Orchestra - Grade 1-3 SKU: AP.49425 Composed by Neal Schon and Steve Perr...(+)
Orchestra - Grade 1-3
SKU: AP.49425
Composed by Neal Schon
and Steve Perry. Arranged
by Mark Wood. Performance
Music Ensemble; Single
Titles; String Orchestra.
Mark Wood Series. Light
Concert; Pop; Pop/Rock;
Radio. Score and Part(s).
Duration 3:30. Alfred
Music #00-49425.
Published by Alfred Music
(AP.49425).
ISBN
9781470650643. UPC:
038081571423.
English.
Mark
Wood's multi-level
arrangement of Any Way
You Want It / Don't Stop
Believin' showcases fun
rock styles and classical
technique. Right from the
first notes with the
anticipated first rhythm
to the incorporation of
the Don't Stop Believing
ending, your students can
celebrate the great band
Journey and their
fantastic rock riffs!
(3:30).
Orchestra - Grade 1-3 SKU: AP.49425S Composed by Neal Schon and Steve Per...(+)
Orchestra - Grade 1-3
SKU: AP.49425S
Composed by Neal Schon
and Steve Perry. Arranged
by Mark Wood. Performance
Music Ensemble; Single
Titles; String Orchestra.
Mark Wood Series. Light
Concert; Pop/Rock. Score.
Duration 3:30. Alfred
Music #00-49425S.
Published by Alfred Music
(AP.49425S).
ISBN
9781470650650. UPC:
038081571430.
English.
Mark
Wood's multi-level
arrangement of Any Way
You Want It / Don't Stop
Believin' showcases fun
rock styles and classical
technique. Right from the
first notes with the
anticipated first rhythm
to the incorporation of
the Don't Stop Believing
ending, your students can
celebrate the great band
Journey and their
fantastic rock riffs!
(3:30).
Peter Pan Live Orchestre [Conducteur] - Facile Alfred Publishing
(Featuring: I'm Flying / I Won't Grow Up). Composed by Carolyn Leigh, music by M...(+)
(Featuring: I'm Flying /
I Won't Grow Up).
Composed by Carolyn
Leigh, music by Mark
Charlap. Arranged by Bob
Cerulli. Orchestra.
Score; String Orchestra.
Pop Intermediate String
Orchestra. Form: Medley.
Movie. Grade 2.5. 12
pages. Published by
Alfred Music
Orchestra SKU: LO.30-3174H Composed by Cynthia Gray. Arranged by Mark T. ...(+)
Orchestra
SKU:
LO.30-3174H
Composed
by Cynthia Gray. Arranged
by Mark T. Barnard.
Conductor's score.
Concert, Festival.
Orchestral score and CD
with printable parts.
Heritage Music Press
#30/3174H. Published by
Heritage Music Press
(LO.30-3174H).
UPC:
000308139655.
Espec
ially effective with
combined choirs, this
piece celebrates music in
a unique way, starting
with the silence of the
earth before music. The
optional orchestration is
designed with versatility
in mind, as the full
instrumentation is not
required to be
effective.
Full orchestra SKU: LO.30-3622H Composed by Mark Hayes. Conductor's score...(+)
Full orchestra
SKU:
LO.30-3622H
Composed
by Mark Hayes.
Conductor's score.
Spiritual. Orchestral
score and parts. Heritage
Music Press #30/3622H.
Published by Heritage
Music Press
(LO.30-3622H).
UPC:
000308151183.
One
of the best-known
spirituals in the
repertoire receives an
exciting, emotion-packed
treatment in this
smashing arrangement.
Scored for ease of
singing, each section has
their time to shine and
includes divisi writing.
Precede with “Deep
River†(15/3607H)
for an extended
performance option.
String Thang Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2-3 SKU: AP.49068S Composed by Mark Wood. Performance M...(+)
Orchestra - Grade 2-3
SKU: AP.49068S
Composed by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score. Duration
2:45. Alfred Music
#00-49068S. Published by
Alfred Music (AP.49068S).
ISBN 9781470647834.
UPC: 038081567051.
English.
This
multi-level piece
includes a full set of
parts for grade 2 as well
as a full set for grade 3
ensembles. Mix and match
the parts as you
need---perfect for
mixed-ability ensembles!
String Thang by
Mark Wood is based on the
twelve-bar blues. The
blues has deep roots in
American history,
developed out of the work
songs and chants of
African-American slaves.
The Great Migration of
the first half of the
20th century saw freed
slaves and their
descendants move to
northern and eastern
parts of the U.S., taking
their music with them.
The blues took on
different forms; in turn
it helped to create rock,
jazz, hip-hop, and other
popular genres. A
twelve-bar blues uses a
repeating chord
progression which allows
musicians to express
themselves creatively
with each recurrence. If
anything defines the
blues, it is the use of
blue notes---pitches that
don't usually belong in a
given key---and elements
of improvisation. String
Thang uses both blue
notes in the main tune
and the solo violin's
part, as well as
improvisational
principles in the solo.
For string orchestra with
optional rock rhythm
section parts.
(2:45)
Orchestra - Grade 2-3 SKU: AP.49068 Composed by Mark Wood. Performance Mu...(+)
Orchestra - Grade 2-3
SKU: AP.49068
Composed by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score and Part(s).
Duration 2:45. Alfred
Music #00-49068.
Published by Alfred Music
(AP.49068).
ISBN
9781470647827. UPC:
038081567044.
English.
This
multi-level piece
includes a full set of
parts for grade 2 as well
as a full set for grade 3
ensembles. Mix and match
the parts as you
need---perfect for
mixed-ability ensembles!
String Thang by
Mark Wood is based on the
twelve-bar blues. The
blues has deep roots in
American history,
developed out of the work
songs and chants of
African-American slaves.
The Great Migration of
the first half of the
20th century saw freed
slaves and their
descendants move to
northern and eastern
parts of the U.S., taking
their music with them.
The blues took on
different forms; in turn
it helped to create rock,
jazz, hip-hop, and other
popular genres. A
twelve-bar blues uses a
repeating chord
progression which allows
musicians to express
themselves creatively
with each recurrence. If
anything defines the
blues, it is the use of
blue notes---pitches that
don't usually belong in a
given key---and elements
of improvisation. String
Thang uses both blue
notes in the main tune
and the solo violin's
part, as well as
improvisational
principles in the solo.
For string orchestra with
optional rock rhythm
section parts.
(2:45)
Orchestra - Grade 4 SKU: WD.080689003790 Composed by Mark Hayes. Arranged...(+)
Orchestra - Grade 4
SKU:
WD.080689003790
Composed by Mark Hayes.
Arranged by Mark Hayes.
Coronation Series.
Christmas. Orchestration.
Word Music #080689003790.
Published by Word Music
(WD.080689003790).
UPC:
080689003790.
About
Coronation
Series
Cor
onation Series
Instrumentation: Woodwinds: 2
Flute, Oboe, 2 Clarinet,
Bass Clarinet (doubles
Tuba), Alto Sax (doubles
French Horn), Tenor
Sax/Baritone T.C.
(doubles Trombone,) - All
charts released since
3/1/02 include a Bari Sax
part that doubles
Tuba. Brass:
strong> 2 French Horn, 3
Trumpet, 3 Trombone,
Tuba Percussio
n:Percussion Strings:
2 Violin*, Viola*
Cello/Bassoon, String
Bass *simplified parts
included Addit
ional Parts:
Harp, Rhythm, String
Reduction
Full orchestra SKU: LO.30-3623H Composed by Mark Hayes. Conductor's score...(+)
Full orchestra
SKU:
LO.30-3623H
Composed
by Mark Hayes.
Conductor's score.
Spiritual. Orchestral
score and parts. Heritage
Music Press #30/3623H.
Published by Heritage
Music Press
(LO.30-3623H).
UPC:
000308151190.
Rich
choral textures and a
warm harmonic palette
enhance the emotion and
audience appeal of this
popular spiritual
arrangement. There are a
few short sections with
divisi, but singers
should find the vocal
parts quite easy and
enjoyable to learn.
Program Ain’t That
Good News (15/3606H) to
follow this title for an
extended performance
option.
Orchestra - Grade 1 SKU: AP.18287 Arranged by Mark Williams. Performance ...(+)
Orchestra - Grade 1
SKU: AP.18287
Arranged by Mark
Williams. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling Strictly
Strings. Christmas;
Winter. Score and
Part(s). 72 pages.
Highland/Etling
#00-18287. Published by
Highland/Etling
(AP.18287).
UPC:
038081167879.
English.
The title
of this piece refers both
to the often hectic
activity of the holiday
season and the perpetual
motion rhythms (played in
eighth notes) that appear
throughout the
arrangement. Familiar
carols are presented,
accompanied by the
perpetual motion which is
passed between different
sections of the
orchestra. You'd better
slow down-you don't want
to miss this one!
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Study Score) SKU: HL.51489054 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489054
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Paperbound. Henle
Study Scores. Classical.
Softcover. 66 pages. G.
Henle #HN9054. Published
by G. Henle
(HL.51489054).
ISBN
9790201890548. UPC:
888680950606.
7.0x9.0x0.287 inches.
Preface: Ullrich
Schneidler.