Orchestra (Study Score) SKU: HL.49046988 Lyric Trilogy After Maurice M...(+)
Orchestra (Study Score)
SKU: HL.49046988
Lyric Trilogy After
Maurice Maeterlinck Study
Score, French.
Composed by Aribert
Reimann. Edition Schott.
Classical. Softcover. 280
pages. Duration 5400
seconds. Schott Music
#ED23491. Published by
Schott Music
(HL.49046988).
ISBN
9781705174333. UPC:
842819115281.
8.25x11.75x0.695
inches.
SYNOPSIS
Aribert Reimann's
'Trilogie lyrique' is
based on three plays by
Maurice Maeterlinck: In
L'Intruse, a family is
sitting at the table with
their blind grandfather.
They are waiting for the
doctor to arrive and tend
to his daughter who is
lying ill in bed after
having given birth: her
new-born son has not yet
made a single sound. The
old man senses that
something is wrong due to
the uneasy atmosphere in
the room. Who is sitting
in our midst? he asks. He
is the only one who
cansee the presence of
death. Interieur: Once
again a family is
gathered round the table
in the evening, but this
time we observe the
action from outside,
looking through the
window with the
grandfather and a
stranger: no sound can be
heard. Outside the house,
the stranger reports that
the eldest daughter has
drowned and that he has
pulled her out of the
river. Although the
corpse is already being
carried through the
village to the family,
the grandfather cannot
bring himself to destroy
this idyll. La Mort de
Tintagiles: The young
Tintagiles is told a
story about a mysterious
castle and the aged queen
who has all potential
heirsto the throne
murdered. His siblings
sense that Tintagiles has
been summoned to the
castle to be murdered,
but nobody openly
expresses this fact. It
is the sinister
messengers of death from
the interludes, now
visible as the queens
servants, who ful?l her
demand and snatch the
sleeping boy from his
sisters'arms. Commentary
'In comparison with his
Medea for example with
its stormy outbreaks of
emotion and violence,
Reimann's score is worked
in an impressive
refinement of sound. It
begins with rumbling,
hesitating and expressive
music in the first
section, demanding highly
ingenious sound effects
from the lower strings
including tapping and
faltering glissandos in
its noisy expression of
mortal fear. Inthe second
part, the woodwind
formation plays at times
almost in chamber music
fashion and is then
suddenly painfully
shrill. The third part
luxuriates and rages in
its rich, full
orchestration. The manner
in which Reimann displays
his mastery in textural
shading, the invention of
sounds welling up and
fading away, the rhythmic
and melodic capacity of
suffering and the music's
inner violence are all
utterly
compelling.'(Wolfgang
Schreiber, Opernwelt,
November 2017).
(Tanzstunden I)
Tanzschauspiel. Libretto
frei nach Moliere.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1949/1995. 172 pages.
Duration 35'. Schott
Music #ED 9456. Published
by Schott Music
(HL.49013033).
ISBN
9790001131919.
8.25x11.75x0.462
inches.
Bei der
Neuschrift des Stucks im
Winter 1995-96, funfzig
Jahre nach seiner
Entstehung (als
Buhnenmusik zu Molieres
Comedie ballet Georges
Dandin, aus der
anschliessend ein Ballett
wurde mit dem englischen
Clown Jack Pudding in der
Titelrolle), ist es mir
darum gegangen, den alten
Notentext auszulosen und
sein thematisches und
harmonisches Material
nach Kriterien zu ordnen
und zu entwickeln, die
mir seinerzeit noch nicht
zur Verfugung standen,
und die recht
skizzenhafte Anlage des
Urtexts in eine Klangwelt
heruberzutragen, die
meinen heutigen
Vorstellungen und
Wertbegriffen von Theater
und Musik entspricht und
die gleichzeitig das
heutige kulturelle Klima
Neapels widerspiegelt und
damit eine besondere Art
von Wirklichkeit, die
mich einmal so sehr
gefangengenommen,
bezaubert und beeinflusst
hat.- Hans Werner
Henze
: 1 (auch
Picc.) * 1 * 1 * 1 - 1 *
1 * 1 * 0 - P. S. (3
Trgl. * Crot. * Rohrengl.
* Trinidad steel drum * 3
hg. Beck. * 3 Tamt. * 3
Tomt. * Schellentr. * kl.
Tr. * gr. Tr. [m. u. o.
Beck.] * Bongo * Guiro *
Kast. * Ratsche *
Peitsche * Lotosfl. *
Cuica * Mar. * Putipu
[neap. Brummtopf]*
Scetavajasse [neap.
Schrapstock mit Schellen]
* Flex. * Vibr. *
Marimba) (3 Spieler) -
Klav. (auch Cel. und Akk.
ad lib.) - Str.
(Orchestra) SKU: HL.49013026 Dance drama by Luchino Visconti. One set<...(+)
(Orchestra)
SKU:
HL.49013026
Dance
drama by Luchino
Visconti. One set.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed 1956. 168
pages. Duration 50'.
Schott Music #ED 9416.
Published by Schott Music
(HL.49013026).
ISBN
9790001131476.
1
(auch Picc.) * 1 * Engl.
Hr. * 1 * Bassklar. * 1 -
2 * 2 * 1 * 0 - P. - Hfe.
- Str.Jazzband (kann nach
Belieben verandert
werden): Fl. * Altsax. *
Tenorsax. * Jazztrp. *
Jazzpos. - S. (hg. Beck.
* Tamt. * kl. Tr. [mit
Schnarrs.] * Tomt. *
Jazztr. * Bong. * gr. Tr.
[mit Ped.] * Mar. * Tubo)
(3 Spieler) - Klav. -
Kb.
1 (auch Picc.)
* 1 * Engl. Hr. * 1 *
Bassklar. * 1 - 2 * 2 * 1
* 0 - P. - Hfe. -
Str. Jazzband (kann
nach Belieben verandert
werden): Fl. * Altsax. *
Tenorsax. * Jazztrp. *
Jazzpos. - S. (hg.
Beck. * Tamt. * kl. Tr.
[mit Schnarrs.] * Tomt. *
Jazztr. * Bong. * gr. Tr.
[mit Ped.] * Mar. *
Tubo) (3 Spieler) - Klav.
- Kb.
Overture - Full Score and Parts. Composed by Gioachino Rossini (1792-1868...(+)
Overture - Full Score
and Parts. Composed
by Gioachino Rossini
(1792-1868). Edited by
Robert A. Curry. Arranged
by Mayhew Lake. Carl
Fischer Classic Band
Editions. Score and Set
of Parts. With Standard
notation. 320 pages. Carl
Fischer #J000305.
Published by Carl Fischer
(CF.J305).
Orchestra SKU: M7.BP-1681 From the Opera Clothes Make the Man. Com...(+)
Orchestra
SKU:
M7.BP-1681
From
the Opera Clothes Make
the Man. Composed by
Joseph Suder. Edited by
Alexander L. Suder. Sheet
music. Score. Amadeus
Verlag #BP 1681.
Published by Amadeus
Verlag (M7.BP-1681).
(Orchestra) SKU: HL.49013034 (Der Sohn der Luft oder Das Kind, das zum...(+)
(Orchestra)
SKU:
HL.49013034
(Der
Sohn der Luft oder Das
Kind, das zum jungen Mann
wird). Composed by
Hans Werner Henze. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1962/1996. 170
pages. Duration 35'.
Schott Music #ED 9457.
Published by Schott Music
(HL.49013034).
ISBN
9790001131926.
2
(2. auch Picc. u. Altfl.)
* 2 (2. auch Engl. Hr.) *
2 (2. auch Bassklar.) * 2
- 2 * 2 * 2 * 0 - P. S.
(Glsp. * Crot. * Vibr. *
Marimba * Trgl. * 3 hg.
Beck. * 3 Tomt. * 3 Tamt.
* 3 Bong. * kl. Tr. [mit
u. ohne Schnarrs.] *
Schellentr. * gr. Tr.
[mit u. ohne Beck.] *
Kast. * Ratsche * Woodbl.
* Guiro) (4 Spieler) -
Hfe * Klav. (auch Cel.) -
Str. - Hinter der Buhne:
Rohrengl.
2 (2.
auch Picc. u. Altfl.) * 2
(2. auch Engl. Hr.) * 2
(2. auch Bassklar.) * 2 -
2 * 2 * 2 * 0 - P. S.
(Glsp. * Crot. * Vibr. *
Marimba * Trgl. * 3 hg.
Beck. * 3 Tomt. * 3 Tamt.
* 3 Bong. * kl. Tr. [mit
u. ohne Schnarrs.] *
Schellentr. * gr. Tr.
[mit u. ohne Beck.] *
Kast. * Ratsche * Woodbl.
* Guiro) (4 Spieler) -
Hfe * Klav. (auch Cel.) -
Str. - Hinter der
Buhne: Rohrengl.
Final Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
final version 1910
Symphony; Romantic;
Late-romantic. Set of
parts. 1674 pages.
Duration 54'. Breitkopf
and Haertel #OB 5631-60.
Published by Breitkopf
and Haertel
(BR.OB-5631-60).
ISBN
9790004343661. 10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 200 pages.
Duration 54'. Breitkopf
and Haertel #PB 5631.
Published by Breitkopf
and Haertel (BR.PB-5631).
ISBN 9790004215289.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Linen.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 212 pages.
Duration 54'. Breitkopf
and Haertel #PB 5661.
Published by Breitkopf
and Haertel (BR.PB-5661).
ISBN 9790004215982.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
ISBN 9790006523375.
32.9 x 23.9 cm inches.
Text Language:
French/German. Preface:
Soury, Thomas. Louis de
Cahusac.
Rameau's
“Les Fêtes de
l'Hymen et de
l'Amour†was long
considered second-rate
because its première
was associated with a
political event. Yet this
ballet abounds in novel
dramaturgical effects
that foreshadow his later
operas, such as
“Zaïsâ€,
“Zoroastreâ€
and “Les
Boradesâ€. Working
together with his
librettist Cahusac,
Rameau sought to weave
the dance numbers,
choruses and stage
machinery more tightly
into the main plot. He
also experimented with
stylistic devices unique
to this work, the most
famous being
unquestionably the scene
in which the Nile
overflows its banks (an
impressive ten-voice
double chorus with solo
voices and orchestra) and
the sextet from
“Arurisâ€, a
scoring found nowhere
else in his
uvre.
For the
first time, this
scholarly-critical
edition of “Les
Fêtes de l'Hymen et de
l'Amour†presents a
reference version of the
work that is based on all
the major sources for
both the libretto and the
music, including two
recent musical
discoveries. As most of
the performance material
for the première has
vanished, our edition is
based on the version
prepared for the Acadmie
Royale de Musique in
1748.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (STP) SKU: HL.49041890 Einfuhrung und Analyse. Composed ...(+)
Orchestra (STP)
SKU:
HL.49041890
Einfuhrung und
Analyse. Composed by
Ludwig van Beethoven.
This edition:
Paperback/Soft Cover.
Sheet music. Serie Musik.
Siehe Rubrik
Bucher/Multimedia. Study
Score. Composed
1811-1812. Op. 93. 180
pages. Schott Music #SP
8122. Published by Schott
Music (HL.49041890).
ISBN 9783795781224.
German.
Ludwig van
Beethoven stellte seine
8. Sinfonie am 27.
Februar der
Offentlichkeit vor; zuvor
erklangen anlasslich
dieser Akademie das
Schwesterwerk, die
Sinfonie Nr. 7 A-Dur,
sowie die
Schlachtensinfonie
'Wellingtons Sieg oder
die Schlacht bei
Vittoria', die Beethoven
einen seiner grossten
Erfolge als Komponist
bescherte. Zwar war die
Aufnahme der Achten durch
das Publikum nach den
vorangegangenen
Programmpunkten eher
kuhl, und auch heute noch
steht die Achte wie auch
etwa die Pastorale im
Schatten der ungeraden
Sinfonien - doch gewinnt
sie bei Horern mehr und
mehr an Beliebtheit: die
vielen unerwartenden
Wendungen in diesem Werk
liessen die Einschatzugn
eines Paradebeispiels fur
den Humor in der Musik
entstehen.Herbert
Schneider legt in seiner
Werkeinfuhrung dar, wie
die Achte entstand,
erstmals aufgefuhrt,
gestochen und
schliesslich gedruckt,
wie sie auf Zeitgenossen
und spatere Generationen
wirkte, und schildert
dies in diesem Buch auf
Grund wissenschaftlich
begrundeter Fakten auf
anschauliche Weise;
analytische und die
Interpretation
betreffende Kommentare
schliessen sich an.
Anregungen zur weiteren
Beschaftigung mit dieser
popularen Sinfonie geben
Literaturhinweise und
eine Diskographie. Anhand
der vollstandig
wiedergegebenen Partitur
kann der Leser den
Notentext beim Horen
verfolgen und die
analytischen Kommentare
nachvollziehen.
March from Athalia Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0171-00 Composed by Felix Bartholdy Mendelssohn. Arranged by ...(+)
SKU:
CL.016-0171-00
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Allen.
Orchestra. Score and set
of parts. Composed 1910.
C.L. Barnhouse
#016-0171-00. Published
by C.L. Barnhouse
(CL.016-0171-00).
Composed by Gioachino Rossini (1792-1868). Orchestra. Full Orchestra (Full Score...(+)
Composed by Gioachino
Rossini (1792-1868).
Orchestra. Full Orchestra
(Full Score); Larger
Works; Masterworks. Dover
Edition. Masterwork;
Romantic. Full Score.
Published by Dover
Publications
Orchestra (Study Score) SKU: HL.49004865 Score. Composed by Werner...(+)
Orchestra (Study Score)
SKU: HL.49004865
Score. Composed by
Werner Egk. Edition
Schott. Classical. Book
with Audio-Online.
Composed 1952. 132 pages.
Schott Music #ED4408.
Published by Schott Music
(HL.49004865).
ISBN
9781423413134. UPC:
073999276947.
6.0x9.0x0.366
inches.
Diction
lessons on each aria in
the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
(Orchestra) SKU: HL.49013040 Ballett Gesamtwerk im Schuber. Compos...(+)
(Orchestra)
SKU:
HL.49013040
Ballett Gesamtwerk im
Schuber. Composed by
Hans Werner Henze. This
edition:
Slipcase/Cassette. Sheet
music. Edition Schott.
Classical. Study score.
1733 pages. Schott Music
#ED 9500. Published by
Schott Music
(HL.49013040).
Orchestra (Study Score) SKU: HL.51489050 (L'ours) Orchestra Study Scor...(+)
Orchestra (Study Score)
SKU: HL.51489050
(L'ours) Orchestra
Study Score. Composed
by Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Paperbound. Henle
Study Scores. Classical.
Softcover. 66 pages. G.
Henle #HN9050. Published
by G. Henle
(HL.51489050).
ISBN
9790201890500. UPC:
888680950699.
7.0x9.0x0.251 inches.
Preface: Ullrich
Schneidler.
Orchestra SKU: HL.14021435 Composed by Palle Mikkelborg. Music Sales Amer...(+)
Orchestra
SKU:
HL.14021435
Composed
by Palle Mikkelborg.
Music Sales America.
Classical. Score. Music
Sales #KP01379. Published
by Music Sales
(HL.14021435).
ISBN
9788759878606.
English.
Palle
Mikkelborg GOING TO
PIECES WITHOUT FALLING
APART 2002 for violin,
harpe og strygereTilegnet
Elise Batnes og Helen
DaviesForord l
Programnote En solful d
morgentur i Melbourne
bragte mig forbi en
boghandel der
specialiserede sig i
spiritualbooks, og i
vinduet faldt mine ojne
pa et citat som
ojeblikkeligt ramte mig
folelsesmaessigtstaerkt-
og jeg folte at jeg havde
fundet titlen pa den
komposition jeg pa
tankeplan allerede vari
gang med. Citatet
lod:going to pieces ...
without falling apartTre
temaer og relaterede
skalaer, baseret pa
henholdsvis Elise
Batnes', Helen Davies' og
BergenKammerensembles
navne, har vaeret
afgorende for dele af
tonesproget, og
forekommer badeielose-up
og mere douche i
kompositionens syv
hovedafsnit. Det
barnlige, det enkle, det
her-og-nu naive, det
umiddelbare, kom til at
spille en vigtig
rolleunder arbejdet. Ikke
fordi selve mit tonesprog
er saerligt meget
anderledes end ellers
(hvordanskulle det ogsa
kunne blive det?), men
formuleringen: at go to
pieces fik mig til at
taenke pa atblive som
barn pa ny, atter at
vaere u-bange, at turde
tro pa det enkle.Udover
denne- i bedste
betydning- enkle
inspiration er onsket at
kompositionens kurve
kanopleves som en mulig
meditiations-rejse: i
starten en tro pa egen
ro, langsomt breder
uroensig, og i lystfulde
glimt ser man sig selv
danse en rituel dans, med
andehuller her og der:
ogfristelsen til at rive
forhaenget vaek og go to
pieces, og angsten for
maske at miste sig selv
undervejs,breder sig.
Dog, til sidst erkender
man at det var rejsen
vaerd, og at man heller
ikke denne gangfaldt
apart, men kan se frem
mod atter at vise livet
sin respekt ved
spirituelt fuldstaendigt
at givesig hen, dog vel
vidende at livet
merciless & merciful, med
kaerlig hand villade
diggo to pieces ...
without falling apartMen
selvklart er mit
egentlige onske: at man
blot lader musikken leve
sit eget ordlose liv -
atlytteren har sin egen
rejse. Palle
Mikkelborg.
Van Gogh Blue Orchestre [Conducteur d'étude / Miniature] Schott
Orchestra (Study Score) SKU: HL.49045270 For Ensemble (Study Score)(+)
Orchestra (Study Score)
SKU: HL.49045270
For Ensemble (Study
Score). Composed by
Julian Anderson. This
edition: Saddle
stitching. Sheet music.
Study Score. Classical.
Softcover. Composed 2015.
56 pages. Duration 19'.
Schott Music #ED13944.
Published by Schott Music
(HL.49045270).
ISBN
9790220137204. UPC:
841886028883.
8.25x11.75x0.2
inches.
The
starting point was the
collected letters of
Vincent van Gogh. In
spite of the tragedies
for which van Gogh is
best known, his letters
are filled with joyous
exuberance for the
practical considerations
of his work: what he will
paint next and, most
importantly, what colours
he will use. For Julian
Anderson, it seems the
painter relishes 'the
sheer stuff of which his
art is made'. In Van Gogh
Blue, Anderson relishes
the sheer stuff of which
his own art is made. Its
a very physical, highly
contrasted work about the
joy of sound.
Instrumental colour plays
a large role, and
Andersons use of two
mobile clarinetists
allows extra colour as
their sound moves through
the acoustic space of the
hall.
Orchestra (Study Score) SKU: HL.49045788 Suite for Orchestra 1919 Edit...(+)
Orchestra (Study Score)
SKU: HL.49045788
Suite for Orchestra
1919 Edition Eulenburg
No. 1475. Composed by
Igor Stravinsky. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Writing music to
heighten dramatic
situations, such as
battle and crisis, was a
speciality of Igor
Stravinsky. In his
ballet, The Firebird,
premiered in 1910, the 27
year old composer
surpassed many of today's
film composers by
depicting a breathtaking
ba. Classical. Softcover.
Composed 1919. 124 pages.
Duration 1200 seconds.
Schott Music #ETP1475.
Published by Schott Music
(HL.49045788).
ISBN
9783795714567. UPC:
888680747985.
6.0x8.75x0.309 inches.
Edition Eulenburg No.
1475.
Igor
Stravinsky's musical
setting of the Slavic
fable The Firebird is one
of the most
ground-breaking
orchestral works of the
early 20th century. The
reviews of the world
premiere of the ballet at
the Theatre National de
l'Opera in Paris lauded
Stravinsky's 'dazzling
music in all shades of
colour'; as a
consequence, he composed
two orchestral suites of
his ballet. The version
of 1919 is now published
as a new edition with a
modern notation and new
orchestral material.
ISBN
9790006567560. 33 x 24.3
cm inches. Text: Duplat
de Monticourt,
Pierre-Jacques.
Thi
s edition unites all the
purely instrumental parts
of Rameau’s
comdie-ballet “Les
Paladins†for
performance as a suite in
the concert
hall.
In view of
the wealth of the
work’s musical
treasures and the
stylistic innovations
– similar to the
“Boradesâ€
– the rather
frosty reception of the
premiere series in the
spring of 1760 seems
completely
incomprehensible to us
today. It led to this
stage work not being
performed again until
well into the 20th
century. The story that
the comdie-ballet tells
is based on a fable by La
Fontaine, “Le Petit
chien qui secoue de
l’argent et des
pierreries†(i.e.
“The little dog who
shakes silver and
stonesâ€). In
medieval Veneto, the
guardian Anselme
undermines the love
affairs of his ward
Argies. Scenes of tragic
expression are contrasted
with folk-comic ones; and
last but not least, the
sexually ambiguous fairy
Manto may have caused
difficulties for the bold
work at the Paris
Opra.
This
critical edition is based
on the corresponding
volume issued in the
series “Opera omnia
Rameau†(BA
8870-01). Since
“Les
Paladins†remained
unpublished during
Rameau’s lifetime
and was also not included
in the “Œuvres
complètesâ€, this
is the first edition of
the work. It satisfies
both scholarly demand and
the practical needs of
musicians.
The
orchestral parts are
available on
hire.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Spring's Awakening Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0173-00 Romance. Composed by E. Bach. Arranged by Alle...(+)
SKU:
CL.016-0173-00
Romance. Composed
by E. Bach. Arranged by
Allen. Orchestra. Score
and set of parts.
Composed 1911. C.L.
Barnhouse #016-0173-00.
Published by C.L.
Barnhouse
(CL.016-0173-00).
SKU: CL.016-0180-00 Arranged by Allen. Orchestra. Score and set of parts....(+)
SKU:
CL.016-0180-00
Arranged by Allen.
Orchestra. Score and set
of parts. Composed 1911.
C.L. Barnhouse
#016-0180-00. Published
by C.L. Barnhouse
(CL.016-0180-00).
This product
contains three titles on
one sheet of music:
America Red, White and
Blue The Star Spangled
Banner NOTE: This is a
vintage orchestra
publication, designed for
the small theater
orchestras of the very
late 1800s and early
1900s – whose
instrumentation varies
considerably from a
modern full orchestra
work. Parts for standard
string instruments are
included, along with wind
and percussion parts as
scored by the musical
judgment of the composer
or arranger. Be cautioned
that published parts
might include less
familiar transpositions,
such as Clarinet or
Cornet in A, Horn in Eb,
etc. Please contact us
with any specific
instrumentation
questions.
Old Hundred Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0179-00 Arranged by Allen. Orchestra. Score and set of parts....(+)
SKU:
CL.016-0179-00
Arranged by Allen.
Orchestra. Score and set
of parts. Composed 1912.
C.L. Barnhouse
#016-0179-00. Published
by C.L. Barnhouse
(CL.016-0179-00).
This product
contains five short
arrangements: Holy, Holy,
Holy Abide With Me Joy To
The World Stand Up, Stand
Up For Jesus Old Hundred
NOTE: This is a vintage
orchestra publication,
designed for the small
theater orchestras of the
very late 1800s and early
1900s – whose
instrumentation varies
considerably from a
modern full orchestra
work. Parts for standard
string instruments are
included, along with wind
and percussion parts as
scored by the musical
judgment of the composer
or arranger. Be cautioned
that published parts
might include less
familiar transpositions,
such as Clarinet or
Cornet in A, Horn in Eb,
etc. Please contact us
with any specific
instrumentation
questions.
The Messenger Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0176-00 March. Composed by Barnhouse. Arranged by Alle...(+)
SKU:
CL.016-0176-00
March. Composed by
Barnhouse. Arranged by
Allen. Orchestra. Score
and set of parts.
Composed 1911. C.L.
Barnhouse #016-0176-00.
Published by C.L.
Barnhouse
(CL.016-0176-00).
Majestic Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0167-00 March. Composed by J. W. Allen. Orchestra. Sco...(+)
SKU:
CL.016-0167-00
March. Composed by
J. W. Allen. Orchestra.
Score and set of parts.
Composed 1910. C.L.
Barnhouse #016-0167-00.
Published by C.L.
Barnhouse
(CL.016-0167-00).
Smoke-Up Honey Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0081-00 A Rag Mash. Composed by Derville. Orchestra. S...(+)
SKU:
CL.016-0081-00
A
Rag Mash. Composed by
Derville. Orchestra.
Score and set of parts.
Composed 1905. C.L.
Barnhouse #016-0081-00.
Published by C.L.
Barnhouse
(CL.016-0081-00).
Orchestra - Grade 2.5 SKU: AP.45842S Recorded by American Authors....(+)
Orchestra - Grade 2.5
SKU: AP.45842S
Recorded by American
Authors. Composed by
Aaron Accetta, David
Rublin, James Shelley,
Jonnie Davis, Matthew
Sanchez, Michael Goodman,
and Zachary Barnett.
Arranged by Victor Lopez.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Pop/Rock.
Score. 12 pages. Duration
2:40. Alfred Music
#00-45842S. Published by
Alfred Music (AP.45842S).
UPC: 038081524115.
English. Zachary Barnett;
James Shelley; Matthew
Sanchez; David Rublin;
Aaron Accetta; Jonnie
Davis; Michael Goodman
[American
Authors].
Go big
and get your audience
excited with this bright
and energetic sing-along
hit arranged by Victor
López. American
Authors, an indie rock
band based in Brooklyn,
New York, wrote Go Big or
Go Home---a Top 20 hit on
Billboard charts and
featured in promos for
the 2016 NBA Playoff
Finals. Given the catchy
melody and vibrant
rhythms, this song is the
hair-raising anthem you
have been looking for to
complete your program.
Great tune for a
recruiting demonstration!
(2:40).
Soprano voice and orchestra (Score) SKU: HL.49007945 Composed by Joaqu&ia...(+)
Soprano voice and
orchestra (Score)
SKU:
HL.49007945
Composed
by Joaquí and n
Rodrigo. This edition:
Saddle stitching. Sheet
music. Ediciones Joaquin
Rodrigo. Classical.
Score. Composed 1946. 58
pages. Duration 12'.
Schott Music #ED 8358.
Published by Schott Music
(HL.49007945).