Orchestra SKU: HL.215244 The Works of Mieczyslaw Karlowicz Volume 11(+)
Orchestra
SKU:
HL.215244
The
Works of Mieczyslaw
Karlowicz Volume 11.
Composed by Mieczystaw
Karlowicz. PWM.
Classical. Hardcover. 140
pages. Polskie
Wydawnictwo Muzyczne
#11592010. Published by
Polskie Wydawnictwo
Muzyczne (HL.215244).
12.0x17.0x0.63
inches.
Hardcover
full score. Text in
Polish, German, and
English. This edition of
the works of Mieczyslaw
Karlowicz is based on
critically examined
sources. It includes all
his compositions. The aim
of the edition is to
present the composer's
original text as
authentically as
possible. This is not an
easy task. The source
materials of Karlowicz's
music are very diverse in
nature. Apart from most
of the songs, the
composer prepared for
printing and published in
his lifetime the
following: Serenade for
Strings Op. 2, Prelude
and Fugue Op. 5, Concerto
in A major for Violin and
Orchestra Op. 8,
Returning Waves Op. 9 and
Eternal Songs Op. 10.
Being highly experienced
in writing for a symphony
orchestra, and
knowledgeable in the
modern method of
instrumentation in the
neoromantic style, he
prepared his scores with
great care. The remaining
symphonic poems were not
published before the
composer's death; and the
'Rebirth' Symphony, the
manuscript of which
miraculously survived the
ravages of World War II,
was issued only in 1993,
as part of the present
Complete Works edition.
During this war the
autographs of the most
compositions by
Karlowicz, including all
his symphonic poems
(except for The Sorrowful
Tale), were lost. The
present publication,
therefore, is based as a
rule on the first
editions, compared with
extant autographs or
authorized copies of the
scores. The amendments of
misprints or self-evident
mistakes on the part of
the composer are not
indicated graphically in
the text but referred to
in the Editorial
Notes.
Orchestra (Study Score) SKU: HL.49010307 Incidental Music for Goethe's...(+)
Orchestra (Study Score)
SKU: HL.49010307
Incidental Music for
Goethe's Drama.
Composed by Ludwig van
Beethoven. Edited by
Wilhelm Altmann. Arranged
by Wilhelm Altmann. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, Opera,
Romantic. Study Score.
Op. 84. 92 pages.
Eulenburg Edition
#ETP823. Published by
Eulenburg Edition
(HL.49010307).
ISBN
9783795769468. UPC:
841886014923.
5.25x7.5x0.219 inches.
German.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Philadelphia Orchestra Critical Edition. Composed by Howard Hanson (1896-...(+)
Philadelphia Orchestra
Critical Edition.
Composed by Howard Hanson
(1896-1981). Edited by
Clinton F. Nieweg.
Contemporary. Full score
(large). With Standard
notation. 104 pages. Carl
Fischer #SC00042L.
Published by Carl Fischer
(CF.SC42L).
By Sergei Rachmaninoff (1873-1943). Orchestra. For [3d1, 2 1, 2 1, 2 1 - 6, 3, 3...(+)
By Sergei Rachmaninoff
(1873-1943). Orchestra.
For [3d1, 2 1, 2 1, 2 1 -
6, 3, 3, 1], timpani,
percussion, harp,
strings. This edition:
Paperback. Original
Works, Tone Poems.
Romantic Period; Russian.
Study Score. 90 pages.
Published by Serenissima
Composed by Serge Rachmaninoff. For piano and orchestra. Format: full score (per...(+)
Composed by Serge
Rachmaninoff. For piano
and orchestra. Format:
full score (performance
parts are not available
for this edition). With
full score notation.
Romantic period. 396
pages. 9x12 inches.
Published by Dover
Publications.
Choral; Chorus; Orchestra (Study Score) SKU: HL.49010254 Grande messe ...(+)
Choral; Chorus; Orchestra
(Study Score)
SKU:
HL.49010254
Grande
messe des morts.
Composed by Hector
Berlioz. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical,
Romantic. Study Score.
Op. 5. 122 pages.
Duration 85'. Eulenburg
Edition #ETP8003.
Published by Eulenburg
Edition (HL.49010254).
ISBN 9783795764463.
UPC: 841886008793.
7.5x10.25x0.42 inches.
Latin.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by Johann Strauss. Arranged by Richard Meyer. Orchestra. Full Orchestra...(+)
Composed by Johann
Strauss. Arranged by
Richard Meyer. Orchestra.
Full Orchestra;
Masterworks; Score;
SmartMusic. Highland
First Philharmonic. Form:
Overture; Transcription.
Masterwork Arrangement;
Romantic. Grade 2. 24
pages. Published by
Highland/Etling
By Johann Strauss. Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterw...(+)
By Johann Strauss.
Arranged by Richard
Meyer. Orchestra. Full
Orchestra; Masterworks;
Part(s); Score;
SmartMusic. Highland
First Philharmonic. Form:
Overture; Transcription.
Masterwork Arrangement;
Romantic. Grade 2. 216
pages. Published by
Alfred Music (
Composed by Hanson Howard. Arranged by Todd Parrish. Folio. Score and part(s...(+)
Composed by Hanson
Howard.
Arranged by Todd Parrish.
Folio. Score and part(s).
138+Cover pages. Duration
4
minutes, 47 seconds. Carl
Fischer Music #AS66.
Published by Carl Fischer
Music
Composed by Sergei Rachmaninoff (1873-1943). Orchestra. Full Orchestra (Miniatur...(+)
Composed by Sergei
Rachmaninoff (1873-1943).
Orchestra. Full Orchestra
(Miniature Score); Larger
Works; Masterworks. Dover
Edition. 20th Century;
Masterwork; Romantic.
Miniature Score.
Published by Dover
Publications
Lemminkainen ja saaren
neidot - Urtext based on
the Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 84
pages. Duration 17'.
Breitkopf and Haertel #PB
5582. Published by
Breitkopf and Haertel
(BR.PB-5582).
ISBN
9790004213926. 10 x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen, and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
parts may have found
their way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.A critic
opined on Lemminkainen
and the Maidens on the
Island: We do not
hesitate to award this
tone painting of
Lemminkainen's erotic
emotional world the first
prize among all the young
composer's works..
Romantic opera in
three acts. Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
II, Volume 6. 3 part
volumes. Opern, dt.
(German Opera). Complete
edition, Score. D 732.
Duration 2 hours, 30
minutes. Baerenreiter
Verlag #BA05540_00.
Published by Baerenreiter
Verlag (BA.BA05540).
ISBN 9790006497126. 33
x 26 cm inches. Text:
Franz von
Schober.
In late
September or early
October 1821 Schubert and
his close friend, Franz
von Schober, vacationed
in the countryside of
Lower Austria. Their
first stopover was at
Ochsenburg Castle, which
belonged to the Bishop of
St. Pölten (a close
relative of
Schober’s), after
which they moved on to
St. Pölten itself.
Roughly a year earlier,
two stage works by
Schubert had been
performed in Vienna: the
one-act singspiel Die
Zwillingsbrüder and
the melodrama Die
Zauberharfe. The
librettos were both
written by the seasoned
Viennese playwright Georg
von Hofmann, who blamed
the press for the
indifferent reception the
two works were given by
the audience. Schubert
and Schober now decided,
it would seem, to write a
grand romantic opera
uninfluenced by the
workaday world of the
theatre and beholden
solely to their own ideas
of what an opera should
be.
Not until 24
June 1854 was the opera
finally performed in
Weimar, under the baton
of Franz Liszt. It only
achieved success,
however, in an
arrangement by Johann
Nepomuk Fuchs that was
staged on many German and
Austrian stages in
1881–2, allegedly
with brilliant
acclaim.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (4(2picc).3(cor
ang).heck.Eb-clar.2.Bb-cl
ar(clar).4(dble bsn) -
8(4T-tuba).2alphn.4.4.2 -
org.cel -
2hp.2timp.perc(6).wind
m.thunder m - str - off
stage: 12hn.2trp.2tbne)
SKU: BR.PB-5710
Tone Poem -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Sheet Music. 204
pages. Duration 50'.
Breitkopf and Haertel #PB
5710. Published by
Breitkopf and Haertel
(BR.PB-5710).
ISBN
9790004216477. 10.5 x 14
inches.
Richard
Strauss's last completed
tone poem is regarded as
the pinnacle of his art
of orchestration: Now
I've finally learned to
orchestrate, he himself
is once supposed to have
said about it after the
dress rehearsal. The
single-movement Alpine
symphony that we know
today ultimately evolved
- over almost 15 years -
from the original drafts
of an artist's tragedy,
titled Der Antichrist.
Eine Alpensinfonie [The
Antichrist. An Alpine
Symphony] up to the stage
of the last sketches.
With unprecedented
plasticity, the work
showcases a
(metaphysical?) mountain
hike with stops in the
forest, at the waterfall,
on the alpine pasture
and, of course, at the
summit. Apropos alpine
pastures: up to the
score's fair copy stage,
Strauss envisaged a high
and a low alphorn for the
section Auf der Alm [On
the Alpine Pasture] and
the well-known Dulioh
theme, though for various
reasons first detailed in
our new Urtext edition,
these exotic instruments
did not find their way
into the printed version.
In the new edition, the
editor, Nick Pfefferkorn,
reproduces the alphorn
passages in small print,
also adding two alphorn
parts to the performance
material, besides
evaluating the
corrections made by
Walter Seifert at
Strauss's
request.
First
Urtext edition since the
first editionEvaluation
of all available sources,
including sketches and
the score corrected by
Walter Seifert Extensive
preface on the work's
compositional history and
receptionDetailed
Critical ReportFacsimile
pages.
Lemminkainen palaa
kotitienoille - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Tuija Wicklund.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 68
pages. Duration 7'.
Breitkopf and Haertel #PB
5585. Published by
Breitkopf and Haertel
(BR.PB-5585).
ISBN
9790004213957. 10 x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
material may have found
its way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.On
Lemminkainen's Return
Sibelius commented: I
would like to see more
pride in us Finns. Why
should we be ashamed?
This is the underlying
thought in Lemminkainen's
Return. Lemminkainen is
just as good as the
noblest of earls. He is
an aristocrat, without
question an
aristocrat!.
Tuonelan joutsen -
Urtext based on the
Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Early modern;
Late-romantic. Full
score. 24 pages. Duration
10'. Breitkopf and
Haertel #PB 5583.
Published by Breitkopf
and Haertel (BR.PB-5583).
ISBN 9790004213933. 10
x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
parts may have found
their way into the
Lemminkainen pieces which
he started composing
during that time.
Definitely the overture
had, it is now known and
loved as The Swan of
Tuonela. Lemminkainen
became popular from the
beginning and has
attained a fixed position
in the concert
repertoire.
Orchestra (2.1.cor
ang.1.B-clar.2 - 4.3.3.0
- perc - str)
SKU:
BR.PB-5584
Lemminkainen
Tuonelassa - Urtext based
on the Complete Edition
Jean Sibelius Works
(JSW). Composed by
Jean Sibelius. Edited by
Tuija Wicklund.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Early modern;
Late-romantic. Full
score. 64 pages. Duration
15'. Breitkopf and
Haertel #PB 5584.
Published by Breitkopf
and Haertel (BR.PB-5584).
ISBN 9790004213940. 10
x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
material may have found
its way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.Sibelius said
about Lemminkainen in
Tuonela: The cradle song
at the end of the work is
maternal love, which
rakes the pieces of
Lemminkainen together
from the River
Tuonela..
Orchestra (3.2.2.2 - 4.2.0.0 - timp - hp - str) SKU: BR.PB-5225 Urtext...(+)
Orchestra (3.2.2.2 -
4.2.0.0 - timp - hp -
str)
SKU:
BR.PB-5225
Urtext. Composed
by Max Reger. Edited by
Bruno Weil. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Variations; Romantic;
Late-romantic. Full
score. 116 pages.
Duration 27'. Breitkopf
and Haertel #PB 5225.
Published by Breitkopf
and Haertel (BR.PB-5225).
ISBN 9790004209554. 10
x 12.5 inches.
The
publishers of the Reger
Complete Edition present
Reger's most frequently
performed orchestral work
as a new addition to the
acclaimed PB/OB Library.
The critical examination
of the main sources - the
autograph, Reger's
corrections for the first
edition, a working copy
belonging to the
composer, and the
Complete Edition -
brought forth a number of
changes with respect to
the previously known
material. This is thus
the first reliable,
practice-oriented edition
with orchestral parts
available for sale -
which is another first
for this extensive and
important work.
Orchestra (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.PB-5581
Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Thomas Schmidt.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Full
score. 140 pages.
Duration 30'. Breitkopf
and Haertel #PB 5581.
Published by Breitkopf
and Haertel (BR.PB-5581).
ISBN 9790004213919. 10
x 12.5 inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Orchestra (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.PB-5598-07
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Study
Score. 132 pages.
Duration 30'. Breitkopf
and Haertel #PB 5598-07.
Published by Breitkopf
and Haertel
(BR.PB-5598-07).
ISBN
9790004214954. 6.5 x 9
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Overture to the
Dramatic Poem Manfred by
Lord Byron - Urtext.
Composed by Robert
Schumann. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Romantic. Study
Score. 60 pages. Duration
11'. Breitkopf and
Haertel #PB 5546-07.
Published by Breitkopf
and Haertel
(BR.PB-5546-07).
ISBN
9790004213568. 6.5 x 9
inches.
Spiritual
AffinitiesSchumann had
already worked on Byron's
Manfred as a law student,
and the topic fascinated
him from that time on.
Perhaps he discovered a
spiritual affinity to
himself in the romantic
hero's inner conflict? In
any event, he decided on
a stage rendition of the
drama with incidental
music, an entirely new
genre that he had been
dreaming of for some time
already. He conducted the
overture - it dates from
1848 - for the first time
as a separate piece in
March 1852. In addition,
he followed the
preparations for the
first edition of the
complete performance
material very closely,
which was published by
Breitkopf in Leipzig that
same year. The Breitkopf
Urtext edition of the
Manfred Overture is based
on this first print of
the score and parts
revised by Schumann. At
the same time, this
edition also marks a new
chapter in the expansion
of the collection of
Schumann overtures that
have already been
published by Breitkopf
(to Hermann und Dorothea
op. 136, Szenen aus
Goethes Faust WoO 3 and
Genoveva op.
81).
Audiences
should be ready for
something new and unheard
of, wrote Robert Schumann
to Franz Liszt in late
1851, referring to the
world premiere of his
Dramatic Poem
Manfred.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Musgrave. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
The
study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Serenade/divertimento;
Romantic. Full score. 168
pages. Duration 45'.
Breitkopf and Haertel #PB
16105. Published by
Breitkopf and Haertel
(BR.PB-16105).
ISBN
9790004214329. 10 x 12.5
inches.
Johannes
Brahms was long reluctant
to compete with Beethoven
in the field of symphonic
music. With his D-major
Serenade in six
movements, the young
composer deliberately
chose a genre that had
had its golden era in the
18th century, thus before
Beethoven. Initially, he
even conceived the
Serenade for a smaller
setting, but decided on a
full orchestra in 1860.
But even then, it was
slow in becoming an
audience success.The new
Brahms Complete Edition
has chosen as its
principal source a copy
of the scores first
edition that Brahms used
as his personal work
copy. There, however,
errors remained
undiscovered, and
recurred in later print
runs as well. It was not
until the new Brahms
Edition that a music text
of the D-major Serenade
is finally being
published, a text that
clearly heeds all of the
composers emendations and
eliminates other
shortcomings.
Orchestra (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.PB-5548-07 (+)
Orchestra (picc.2.2.2.2 -
2.2.0.0 - small dr - str)
SKU: BR.PB-5548-07
Overture to Goethe's
Hermann und Dorothea -
Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Urtext
of the Revolutionary.
Overture; Romantic. Study
Score. 40 pages. Duration
10'. Breitkopf and
Haertel #PB 5548-07.
Published by Breitkopf
and Haertel
(BR.PB-5548-07).
ISBN
9790004213582. 6.5 x 9
inches.
The
Overture to Hermann and
Dorothea is the only
compositional result that
Schumann reaped from
Goethes epic poem. He had
originally planned an
entire opera, then a
Singspiel, and finally an
oratorio. In the end
(1851), he quickly
produced an orchestral
score that remained
unprinted during his
lifetime. The striking
thematic use of the
Marseillaise is multiply
motivated: Goethes poem
unfolds in 1796, when the
two eponymous lovers are
fleeing from the French
revolutionary troops;
Schumann had directly
experienced the
revolutionary uprisings
of 1848 in Dresden;
finally, Louis Napoleons
coup detat of 2 December
1851 must also have made
an impact on the
composer. The primary
source of the Urtext
edition of Schumanns
Revolutionary Overture is
the carefully written
autograph.
Orchestra (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.PB-5320 Ov...(+)
Orchestra (picc.2.2.2.2 -
2.2.0.0 - small dr - str)
SKU: BR.PB-5320
Overture to Goethe's
Hermann und Dorothea -
Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Urtext of
Revolutionary
Overture
Overture;
Romantic. Full score. 44
pages. Duration 10'.
Breitkopf and Haertel #PB
5320. Published by
Breitkopf and Haertel
(BR.PB-5320).
ISBN
9790004212363. 10 x 12.5
inches.
The
Overture to Hermann and
Dorothea is the only
compositional result that
Schumann reaped from
Goethes epic poem. He had
originally planned an
entire opera, then a
Singspiel, and finally an
oratorio. In the end
(1851), he quickly
produced an orchestral
score that remained
unprinted during his
lifetime. The striking
thematic use of the
Marseillaise is multiply
motivated: Goethes poem
unfolds in 1796, when the
two eponymous lovers are
fleeing from the French
revolutionary troops;
Schumann had directly
experienced the
revolutionary uprisings
of 1848 in Dresden;
finally, Louis Napoleons
coup detat of 2 December
1851 must also have made
an impact on the
composer. The primary
source of the Urtext
edition of Schumanns
Revolutionary Overture is
the carefully written
autograph.
Overture to the Opera
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). The
Urtext debut of
Schumann's beloved
overture. Overture;
Romantic. Study Score. 40
pages. Duration 10'.
Breitkopf and Haertel #PB
5549-07. Published by
Breitkopf and Haertel
(BR.PB-5549-07).
ISBN
9790004213599. 6.5 x 9
inches.
Robert
Schumann placed great
importance on the genre
of the overture, as can
be seen in the chronology
of the genesis of his
sole opera Genoveva. In
his Haushaltbuch the
composer entered as his
first idea thoughts of an
overture, then produced
the score even before
having begun working on
the actual opera.
Schumann was right on the
mark when he suspected
that the overture alone
should enjoy a favorable
reception. The Overture
appeared in print at
about the same time that
the opera was premiered.
It established itself in
the concert hall as an
autonomous work and ranks
today - along with the
Manfred Overture - among
Schumann's most beloved
concert overtures. The
Genoveva Overture is
being released in a
text-critical Breitkopf
Urtext edition for the
first time. The main
source is the first
printing revised by
Schumann.
Composed by Giacomo
Meyerbeer. Arranged by
Andrew H. Dabczynski.
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Explorer. Form: March;
Transcription. Masterwork
Arrangement; Romantic.
Score. 12 pages.
Highland/Etling
#00-41251S. Published by
Highland/Etling
(AP.41251S).
UPC:
038081483757.
English.
The
powerful sound of this
classic march is now
approachable for young
players, bringing a
spirit of grand
excitement to your
concert. An effective
vehicle for introducing
triplets to students, it
makes a perfect opener or
closer that players and
audiences will long
remember. (2:30)
Correlates to String
Explorer Book 1, Unit 14.
This title is available
in MakeMusic Cloud.
Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.PB-5559-07
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Study Score. 208 pages.
Duration 44'. Breitkopf
and Haertel #PB 5559-07.
Published by Breitkopf
and Haertel
(BR.PB-5559-07).
ISBN
9790004213698. 6.5 x 9
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.PB-5558
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Full score. 212 pages.
Duration 44'. Breitkopf
and Haertel #PB 5558.
Published by Breitkopf
and Haertel (BR.PB-5558).
ISBN 9790004213681. 10
x 12.5 inches.
Like
Hamlet Overture,
originating at about the
same time, Tchaikovsky's
5th symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.