(A concert version by Yoel H. Gamzou). Composed by Gustav Mahler (1860-1911). Ar...(+)
(A concert version by
Yoel H. Gamzou). Composed
by Gustav Mahler
(1860-1911). Arranged by
Yoel H. Gamzou. For
Orchestra (Study Score).
Study Score. Softcover.
Schott Music #ED21849.
Published by Schott Music
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Hans Christian
Schmidt. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Christian Martin Schmidt
is laying bare to musical
practice the original
form of Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time. Overture;
Romantic. Full score. 72
pages. Duration 12'.
Breitkopf and Haertel #PB
5364. Published by
Breitkopf and Haertel
(BR.PB-5364).
ISBN
9790004211458. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Composed by Hugh Martin and Ralph Blane. Arranged by Bob Cerulli. Full Orchestra...(+)
Composed by Hugh Martin
and Ralph Blane. Arranged
by Bob Cerulli. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Pop Intermediate
String/Full Orchestra.
Christmas; Secular;
Winter. Part(s); Score.
96 pages. Duration 2:21.
Alfred Music
#00-T1720HB7. Published
by Alfred Music
A Holiday Waltz Orchestre [Conducteur] - Débutant Highland/Etling
Orchestra - Grade 1.5 SKU: AP.38468S Composed by Richard Meyer. Performan...(+)
Orchestra - Grade 1.5
SKU: AP.38468S
Composed by Richard
Meyer. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Christmas;
Light Concert; Secular;
Winter. Score. 8 pages.
Highland/Etling
#00-38468S. Published by
Highland/Etling
(AP.38468S).
UPC:
038081434629.
English.
Jingle
Bells has been
transformed into a
Viennese-style waltz and
combined with We Wish You
a Merry Christmas in this
charming selection
perfect for your
second-year players'
holiday concert. In the
keys of D and G major,
this light-hearted dance
features every section of
the orchestra and
reinforces hooked
bowings, eighth note
runs, and a variety of
triple-meter rhythmic
patterns. A fun and
educational way to
challenge your students
technically, while taking
your orchestra to that
next level of
maturity.
Canon Noel Orchestre [Conducteur et Parties séparées] Carl Fischer
Composed by Traditional. Arranged by Deborah Baker Monday. Set of Score and P...(+)
Composed by Traditional.
Arranged by Deborah Baker
Monday. Set of Score and
Parts. 8 8 2 5 5 5 8
pages.
Duration 2:30. Carl
Fischer
Music #YAS218. Published
by
Carl Fischer Music
Orchestra - Grade 1 SKU: AP.45820S Arranged by Douglas E. Wagner. Perform...(+)
Orchestra - Grade 1
SKU: AP.45820S
Arranged by Douglas E.
Wagner. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Form: Medley.
Christmas; Sacred;
Secular; Winter. Score. 8
pages. Duration 1:30.
Belwin Music #00-45820S.
Published by Belwin Music
(AP.45820S).
UPC:
038081523309.
English.
What would
December concerts be
without those familiar
tunes that everyone loves
to hear during that time
of year? Here's a medley
arranged by Douglas E.
Wagner of a baker's dozen
of some of the most
recognized holiday tunes
in the world, set in a
fun, up-tempo style that
is sure to be an audience
hit. Even the violas get
to play the melody!
The tunes (in
presentation order) are:
Good King Wenceslas *
Deck the Hall * O Come,
All Ye Faithful * Here We
Come A-Caroling * Jolly
Old Saint Nicholas * O
Come, Little Children *
Angels We Have Heard on
High * We Three Kings *
Now Is Born * Joy to the
World * Jingle Bells * Up
on the Housetop * and
Hallelujah! Chorus.
(1:30).
Orchestra - Grade 2 SKU: AP.44830S Three Appalachian Carols. Arran...(+)
Orchestra - Grade 2
SKU: AP.44830S
Three Appalachian
Carols. Arranged by
Andrew H. Dabczynski.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Christmas;
Folk; Sacred;
Traditional; Winter.
Score. 12 pages. Duration
3:30. Highland/Etling
#00-44830S. Published by
Highland/Etling
(AP.44830S).
UPC:
038081518213. English.
Traditional
American.
Snowy
hilltops, timeless family
traditions, and the
warmth of a hearth---the
atmosphere of a Smoky
Mountain Christmas is
captured in this
arrangement of three
traditional Appalachian
carols arranged by Andrew
Dabcyznski. The simple
modal melodies of Star of
the East and Babe of
Bethlehem are passed
throughout the orchestra,
before concluding with
the stirring spiritual
Rise Up Shepherd and
Follow. The keys, meters,
and bowings are all
playable by second-year
string students, but
intermediate and advanced
students also will find
this to be a satisfying
holiday concert piece.
(3:30).
Orchestra - Grade 2 SKU: AP.44830 Three Appalachian Carols. Arrang...(+)
Orchestra - Grade 2
SKU: AP.44830
Three Appalachian
Carols. Arranged by
Andrew H. Dabczynski.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Christmas;
Folk; Sacred;
Traditional; Winter.
Score and Part(s). 140
pages. Duration 3:30.
Highland/Etling
#00-44830. Published by
Highland/Etling
(AP.44830).
UPC:
038081518206. English.
Traditional
American.
Snowy
hilltops, timeless family
traditions, and the
warmth of a hearth---the
atmosphere of a Smoky
Mountain Christmas is
captured in this
arrangement of three
traditional Appalachian
carols arranged by Andrew
Dabcyznski. The simple
modal melodies of Star of
the East and Babe of
Bethlehem are passed
throughout the orchestra,
before concluding with
the stirring spiritual
Rise Up Shepherd and
Follow. The keys, meters,
and bowings are all
playable by second-year
string students, but
intermediate and advanced
students also will find
this to be a satisfying
holiday concert piece.
(3:30).
Arranged by Mark Williams. Arr. Mark Williams. For Full Orchestra. Full Orchestr...(+)
Arranged by Mark
Williams. Arr. Mark
Williams. For Full
Orchestra. Full
Orchestra. Concert
Orchestra. Novelty.
Level: 3 (grade 3).
Conductor Score and
Parts. 1 pages. Published
by Alfred Publishing.
Wind
Orchestra, Grade 4, 8:45
Score. Composed by
Stephan Jaeggi. Arranged
by Gauthier Dupertuis. FC
Music Publishing. Concert
Band. Softcover. Duration
525 seconds. Hal Leonard
#FCMP007-SC. Published by
Hal Leonard (HL.4008713).
UPC:
196288190936.
As
part of the year 2023,
dedicated to Swiss
composers, the Swiss Wind
Band Association has
commissioned Gauthier
Dupertuis to write a new
orchestration of the
Overture in E-flat major
by Stephan Jaeggi.
Indeed, an update of the
instrumentation was
necessary for the
interpretation of this
work with modern
orchestras. Therefore,
the orchestration that
Gauthier Dupertuis
proposes and which he
wanted to be faithful to
the original while
meeting current
standards, will allow
todayÂ’s orchestras to
perform this piece of
classical-romantic
inspiration. Stephan
Jaeggi was a Swiss
composer and conductor
who was born into a large
family in Fulenbach
(Canton of Solothurn) in
1903. He began playing
the clarinet at the age
of 13, then studied music
at the Basel Conservatory
and attended his military
training with the Swiss
Army Band. Thereafter, he
became the conductor of
several wind orchestras.
In this role, and also
that of a composer,
Stephan Jaeggi went on to
achieve great success.
His early death in 1957
put a premature end to
Stephan Jaeggi's creative
life. All the more reason
why his work lives on
with unbroken power to
this day.
Orchestra (4(2picc).3(cor
ang).heck.Eb-clar.2.Bb-cl
ar(clar).4(dble bsn) -
8(4T-tuba).2alphn.4.4.2 -
org.cel -
2hp.2timp.perc(6).wind
m.thunder m - str - off
stage: 12hn.2trp.2tbne)
SKU: BR.PB-5710
Tone Poem -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Sheet Music. 204
pages. Duration 50'.
Breitkopf and Haertel #PB
5710. Published by
Breitkopf and Haertel
(BR.PB-5710).
ISBN
9790004216477. 10.5 x 14
inches.
Richard
Strauss's last completed
tone poem is regarded as
the pinnacle of his art
of orchestration: Now
I've finally learned to
orchestrate, he himself
is once supposed to have
said about it after the
dress rehearsal. The
single-movement Alpine
symphony that we know
today ultimately evolved
- over almost 15 years -
from the original drafts
of an artist's tragedy,
titled Der Antichrist.
Eine Alpensinfonie [The
Antichrist. An Alpine
Symphony] up to the stage
of the last sketches.
With unprecedented
plasticity, the work
showcases a
(metaphysical?) mountain
hike with stops in the
forest, at the waterfall,
on the alpine pasture
and, of course, at the
summit. Apropos alpine
pastures: up to the
score's fair copy stage,
Strauss envisaged a high
and a low alphorn for the
section Auf der Alm [On
the Alpine Pasture] and
the well-known Dulioh
theme, though for various
reasons first detailed in
our new Urtext edition,
these exotic instruments
did not find their way
into the printed version.
In the new edition, the
editor, Nick Pfefferkorn,
reproduces the alphorn
passages in small print,
also adding two alphorn
parts to the performance
material, besides
evaluating the
corrections made by
Walter Seifert at
Strauss's
request.
First
Urtext edition since the
first editionEvaluation
of all available sources,
including sketches and
the score corrected by
Walter Seifert Extensive
preface on the work's
compositional history and
receptionDetailed
Critical ReportFacsimile
pages.
Full Score Symphonic Band - Grade 5 SKU: HL.1455263 For Symphonic Band...(+)
Full Score Symphonic Band
- Grade 5
SKU:
HL.1455263
For
Symphonic Band.
Composed by James Barnes.
Southern Music. Concert,
Symphony. Softcover. 102
pages. Duration 1680
seconds. Southern Music
Company #S1038FS.
Published by Southern
Music Company
(HL.1455263).
ISBN
9781638879329. UPC:
196288209393.
9.0x12.0x0.545
inches.
Composed
during the summer and
fall of 1974, Barnes'
FIRST SYMPHONY, Op. 35
was his master's thesis
at The University of
Kansas. It was premiered
in the spring semester of
1976 by their Symphonic
Band, Robert E. Foster
conducting. The following
year, the symphony was
awarded the American
Bandmasters Ostwald
Composition prize, which
led to a second
performance (of only the
first two movements) by
the Northwestern Wind
Ensemble at the American
Bandmasters convention
with Col. Jack Cline (U.S
Marine Band) conducting.
Following this
performance, Barnes
submitted the work to
several publishers, all
of which declined on the
basis it was too long and
difficult to be
marketable. For this
reason, Barnes set the
work aside and there it
remained until 2022, when
an offer came from the
Osaka Shion Wind
Orchestra to record all
nine of
Barnes'symphonies to
help celebrate their
100th anniversary. Barnes
seized the opportunity,
engraving all four
movements, with revisions
and corrections, an
effort that took seven
days a week for two
months to complete. As a
result, after almost
fifty years, all nine of
the Barnes symphonies are
finally available for
performance.
Tempus Fugit Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Orchestra (Study Score) SKU: HL.48024683 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.48024683
Orchestra Study
Score. Composed by
Magnus Lindberg. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 144
pages. Boosey & Hawkes
#M060135880. Published by
Boosey & Hawkes
(HL.48024683).
ISBN
9781784545062. UPC:
888680952570. 8.25x11.75
inches.
TEMPUS
FUGIT was commissioned to
celebrate the centenary
of Finnish independence
on 6 December 2017 and it
received its first
performance in Helsinki
on that day, given by the
Finnish Radio Symphony
Orchestra.
The
composer says that
“if you translate
TEMPUS FUGIT as 'Time
Flies', you could say
that Finland has
travelled a long way
already -but 100 years is
a short time-span, and
living as a human in this
part of the world started
long ago and, we hope,
will continue
formillennia to come.
This relates to my
fascination with Bernd
Alois Zimmermann's
concept of spherical time
- that the past, the
present and the future
are continuously linked
and within reach. You can
also examine the
inter-connection of
musical time in the
earlier works of
Stockhausen such as
Kontakte and Gruppen
which had a big impact on
me as a young composer. A
translation of TEMPUS
FUGIT that I prefer is
'Time in Flight',
offering the idea that
time escapes from us but
bequeaths a tangible
residue, rather like
aplane travelling towards
the distance but leaving
a visible vapour
trail.” This
30-minute score is a
major addition to the
orchestral repertory.
Orchestra - Grade 1 SKU: AP.48078 Composed by Richard Meyer. MakeMusic Cl...(+)
Orchestra - Grade 1
SKU: AP.48078
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra.
Highland/Etling String
Explorer. Light Concert;
Renaissance. Score and
Part(s). 72 pages.
Duration 2:00.
Highland/Etling
#00-48078. Published by
Highland/Etling
(AP.48078).
ISBN
9781470656911. UPC:
038081557632.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Using the notes
of the D major scale,
Dizzy Digits by Richard
Meyer was written to
improve early readers'
finger dexterity and
note-reading skills. Your
students are sure to rise
to the challenge of this
fun, perpetual-motion
style selection that is
great for concert or
contest. Start slow and
increase the tempo a bit
each day and watch those
digits start flying! A
great motivator for year
one and two string
students! Correlated to
String Explorer, Book 1,
Unit 8. (2:00) This title
is available in MakeMusic
Cloud.
Orchestra - Grade 1 SKU: AP.48078S Composed by Richard Meyer. MakeMusic C...(+)
Orchestra - Grade 1
SKU: AP.48078S
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra.
Highland/Etling String
Explorer. Light Concert.
Score. 8 pages. Duration
2:00. Highland/Etling
#00-48078S. Published by
Highland/Etling
(AP.48078S).
ISBN
9781470656928. UPC:
038081557649.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Using the notes
of the D major scale,
Dizzy Digits by Richard
Meyer was written to
improve early readers'
finger dexterity and
note-reading skills. Your
students are sure to rise
to the challenge of this
fun, perpetual-motion
style selection that is
great for concert or
contest. Start slow and
increase the tempo a bit
each day and watch those
digits start flying! A
great motivator for year
one and two string
students! Correlated to
String Explorer, Book 1,
Unit 8. (2:00) This title
is available in MakeMusic
Cloud.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra SKU: FG.55011-610-8 Two mythical scenes op 1. Composed b...(+)
Orchestra
SKU:
FG.55011-610-8
Two
mythical scenes op 1.
Composed by Aulis
Sallinen. Study score.
Fennica Gehrman
#55011-610-8. Published
by Fennica Gehrman
(FG.55011-610-8).
ISBN
9790550116108.
Two
Mythical Scenes for
orchestra was completed
in 1956, when Sallinen
was Aarre Merikanto's
composition student for
his second term. The work
received its premiere
performance only after a
good deal of pressure
from Prof. Merikanto's
side, and was finally
premiered in a concert by
the Sibelius Academy
Symphony Orchestra,
conducted by Jussi Jalas.
The work received opus
number 1, as it was the
first publicly performed
work by Sallinen.
The composer has told
that he was inspired by a
1947 book published by
the Finnish Literary
Society (SKS) Myytillisia
kuvia (Mythical
Scenes/Images). The
second movement of the
work, Kalmanvaen
joulukirkko (The
Christmas Service of the
Dead) is based on the
stories in which the dead
rise from their graves
early in the Christmas
Day morning to attend
their own special
ceremony led by a dead
priest. The opening
movement Kulkue
(Procession) depicts the
dead in a procession
towards the church.
In 2020 Sallinen revised
the score slightly. In
his own words with very
small changes helping the
sixty years younger and
less experienced self.
The revisions mostly
concerned nuances and
dynamics, bowings and
some bridges. The
original structure,
rhythmic and harmonic
world is still the same
as they were when young
Sallinen composed the
work in 1956.
Orchestra - Grade 1 SKU: AP.38393S Arranged by Michael Story. Performance...(+)
Orchestra - Grade 1
SKU: AP.38393S
Arranged by Michael
Story. Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Christmas; Novelty; Rock;
Secular; Traditional;
Winter. Score. 8 pages.
Alfred Music #00-38393S.
Published by Alfred Music
(AP.38393S).
UPC:
038081438597. English.
Traditional.
Have a
rockin' good time at your
holiday concert with this
fun arrangement! Written
for first-year string
players, with both arco
and pizzicato
opportunities, as well as
optional piano and hand
percussion parts, this
will be a favorite with
both your students and
your audience!
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Orchestra - Grade 0.5 SKU: AP.46677S Composed by Michael Story. MakeMusic...(+)
Orchestra - Grade 0.5
SKU: AP.46677S
Composed by Michael
Story. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Very Beginning String
Orchestra. Fall;
Halloween; Light Concert.
Score. 8 pages. Belwin
Music #00-46677S.
Published by Belwin Music
(AP.46677S).
ISBN
9781470658151. UPC:
038081533223.
English.
Zombies
are everywhere these
days---at least in songs,
movies, and on TV! This
original piece is a tip
of the hat to the wildly
popular sci-fi craze.
Written for first year
orchestra students,
Zombie Dance by Michael
Story uses mostly quarter
note rhythms and D-, A-,
and G-string notes
including a few
C-naturals. Very easy
optional piano and
percussion parts are
included, however it is
playable by strings
alone. Have fun with this
one! This title is
available in MakeMusic
Cloud.
Baritone Solo, 8-Part
Chorus and Orchestra
Study Score. Composed
by Johannes Brahms.
Edited by Johannes Behr
and Ulrich Tadday. Henle
Study Scores. Classical.
Softcover. G. Henle
#HN9030. Published by G.
Henle (HL.51489030).
UPC: 196288093763.
6.75x9.5x0.505
inches.
Brahms
composed his Triumphlied
for eight-part chorus,
solo baritone and
orchestra as a direct
reaction to the victory
of the German army in the
Franco-Prussian War of
1870/71 and the
consequent founding of
the German Empire.
Similar to the German
Requiem completed shortly
before, Brahms himself
compiled the text from
the Bible, in this case
from Chapter 19 of the
Book of Revelations.
Because of the somewhat
melodramatic tone of the
composition and the
nationalistic background
to the works genesis, in
recent years the
Triumphlied has seldom
been heard in concert
halls. Unlike
overly-patriotic
occasional works such as
Richard Wagner's
Kaisermarsch, the
Triumphlied is true
Brahms and is a musically
rich composition. This
study edition takes the
musical text from the
Brahms Complete Edition
(HL 51486030), thereby
representing the highest
scholarly precision. The
Appendix contains an
exciting new discovery, a
previously-unknown early
version of the 1st
movement in C major,
which was only
rediscovered in 2012 in
Bremen.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)