Edited by Samuel Applebaum & Paul Paradise. For Score. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 92 pages. Published by Alfred Publishing.

Orchestra - Grade 2

SKU: AP.31581S

Composed by Wolfgang Amadeus Mozart. Arranged by Andrew H. Dabczynski. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Form: Transcription. Classical; Masterwork Arrangement. Score. 12 pages. Highland/Etling #00-31581S. Published by Highland/Etling (AP.31581S).

UPC: 038081350776. English.

Mozart's Early Quartet collection is recognized as a crown of string chamber music. This accessible arrangement, from an arranger recognized for his careful and creative adaptations, is very true to the original. An interesting bass part has been added, and the more taxing rhythms, accidentals and embellishments have been simplified. Playable by younger players, yet advanced students also will find this piece delightfully satisfying---even challenging---when played at a faster tempo. Here's a centerpiece for any string orchestra concert program! Correlates with String Explorer Book One, unit 13. This title is available in MakeMusic Cloud.

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Orchestra (Score) - intermediate to advanced

SKU: HL.49001677

Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 80 pages. Duration 22'. Schott Music #CON 106. Published by Schott Music (HL.49001677).

ISBN 9790001023078. UPC: 073999926248. 9.0x12.0x0.212 inches.

Orchestra - advanced to difficult

SKU: HL.49001668

Set of Parts. Composed by Wolfgang Amadeus Mozart. Edited by Guenter Kehr. This edition: Folder. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. 138 pages. Duration 30'. Schott Music #CON 101-50. Published by Schott Music (HL.49001668).

ISBN 9790001022965. 9.0x12.0x0.396 inches.

Orchestra - intermediate to advanced

SKU: HL.49001684

Score. Composed by Pietro Nardini. Edited by Guenter Kehr. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Condensed Score. Op. 1/1. 32 pages. Duration 13'. Schott Music #CON 109. Published by Schott Music (HL.49001684).

ISBN 9790001023146. 8.25x11.75x0.133 inches.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste.The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.

Orchestra - intermediate to advanced

SKU: HL.49001678

Set of Parts. Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. This edition: Folder. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. 262 pages. Duration 22'. Schott Music #CON 106-50. Published by Schott Music (HL.49001678).

ISBN 9790001023085. 8.5x12.0x0.809 inches.

Orchestra - Grade 4

SKU: AP.38497S

Prague. Composed by Wolfgang Amadeus Mozart. Arranged by Todd Parrish. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Transcription. Classical; Masterwork Arrangement. Score. 36 pages. Highland/Etling #00-38497S. Published by Highland/Etling (AP.38497S).

UPC: 038081436845. English.

Celebrate the spirit of Bohemia at your next festival or concert with this acclaimed masterpiece. This arrangement uses material from the Allegro section of the first movement in the original key of D. The fugal nature of this movement gives each section a chance to play melodic passages. Care has been taken to preserve the energy of the original while seamlessly transferring wind and brass parts into the string section. Advanced shifting is required, along with the ability to perform syncopation and spiccato.