Arranged by Mark Williams. Arr. Mark Williams. For Full Orchestra. Full Orchestra. Concert Orchestra. Novelty. Level: 3 (grade 3). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

Arranged by Mark Williams. Arr. Mark Williams. For Full Orchestra. Full Orchestra. Concert Orchestra. Level: 2 (grade 2). Conductor Score. 16 pages. Published by Alfred Publishing.

Arranged by Mark Williams. Arr. Mark Williams. For Full Orchestra. Full Orchestra. Concert Orchestra. Level: 2 (grade 2). Conductor Score & Parts. 1 pages. Published by Alfred Publishing.

Arranged by Mark Williams. Arr. Mark Williams. For Full Orchestra. Full Orchestra. Concert Orchestra. Level: 3 (grade 3). Conductor Score. 16 pages. Published by Alfred Publishing.

Orchestra (Full Score)

SKU: HL.1189996

Composed by William Bolcom. E.B. Marks. Opera. Softcover. Edward B. Marks Music #MP078038. Published by Edward B. Marks Music (HL.1189996).

ISBN 9781705192443. UPC: 196288131649.

†œBased on the motion picture A Wedding by Robert Altman and John Considine, premiered at Lyric Opera of Chicago. Libretto by Arnold Weinstein and Robert Altman....there is no reason to resist this rarest of creations: a meaningful American comic opera.” -Mark Swed, LA Times.

Orchestra (Full Score)

SKU: HL.1283364

For Orchestra. Composed by William Bolcom. Arranged by Edmund Cionek. LKM Music. Classical. Softcover. Duration 480 seconds. Edward B. Marks Music #MP077085. Published by Edward B. Marks Music (HL.1283364).

UPC: 196288166641.

Dedic ation for chamber orchestra by William Bolcom was written in 2021-2022, especially for the ROCO Chamber Orchestra. The commission was the result of a meeting between Alecia Lawyer and the composer at a Great American Songbook concert, hosted by Arthurand Shelley Gottschalk. Dedication is a concise but dramatic work. Its threepart is determined by tempo and motif. The work begins with Intro: Moderato. After a very soft ostinato sounds from the depths of the orchestra, two melodies emerge: the first in the Piccolo and Eb Clarinet, the second in the English Horn and Bassoon. They are complemented by strings in close harmony and lyrical muted brass. This is followed by Feroce! which engages the tutti ensemble in a cascade of brilliant fortissimo block harmonies. The next section, Allegro molto, is characterized by agile, virtuosic passage work and brash chords. Tempo I returns with familiar motifs wrapped in six sharps. Marked espressivo e cantabile, tutti strings provide an incandescent conclusion. Then soft string glissandi allow the music to fade back from wherever it came. Dedication is orchestrated by his former student Edmund Cionek.

Orchestra (Score)

SKU: HL.50605373

Oversized Full Score. Composed by William Bolcom. E.B. Marks. Classical. Softcover. 52 pages. Edward B. Marks Music #MP077072. Published by Edward B. Marks Music (HL.50605373).

ISBN 9781705181171. UPC: 196288107309. 11.0x17.0x0.433 inches.

Premiere: Boston Pops Orchestra, John Williams conducting, Boston, MA, May 4, 1982. Recording: Lancaster Festival Orchestra, Gary Sheldon, conductor. Dedicated to Eubie Blake and to the memory of George Gershwin.

Incidental Music. Composed by Ralph Vaughan Williams (1872- 1958). Collection - Full. Promethean Editions #PEV02. Published by Promethean Editions

Incidental Music. Composed by Ralph Vaughan Williams (1872- 1958). Collection - Full. Promethean Editions #PEV03. Published by Promethean Editions

Score and Parts. Arranged by John Williams. John Williams Signature Edition Orchestra. Softcover. Published by Hal Leonard

Orchestra - Grade 1

SKU: AP.18287

Arranged by Mark Williams. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling Strictly Strings. Christmas; Winter. Score and Part(s). 72 pages. Highland/Etling #00-18287. Published by Highland/Etling (AP.18287).

UPC: 038081167879. English.

The title of this piece refers both to the often hectic activity of the holiday season and the perpetual motion rhythms (played in eighth notes) that appear throughout the arrangement. Familiar carols are presented, accompanied by the perpetual motion which is passed between different sections of the orchestra. You'd better slow down-you don't want to miss this one!

Orchestra

SKU: SU.80603050

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80603050. Published by Edward B. Marks Music (SU.80603050).

Parts on rental from Theodore Presser Co.Orchestra Composed: 2003 Published by: E.B. Marks.

Orchestra

SKU: SU.80603200

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80603200. Published by Edward B. Marks Music (SU.80603200).

Full size score available upon requestOrchestra Composed: 2015 Published by: E.B. Marks.

Orchestra

SKU: SU.80603120

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80603120. Published by Edward B. Marks Music (SU.80603120).

Sixth SymphonyOrchestra Composed: 1998 Published by: E.B. Marks.

Orchestra

SKU: SU.80603010

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80603010. Published by Edward B. Marks Music (SU.80603010).

Parts on rental from Theodore Presser Co.Orchestra Composed: 1989 Published by: E.B. Marks.

Orchestra

SKU: SU.80604020

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80604020. Published by Edward B. Marks Music (SU.80604020).

Full size score (11x14) available on requestOrchestra Composed: 1957 Published by: E.B. Marks.

Orchestra

SKU: SU.80603100

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80603100. Published by Edward B. Marks Music (SU.80603100).

Manuscript; Parts on rental from Theodore Presser Co.Orchestra Composed: 1985-86 Published by: E.B. Marks.

Orchestra

SKU: SU.80603040

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80603040. Published by Edward B. Marks Music (SU.80603040).

Parts on rental from Theodore Presser Co.Orchestra Composed: 2011 Published by: E.B. Marks.

Orchestra

SKU: SU.80603630

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80603630. Published by Edward B. Marks Music (SU.80603630).

Full size available upon request - Cat. No. 80603635 (11x17 - $60.00)Orchestra Duration: 17' Composed: 2014 Published by: E.B. Marks.

Orchestra

SKU: SU.80603080

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80603080. Published by Edward B. Marks Music (SU.80603080).

Parts on rental from Theodore Presser Co.Orchestra Composed: 1982 Published by: E.B. Marks.

Orchestra

SKU: SU.80602980

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80602980. Published by Edward B. Marks Music (SU.80602980).

Oracles; Parts on rental from Theodore Presser Co.Orchestra Composed: 1962-64 Published by: E.B. Marks.

Orchestra

SKU: SU.80604200

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80604200. Published by Edward B. Marks Music (SU.80604200).

Triple Concerto for 2 Violins and Bass with Orchestra; originally composed for Time for ThreeOrchestra Duration: 25' Composed: 2017 Published by: E.B. Marks.

Orchestra

SKU: SU.80603600

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80603600. Published by Edward B. Marks Music (SU.80603600).

Full size available upon requestOrchestra Duration: 5' Composed: 2003 Published by: E.B. Marks.

Orchestra

SKU: SU.80603020

For Orchestra. Composed by William Bolcom. Orchestra. Study Score. Edward B. Marks Music #80603020. Published by Edward B. Marks Music (SU.80603020).

Parts on rental from Theodore Presser Co.Orchestra Composed: 2001 Published by: E.B. Marks.

Orchestra - Grade 2

SKU: AP.44859S

As Performed by Bruno Mars. Composed by Bruno Mars, Charles Wilson, Devon Gallaspy, Jeff Bhasker, Lonnie Simmons, Mark Ronson, Nicholaus Williams, Philip Lawrence, Robert Wilson, Ronnie Wilson, and Rudolph Taylor. Arranged by Michael Story. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Funk; Pop/Rock. Score. 8 pages. Alfred Music #00-44859S. Published by Alfred Music (AP.44859S).

UPC: 038081521817. English.

One of the biggest hits of 2015 and the winner of the GRAMMY Award for Record of the Year in 2016, this funky offering is playable by your young-to-intermediate string orchestra. This effective arrangement simplifies many of the rhythms while maintaining the infectious groove of the original tune.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.