Orchestra (Full Score) SKU: HL.14048065 Five Landscapes for Orchestra ...(+)
Orchestra (Full Score)
SKU: HL.14048065
Five Landscapes for
Orchestra (Full
Score). Composed by
Nico Muhly. Music Sales
America. Classical.
Softcover. 112 pages. St.
Rose Music #SRO100124.
Published by St. Rose
Music (HL.14048065).
UPC: 840126953541.
12.0x16.5x0.277
inches.
This is the
Full Score for Nico
Muhly's Control: Five
Landscapes For Orchestra.
Commissioned by Utah
Symphony and Thierry
Fischer, Music Director,
the work was first
performed at Abravanel
Hall in Salt Lake City in
December 2015.
SATB &
Orchestra Full Score.
Composed by Nico Muhly.
Music Sales America.
Classical. Softcover. 76
pages. St. Rose Music
#SRO100152. Published by
St. Rose Music
(HL.277281).
UPC:
840126953329. 12x16.5
inches.
Nico
Muhly's Looking Up
for SATB choir and
orchestra.
Commiss
ioned by the Cathedral
Choral Society. Made
possible by the William
Remsen Strickland
Endowment Fund “to
remember the concerts of
the Cathedral Choral
Society during World War
II”.
The
first performance was
given by the Cathedral
Choral Society, conducted
by Patrick Dupre Quigley,
on 21 May 2017 at
Washington National
Cathedral, Washington,
D.C., USA.
Concert band with batterie-fanfare (natural horn brass band) - Grade 4 SKU: R...(+)
Concert band with
batterie-fanfare (natural
horn brass band) - Grade
4
SKU:
RM.NICO02421-BA
Composed by
Nicolas/Castelain. With
drum-fanfare. Orchestra.
Full set. Editions Robert
Martin #NICO02421-BA.
Published by Editions
Robert Martin
(RM.NICO02421-BA).
Orchestra (Full Score) SKU: HL.14047976 For Orchestra. Composed by...(+)
Orchestra (Full Score)
SKU: HL.14047976
For Orchestra.
Composed by Nico Muhly.
Music Sales America.
Classical. Softcover.
Composed 2016. 62 pages.
St. Rose Music
#SRO100095. Published by
St. Rose Music
(HL.14047976).
UPC:
888680642822. 12x16.75
inches.
Commissione
d and premiered by The
Philadelphia Orchestra
and Yannick
Nézet-Ségui
n, their musical
director.
Concert band - Grade 2+ SKU: RM.NICO04511-CH Arranged by Jerome Naulais. ...(+)
Concert band - Grade 2+
SKU:
RM.NICO04511-CH
Arranged by Jerome
Naulais. Pop music.
Orchestra. Choral score.
Editions Robert Martin
#NICO04511-CH. Published
by Editions Robert Martin
(RM.NICO04511-CH).
Composed by Joshua
Reznicow. Solo or
Ensemble. Apex String
Orchestra. Score and set
of parts. Kendor Music
Inc #9997. Published by
Kendor Music Inc
(KN.9997).
UPC:
822795099973.
We
welcome Joshua Reznicow
to the Kendor family of
writers with this festive
original that sounds more
difficult to play than it
is. Written in G major
and its relevant minor
key, it gives directors a
chance to teach both
sharp and flat keys while
using open strings to
maintain a solid pitch
center. Controlling bow
speed and style using
hooked bow, spiccato, and
slurred techniques helps
to drive the musical
energy throughout. Short
solos and a brief violin
cadenza lead to a
rewarding finish and
allow more advanced
players to showcase their
skills. Duration ca.
3:40. Available in
SmartMusic.
Orchestra SKU: HL.50493513 Poema Sinfonico. Composed by Victor De ...(+)
Orchestra
SKU:
HL.50493513
Poema
Sinfonico. Composed
by Victor De Sabata. MGB.
Contemporary Music. Score
Only. Composed 1984.
Ricordi #NR118672.
Published by Ricordi
(HL.50493513).
Orchestra SKU: HH.HH094-FSC Composed by Nicolas Gilbert. Orchestral. Full...(+)
Orchestra
SKU:
HH.HH094-FSC
Composed
by Nicolas Gilbert.
Orchestral. Full score.
Duration 9 minutes.
Edition HH Music
Publishers #HH094-FSC.
Published by Edition HH
Music Publishers
(HH.HH094-FSC).
ISBN
9790708041252.
Tcha
l Kouyrouk, the trusty
steed of Toshtuk, Giant
of the Steppes, is going
to recover his
master’s soul,
which has been stolen,
then bring Toshtuk back
to his wife Kenjeke, who
is pregnant with his
child. In those far off
days when Toshtuk,
Kenjeke and Tchal
Kouyrouk were living, the
twelve tone row was
evidently already a
historical necessity. The
rules surrounding its
worship were to be
respected: never
interrupt the twelve tone
row, never make
irreverent remarks about
it, never look at another
system of pitch
organization, apply the
model of the twelve tone
row to everything in the
world to which it might
be applicable.
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Orchestra SKU: BT.DVPF-20293 Pian & Forte Vol. 015. By Antonio Fri...(+)
Orchestra
SKU:
BT.DVPF-20293
Pian
& Forte Vol. 015. By
Antonio Frige. By Nicola
Porpora. Opera or
Operetta. Set (Score &
Parts). Composed 2017. 88
pages. Da Vinci
Publishing #DVPF 20293.
Published by Da Vinci
Publishing
(BT.DVPF-20293).
Composed
by Nicolo Paganini.
Edited by Wilhelmj.
Arranged by Wilhelmj.
Score. Lucks Music
Library #A1877. Published
by Lucks Music Library
(TM.00525SC).
Composed
by Nicolo Paganini.
Edited by Wilhelmj.
Arranged by Wilhelmj. Set
Type: D. Set of parts.
Lucks Music Library
#A1877. Published by
Lucks Music Library
(TM.00525SET).
Full Orchestra Music/Misc. Solo And Full Orchestra. Composed by Nicolo Pa...(+)
Full Orchestra
Music/Misc. Solo And Full
Orchestra. Composed
by Nicolo Paganini
(1782-1840). Arranged by
Andreas Makris. Mixed
Instruments -
Miscellaneous Solos and
Full Orchestra. Southern
Music. 40 pages. Southern
Music Company #XR26SS.
Published by Southern
Music Company
(HL.3772422).
By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Merle J. Isaac. Music by Nic...(+)
By Nikolay Andreyevich
Rimsky-Korsakov. Arranged
by Merle J. Isaac. Music
by Nicolai
Rimsky-Korsakov / arr.
Merle Isaac. For Full
Orchestra. Full
Orchestra. Concert
Orchestra. Level: 4
(grade 4). Conductor
Score. 32 pages.
Published by Alfred
Publishing.
Orchestra - Grade 3 SKU: AP.44809S Famous Overture Themes. Arrange...(+)
Orchestra - Grade 3
SKU: AP.44809S
Famous Overture
Themes. Arranged by
Douglas E. Wagner.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Form:
Overture. Classical;
Masterwork Arrangement;
Romantic. Score. 16
pages. Duration 3:30.
Belwin Music #00-44809S.
Published by Belwin Music
(AP.44809S).
UPC:
038081517407.
English.
This
seamless medley of the
most popular overture
themes from the Classical
and Romantic periods---a
veritable music history
listening lesson---will
be a sure-fire hit on any
concert program. Scored
in D-major throughout,
the grade 3 arrangement
by Douglas E. Wagner
presents many teachable
moments with style,
balance, dynamic control,
articulation, and
interpretation.
Fandango and Alborado Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Merle J. Isaac. Music by Nic...(+)
By Nikolay Andreyevich
Rimsky-Korsakov. Arranged
by Merle J. Isaac. Music
by Nicolai
Rimsky-Korsakov / arr.
Merle Isaac. For Full
Orchestra. Full
Orchestra. Concert
Orchestra. Level: 4
(grade 4). Conductor
Score & Parts. 2 pages.
Published by Alfred
Publishing.
