As Performed by Trans-Siberian Orchestra. Composed by Paul O'Neill and Ro...(+)
As Performed by
Trans-Siberian
Orchestra. Composed
by Paul O'Neill and
Robert Kinkel
[Trans-Siberian
Orchestra]. Arranged by
Bob Phillips. Full
Orchestra; Score.
Professional Orchestra
Series. Christmas; Rock;
Winter. 24 pages.
Published by Alfred Music
(AP.43811S).
Suite for Orchestra. Composed by Gabriel Faure (1845-1924). Edited by Rob...(+)
Suite for
Orchestra. Composed
by Gabriel Faure
(1845-1924). Edited by
Robin Tait. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. Opus 112.
Baerenreiter Verlag
#BA07894. Published by
Baerenreiter Verlag
(BA.BA07894).
Composed by Gabriel Faure (1845-1924). Edited by Peter Jost. This edition: compl...(+)
Composed by Gabriel Faure
(1845-1924). Edited by
Peter Jost. This edition:
complete edition, urtext
edition. Linen. Gabriel
FaurA!. A!uvres
complA!tes IV/3. Score,
anthology. Published by
Baerenreiter Verlag
(BA.BA9465-01).
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Arranged by...(+)
Featuring: Just the Way
You Are / When I Was Your
Man / Uptown Funk.
Arranged by Victor Lopez.
Full Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Pop. 248
pages. Published by
Alfred Music
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. Orche...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Christopher
Hogwood. Orchestra. For 2
flutes, 3 oboes, 2
clarinets (b flat), 2
bassoons, contrabassoon,
serpent, 2 horns, 2
trumpets, 2 trombones,
drums, strings. This
edition: Urtext edition.
Score (paperbound). Opus
107. Published by
Baerenreiter Verlag
Composed by Antonin Dvorak (1841-1904). Edited by Robert Simon. This edition: ur...(+)
Composed by Antonin
Dvorak (1841-1904).
Edited by Robert Simon.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. Opus 45, No. 1.
Baerenreiter Verlag
#BA10401. Published by
Baerenreiter Verlag
(BA.BA10401).
(Death
& Transfiguration)
Clothbound Score,
Complete Edition in
G. Edition Schott.
Classical. Hardcover.
Duration 1440 seconds.
Schott Music #RSW306.
Published by Schott Music
(HL.49047172).
UPC:
196288143406.
When
the 24-year-old Richard
Strauss, assistant
conductor in Munich,
began the composition of
his third tone poem in
the summer of 1888, he
saw himself close to the
aspiration prescribed by
his mentor Alexander
Ritter: to become the
successor of Richard
Wagner as a musical
dramatist. Strauss had
already been working on
the text of his first
opera Guntram for a year
and additionally devoted
himself to programmatic
orchestral works oriented
to the musical language
of Liszt and Wagner in
order to prepare himself
compositionally for his
new task. With the aid of
Strauss and other
musicians including
Ludwig Thuille and
Friedrich Rösch who
had been gathering for
“Ritter's round
table†in Munich
between 1886 and 1889,
RitterÂ’s intention
was to achieve success on
a broad front with the
New German School
following the death of
its two protagonists
Wagner and Liszt. We do
not know whether Ritter
and his supporters
jointly planned Strauss's
compositional path
towards opera, determined
the subjectsof his
prospective tone poems
and considered various
strategies of their
musical realization, but
the influence of this
group shouldnot be
underestimated. It cannot
be ruled out that the
number of three tone
poems was fixed, as was
their sequence of
composition, which would
progressively achieve its
zenith in an increasing
orientation to Liszt and
Wagner. The circle could
possibly have also
discussed initial links
to literary subjects
(Macbeth and Don Juan)
and ultimately the
abstention from this
practice in the third and
final tone poem. The
subject of the work, or
rather in StraussÂ’s
formulation its
“poetic
modelâ€, has
occasionally been
interpreted from an
autobiographical aspect.
Strauss however did not
experience serious
illness until May 1891
and once more in June
1892, long after Tod und
Verklärung had been
composed. Even without an
external reason, the
material would have been
only too attractive for
an admirer of Wagner and
Liszt like Strauss, not
to mention for his mentor
Alexander Ritter. The
concept of 'death and
transfiguration' had
already played a central
role in LisztÂ’s
symphonic poems Tasso and
Prometheus.
Cello; Orchestra (Study Score) SKU: HL.49014449 For Cello and Orchestr...(+)
Cello; Orchestra (Study
Score)
SKU:
HL.49014449
For
Cello and Orchestra.
Composed by Alexander
Goehr. This edition:
ED11109. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1968. Op. 24. 65
pages. Duration 24'.
Schott Music #ED 11109.
Published by Schott Music
(HL.49014449).
ISBN
9790220107993. UPC:
073999871241.
6.0x9.0x0.246
inches.
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill and Robert ...(+)
(As performed by
Trans-Siberian
Orchestra). Composed by
Paul O'Neill and Robert
Kinkel [Trans-Siberian
Orchestra]. Arranged by
Bob Phillips. Orchestra.
Full Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Christmas;
Light Concert; Rock;
Winter. Grade 3. 220
pages. Published by
Alfred Music
(Featuring: Opening / The Story Begins / In Noctem / Wizard Wheezes / Ron's Vict...(+)
(Featuring: Opening / The
Story Begins / In Noctem
/ Wizard Wheezes / Ron's
Victory / The Slug Party
/ Journey to the Cave /
Dumbledore's Farewell /
The Friends / The Weasley
Stomp). By Nicholas
Hooper. Arranged by Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Light
Concert; Movie. 4.5
(grade 4.5). Conductor
Score and Parts. 232
pages. Published by
Alfred Music Publishing
(Featuring: Opening / The Story Begins / In Noctem / Wizard Wheezes / Ron's Vict...(+)
(Featuring: Opening / The
Story Begins / In Noctem
/ Wizard Wheezes / Ron's
Victory / The Slug Party
/ Journey to the Cave /
Dumbledore's Farewell /
The Friends / The Weasley
Stomp). By Nicholas
Hooper. Arranged by Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Light
Concert; Movie. 4.5
(grade 4.5). Conductor
Score. 40 pages.
Published by Alfred Music
Publishing
(Conductor's Score). By Bob Phillips and Kirk Moss. Orchestra. For Conductor's S...(+)
(Conductor's Score). By
Bob Phillips and Kirk
Moss. Orchestra. For
Conductor's Score.
Method/Instruction;
Score; SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations Series for
Strings. 228 pages.
Published by Alfred Music
Publishing
Violin 1 Part.
Composed by George
Frideric Handel. Edited
by Helmuth Walcha. Sheet
music. Edition Schott.
Classical. Individual
part. Op. 7/5. 12 pages.
Duration 13'. Schott
Music #ED 3836-14.
Published by Schott Music
(HL.49004424).
Orchestra SKU: HL.49009576 Battle Symphony. Composed by Ludwig van...(+)
Orchestra
SKU:
HL.49009576
Battle
Symphony. Composed by
Ludwig van Beethoven.
Edited by Hans-Werner
Kuethen. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Op. 91. 96 pages.
Eulenburg Edition #ETP
1367. Published by
Eulenburg Edition
(HL.49009576).
ISBN
9783795762490. UPC:
841886011908.
5.25x7.5x0.263
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
(Orchestra) SKU: HP.C6075O Composed by Mary McDonald. Piano with Optional...(+)
(Orchestra)
SKU:
HP.C6075O
Composed by
Mary McDonald. Piano with
Optional Orchestra. Palm
Sunday, Sacred. Set of
Instrumental Parts. Hope
Publishing Company
#C6075O. Published by
Hope Publishing Company
(HP.C6075O).
UPC:
763628260750. Rose
Aspinall.
Original
Palm Sunday anthem This
original Palm Sunday
anthem is brimming with
rhythmic energy as it
portrays the events of
Jesus, the Blessed
Messiah, entering into
Jerusalem. The text
explores the many
questions that were asked
of who he was and if he
really was the Son of
God. The powerful
conclusion exclaims in
affirmation, You are the
way, the truth, and the
life, Son of God, Blessed
One! Messiah! This comes
from Mary McDonald's
musical My Savior's Love,
code no. 8701.
Orchestrations:
Conductor's Score, Flute,
Oboe (or Soprano Sax or
Clarinet), Clarinet, Horn
in F (or Alto Sax or
Clarinet), 2 Trumpets (or
Alto Sax), 2 Trombones
(or Baritone T. C. or
Tenor Sax), Percussion 1
& 2, Piano, Synth,
Electric Bass, 2 Violins,
Cello/Bassoon (or Bass
Clarinet), String
Reduction.
Composed by Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. Stapled....(+)
Composed by Antonin
Dvorak
(1841-1904). Edited by
Jonathan Del Mar.
Stapled.
Critical Commentary. Opus
88, No. 8. 50 pages.
Baerenreiter Verlag
#BA10418-40. Published by
Baerenreiter Verlag
Tides Op.124 Orchestre [Conducteur] University Of York Music Press
Orchestra SKU: BT.MUSM570204922 Composed by Elisabeth Lutyens. Score Only...(+)
Orchestra
SKU:
BT.MUSM570204922
Composed by Elisabeth
Lutyens. Score Only. 51
pages. University of York
Music Press
#MUSM570204922. Published
by University of York
Music Press
(BT.MUSM570204922).
Tone
Poem for Large Orchestra
- Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Late-romantic. Full
score. 104 pages.
Duration 24'. Breitkopf
and Haertel #PB 5654.
Published by Breitkopf
and Haertel (BR.PB-5654).
ISBN 9790004215517. 10
x 12.5
inches.
Farewell
Tod und Verklarung marks
a turning point in
Richard Strauss's corpus
of tone poems: Even
before the November 1889
premiere of his previous
work Don Juan, Strauss
had finished his third
work in this genre. He
leads the listener with
great clarity through the
dying hour of a person
who had pursued the
highest ideals. The
present Urtext edition
evaluates for the first
time all the corrections
that Strauss made in the
galley proofs of the
work's full score and
parts, correlating these
to the music text. The
preface provides insight
into the genesis and
reception history, while
the detailed Critical
Report systematically
documents all of the
editorial decisions.
Chamber Orchestra (Orchestra) SKU: HL.49041116 Waltz. Composed by ...(+)
Chamber Orchestra
(Orchestra)
SKU:
HL.49041116
Waltz. Composed by
Emile Waldteufel. Edited
by Bruno Hartmann. Sheet
music. Odeon. Piano
Direction and Parts. Op.
240. Schott Music #OD
1628-40. Published by
Schott Music
(HL.49041116).
