Concert Overture No. 4
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Overture; Romantic. Full
score. 72 pages. Duration
12'. Breitkopf and
Haertel #PB 5505.
Published by Breitkopf
and Haertel (BR.PB-5505).
ISBN 9790004211519. 10
x 12.5 inches.
A
visit to the opera
whetted the composers
creative appetite to
explore the
fairy-tale-like theme of
Knight Raimunds love for
the beautiful mermaid
Melusine, which provided
the basis for
Mendelssohns fourth
concert overture. As
usual, Mendelssohn worked
out the composition in
his mind before
committing it to paper, a
task he most likely began
towards the end of March
1833. The works premiere
performance took place in
London on 7 April 1834;
the revised version was
given its first account
in Leipzig on 23 November
1835. Its ranking as No.
4 of the concert
overtures was assigned
around 1857 in a
posthumous edition.(Ralf
Wehner in the Study
Edition of the
Mendelssohn Work
Catalogue).
Concert Overture No. 3
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Romantic. Full
score. 80 pages. Duration
13'. Breitkopf and
Haertel #PB 5503.
Published by Breitkopf
and Haertel (BR.PB-5503).
ISBN 9790004211465. 10
x 12.5
inches.
Mendelssohn
s overture drew its
inspiration from two
poems by Goethe which had
already inspired Ludwig
van Beethoven to write a
choral work on them with
orchestral accompaniment.
The larger part of the
work on this piece must
have been carried out in
the summer of 1828. The
first public performance
took place in Berlin on 1
December 1832. The
revised version of the
work was first performed
in Leipzig on 20 April
1834. Its ranking as No.
3 of the concert
overtures was laid down
when the score was first
printed in 1835
(Breitkopf &
Hartel).(Ralf Wehner in
the Study Edition of the
Mendelssohn Work
Catalogue).
Orchestra 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano SKU: AP....(+)
Orchestra 2.2.2.2:
2.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano
SKU:
AP.36-A170301
Composed by Felix
Bartholdy Mendelssohn.
Full Orchestra;
Performance Music
Ensemble. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A170301.
Published by
LudwigMasters
Publications
(AP.36-A170301).
ISBN
9781638879275. UPC:
735816455866.
English.
Felix
Mendelssohn (1809-1847)
wrote Capriccio Brillant,
Op. 22 during his second
vist to England. This
charming example of
Mendelssohn's writing for
piano has two movements:
an Andante with a gentle,
reflective melody and an
Allegro con fuoco that
shatters the previous
languid mood with a
cascade of arpeggios that
leads into a march-like
principal theme. The solo
piano part never lapses
into dazzling technique
for its own sake. It
premiered in London by
the Philharmonic Society
on May 25th, 1832.
Instrumentation: 2.2.2.2:
2.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed
by Felix Bartholdy
Mendelssohn. Score. Lucks
Music Library #A2660.
Published by Lucks Music
Library (TM.07482SC).
Transposed: Cl
1&2, Hn 1&3&4, Tpt 1&2,
Tbn 1&2. Standard
performance edition.
Transposed parts can only
be used with this edition
- not compatible with
original 1841 version,
#05967. Clothbound
score.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library). Set
of parts. 72 pages.
Duration 8'. Breitkopf
and Haertel #OB 5624-30.
Published by Breitkopf
and Haertel
(BR.OB-5624-30).
ISBN
9790004348710. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-16. Published by
Breitkopf and Haertel
(BR.OB-5624-16).
ISBN
9790004348673. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-15. Published by
Breitkopf and Haertel
(BR.OB-5624-15).
ISBN
9790004348666. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-23. Published by
Breitkopf and Haertel
(BR.OB-5624-23).
ISBN
9790004348697. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-27. Published by
Breitkopf and Haertel
(BR.OB-5624-27).
ISBN
9790004348703. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-19. Published by
Breitkopf and Haertel
(BR.OB-5624-19).
ISBN
9790004348680. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-23. Published by
Breitkopf and Haertel
(BR.OB-5623-23).
ISBN
9790004348758. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-19. Published by
Breitkopf and Haertel
(BR.OB-5623-19).
ISBN
9790004348741. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Set
of parts. 66 pages.
Duration 10'. Breitkopf
and Haertel #OB 5623-30.
Published by Breitkopf
and Haertel
(BR.OB-5623-30).
ISBN
9790004348772. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
4 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-27. Published by
Breitkopf and Haertel
(BR.OB-5623-27).
ISBN
9790004348765. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-15. Published by
Breitkopf and Haertel
(BR.OB-5623-15).
ISBN
9790004348727. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-16. Published by
Breitkopf and Haertel
(BR.OB-5623-16).
ISBN
9790004348734. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.