Orchestra - Grade 3 SKU: AP.49470 Composed by Richard Meyer (ASCAP). Make...(+)
Orchestra - Grade 3
SKU: AP.49470
Composed by Richard Meyer
(ASCAP). MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland String Orchestra
(HSO). Form: Dance.
Meters. Score and
Part(s). Duration 4:10.
Highland/Etling
#00-49470. Published by
Highland/Etling
(AP.49470).
ISBN
9781470650100. UPC:
038081570884.
English.
This
lively rondo begins with
the famous theme from
Paganini's Caprice #24,
reworked into a 5/4 dance
with a cool vibe. Woven
into the rondo form are
three original dances (a
tango, a country dance
and a waltz)---each a
musical adventure of its
own. The colorful
orchestration by Richard
Meyer gives every member
of your ensemble an
unforgettable and joyful
experience while the wide
variety of playing styles
and musical challenges
make New Chances, New
Dances an imaginative
selection---the perfect
choice for contest or
festival. (4:10) This
title is available in
MakeMusic Cloud.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). The
Slavonic Dances Op. 46,
which began to conquer
the world's concert halls
in 1878, made a major
contribution to Dvorak's
international
breakthrough. The Urtext
edition is based on the
main sources, mainly on
the autograph score and
the first edition.
Dances/marches; Romantic.
Full score. 296 pages.
Duration 35'. Breitkopf
and Haertel #PB 5273.
Published by Breitkopf
and Haertel (BR.PB-5273).
ISBN 9790004210079. 10
x 12.5 inches.
In
his Slavonic Dances Op.
46, Dvorak did not draw
on pre-existent music,
but created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
The
Slavonic Dances Op. 46,
which began to conquer
the world's concert halls
in 1878, made a major
contribution to Dvorak's
international
breakthrough. The Urtext
edition is based on the
main sources, mainly on
the autograph score and
the first edition.
Orchestra SKU: HL.14010879 Composed by Manuel de Falla. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14010879
Composed
by Manuel de Falla. Music
Sales America. 20th
Century. Book
[Softcover]. 102 pages.
Chester Music #CH61762.
Published by Chester
Music (HL.14010879).
ISBN 9780711991644.
9.0x12.0x0.294
inches.
New edition
2001 Study Score. Suite
2, Three Dances from The
Three-Cornered Hat, a
Ballet in two acts by G.
Martinez Sierra after a
story by D. Pedro Antonio
de Alarcon. Conductor's
score and orchestral
parts are available on
hire from the
publishers.
7 Modern Dances for
Orchestra Study
Score. Composed by
Má, s Seiber, and
tyá. Arranged by
Wolfgang Lichter. This
edition: Saddle
stitching. Sheet music.
Concertino. Classical.
Softcover. Composed 1935.
48 pages. Duration 20'.
Schott Music #CON257.
Published by Schott Music
(HL.49018017).
ISBN
9790001152419.
9.0x12.0x0.2
inches.
After
completing his studies
with Zoltan Kodaly, the
Hungarian composer
Mathias Seiber
(1905-1960) first worked
as a musician in a dance
orchestra on an ocean
liner which gave him the
opportunity to listen to
jazz music in New York.
From 1928 he taught the
first jazz class
worldwide at Dr. Koch's
Conservatoire in
Frankfurt. In the winter
term of 1928/29, 19
students had registered
with whom he gave a
public concert on 3 March
1929 which was broadcast
by Radio Frankfurt. After
the Nazis had seized
power, the jazz class was
dissolved, Seiber lost
his job and emigrated to
London.In 1932 he wrote
his piano cycle 'Leichte
Tanze' (Easy Dances), one
of the early examples of
the adoption of jazz
forms and styles in
so-called serious music.
The present arrangement
for orchestra is easily
playable and is aimed at
youth and amateur
orchestras.
Instrumentation: 2
flutes, clarinet, oboe
(ad lib.), alto
saxophone, trumpet,
bassoon and strings.
Movements: Cake Walk -
Novelty Foxtrot - Gipsy
Tango - Waltz - Walzer -
Blues - Charleston.
Dances Of Transylvania Orchestre [Conducteur d'étude / Miniature] EMB (Editio Musica Budapest)
Orchestra (Study Score) SKU: HL.50510086 Score. Composed by Bela B...(+)
Orchestra (Study Score)
SKU: HL.50510086
Score. Composed by
Bela Bartok. 20th
Century. EMB. Pocket
score. 26 pages. Duration
5'. Editio Musica
Budapest #Z40071.
Published by Editio
Musica Budapest
(HL.50510086).
ISBN
9790080400715. UPC:
073999621211.
5.5x8.0x0.091 inches.
Hungarian, English,
German. Bela
Bartok.
'Dances of
Transylvania is the
orchestral version of
'Sonatina' (1915). In
Sonatina, Bartok had
arranged Romanian
instrumental (chiefly
bagpipe) music. The three
movements of the work,
'Bagpipers', 'Bear Dance'
and 'Finale' comprise
five melodies. Bartok
explained that each of
the two melodies of the
first movement had been
played by two pipers, the
second by a peasant
violinist using the lower
strings of the instrument
to reproduce the sounds
of a bear, and the two
melodies of the 'Finale'
again by two violinists.
In the orchestral version
Bartok was out to
reproduce the original
sonority created by the
peasants.' (HCD 32505
Bartok New Series Vol. 5,
Virag Buky).
Orchestra (Score) SKU: HL.14010947 Composed by Manuel de Falla. Music Sal...(+)
Orchestra (Score)
SKU:
HL.14010947
Composed
by Manuel de Falla. Music
Sales America. 20th
Century. Book
[Softcover]. Composed
2001. 80 pages. Chester
Music #CH61761. Published
by Chester Music
(HL.14010947).
ISBN
9780711991637.
9.0x12.0x0.28
inches.
New edition
2001 Study Score. Suite
1, Scenes and Dances from
The Three-Cornered Hat, a
Ballet in two acts by G.
Martinez Sierra after a
story by D. Pedro Antonio
de Alarcon. Conductor's
score and orchestral
parts are available on
hire from the
publishers.
Full Orchestra BEGINNING Composed by Larry Newman. Edited by Larry Newman....(+)
Full Orchestra
BEGINNING
Composed by Larry Newman.
Edited by Larry Newman.
Arranged by Larry Newman.
Full
Orchestra Arrangement.
Book.
Children's Music
Workshop
#9781508449003. Published
by
Children's Music
Workshop
(Peer Gynt Suite
#1). Composed by
Edvard Grieg. Arranged by
Tony Finno. Voyager
String Orchestra. Score
and Set of Parts. Kendor
Music Inc #8902.
Published by Kendor Music
Inc (KN.8902).
UPC:
822795089028.
Origi
nally written by Edvard
Grieg in 1875, this
famous mazurka from Peer
Gynt Suite #1 runs the
stylistic gamut between
delicate lyricism and
spirited staccato. In his
new scoring for standard
string orchestra, Finno
makes sure that lead
material appears in all
parts and says that
changes in dynamics must
be emphasized to give
full voice to Grieg's
dramatic vision.
Harpsichord; String Orchestra (Study Score) SKU: HL.51487584 Study Sco...(+)
Harpsichord; String
Orchestra (Study Score)
SKU: HL.51487584
Study Score.
Composed by Claude
Debussy. Edited by Peter
Jost. Henle Music Folios.
Classical. Softcover. 48
pages. G. Henle #HN7584.
Published by G. Henle
(HL.51487584).
UPC:
196288122449.
6.75x9.5x0.187
inches.
Debussy
wrote these two short
dances to a commission
from the
instrument-making firm of
Pleyel, which was keen to
use famous names in the
marketing of its
newly-developed chromatic
harp. The dances are also
playable without problem
on the pedal harp, which
was to replace the
chromatic harp on the
concert platform. The
archaic style of the
pieces, including modal
harmonies, used to
express a
“sacred†rite
and a
“profaneâ€
dance of joy, points to
the enthusiasm for
antiquity of Debussy
himself and of the
artistic world around
1900. This is Henle's
first critical edition of
the pieces, and is based
on careful checking of
the autograph and first
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: BT.EMBZ40071 Composed by Bela Bartok. EMB Study Scores. Bo...(+)
Orchestra
SKU:
BT.EMBZ40071
Composed
by Bela Bartok. EMB Study
Scores. Book Only.
Composed 1985. 28 pages.
Editio Musica Budapest
#EMBZ40071. Published by
Editio Musica Budapest
(BT.EMBZ40071).
English-German-Hungari
an.
'Dances of
Transylvania is the
orchestral version of
'Sonatina' (1915). In
Sonatina, Bartók had
arranged Romanian
instrumental (chiefly
bagpipe) music. The three
movements of the work,
'Bagpipers', 'Bear Dance'
and 'Finale' comprise
five melodies. Bartók
explained that each of
the two melodies of the
first movement had been
played by two pipers, the
second by a peasant
violinist using the lower
strings of the instrument
to reproduce the sounds
of a bear, and the two
melodies of the 'Finale'
again by two violinists.
In the orchestral version
Bartók was out to
reproduce the original
sonority created by the
peasants.' (HCD 32505
Bartók New Series Vol.
5, Virág Büky).
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
A
l'exemple de Schubert -
Ravel re-invents the
waltz, inspired by Liszt,
Chopin, Schumann and
Chabrier, transforming
the rhapsodic gyrations
of the dance and sending
it whirling into the 20th
century.
Ravel
needed only two weeks of
intensive concentration
to orchestrate his piano
suite Valses nobles et
sentimentales, which was
given its premiere
performance in March
1911. Consisting of seven
waltzes and one epilogue,
the work stamped Ravel as
a creative personality
whose masterpiece
breathed an unbelievably
new kind of musicality
and incredibly intensive
poetry. Let us not forget
that this was twelve
years before La Valse,
with which it shares a
number of similarities.
The new edition of the
complete performance
material in Breitkopf's
Urtext series was
prepared by the Ravel
expert Jean-Francois
Monnard.
A
l'exemple de Schubert -
Ravel re-invents the
waltz, inspired by Liszt,
Chopin, Schumann and
Chabrier, transforming
the rhapsodic gyrations
of the dance and sending
it whirling into the 20th
century.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra - Grade 1.5 SKU: AP.44787S Composed by Michael Story. Performan...(+)
Orchestra - Grade 1.5
SKU: AP.44787S
Composed by Michael
Story. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Form: Dance.
Score. 8 pages. Duration
1:45. Belwin Music
#00-44787S. Published by
Belwin Music (AP.44787S).
UPC: 038081517148.
English.
This
exciting new work by
Michael Story is based on
the style of the lively
19th century Bohemian
dance of the same name.
It is full of
contemporary sounds,
stylistic contrasts, and
some easy quartal
harmonies. (1:45).
Orchestra (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SK...(+)
Orchestra (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.PB-5569-07
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). An
homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way. Have a look into PB
5540. Suite; Ballet;
Early modern. Study
Score. 72 pages. Duration
17'. Breitkopf and
Haertel #PB 5569-07.
Published by Breitkopf
and Haertel
(BR.PB-5569-07).
ISBN
9790004213797. 6.5 x 9
inches.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Orchestra (Study Score) SKU: HL.51489817 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489817
Orchestra Study
Score. Composed by
Ludwig van Beethoven.
Edited by Ernst
Herttrich. Henle Study
Scores. Classical.
Softcover. 120 pages. G.
Henle #HN9817. Published
by G. Henle
(HL.51489817).
UPC:
840126932782.
6.75x9.5x0.341
inches.
The
premiere of this work in
December 1813 ranks among
the greatest successes
Beethoven ever celebrated
in public as a composer.
One reviewer wrote at the
time that in its themes
the new symphony was
“so favourable and
easily comprehensible
that every music lover
falls for the powerful
allure of its
beauty.†The
incisiveness of the
themes is fundamentally
related to the basic
ostinato rhythms, which
help shape each
movementÂ’s
distinctive character.
Richard Wagner even
called the composition,
with its ecstatic finale,
an “apotheosis of
the dance.†Based
on the musical text of
the Beethoven Complete
Edition and furnished
with a new preface, this
recently prepared edition
reflects the latest in
Beethoven scholarship.
Now, in this study
edition, it is available
to everyone at a
reasonable price and in a
handy format.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: Dance.
Score. Duration 2:00.
Highland/Etling
#00-49931S. Published by
Highland/Etling
(AP.49931S).
ISBN
9781470657857. UPC:
038081575711.
English.
Beginners
will enjoy the dashing
style of Set a Course by
Doug Spata while
exploring new playing
techniques! Familiar
notes and rhythms keep
the music approachable,
and an optional piano
part adds additional
support. This is a
thrilling concert
selection that's also a
great way to show off a
variety of new skills.
(2:00).
ISBN
9790006558285. 33 x 24 cm
inches. Preface: Sylvie
Bouissou. Text: Louis
Fuzelier.
The new
scholarly-critical
edition of the score of
Rameau’s
“ballet
hroïque†Les
Indes galantes finally
clears up its convoluted
source history. At the
first performance, on 23
August 1735, it consisted
of a prologue and three
acts: Le Turc gnreux, Les
Incas du Prou and Les
Fleurs. But Les Fleurs
already proved
controversial in the
early performances, and
from 11 September of that
same year it was given a
wholly new form. For the
revival on 10 March 1736
Rameau and Fuzelier added
an entirely new act Les
Sauvages, and in the
years that followed, the
“ballet
hroïque†was
presented either complete
(1743, 1751 and 1761) or
abridged with a prologue,
Les Incas du Prou and Les
Sauvages
(1751–73).
With regard to the
instrumental movements
(dances and descriptive
pieces), the present
publication is based on
the complete edition
Opera Omnia Rameau (OOR)
volumes IV/2 and IV/7
edited by Sylvie Bouissou
which are currently in
preparation. It includes
not only the orchestral
pieces in the version
deemed valid by Rameau in
1736 (with version 2 of
Les Fleurs and Les
Sauvages), but also those
from the first version of
Les Fleurs (1735) as well
as its 1743 and 1773
revisions. Performers are
thus given a complete
selection of all the
orchestral numbers from
one of Rameau’s
central stage works for
use also in concert
performance.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestral Score. Composed by Alan Menken. This edition: Paperback/Softcover...(+)
Orchestral Score.
Composed by
Alan Menken. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
2010. Omni Music
Publishing
#OMNI 50796. Published by
Omni
Music Publishing
Composed by Brendan
Mcbrien. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Score. 16
pages. Highland/Etling
#00-38492S. Published by
Highland/Etling
(AP.38492S).
UPC:
038081433653.
English.
With the
same sparkle and energy
of its predecessor,
Adra's Dance, this new
companion piece adds a
touch of maturity as
Adra's creator, the
composer's daughter, has
grown into a young lady.
Celebrate where we are,
where we're going, and
how thankful we are to
have this one life to
live, love, and grow as
your students and
audiences enjoy the
optimism and joy in this
music.
Wind River Reflections Orchestre [Conducteur et Parties séparées] - Facile Kendor Music Inc.
String orchestra (88555) - Grade 3 SKU: KN.9941 Composed by Jared Spears....(+)
String orchestra (88555)
- Grade 3
SKU:
KN.9941
Composed by
Jared Spears. Solo or
Ensemble. Apex String
Orchestra. Score and set
of parts. Duration ca. 3
minutes, 25 seconds.
Kendor Music Inc #9941.
Published by Kendor Music
Inc (KN.9941).
UPC:
822795099416.
Jared
Spears, composer of the
classic piece, Dance
Diabolique, brings us
this new programmatic
work. Inspired by his
many visits to the
beautiful Wind River
wilderness area in
northwestern Wyoming
during his college days,
it is a satisfying mix of
serene, peaceful passages
and bold, exciting
themes, with colorful
surprises around every
corner. Duration ca.
3:25.
Arranged by Vince Gassi.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Sacred; Traditional;
Winter. Score and
Part(s). 126 pages.
Duration 2:45.
Highland/Etling
#00-44846. Published by
Highland/Etling
(AP.44846).
UPC:
038081518480. English.
Traditional.
Nothin
g says Noel better than a
16th century courtly
dance. Also known as Un
Flambeau, Jeanette,
Isabelle, this piece was
originally performed for
the French nobility. The
variations in this new
setting by Vince Gassi
will lift your spirits as
they pass from a joyous
opening, through a brief
moment of reflection, and
on to a jubilant ending.
This little bit of
effervescence is a great
addition to any part of
your Christmas program.
(2:45).
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
Arranged by Vince Gassi.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Sacred; Traditional;
Winter. Score. 12 pages.
Duration 2:45.
Highland/Etling
#00-44846S. Published by
Highland/Etling
(AP.44846S).
UPC:
038081518497. English.
Traditional.
Nothin
g says Noel better than a
16th century courtly
dance. Also known as Un
Flambeau, Jeanette,
Isabelle, this piece was
originally performed for
the French nobility. The
variations in this new
setting by Vince Gassi
will lift your spirits as
they pass from a joyous
opening, through a brief
moment of reflection, and
on to a jubilant ending.
This little bit of
effervescence is a great
addition to any part of
your Christmas program.
(2:45).
ISBN
9790006523351. 33 x 24 cm
inches. Preface: Denis
Herlin. Text:
Charles-Antoine Leclerc
de La
Bruere.
“Dard
anus†is
Rameau’s third
“Tragdie
lyrique†composed
for Paris after
“Hippolyte et
Aricie†and
“Castor et
Polluxâ€. With its
multi-facetted music it
represents quite a high
point of this genre. Its
performance history is
remarkable in that within
only five years two
clearly different
versions were being
performed.
The new
critical edition by Denis
Herlin for the first time
offers the possibility to
reconstruct the version
of May 1744 in addition
to the version of 1739.
Also, the Appendices
include the complete
performance material of
the version of April
1744, many parts of which
could not be heard since.
Last but not least the
changes of the successful
re-staging of 1760 are
presented.
This
performing edition
contains all the purely
instrumental numbers of
the opera in their
various versions. Apart
from the preludes and
ritornellos, these are
above all the diverse
dance numbers.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Sheila
Sandys-Wunsch.
Performance Music
Ensemble; Quartet; String
Quartet. Ludwig Masters.
Score. LudwigMasters
Publications
#36-52703425. Published
by LudwigMasters
Publications
(AP.36-52703425).
ISBN
9781628761757. UPC:
679360720424.
English.
Experience
adventures in 3rd
position for Violin 1
with experimentation in
easy flat keys, 6/8 time
and mixed meters!
With thematic
material in all parts,
this set is a
technique-builder for
intermediate players.
The score is
included with the parts.
Contents: Skye Boat
Song, Marie's Wedding,
She's Like the Swallow,
Greensleeves, Dashing
White Sergeant, Amazing
Grace, Blow the Wind
Southerly, Country Dance,
Hornpipe, In a Manger He
is Lying, Zither
Carol.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra SKU: SU.25100200 For Orchestra. Composed by Davis Brown....(+)
Orchestra
SKU:
SU.25100200
For
Orchestra. Composed
by Davis Brown.
Orchestra. Score & Parts.
Gusthold Music Publisher
#25100200. Published by
Gusthold Music Publisher
(SU.25100200).
Nine short
dances from the
composer's ballet,
featuring Ireland, the
Alps, New York, Texas,
the Andes, Brazil, China,
the Himalayas, and India.
Orchestra [2,1 2,1 2,1 2;
4331; 4perc, hp, kbd;
stgs] Duration:
15’ Composed: 2015
Published by: Gusthold
Music Publisher
Performance materials
available on rental
only:.