Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
First edition based on
the copy of the score
revised by Mahler Hamburg
1893
Symphony;
Romantic; Late-romantic.
Set of parts. 192 pages.
Duration 8'. Breitkopf
and Haertel #OB 5642-60.
Published by Breitkopf
and Haertel
(BR.OB-5642-60).
ISBN
9790004343722. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Orchestra SKU: HL.14011052 Composed by Henry Purcell. Music Sales America...(+)
Orchestra
SKU:
HL.14011052
Composed
by Henry Purcell. Music
Sales America. Classical.
Score. 48 pages. Music
Sales #NOV120279.
Published by Music Sales
(HL.14011052).
ISBN
9780853602644.
8.25x11.75x0.215
inches.
Henr
y Purcell
(1659-1695) held numerous
appointments at the Royal
court and Westminster
Abbey, and is considered
by many to be the
greatest ever
English-born composer.
His prolific work covered
all fields: orchestral,
ecclesiastical, operatic,
theatrical, incidental,
and chamber music were
all enriched by his
output.
Fantazias
And In Nomines
is a collection of his 15
Fantasies and 2 In
Nomines, Z. 731-747.
Purcell is
credited with
popularising the hitherto
arcane form of the
Fantasy, perhaps most
famously in his
Fanstasia Upon One
Note, where a middle
C is sustained throughout
- in live performances
this issometimes played
by a volunteer from the
audience!
This full
score edition has been
edited by the renowned
musicologist Robert
Thurston Dart.
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893
Symphony; Romantic;
Late-romantic. Full
score. 28 pages. Duration
8'. Breitkopf and Haertel
#PB 5642. Published by
Breitkopf and Haertel
(BR.PB-5642).
ISBN
9790004215395. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
(Suite from Volume Alpha). Composed by Daniel Rosefeld. Arranged by Ralph Fo...(+)
(Suite from Volume
Alpha).
Composed by Daniel
Rosefeld.
Arranged by Ralph Ford.
Concert Band. Concert
Band;
Score. Pop Young Band.
Form:
Suite. Video Game. Grade
2.5. 24 pages. Published
by
Alfred Music
(Featuring: Opening Overture / Mine Escape / Pirates vs. Natives vs. Heroes vs. ...(+)
(Featuring: Opening
Overture / Mine Escape /
Pirates vs. Natives vs.
Heroes vs. Chickens /
Transfiguration /
Fetching the Boys).
Composed by John Powell.
Arranged by Douglas E.
Wagner. Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Movie. Grade
3. 214 pages. Published
by Alfred Music
Orchestra - Grade 0.5 SKU: AP.45867S Composed by Andrew H. Dabczynski. Ma...(+)
Orchestra - Grade 0.5
SKU: AP.45867S
Composed by Andrew H.
Dabczynski. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Folk; Light
Concert. Score. 12 pages.
Duration 2:40.
Highland/Etling
#00-45867S. Published by
Highland/Etling
(AP.45867S).
UPC:
038081525594.
English.
Everyone
loves to sing around a
campfire, and here's a
collection of favorite
Campfire Songs set in the
range of a one-octave D
Major scale with many
parts doubled! This
medley of easy, familiar
tunes---including This
Old Man, In a Cabin in a
Wood, Bingo, Kumbaya,
Wheels on the Bus, and
This Little Light of
Mine---gives everyone a
chance to play a melody
or two, and to join in
with an upbeat
accompaniment. An
optional sing-along part
invites audience
participation and makes
this arrangement by
Andrew H. Dabczynski the
perfect piece for a
first-year concert,
school assembly, or
summer program. (2:40)
This title is available
in MakeMusic Cloud.
Featuring: Opening Overture / Mine Escape / Pirates vs. Natives vs. Heroes vs...(+)
Featuring: Opening
Overture / Mine Escape /
Pirates vs. Natives vs.
Heroes vs. Chickens /
Transfiguration /
Fetching the Boys.
Composed by John Powell.
Arranged by Douglas E.
Wagner. Full Orchestra;
Score. Pop Concert Full
Orchestra. Movie. 24
pages. Published by
Alfred Music (AP.44807S).
Orchestra - Grade 0.5 SKU: AP.45867 Composed by Andrew H. Dabczynski. Mak...(+)
Orchestra - Grade 0.5
SKU: AP.45867
Composed by Andrew H.
Dabczynski. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Folk; Light
Concert. Score and
Part(s). 144 pages.
Duration 2:40.
Highland/Etling
#00-45867. Published by
Highland/Etling
(AP.45867).
UPC:
038081525587.
English.
Everyone
loves to sing around a
campfire, and here's a
collection of favorite
Campfire Songs set in the
range of a one-octave D
major scale with many
parts doubled! This
medley of easy, familiar
tunes---including This
Old Man, In a Cabin in a
Wood, Bingo, Kumbaya,
Wheels on the Bus, and
This Little Light of
Mine---gives everyone a
chance to play a melody
or two, and to join in
with an upbeat
accompaniment. An
optional sing-along part
invites audience
participation and makes
this arrangement by
Andrew H. Dabczynski the
perfect piece for a
first-year concert,
school assembly, or
summer program. (2:40)
This title is available
in MakeMusic Cloud.
Orchestra SKU: HL.14021435 Composed by Palle Mikkelborg. Music Sales Amer...(+)
Orchestra
SKU:
HL.14021435
Composed
by Palle Mikkelborg.
Music Sales America.
Classical. Score. Music
Sales #KP01379. Published
by Music Sales
(HL.14021435).
ISBN
9788759878606.
English.
Palle
Mikkelborg GOING TO
PIECES WITHOUT FALLING
APART 2002 for violin,
harpe og strygereTilegnet
Elise Batnes og Helen
DaviesForord l
Programnote En solful d
morgentur i Melbourne
bragte mig forbi en
boghandel der
specialiserede sig i
spiritualbooks, og i
vinduet faldt mine ojne
pa et citat som
ojeblikkeligt ramte mig
folelsesmaessigtstaerkt-
og jeg folte at jeg havde
fundet titlen pa den
komposition jeg pa
tankeplan allerede vari
gang med. Citatet
lod:going to pieces ...
without falling apartTre
temaer og relaterede
skalaer, baseret pa
henholdsvis Elise
Batnes', Helen Davies' og
BergenKammerensembles
navne, har vaeret
afgorende for dele af
tonesproget, og
forekommer badeielose-up
og mere douche i
kompositionens syv
hovedafsnit. Det
barnlige, det enkle, det
her-og-nu naive, det
umiddelbare, kom til at
spille en vigtig
rolleunder arbejdet. Ikke
fordi selve mit tonesprog
er saerligt meget
anderledes end ellers
(hvordanskulle det ogsa
kunne blive det?), men
formuleringen: at go to
pieces fik mig til at
taenke pa atblive som
barn pa ny, atter at
vaere u-bange, at turde
tro pa det enkle.Udover
denne- i bedste
betydning- enkle
inspiration er onsket at
kompositionens kurve
kanopleves som en mulig
meditiations-rejse: i
starten en tro pa egen
ro, langsomt breder
uroensig, og i lystfulde
glimt ser man sig selv
danse en rituel dans, med
andehuller her og der:
ogfristelsen til at rive
forhaenget vaek og go to
pieces, og angsten for
maske at miste sig selv
undervejs,breder sig.
Dog, til sidst erkender
man at det var rejsen
vaerd, og at man heller
ikke denne gangfaldt
apart, men kan se frem
mod atter at vise livet
sin respekt ved
spirituelt fuldstaendigt
at givesig hen, dog vel
vidende at livet
merciless & merciful, med
kaerlig hand villade
diggo to pieces ...
without falling apartMen
selvklart er mit
egentlige onske: at man
blot lader musikken leve
sit eget ordlose liv -
atlytteren har sin egen
rejse. Palle
Mikkelborg.
For Mezzo-Soprano and Chamber Orchestra. By Carl Ruggles. Text: C.H. Meltzer; Ro...(+)
For Mezzo-Soprano and
Chamber Orchestra. By
Carl Ruggles. Text: C.H.
Meltzer; Robert Browning;
Walt Whitman. Chamber o
rchestra. This edition:
full score. Classical.
Full Score - Large. 24
pages. Duration 6:10.
Published by Theodore
Presser Company.
Vicoli in ombra Orchestre SATB, Orchestre [Conducteur] Fennica Gehrman
Orchestra SKU: FG.55011-132-5 Composed by Kai Nieminen. Score. Published ...(+)
Orchestra
SKU:
FG.55011-132-5
Composed by Kai Nieminen.
Score. Published by
Fennica Gehrman
(FG.55011-132-5).
ISBN
979-0-55011-132-5.
Nieminen's first work for
orchestra, Vicoli in
ombra, looks ahead to the
world of his flute
concerto Palomar. The
orchestral writing is
again limpid and airy and
the music exudes a sense
of serenity, calm and
enjoyment of the mood of
the moment.
Orchestra (0.2.0.0/2.0.0.0,str) SKU: TM.06337SET Composed by Wolfgang Ama...(+)
Orchestra
(0.2.0.0/2.0.0.0,str)
SKU: TM.06337SET
Composed by Wolfgang
Amadeus Mozart. Set Type:
D. Set of parts. Lucks
Music Library #A1791.
Published by Lucks Music
Library (TM.06337SET).
Org in set.
Vocal Score I in Latin
and includes Domine
Salvam. Vocal Score II in
Latin and English, but
does not contain Domine
Salvam. Clothbound
score.
Orchestra (0.2.0.0/2.0.0.0,str) SKU: TM.06337SC Composed by Wolfgang Amad...(+)
Orchestra
(0.2.0.0/2.0.0.0,str)
SKU: TM.06337SC
Composed by Wolfgang
Amadeus Mozart. Score.
Lucks Music Library
#A1791. Published by
Lucks Music Library
(TM.06337SC).
Org in set.
Vocal Score I in Latin
and includes Domine
Salvam. Vocal Score II in
Latin and English, but
does not contain Domine
Salvam. Clothbound
score.
Final Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
final version 1910
Symphony; Romantic;
Late-romantic. Set of
parts. 1674 pages.
Duration 54'. Breitkopf
and Haertel #OB 5631-60.
Published by Breitkopf
and Haertel
(BR.OB-5631-60).
ISBN
9790004343661. 10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Urtext. Composed
by Ludwig van Beethoven.
Edited by Peter
Hauschild. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
This
Urtext edition is based
on the surviving primary
sources: the autograph
score, a copy of the
score examined by
Beethoven, two copies of
the part material which
he personally used, and
the first edition of the
parts and score.
Symphony; Classical. Full
score. 100 pages.
Duration 35'. Breitkopf
and Haertel #PB 5234.
Published by Breitkopf
and Haertel (BR.PB-5234).
ISBN 9790004210154. 10
x 12.5 inches.
The
Urtext edition of Ludwig
van Beethovens Fourth
Symphony presented here
is based on the surviving
primary sources: the
autograph score, a copy
of the score examined by
Beethoven, two copies of
the part material which
he personally used, and
the first edition of the
parts and score. The
score contains the
complete Critical Report.
Observations deemed
particularly important,
as well as divergences
from established
editions, are clearly
marked within it.Words
are not enough to praise
this exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopf's
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethoven's music.(Kurt
Masur)
This Urtext
edition is based on the
surviving primary
sources: the autograph
score, a copy of the
score examined by
Beethoven, two copies of
the part material which
he personally used, and
the first edition of the
parts and score.
Orchestra SKU: C4.9790-720066974 Composed by Louis Vierne. Edited by Dani...(+)
Orchestra
SKU:
C4.9790-720066974
Composed by Louis Vierne.
Edited by Daniel
Mitterdorfer and Harold
Fabrikant. Instrumental
parts. Crescendo Music
Publications
#9790-720066974.
Published by Crescendo
Music Publications
(C4.9790-720066974).
Orchestra SKU: NR.15244 [pour orchestre], op. 55. Composed by Char...(+)
Orchestra
SKU:
NR.15244
[pour
orchestre], op. 55.
Composed by Charles
Camille Saint-Saens.
Orchestra (10 and more
instruments). Score.
Noten Roehr #15244.
Published by Noten Roehr
(NR.15244).
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 200 pages.
Duration 54'. Breitkopf
and Haertel #PB 5631.
Published by Breitkopf
and Haertel (BR.PB-5631).
ISBN 9790004215289.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Linen.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 212 pages.
Duration 54'. Breitkopf
and Haertel #PB 5661.
Published by Breitkopf
and Haertel (BR.PB-5661).
ISBN 9790004215982.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Orchestra SKU: BT.YKM570369270 Composed by Robert Saxton. Score Only. Com...(+)
Orchestra
SKU:
BT.YKM570369270
Composed by Robert
Saxton. Score Only.
Composed 2021. 70 pages.
University of York Music
Press #YKM570369270.
Published by University
of York Music Press
(BT.YKM570369270).
A Hymn to the
Thames was commissioned
by James Turnbull and the
Music Director of the St
Paul’s Sinfonia, Andrew
Morley. It was begun in
2019 and completed early
in 2020. There are four
movements played without
a break, which follow the
Thames from its Cotswold
source to the North Sea.
As the first performance
took place in St
ALfege’s Church,
Greenwich, this seemed
appropriate. The solo
oboe represents both a
wanderer along the river
path and the spirit of
the river. The pitch
centres of the movements
spell out the musical
letters of the river
(tHAmES—B natural, A, E
and E flat) so that the
river’s name is
projected across the
whole work. In addition,
the musical letters found
in James Turnbull, Andrew
Morley and my wife,
Teresa Cahill ( who was
born in Maidenhead and
brought up by the river
in Rotherhithe) are
entwined in various
guises. The first
movement grows from the
depths, the soloist
entering with
fanfare-like gestures,
followed by lyrical music
and breaks into a dance
as the river gathers
momentum. The third
movement is slow and
sustained and
geographically the Thames
flows through Oxford. The
music is based on the
well-known In Nomine
‘head motif’ from the
Gloria tibi Trinitas Mass
by the early Tudor
composer, John Taverner,
who was the first
Director of Music at
Christ Church, Oxford.
The orchestra provides a
screen or veil above
which the solo oboe
dreams and ruminates.
This leads directly into
the fourth and final
movement which begins in
the depths once more,
interrupting the oboe’s
held note from the end of
the third movement. The
waters’ increasing
intensity and power are
represented throughout by
a moto perpetuo of quick,
steady semiquavers. Near
the close, the woodwind
play O Nata Lux by Thomas
Tallis, the great Tudor
composer who, with his
wife Joan, is buried in
St Alfege’s. Beneath
this, the lower strings
continue the fast
semiquaver movement of
the river and, above, the
violins are heard as a
halo of harmonics. At the
close, the oboe rises,
opening out to the
future, and celebrating
its voyage, while the
orchestra fades as the
river meets the sea. A
Hymn to the Thames lasts
approximately 17
minutes.
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.