(Featuring: Opening / The Story Begins / In Noctem / Wizard Wheezes / Ron's Vict...(+)
(Featuring: Opening / The
Story Begins / In Noctem
/ Wizard Wheezes / Ron's
Victory / The Slug Party
/ Journey to the Cave /
Dumbledore's Farewell /
The Friends / The Weasley
Stomp). By Nicholas
Hooper. Arranged by Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Light
Concert; Movie. 4.5
(grade 4.5). Conductor
Score and Parts. 232
pages. Published by
Alfred Music Publishing
(Featuring: Opening / The Story Begins / In Noctem / Wizard Wheezes / Ron's Vict...(+)
(Featuring: Opening / The
Story Begins / In Noctem
/ Wizard Wheezes / Ron's
Victory / The Slug Party
/ Journey to the Cave /
Dumbledore's Farewell /
The Friends / The Weasley
Stomp). By Nicholas
Hooper. Arranged by Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Light
Concert; Movie. 4.5
(grade 4.5). Conductor
Score. 40 pages.
Published by Alfred Music
Publishing
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Vocal
score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140203. Published by
Carus Verlag
(CA.3140203).
ISBN
9790007295080.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140212. Published by
Carus Verlag
(CA.3140212).
ISBN
9790007301590.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140211. Published by
Carus Verlag
(CA.3140211).
ISBN
9790007301583.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140249. Published by
Carus Verlag
(CA.3140249).
ISBN
9790007301620.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, viola. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140213. Published by
Carus Verlag
(CA.3140213).
ISBN
9790007301606.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Orchestra - Grade 3 SKU: AP.49897 Composed by Anthony Granata. MakeMusic ...(+)
Orchestra - Grade 3
SKU: AP.49897
Composed by Anthony
Granata. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Score and Part(s).
Duration 3:00. Belwin
Music #00-49897.
Published by Belwin Music
(AP.49897).
ISBN
9781470657291. UPC:
038081575445.
English.
A Utopian
Fantasia, by Anthony
Granata, depicts a
beautifully majestic and
serene landscape shrouded
in mystery and wonder.
Set in the key of E
minor, the opening
features a rich legato
ballad with an eerily
somber melody passing
through each section of
the orchestra. The mood
abruptly shifts to a
jarring and heavily
accented six-note motif.
Reminiscent of Classical
literature, a small
contrapuntal passage
develops this motif,
interspersed with the
original opening melody.
Inversions of the theme
finally give way to a
call-and-response
dialogue within the
different sections of the
orchestra before finally
ending quietly and slowly
with a subtle hint to the
opening. (3:00).
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Choral
Score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140205. Published by
Carus Verlag
(CA.3140205).
ISBN
9790007295097.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Carus
digital: Extra digital
products. Full Score.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140200. Published by
Carus Verlag
(CA.3140200).
ISBN
9790007295066.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140209. Published by
Carus Verlag
(CA.3140209).
ISBN
9790007301576.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Orchestra - Grade 3 SKU: AP.49897S Composed by Anthony Granata. Performan...(+)
Orchestra - Grade 3
SKU: AP.49897S
Composed by Anthony
Granata. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Score.
Duration 3:00. Belwin
Music #00-49897S.
Published by Belwin Music
(AP.49897S).
ISBN
9781470657307. UPC:
038081575452.
English.
A Utopian
Fantasia, by Anthony
Granata, depicts a
beautifully majestic and
serene landscape shrouded
in mystery and wonder.
Set in the key of E
minor, the opening
features a rich legato
ballad with an eerily
somber melody passing
through each section of
the orchestra. The mood
abruptly shifts to a
jarring and heavily
accented six-note motif.
Reminiscent of Classical
literature, a small
contrapuntal passage
develops this motif,
interspersed with the
original opening melody.
Inversions of the theme
finally give way to a
call-and-response
dialogue within the
different sections of the
orchestra before finally
ending quietly and slowly
with a subtle hint to the
opening. (3:00).
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140219. Published by
Carus Verlag
(CA.3140219).
ISBN
9790007300258.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, basso continuo.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140214. Published by
Carus Verlag
(CA.3140214).
ISBN
9790007301613.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra
SKU:
SU.91580100
For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013.
Orchestra - Grade 2.5 SKU: AP.44795S Composed by Michael Hopkins. Perform...(+)
Orchestra - Grade 2.5
SKU: AP.44795S
Composed by Michael
Hopkins. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Intermediate
String Orchestra.
Patriotic. Score. 20
pages. Belwin Music
#00-44795S. Published by
Belwin Music (AP.44795S).
UPC: 038081521183.
English.
With a
bright and cheerful
opening and a lyrical
middle section, this
piece celebrates the
early years of the United
States and the sacrifices
that secured our freedom.
Composed by Michael
Hopkins, this piece will
provide a patriotic
flavor for any concert.
With no shifting except
in the basses, this piece
includes many
opportunities for
right-hand development
and work on dynamics.
Some hi third fingers are
required in viola and
violin, and the cello
part requires an
extension. The ending is
a return of the opening,
but with a descending
chromatic line in the
cello and bass parts.
Orchestra - Grade 2.5 SKU: AP.45882S Composed by Scott Watson. Performanc...(+)
Orchestra - Grade 2.5
SKU: AP.45882S
Composed by Scott Watson.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 8
pages. Duration 2:55.
Highland/Etling
#00-45882S. Published by
Highland/Etling
(AP.45882S).
UPC:
038081523880.
English.
With its
bright, hopeful melody
and infectious rhythms,
this original piece by
Scott Watson, A Joyous
Celebration, is perfect
to program for any
celebratory occasion, or
to open or close your
concert. Optimistic
harmonies and recurring
syncopations in the
opening section give way
to broad, expansive
strokes in a brief,
contrasting section. A
fortissimo climax leads
to the welcome return of
the jubilant opening
theme. The joyful music
drives to a sparkling
finish, conveying the
feeling that anything is
possible! (2:55).
Poor Wayfaring Stranger Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
(Movement 1 from Three Folk Song Settings for Band). Arranged by Andrew B...(+)
(Movement 1 from Three
Folk Song Settings for
Band). Arranged by
Andrew Boysen, Jr..
Concert Band. Concert
Band; Part(s); Score.
Alfred Concert Band.
Folk. Grade 4. 154 pages.
Published by Alfred Music
Orchestra SKU: PR.41641513L V. From 'Mythology Symphony'. Composed...(+)
Orchestra
SKU:
PR.41641513L
V.
From 'Mythology
Symphony'. Composed
by Stacy Garrop.
Contemporary. Large
Score. With Standard
notation. Composed 2013.
Duration 7 minutes, 20
seconds. Theodore Presser
Company #416-41513L.
Published by Theodore
Presser Company
(PR.41641513L).
UPC:
680160621347.
This
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naive
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new
burden. This movement
is, in turns, both
lighthearted and serious.
The music depicts a
young, naïve Pandora
who, while dancing around
her house, spies a
mysterious box. She tries
to resist opening it, but
her curiosity ultimately
gets the best of her.
When she cracks the lid
open and looks inside,
all evils escape into the
world. Dismayed by what
she has done, she looks
inside the box once more.
She discovers hope still
in the box and releases
it to temper the escaped
evils and assuage
mankind's new burden.
Orchestra - Grade 2.5 SKU: AP.44795 Composed by Michael Hopkins. Performa...(+)
Orchestra - Grade 2.5
SKU: AP.44795
Composed by Michael
Hopkins. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Intermediate
String Orchestra.
Patriotic. Score and
Part(s). 144 pages.
Belwin Music #00-44795.
Published by Belwin Music
(AP.44795).
UPC:
038081521176.
English.
With a
bright and cheerful
opening and a lyrical
middle section, this
piece celebrates the
early years of the United
States and the sacrifices
that secured our freedom.
Composed by Michael
Hopkins, this piece will
provide a patriotic
flavor for any concert.
With no shifting except
in the basses, this piece
includes many
opportunities for
right-hand development
and work on dynamics.
Some hi third fingers are
required in viola and
violin, and the cello
part requires an
extension. The ending is
a return of the opening,
but with a descending
chromatic line in the
cello and bass parts.
Orchestra SKU: PR.416415130 V. From 'Mythology Symphony'. Composed...(+)
Orchestra
SKU:
PR.416415130
V.
From 'Mythology
Symphony'. Composed
by Stacy Garrop.
Contemporary. Full score.
With Standard notation.
Composed 2013. 27 pages.
Duration 7 minutes, 20
seconds. Theodore Presser
Company #416-41513.
Published by Theodore
Presser Company
(PR.416415130).
UPC:
680160621330.
This
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naive
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new
burden. This movement
is, in turns, both
lighthearted and serious.
The music depicts a
young, naïve Pandora
who, while dancing around
her house, spies a
mysterious box. She tries
to resist opening it, but
her curiosity ultimately
gets the best of her.
When she cracks the lid
open and looks inside,
all evils escape into the
world. Dismayed by what
she has done, she looks
inside the box once more.
She discovers hope still
in the box and releases
it to temper the escaped
evils and assuage
mankind's new burden.
Orchestra - Grade 2.5 SKU: AP.45882 Composed by Scott Watson. Performance...(+)
Orchestra - Grade 2.5
SKU: AP.45882
Composed by Scott Watson.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 110 pages.
Duration 2:55.
Highland/Etling
#00-45882. Published by
Highland/Etling
(AP.45882).
UPC:
038081523873.
English.
With its
bright, hopeful melody
and infectious rhythms,
this original piece by
Scott Watson is perfect
to program for any
celebratory occasion, or
to open or close your
concert. Optimistic
harmonies and recurring
syncopations in the
opening section give way
to broad, expansive
strokes in a brief,
contrasting section. A
fortissimo climax leads
to the welcome return of
the jubilant opening
theme. The joyful music
drives to a sparkling
finish, conveying the
feeling that anything is
possible! (2:55).
A String Teacher's
Journey. Composed by
Bob Phillips. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Score.
Duration 4:45.
Highland/Etling
#00-49938S. Published by
Highland/Etling
(AP.49938S).
ISBN
9781470657734. UPC:
038081575599.
English.
This
stunningly beautiful
lyric piece by Bob
Phillips will inspire
your students to play
with emotion. The opening
section in F major
features divisi cello
parts and basses in a
soaring syncopated melody
with pizzicato
accompaniment. The
rhythmically exciting
middle section features
the upper strings.
Reflections concludes
with the opening cello
melody played by the
upper strings, now in the
key of C. (4:45).
Juhla-alkusoitto
D-duuri. Composed by
Armas Jarnefelt. Study
score. Fennica Gehrman
#55011-539-2. Published
by Fennica Gehrman
(FG.55011-539-2).
ISBN
9790550115392.
Arma
s Jarnefelt (1869-1958)
composed his
Festouverture (Festive
Overture) for the
official opening of the
Finnish National Theatre
on 9 April 1902. This was
a great event in the
history of Finnish
theatre, for it meant
that the Finnish Theatre
founded by Kaarlo and
Emilie Bergbom in 1872 at
last had a home of its
own. The eight minute
overture is a jubilant
example of Jarnefelt's
orchestral writing,
through which he
introduced a new,
Wagnerian voice into
Finnish music.
Orchestra SKU: FG.55011-610-8 Two mythical scenes op 1. Composed b...(+)
Orchestra
SKU:
FG.55011-610-8
Two
mythical scenes op 1.
Composed by Aulis
Sallinen. Study score.
Fennica Gehrman
#55011-610-8. Published
by Fennica Gehrman
(FG.55011-610-8).
ISBN
9790550116108.
Two
Mythical Scenes for
orchestra was completed
in 1956, when Sallinen
was Aarre Merikanto's
composition student for
his second term. The work
received its premiere
performance only after a
good deal of pressure
from Prof. Merikanto's
side, and was finally
premiered in a concert by
the Sibelius Academy
Symphony Orchestra,
conducted by Jussi Jalas.
The work received opus
number 1, as it was the
first publicly performed
work by Sallinen.
The composer has told
that he was inspired by a
1947 book published by
the Finnish Literary
Society (SKS) Myytillisia
kuvia (Mythical
Scenes/Images). The
second movement of the
work, Kalmanvaen
joulukirkko (The
Christmas Service of the
Dead) is based on the
stories in which the dead
rise from their graves
early in the Christmas
Day morning to attend
their own special
ceremony led by a dead
priest. The opening
movement Kulkue
(Procession) depicts the
dead in a procession
towards the church.
In 2020 Sallinen revised
the score slightly. In
his own words with very
small changes helping the
sixty years younger and
less experienced self.
The revisions mostly
concerned nuances and
dynamics, bowings and
some bridges. The
original structure,
rhythmic and harmonic
world is still the same
as they were when young
Sallinen composed the
work in 1956.
Orchestra SKU: FG.042-02702-8 Composed by Leevi Antti Madetoja. Score. Pu...(+)
Orchestra
SKU:
FG.042-02702-8
Composed by Leevi Antti
Madetoja. Score.
Published by Fennica
Gehrman (FG.042-02702-8).
ISBN
979-0-042-02702-8.
The Finnish composer
Leevi Madetoja wrote his
three symphonies (between
1915 and 1926) in the
wake of Sibelius.
According to the
Gramophone critic Ivan
March, you have only to
sample the opening
movement of the First to
discover how compellingly
attractive is Madetoja's
musical world, if less
dark and plangent of his
predecessor.
Orchestra SKU: FG.042-08246-1 Composed by Uuno Klami. Score. Published by...(+)
Orchestra
SKU:
FG.042-08246-1
Composed by Uuno Klami.
Score. Published by
Fennica Gehrman
(FG.042-08246-1).
ISBN
979-0-042-08246-1.
Sea Pictures is a work in
which Klami's
impressionist's music is
at its most popular and
accessible. Each of the
six pieces is an
irresistible depiction of
sea life, from the Foggy
Morning of the opening,
via the exotic Latin
charm of Capitain
Scrapuchinat through to
the expansive and
rhythmic Force 3 which
concludes the work.
Orchestra SKU: WD.080689401572 Composed by David Clydesdale. Arranged by ...(+)
Orchestra
SKU:
WD.080689401572
Composed by David
Clydesdale. Arranged by
David Clydesdale. Stand
Alone Orchestration.
Christmas. Orchestration.
Word Music #080689401572.
Published by Word Music
(WD.080689401572).
UPC:
080689401572.
This
triumphant, resounding
orchestration created by
David T. Clydesdale
spotlights four Christmas
classics, including: Joy
to the World, How Great
Our Joy, Here We Come A
Caroling, and God Rest Ye
Merry, Gentlemen. Perfect
for opening your service
or highlighting special
music for your Christmas
program!
Full orchestra SKU: LO.30-3668MD Composed by Jay Rouse. Choral. Sacred An...(+)
Full orchestra
SKU:
LO.30-3668MD
Composed
by Jay Rouse. Choral.
Sacred Anthem,
Eastertide, General.
Orchestral score and
parts. Medallion Music
#30/3668MD. Published by
Medallion Music
(LO.30-3668MD).
UPC:
000308152951.
Orche
stral Score and Parts for
10/5296MD Bursting with
energy from beginning to
end, this arrangement of
the familiar Easter hymn
is the striking opening
number from The Lamb
(55/1192MD), a musical by
Jay Rouse and Rose
Aspinall. Jay added some
modern flair and groove
to this setting while
keeping the melody
intact. Ending with a
grand and glorious
conclusion, this anthem
will make a long-lasting
impact on worshipers.