its noisy expression of
mortal fear. Inthe second
part, the woodwind
formation plays at times
almost in chamber music
fashion and is then
suddenly painfully
shrill. The third part
luxuriates and rages in
its rich, full
orchestration. The manner
in which Reimann displays
his mastery in textural
shading, the invention of
sounds welling up and
fading away, the rhythmic
and melodic capacity of
suffering and the music's
inner violence are all
utterly
compelling.'(Wolfgang
Schreiber, Opernwelt,
November 2017).
Orchestra (1111-1000-00-0-strings) SKU: GH.CG-4482P Ur Lyrisk Svit...(+)
Orchestra
(1111-1000-00-0-strings)
SKU: GH.CG-4482P
Ur Lyrisk Svit.
Composed by Ingemar
Liljefors. Promenade from
Lyric Suite. Score.
Duration 4 minutes.
Gehrmans Musikforlag #CG
4482P. Published by
Gehrmans Musikforlag
(GH.CG-4482P).
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennic...(+)
Orchestra
SKU:
FG.55011-315-2
Composed by Kalevi Aho.
Study score. Fennica
Gehrman #55011-315-2.
Published by Fennica
Gehrman (FG.55011-315-2).
ISBN
9790550113152.
The
Sieidi concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normal
ly, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
Orchestra SKU: HH.HH575-FSC Composed by Niccolò Piccinni. Edited by Ad...(+)
Orchestra
SKU:
HH.HH575-FSC
Composed
by Niccolò Piccinni.
Edited by Adriano
Cirillo. Full score.
Edition HH Music
Publishers #HH575-FSC.
Published by Edition HH
Music Publishers
(HH.HH575-FSC).
Orchestra SKU: HH.HH575-IPT Composed by Niccolò Piccinni. Edited by Ad...(+)
Orchestra
SKU:
HH.HH575-IPT
Composed
by Niccolò Piccinni.
Edited by Adriano
Cirillo. Instrumental
parts. Edition HH Music
Publishers #HH575-IPT.
Published by Edition HH
Music Publishers
(HH.HH575-IPT).
Orchestra (2.2.2.2. -
4.3.3.0. - timp.perc - hp
-str)
SKU:
BR.PB-4862-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Hannover, March
13, 1972
Music
post-1945. Study Score.
Composed 1972. 82 pages.
Duration 15'. Breitkopf
and Haertel #PB 4862-07.
Published by Breitkopf
and Haertel
(BR.PB-4862-07).
ISBN
9790004206591. 7 x 9.5
inches.
Variationen
(Ouverture / Thema /
Variation / Coda),
Lyrisches Intermezzo
(Sostenuto), Symphonische
Nachklange (Allegro con
moto).Immer wieder lassen
sich Komponisten von
Themen alterer oder auch
zeitgenossischer Meister
zu Variations-Zyklen
anregen (Brahms: Handel-
und Haydn-Variationen,
Reger:
Mozart-Variationen,
Holler:
Sweelinck-Variationen).
Themen von Robert
Schumann fanden bisher
relativ selten Beachtung
- (Regers
Schumann-Variationen fur
zwei Klaviere sind eine
Ausnahme) - vielleicht,
weil sie zu sehr in sich
vollendet und
abgeschlossen sind und
deshalb kaum
Moglichkeiten zur
Veranderung enthalten.
Dennoch beschaftigte mich
schon langer die Idee,
eine ,,Musik mit
Schumann, Nachklange oder
Erinnerungen an Schumann
zu gestalten, mit der
Absicht, ein heiteres,
liebenswurdiges (und
nachdenkliches) Werk zu
schreiben, einmal ohne
Experimente-, als
,,Divertimento fur den
Normalhorer, gelegentlich
behutsam verbunden mit
modernen Techniken -
nicht ohne
hintergrundigen Humor.
Der 1. Satz wurde
inspiriert von den
,,Papillons (opus 2 fur
Klavier); er gliedert
sich in vier
variationsahnliche
Abschnitte. Die
,,Ouverture exponiert
drei kurze Themen, die
sich trotz ihres
gegensatzlichen
Charakters wie
selbstverstandlich
erganzen
(Einleitungsgirlande und
Schlussfanfare der
Papillons und das
bekannte Anfangsmotiv aus
,,Vogel als Prophet). Die
Abschnitte ,,Thema,
,,Variationen und ,,Coda
entwickeln und verandern
das Hauptthema der
,,Papillons; dieses
dominiert uber weite
Strecken des Satzes und
wird mit den Motiven der
Ouverture kombiniert.
Vielfaltig gegliedert ist
das ,,Lyrische
Intermezzo. Zu Beginn
gewinnt ein Motiv aus den
,,Nachtstucken (fur
Klavier) Bedeutung,
taucht mehrere Male auf,
von mehrtonigen b-a-c-h
Clustern ,,gestort. Im
Mittelpunkt stehen das
Thema des 2. Satzes der
g-moll Klavier-Sonate op.
22 (ein Mondnachtlied
ohne Worte; Holzblaser)
und ein Adagio-Gedanke
aus dem Klavier-Zyklus
,,Kreisleriana (tiefe
Streicher); beide Themen
werden kontrapunktiert
von zwolftonigen
Strukturen und
Klangbandern
(Holzblaser). Die
,,Fruhlings-Symphonie-Fan
fare eroffnet das Finale.
Danach bilden sich uber
rotierenden Klangflachen
(Streicher) einzelne Tone
und Intervalle,
aleatorisch frei,
verdichten sich, wie aus
der Erinnerung
auftauchend, zu Motiven
aus Schumanns
bekanntester Symphonie.
Nach diesem zogernden
Beginn entwickelt sich
ein fast klassisch
anmutender
Sonaten-Durchfuhrungsteil
mit mehreren melodischen
Gedanken (Kopfmotiv der
g-moll Klaviersonate,
tanzerische und ostinate
Themen aus der
Fruhlings-Symphonie), die
zum Teil in- und
ubereinander geschichtet
werden, bis auf dem
Hohepunkt des Satzes das
Schlussthema der
Klavierfantasie op. 17,
pathetisch-ironisch in
den Blechblasern
erklingt. Eine kurze
Reprise mit dem
Hauptgedanken fuhrt zur
Anfangsfanfare zuruck;
der Satz verklingt im
pianissimo. Wollte man
dem ganzen opus ein Motto
voranstellen, dann die
Schumann-Uberschrift (aus
den Kinderszenen) :
,,Fast zu ernst - aber
eben nur ,,fast. (Jurg
Baur)CD:Sinfonieorchester
des Bayerischen
Rundfunks, cond.
Hanns-Martin SchneidtCD
Thorofon CTH 2270
Bibliography:Wallerang,
Lars: Die Orchesterwerke
Jurg Baurs als Dialog
zwischen Tradition und
Moderne, Koln: Dohr
2003.Nonnenmann, Rainer:
Vergegenwartigungen.
Umgang mit historischem
Material bei Zimmermann,
Baur, Killmayer, Schnebel
und Zender, in: Jurg
Baur, hrsg. von Ulrich
Tadday (= Musik-Konzepte.
Neue Folge, Heft
184/185), Munchen:
Edition Text+Kritik 2019,
S. 26-46.
By Anne McGinty (1945-). Edited by Shirley Strohm Mullins. Orchestra. For orches...(+)
By Anne McGinty (1945-).
Edited by Shirley Strohm
Mullins. Orchestra. For
orchestra. Orchestra
method/study. Queenwood
Developing String
Orchestra. Score.
Published by Queenwood
Publications
Conte d'Avril Orchestre SATB, Orchestre Crescendo Music Publications
Orchestra SKU: C4.9790-900969347 Composed by Charles Marie Widor. Edited ...(+)
Orchestra
SKU:
C4.9790-900969347
Composed by Charles Marie
Widor. Edited by Daniel
Mitterdorfer and Harold
Fabrikant. Study score.
Crescendo Music
Publications
#9790-900969347.
Published by Crescendo
Music Publications
(C4.9790-900969347).
Conte d'Avril Orchestre SATB, Orchestre Crescendo Music Publications
Orchestra SKU: C4.9790-900969361 Composed by Charles Marie Widor. Edited ...(+)
Orchestra
SKU:
C4.9790-900969361
Composed by Charles Marie
Widor. Edited by Daniel
Mitterdorfer and Harold
Fabrikant. Spiral-bound.
Full score (A3).
Crescendo Music
Publications
#9790-900969361.
Published by Crescendo
Music Publications
(C4.9790-900969361).
Valse Lyrique Orchestre - Intermédiaire Kjos Music Company
Orchestra full orchestra - Grade 3 SKU: KJ.O1080C Composed by William Him...(+)
Orchestra full orchestra
- Grade 3
SKU:
KJ.O1080C
Composed by
William Himes. String
Tracks. Score and parts.
Neil A. Kjos Music
Company #O1080C.
Published by Neil A. Kjos
Music Company
(KJ.O1080C).
ISBN
9788402700490. UPC:
8402700497.
Known
for his glorious melodies
and rich harmonies, Mr.
Himes provides us with a
wonderful masterwork.
Structured in a typical
A-B-A form, this
composition features two
waltzes of contrasting
styles and tempos.
Orchestra SKU: HL.14030084 Composed by Jean Sibelius. Music Sales America...(+)
Orchestra
SKU:
HL.14030084
Composed
by Jean Sibelius. Music
Sales America. Classical.
Studyscore. Composed
2002. 32 pages. Edition
Wilhelm Hansen #WH17982.
Published by Edition
Wilhelm Hansen
(HL.14030084).
Orchestra full orchestra - Grade 3 SKU: KJ.O1080F Composed by William Him...(+)
Orchestra full orchestra
- Grade 3
SKU:
KJ.O1080F
Composed by
William Himes. String
Tracks. Score. Neil A.
Kjos Music Company
#O1080F. Published by
Neil A. Kjos Music
Company (KJ.O1080F).
Known for his
glorious melodies and
rich harmonies, Mr. Himes
provides us with a
wonderful masterwork.
Structured in a typical
A-B-A form, this
composition features two
waltzes of contrasting
styles and tempos.
ISBN
9790006523351. 33 x 24 cm
inches. Preface: Denis
Herlin. Text:
Charles-Antoine Leclerc
de La
Bruere.
“Dard
anus†is
Rameau’s third
“Tragdie
lyrique†composed
for Paris after
“Hippolyte et
Aricie†and
“Castor et
Polluxâ€. With its
multi-facetted music it
represents quite a high
point of this genre. Its
performance history is
remarkable in that within
only five years two
clearly different
versions were being
performed.
The new
critical edition by Denis
Herlin for the first time
offers the possibility to
reconstruct the version
of May 1744 in addition
to the version of 1739.
Also, the Appendices
include the complete
performance material of
the version of April
1744, many parts of which
could not be heard since.
Last but not least the
changes of the successful
re-staging of 1760 are
presented.
This
performing edition
contains all the purely
instrumental numbers of
the opera in their
various versions. Apart
from the preludes and
ritornellos, these are
above all the diverse
dance numbers.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Full orchestra SKU: LO.30-3608MD Composed by Marty Parks. Choral. Sacred ...(+)
Full orchestra
SKU:
LO.30-3608MD
Composed
by Marty Parks. Choral.
Sacred Anthem, Christmas.
Orchestral score and
parts. Medallion Music
#30/3608MD. Published by
Medallion Music
(LO.30-3608MD).
UPC:
000308150919.
Orche
stral Score and Parts for
Gloria! Oh, Gloria!
(10/5179MD) With an
African rhythm feel, this
Christmas selection is
easy to learn and fun to
sing. In addition to
traditional lyrics from
Charles Wesley’s
“Hark! The Herald
Angels Sing,†it
incorporates original
lyrics and music by Marty
Parks. The optional
orchestra parts will
provide extra excitement
for your worship service
or concert.
Full orchestra SKU: LO.30-3387L Composed by Jay Rouse. Arranged by Ed Hog...(+)
Full orchestra
SKU:
LO.30-3387L
Composed
by Jay Rouse. Arranged by
Ed Hogan. Choral. Sacred
Anthem, Christmas.
Orchestral score and
parts. Lorenz Publishing
Company #30/3387L.
Published by Lorenz
Publishing Company
(LO.30-3387L).
UPC:
000308144864.
Jay
Rouse give the timeless
Henry Longfellow text a
breath of fresh air in
this splendid yuletide
anthem. Including a
charming original melody
and a rich and versatile
optional orchestration by
Ed Hogan, this lyric
setting is a universal
prayer for peace.
Orchestra SKU: PR.41641531L Concerto for Cello and Orchestra. Comp...(+)
Orchestra
SKU:
PR.41641531L
Concerto for Cello and
Orchestra. Composed
by Narong Prangcharoen.
Large Score. 43 pages.
Duration 20 minutes.
Theodore Presser Company
#416-41531L. Published by
Theodore Presser Company
(PR.41641531L).
UPC:
680160625949.
Far
from Home is originally
for solo cello based on
my exploration of the use
of Western instrumental
and compositional
techniques to express the
emotional and cultural
characteristics of Thai
traditional music. This
piece contains both
lyrical and virtuosic
passages that derived
from the traditional Thai
fiddle playing and
Krao-nai style, which is
considered to be among
the most demanding styles
for solo instruments.
Although the musical
expression and techniques
used in this piece are
somewhat different from
the traditional Krao-nai
style, it still convey
the emotions and cultural
references of that style.
Far from Home was
graciously commissioned
by the Thailand
Philharmonic Orchestra
with the generous support
of Dr. Sugree
Charoensook. It was given
its first performance by
Thai cellist Tapalin
Charoensook, the Thailand
Philharmonic Orchestra,
and Maestro Alfonso
Scarano conducting, on
August 22-23, 2014, at
Mahidol University,
Bangkok, Thailand. Far
from Home is originally
for solo cello based on
my exploration of the use
of Western instrumental
and compositional
techniques to express the
emotional and cultural
characteristics of Thai
traditional music. This
piece contains both
lyrical and virtuosic
passages that derived
from the traditional Thai
fiddle playing and
Krao-nai style, which is
considered to be among
the most demanding styles
for solo instruments.
Although the musical
expression and techniques
used in this piece are
somewhat different from
the traditional Krao-nai
style, it still convey
the emotions and cultural
references of that
style.Far from Home was
graciously commissioned
by the Thailand
Philharmonic Orchestra
with the generous support
of Dr. Sugree
Charoensook. It was given
its first performance by
Thai cellist Tapalin
Charoensook, the Thailand
Philharmonic Orchestra,
and Maestro Alfonso
Scarano conducting, on
August 22-23, 2014, at
Mahidol
University,Bangkok,
Thailand.
Orchestra - Grade 1.5 SKU: AP.45824S Composed by Patrick Roszell. Perform...(+)
Orchestra - Grade 1.5
SKU: AP.45824S
Composed by Patrick
Roszell. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Beginning String
Orchestra. Score. 12
pages. Duration 1:50.
Belwin Music #00-45824S.
Published by Belwin Music
(AP.45824S).
UPC:
038081529219.
English.
Brilliantl
y balancing lyrical and
rhythmic playing at a
fast tempo, this piece is
fun and will bring a
smile to all. The
bouncing accompaniments
and lyrical melodies will
remind students of
playing with a lively,
inquisitive pet, perhaps
as it bounces from flower
to flower in the park.
Take Flight was written
in remembrance of the
composer's beloved pet as
a celebration of the role
pets play in our lives.
(1:50).
Orchestra SKU: LO.30-3448MD Composed by Jay Rouse. Choral. Sacred Anthem....(+)
Orchestra
SKU:
LO.30-3448MD
Composed
by Jay Rouse. Choral.
Sacred Anthem. Orchestral
score and parts.
Medallion Music
#30/3448MD. Published by
Medallion Music
(LO.30-3448MD).
UPC:
000308146547.
This
warm and intimate setting
features Jay Rouse's
signature ability to
craft melody and harmony
that marries perfectly
with a poignant Rose
Aspinall lyric. This
gorgeous ballad is a
message of the power of
God's presence and the
comfort it provides.
Orchestra SKU: LO.30-3423MD Choral. Sacred Anthem. Orchestral score and p...(+)
Orchestra
SKU:
LO.30-3423MD
Choral.
Sacred Anthem. Orchestral
score and parts.
Medallion Music
#30/3423MD. Published by
Medallion Music
(LO.30-3423MD).
UPC:
000308146554.
With
a classic Gloria Gaither
lyric and music from Greg
Nelson, this message song
vividly paints the
picture of what it means
to walk in the steps of
Christ. This gorgeous
setting is powerfully
moving and allows your
choir a unique
opportunity to lead the
congregation into a
thoughtful place of
reflection.
By Antonio Carlos Jobim. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by ...(+)
By Antonio Carlos Jobim.
Edited by Rob Duboff and
Jeffrey Sultanof.
Arranged by Claus
Ogerman. For studio
orchestra (English Vocal,
Portuguese Vocal,
Woodwind 1: Piccolo/Bass
Flute (Alto Flute Alt
Part)/C Flute, Woodwind
2: Piccolo/Bass Flute
(Alto Flute Alt Part)/C
Flute/Alto Flute,
Woodwind 3: Bass Flute
(Alto Flute Alt Part)/C
Flute/Alto Flute,
Woodwind 4: Bass Flute).
Recorded by Antonio
Carlos Jobim. Bossa Nova.
Medium. Score and parts.
Published by Jazz Lines
Publications
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