Full
Score. Composed by
Per Norgard. Music Sales
America. 20Th Century,
Classical. Softcover. 188
pages. Edition Wilhelm
Hansen #KP00865.
Published by Edition
Wilhelm Hansen
(HL.14032192).
ISBN
9788759858394.
12.0x16.5x0.78 inches.
International (more than
one
language).
Symphony
No. 6 for orchestra,
1997-99. Preface /
Program Note:... with the
Lord a day is like a
thousand years, and a
thousand years is like a
day(New Testament, 2
Peter 3:8)My SYMPHONY NO.
6 was commissioned by the
Danish National Radio
Symphony Orchestra, the
Gteborg Symphony
Orchestra and the Oslo
Philharmonic Orchestra,
to be premiered at the
millenium 2000.The
subtitle AT THE END OF
THE DAY can be understood
literally or it can mean
when all is added up.
However, in my opinion,
nothing ever quite adds
up, there is always
something missing, any
ending will be
provisional ...This
symphony appears to end
only a few minutes into
the first movement, the
first passage, as the
music fades away to
almost-silence, after a
start of flying colours.
But then there is still
something, a small motive
(first heard in the
initial sound-waves)
which reappears,
hesitant, but persistent,
and this embryo is what
leads on the musical
progression. An agitated
section of many
instrumental voices comes
next, until all the
voices become obsessed
with the same phrase, a
see-saw motive based on
thirds. This section
evolves into almost
martial ferocity, when
broken off by a tutti
descent into an extreme
bass-world (a bass-world
which actually permeates
the whole symphony,
emplyoing instruments
that I have never used
before: double-bass tuba,
double-bass trombone,
double-bass clarinet, and
bass flute).The second
movement, the second
passage, apparently takes
off where the first
passage ended, but now
the events are more
ambiguous, and the same
music may be perceived as
fast-moving one moment
and slow-moving the next.
This section is a kind of
passacaglia, the
characteristic baroque
bass-variation.Without a
break follows the third
and last passage, in a
contrasting high
register. The music is
rhythmically knotty as
well as freely flowing.
As in the beginning of
the symphony, a
never-ending descent or
fall breaks off the
events, and at the very
end a delta of new
beginnings, of other
worlds, is revealed
....The symphony is
dedicated to Helle, my
wife. - Per Norgard.
Orchestra SKU: JK.20034 Composed by K. Newell Dayley. Arranged by Sam Car...(+)
Orchestra
SKU:
JK.20034
Composed by
K. Newell Dayley.
Arranged by Sam Cardon.
Difficulty Medium,
Orchestral
Orchestrations, Jesus
Christ - Savior, Love.
Christian, Inspirational.
Duration 3:40. Jackman
Music Corporation #20034.
Published by Jackman
Music Corporation
(JK.20034).
John
15:10-12.
Score and
parts to accompany the
full-choir arrangement of
I Feel My Savior's Love,
recorded by the Mormon
Tabernacle Choir
(#00402). Orchestratio
n includes: Full
Score Flute
Oboe Clarinet in B
Flat Harp Piano
Percussion I (Light
Triangle, Finger Cymbals)
Percussion II (B.D.,
Sus. Cymbal) Violin I
(4) Violin II (4)
Viola (4)
Violoncello (3)
Doublebass
(2) Composer: K.
Newell Dayley
Arranger: Sam Cardon
Lyricist: Ralph G.
Rogers, K. Newell Dayley
and Laurie Huffman
Difficulty: Medium
Performance time:
3:40 Reference: John
15:10-12.
(Score and Sound Masterworks). By Antonin Dvorak (1841-1904). Study Score. Study...(+)
(Score and Sound
Masterworks). By Antonin
Dvorak (1841-1904). Study
Score. Study Score with
CD. Softcover with CD. 88
pages. Published by Hal
Leonard . Sheet music
CD.
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Light Concert; Novelty;
Winter. Score and
Part(s). 126 pages.
Duration 3:00.
Highland/Etling
#00-29724. Published by
Highland/Etling
(AP.29724).
UPC:
038081320069.
English.
With
jubilant melodies and a
light, festive style,
this wonderful new
composition is the
perfect selection for
your holiday concert!
Students and audiences
alike will thrill to the
brisk, joyful style while
teachers will appreciate
how their students
receive valuable
experience with basic
shifting, syncopation and
part independence.
Everyone gets a turn at
the carefree melodies and
a sleigh bell part is
included for extra
holiday color.
(3:00).
Orchestra - Grade 1.5 SKU: AP.45823S Composed by Michael Kamuf. Performan...(+)
Orchestra - Grade 1.5
SKU: AP.45823S
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score. 12
pages. Duration 2:00.
Belwin Music #00-45823S.
Published by Belwin Music
(AP.45823S).
UPC:
038081529196.
English.
Perfect
for concerts and
festivals, Dayspring by
Michael Kamuf is an ideal
piece for reinforcing
both
dotted-quarter/eighth
note and syncopation
rhythms with your
beginning string
orchestra. In this
driving new work by
Michael Kamuf, the
lyrical melodies and
driving motifs are passed
around the entire
ensemble, supported by
rich harmonies.
(2:00).
Orchestra - Grade 1.5 SKU: AP.45823 Composed by Michael Kamuf. Performanc...(+)
Orchestra - Grade 1.5
SKU: AP.45823
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score and
Part(s). 72 pages.
Duration 2:00. Belwin
Music #00-45823.
Published by Belwin Music
(AP.45823).
UPC:
038081529189.
English.
Perfect
for concerts and
festivals, Dayspring is
an ideal piece for
reinforcing both
dotted-quarter/eighth
note and syncopation
rhythms with your
beginning string
orchestra. In this
driving new work by
Michael Kamuf, the
lyrical melodies and
driving motifs are passed
around the entire
ensemble, supported by
rich harmonies.
(2:00).
Orchestra - Grade 2.5 SKU: AP.38482S Composed by Bob Phillips. MakeMusic ...(+)
Orchestra - Grade 2.5
SKU: AP.38482S
Composed by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Overture. Score. 12
pages. Highland/Etling
#00-38482S. Published by
Highland/Etling
(AP.38482S).
UPC:
038081434643.
English.
An easier
alternative to Pomp and
Circumstance! Perfect for
graduations and special
events with a hopeful,
inspirational feel and a
catchy melody, this one
will make everyone feel
upbeat. Premiered outside
as part of an art
competition, this piece
was arranged to make the
group sound great even if
the venue is acoustically
challenging. This title
is available in MakeMusic
Cloud.
Orchestra (Parts) SKU: HL.14041966 Set of Parts. Composed by Georg...(+)
Orchestra (Parts)
SKU:
HL.14041966
Set of
Parts. Composed by
George Frideric Handel.
Edited by Donald Burrows.
Music Sales America.
Classical. Softcover. Hal
Leonard #NOV72007102.
Published by Hal Leonard
(HL.14041966).
Handel's
majestical setting of
John Dryden in a cantata
to honour the patron
saint of music, first
performed in London in
1739. Newly edited by
Donald Burrows.
Full orchestra SKU: LO.30-2105LA Composed by John Purifoy. Choral. Sacred...(+)
Full orchestra
SKU:
LO.30-2105LA
Composed
by John Purifoy. Choral.
Sacred Anthem,
Eastertide. Orchestral
score and parts. Laurel
Press #30/2105LA.
Published by Laurel Press
(LO.30-2105LA).
UPC:
000308105933.
This
inspiring new treatment
of a favorite hymn
promises to add vitality
to every Easter service.
The congregation joins in
singing the hymn and the
choir concludes with a
jubilant Alleluia! Christ
is risen today! (From Out
of the Shadows: SATB -
55/1085L; SAB -
55/1086L).
Composed by Larry Shackley. For full orchestra. Sacred Anthem, Baptism, Dedicati...(+)
Composed by Larry
Shackley. For full
orchestra. Sacred Anthem,
Baptism, Dedications,
Family Days, General.
Orchestral score and
parts. Exaltation
Publications #30/2169L.
Published by Exaltation
Publications
Bugler's Holiday Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Leroy Anderson. By Leroy Anderson. For Full Orchestra. Full Orchestra. Leroy ...(+)
By Leroy Anderson. By
Leroy Anderson. For Full
Orchestra. Full
Orchestra. Leroy Anderson
Classic Full Orchestra.
Level: Medium Easy to
Medium (grade III-IV).
Conductor Score, Parts &
CD. 144 pages. Duration
2:27. Published by Alfred
Publishing.
Wind
Orchestra, Grade 4, 8:45
Score. Composed by
Stephan Jaeggi. Arranged
by Gauthier Dupertuis. FC
Music Publishing. Concert
Band. Softcover. Duration
525 seconds. Hal Leonard
#FCMP007-SC. Published by
Hal Leonard (HL.4008713).
UPC:
196288190936.
As
part of the year 2023,
dedicated to Swiss
composers, the Swiss Wind
Band Association has
commissioned Gauthier
Dupertuis to write a new
orchestration of the
Overture in E-flat major
by Stephan Jaeggi.
Indeed, an update of the
instrumentation was
necessary for the
interpretation of this
work with modern
orchestras. Therefore,
the orchestration that
Gauthier Dupertuis
proposes and which he
wanted to be faithful to
the original while
meeting current
standards, will allow
todayÂ’s orchestras to
perform this piece of
classical-romantic
inspiration. Stephan
Jaeggi was a Swiss
composer and conductor
who was born into a large
family in Fulenbach
(Canton of Solothurn) in
1903. He began playing
the clarinet at the age
of 13, then studied music
at the Basel Conservatory
and attended his military
training with the Swiss
Army Band. Thereafter, he
became the conductor of
several wind orchestras.
In this role, and also
that of a composer,
Stephan Jaeggi went on to
achieve great success.
His early death in 1957
put a premature end to
Stephan Jaeggi's creative
life. All the more reason
why his work lives on
with unbroken power to
this day.
Overture to the Opera
- Urtext. Composed by
Ludwig van Beethoven.
Edited by Christian
Rudolf Riedel. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
For
the new Fidelio
Overture, which was
written at lightning
speed in 1814, there is a
copy of the score in the
Austrian National Library
which offers a reliable
basis for a new,
text-critical
edition.
Overture;
Classical. Study Score.
40 pages. Duration 7'.
Breitkopf and Haertel #PB
5307-07. Published by
Breitkopf and Haertel
(BR.PB-5307-07).
ISBN
9790004212318. 6.5 x 9
inches.
Urtext
virgin territory: the
Fidelio OvertureTo this
day, the two major
Fidelio overtures are
still performed from
music texts that go back
to the imprecise and
corrupted first editions
of the parts. In the
meantime, however, the
state of the sources for
both works has
significantly improved
through many new
findings.For the new
Fidelio Overture, which
was written at lightning
speed in 1814 for the
reprise of the opera (and
was performed with a
slight delay), there is a
copy of the score in the
Austrian National Library
which offers a reliable
basis for a new,
text-critical edition.
This manuscript, in which
one finds countless
indications of
corrections and
completions in
Beethoven's hand, is the
only extant source that
was examined by the
composer
himself.
For the
new Fidelio Overture,
which was written at
lightning speed in 1814,
there is a copy of the
score in the Austrian
National Library which
offers a reliable basis
for a new, text-critical
edition.
Composed by Ludwig van Beethoven (1770-1827). Edited by Jens Dufner. For Orchest...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jens Dufner.
For Orchestra (Study
Score). Henle Study
Scores. Softcover. 130
pages. G. Henle #HN9813.
Published by G. Henle
Tone Poem - Urtext based on the Complete Edition Jean Sibelius Works (JSW). C...(+)
Tone Poem - Urtext based
on
the Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean Sibelius
(1865-1957). Edited by
Timo
Virtanen. Full score.
Breitkopf and Haertel
#PB-
5658. Published by
Breitkopf
and Haertel
Composed by
Deborah Baker Monday.
Score and parts. Neil A.
Kjos Music Company
#SO378C. Published by
Neil A. Kjos Music
Company (KJ.SO378C).
ISBN 9788402704702.
UPC:
8402704700.
Port
Washington, New York is a
community on Long Island,
New York that is filled
with centuries of
history. Situated on a
waterfront, it also is
the recipient of intense
weather. Deborah Baker
Monday has expertly
captured Mother Nature at
work in Port Washington,
while musically
portraying the passage of
time in very special
ways. Not to be missed!
Composed by
Deborah Baker Monday.
Score only. Neil A. Kjos
Music Company #SO378F.
Published by Neil A. Kjos
Music Company
(KJ.SO378F).
UPC:
8402704699.
Port
Washington, New York is a
community on Long Island,
New York that is filled
with centuries of
history. Situated on a
waterfront, it also is
the recipient of intense
weather. Deborah Baker
Monday has expertly
captured Mother Nature at
work in Port Washington,
while musically
portraying the passage of
time in very special
ways. Not to be missed!
Orchestra SKU: BR.SON-444 Complete Works. Composed by Felix Bartho...(+)
Orchestra
SKU:
BR.SON-444
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Linen. Complete Works.
Editorial Board:
Christian Martin Schmidt
(chairman), Peter Ward
Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller
Romantic period. Complete
Works. 312 pages.
Breitkopf and Haertel
#SON 444. Published by
Breitkopf and Haertel
(BR.SON-444).
ISBN
9790004803523. 10 x 12.5
inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller.
Orchestra SKU: BR.DV-4253 Complete Works. Composed by Felix Bartho...(+)
Orchestra
SKU:
BR.DV-4253
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Orchestra; Softbound.
Deutscher Verlag.
Editorial Board:
Christian Martin Schmidt
(chairman), Peter Ward
Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller
Romantic period. Complete
Works. 112 pages.
Deutscher Verlag fur
Musik #DV 4253. Published
by Deutscher Verlag fur
Musik (BR.DV-4253).
ISBN 9790200440041. 9
x 12 inches.
The
Leipziger Ausgabe der
Werke von Felix
Mendelssohn Bartholdy
pursues the goal of
making accessible to the
public in an adequately
scholarly form all of
Mendelssohn's accessible
compositions, letters and
writings, along with all
other documents of his
artistic oeuvre. A
considerable number of
Mendelssohn's works are
still waiting to be
published; many others
have been published in an
unsatisfactory
manner.Though the new
Mendelssohn Complete
Edition follows the ten
volumes of the Leipziger
Mendelssohn Ausgabe (LMA)
published by the
Deutscher Verlag fur
Musik (DVfM) in Leipzig
since 1961, it sees
itself as a fundamentally
new conception which
reflects the present-day
standard of scholarly
editions.The first
volumes of the new
Complete Edition were
presented in Leipzig on 3
November 1997 at
Mendelssohn Festtage in
Leipzig.SON 411 - 413
have been awarded the
German Music Edition
Prize
2006.
Editorial
Board: Christian Martin
Schmidt (chairman), Peter
Ward Jones, Friedhelm
Krummacher, R. Larry
Todd, Ralf Wehner;
research associates: Ralf
Wehner, Clemens Harasim,
Birgit Muller Price
reduction for a
subscription.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra - Grade 1.5 SKU: AP.49467 Composed by Susan H. Day (ASCAP). Mak...(+)
Orchestra - Grade 1.5
SKU: AP.49467
Composed by Susan H. Day
(ASCAP). MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland String Orchestra
(HSO). Programmatic.
Score and Part(s).
Duration 2:00.
Highland/Etling
#00-49467. Published by
Highland/Etling
(AP.49467).
ISBN
9781470650162. UPC:
038081570945.
English.
On the
Open Seas is an exciting
new sea chantey by Susan
H. Day. Written because
sea-faring voyagers are
always looking for their
next adventure on the
open seas! This piece is
written in E minor, 4/4
time, and features a
spirited, memorable
melody, detache bowing,
easy rhythms, accents,
pizzicato, and fun for
all! Bass and cello
double, and viola rhythms
double 2nd violin rhythms
throughout for ease of
teaching. Optional piano
adds harmonic color.
Perfect for any concert
occasion, students and
teachers will want to
keep performing this one!
(2:00) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 1.5 SKU: AP.49467S Composed by Susan H. Day (ASCAP). Ma...(+)
Orchestra - Grade 1.5
SKU: AP.49467S
Composed by Susan H. Day
(ASCAP). MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland String Orchestra
(HSO). Score. Duration
2:00. Highland/Etling
#00-49467S. Published by
Highland/Etling
(AP.49467S).
ISBN
9781470650179. UPC:
038081570952.
English.
On the
Open Seas is an exciting
new sea chantey by Susan
H. Day. Written because
sea-faring voyagers are
always looking for their
next adventure on the
open seas! This piece is
written in E minor, 4/4
time, and features a
spirited, memorable
melody, detache bowing,
easy rhythms, accents,
pizzicato, and fun for
all! Bass and cello
double, and viola rhythms
double 2nd violin rhythms
throughout for ease of
teaching. Optional piano
adds harmonic color.
Perfect for any concert
occasion, students and
teachers will want to
keep performing this one!
(2:00) This title is
available in MakeMusic
Cloud.
Composed by Poul Ruders.
Music Sales America.
Classical. Set. 86 pages.
Edition Wilhelm Hansen
#WH29830. Published by
Edition Wilhelm Hansen
(HL.14027994).
ISBN
9788759864593.
New
York is the city which
fascinates and inspires
Ruders. Time and again he
goes back there to work.
'Manhattan Abstraction'
(1982) subtitles - a
symphonic skyline for
large orchestra - was
conceived there. Ruders'
Brittish colleague Oliver
Knussen defines the piece
as: - a performance of an
extraordinary
Morden-Times-like
construction. It is a
sort of symphonic
sculpture, which in the
composer's own words
words propels forth from
one particular
inspiration: the New York
profile, as seen from
Liberty Island, one icy
cold January day with
it's open, clear sky and
dazzling sun light.
'Manhatten Abstraction'
appears as an amalgam of
some of the
compositorical habits
found in present pieces.
For instance, are present
here compositorical ideas
and melodic loans from
'Capriccio Pian'e Forte',
2nd String Quartet(1979),
'Four Compositions'
(1980), and 2nd Piano
Sonata(1982). The
question at hand is
mainly concerned with the
enhanced elaboration of
Ruders' use of the
classic English
change-ringing system: a
permuting method
pre-determining the order
of tone-appearances and
/or tone groups; a serial
technique in other words.
In spite of the rigidly
fixed material, Ruders
somehow manages to chisel
out a personal expression
by way of emphasising
contrasting elements
already existing within
the material itself. The
spiky, repetitive
sections form a
counterpart to a more
human violin-solo. This
dialectical tension is -
as hinted by the title -
a symphonic abstraction
of a fascinating
metropolis; the most
beautiful and the
ugliest. The subtitle: a
symphonic skyline
reflects the musical
erection of the Manhattan
profile, which under the
clear sky, materializes
into the most powerful
and compelling man-made
sculpture on earth. Thus
'Manhattan Abstraction'
is a homage to, as well
as a vision of, this
giant contraption of
concrete, glass, and
chrome.
Orchestra SKU: LO.30-2645L Composed by Mary McDonald. Arranged by Michael...(+)
Orchestra
SKU:
LO.30-2645L
Composed
by Mary McDonald.
Arranged by Michael
Lawrence. Choral. Sacred
Anthem, All Saints' Day,
Eastertide, General,
Lent. Orchestral score
and parts. Lorenz
Publishing Company
#30/2645L. Published by
Lorenz Publishing Company
(LO.30-2645L).
UPC:
000308126587.
A
powerful choral prayer,
this reverent original
anthem by Mary McDonald
calls upon God to purify
our hearts; cleanse and
make us new. Full of
soaring vocals and
breathtaking harmonies,
along with an optional
orchestration by Michael
Lawrence, this piece is a
masterful call to God's
people to gather in His
house in penitence and
devotion. The orchestra
includes a Conductor's
Score and parts for 2
Flutes, Oboe, 2
Clarinets, Bassoon (sub
Bass Clarinet), 3
Trumpets, 2 Horns (sub 2
Alto Saxes), 2 Trombones
(sub 2 Tenor Saxes),
Tuba, Percussion, Harp,
Piano, 2 Violins, Viola,
Cello, and Bass (string
reduction included).
(The Journey from Darkness to Light). By Lloyd Larson. Arranged by Mary Mcdonald...(+)
(The Journey from
Darkness to Light). By
Lloyd Larson. Arranged by
Mary Mcdonald. Orchestra.
For Flute, Clarinet, 2
Trumpet, Horn, 2
Trombone, Percussion,
Piano, Synthesized
Strings. Cantata. Choral:
Advent. Orchestral Score
and Parts. Published by
Lorenz Publishing Company
Orchestra SKU: HL.14011919 Composed by Karsten Fundal. Music Sales Americ...(+)
Orchestra
SKU:
HL.14011919
Composed
by Karsten Fundal. Music
Sales America. Score.
Music Sales #KP01477.
Published by Music Sales
(HL.14011919).
ISBN
9788759878644.
English-Danish.
Orc
hestration:
3(pic)(afl).2+ca.1+2bcl.2
+cbn/4.3.3.1/timp.2perc/h
p/pf/strParts are for
hire:
hire@ewh.dkProgramnote
Hush er et studie i morke
og lys, kold og varm lyd.
Jeg har ogsa i dette
stykke forsogt at
introducere staerke
folelsesmaessige udtryk,
ved brug af instrumentale
farver og tonale
virkemidler. Titlen Hush
er forbundet med et slags
indre digt jeg har haft i
tankerne medens jeg
komponerede. Da jeg jo
ikke er digter i ord, er
det ufuldstaendigt og
utilstraekkeligt i sin
form, men derfor
alligevel meget godt
beskrivende for stykkets
vaesen. Det lyder
nogenlunde sadan her i
mit hoved:Hush little
heart- hush.!!was time
running too fast or did
the hours sometimesseem
long?,Were your beats too
many or were they too few
in the end?Hush little
heart- hushdid you see
too little or did you
sometimes see too
much?,was life too small
or was it sometimes
larger than life?was your
thirst quenched or did
you end up drained?hush,
hush, little heart-
hush!!,Don't be afraid,
maybe you knew all the
time:that one day you
would have to be still-or
maybe you didn't?Is that
why you were beating so
fast?hush, hush little
heart-hush,- be
comforted, 'cause even as
you feel so small Your
very existence is strange
and beautiful - so, hush,
hush, be comforted, be
still my beating
heart.
Orchestra (Study Score) SKU: HL.49045788 Suite for Orchestra 1919 Edit...(+)
Orchestra (Study Score)
SKU: HL.49045788
Suite for Orchestra
1919 Edition Eulenburg
No. 1475. Composed by
Igor Stravinsky. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Writing music to
heighten dramatic
situations, such as
battle and crisis, was a
speciality of Igor
Stravinsky. In his
ballet, The Firebird,
premiered in 1910, the 27
year old composer
surpassed many of today's
film composers by
depicting a breathtaking
ba. Classical. Softcover.
Composed 1919. 124 pages.
Duration 1200 seconds.
Schott Music #ETP1475.
Published by Schott Music
(HL.49045788).
ISBN
9783795714567. UPC:
888680747985.
6.0x8.75x0.309 inches.
Edition Eulenburg No.
1475.
Igor
Stravinsky's musical
setting of the Slavic
fable The Firebird is one
of the most
ground-breaking
orchestral works of the
early 20th century. The
reviews of the world
premiere of the ballet at
the Theatre National de
l'Opera in Paris lauded
Stravinsky's 'dazzling
music in all shades of
colour'; as a
consequence, he composed
two orchestral suites of
his ballet. The version
of 1919 is now published
as a new edition with a
modern notation and new
orchestral material.