Composed by Antonin Dvorak (1841-1904). Edited by Robert Simon. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 45, No. 1. Baerenreiter Verlag #BA10401. Published by Baerenreiter Verlag (BA.BA10401).

Study Score. By Pietro Antonio Locatelli. Study Score. 104 pages. Published by Eulenburg Germany (Schott).

Study Score. By Pietro Antonio Locatelli. Study Score. 106 pages. Published by Eulenburg Germany (Schott).

Study Score. By Pietro Antonio Locatelli. Misc. 92 pages. Published by Eulenburg Germany (Schott).

Composed by Christopher Theofanidis. For orchestra (3.3.3.3-4.3.3.1-timpani- percussion[3]-harp-piano- strings). Study score. Duration 13 minutes. Published by Opus 125 Publishing

(In der Continuo-Gruppe sind 2 Cembali besetzt). Composed by George Frideric Handel (1685-1759). Edited by Frederik Hudson. For orchestra. This edition: Urtext edition. Stapled. Score. Opus 3/1, HWV 312. 22 pages. Duration 10 minutes. Published by Baerenreiter Verlag

Orchestra - Grade 1.5

SKU: AP.41250S

Composed by George Frideric Handel. Arranged by Andrew H. Dabczynski. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Form: Transcription. Baroque; Masterwork Arrangement. Score. 12 pages. Highland/Etling #00-41250S. Published by Highland/Etling (AP.41250S).

UPC: 038081483733. English.

Here is an opportunity to perform a familiar piece of music that is superb for practicing foundational string skills. And as importantly, beginning and advanced students alike can learn to play with authentic and challenging Baroque style in this carefully edited arrangement. A satisfying centerpiece for any concert! (2:30)
Correlates to String Explorer Book 1, Unit 12. This title is available in MakeMusic Cloud.

Orchestra - Grade 1.5

SKU: AP.41250

Composed by George Frideric Handel. Arranged by Andrew H. Dabczynski. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Form: Transcription. Baroque; Masterwork Arrangement. Score and Part(s). 72 pages. Highland/Etling #00-41250. Published by Highland/Etling (AP.41250).

UPC: 038081483726. English.

Here is an opportunity to perform a familiar piece of music that is superb for practicing foundational string skills. And as importantly, beginning and advanced students alike can learn to play with authentic and challenging Baroque style in this carefully edited arrangement. A satisfying centerpiece for any concert! (2:30)
Correlates to String Explorer Book 1, Unit 12. This title is available in MakeMusic Cloud.

Composed by Gustav Holst (1874-1934), edited by Colin Matthews (1964-). Opus 28, No. 1; H. 105. Full score for military band. Eb Major. 48 pages. Published by Boosey and Hawkes.

(study score). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Ralf Wehner. For orchestra. Breitkopf Full Scores. Parts, Urtext. 92 pages

(Study Score). Composed by Johannes Brahms (1833-1897). Edited by Michael Musgrave. For Orchestra (Study Score). Henle Study Scores. Softcover. 256 pages. G. Henle #HN9857. Published by G. Henle

Orchestra - Grade 4

SKU: AP.38442

Movement 1. Composed by Ludwig van Beethoven. Arranged by Danny Smolenski. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Form: Sonata. Classical; Masterwork Arrangement; Romantic. Score and Part(s). 228 pages. Belwin Music #00-38442. Published by Belwin Music (AP.38442).

UPC: 038081437422. English.

This is one that Beethoven should have written for strings! Enjoy the exuberant opening of this 1798 piano sonata in the classical style of Beethoven's early period. In traditional sonata-allegro form, this piece gives a thrilling ride through a wide range of dynamics to create an unforgettably dramatic experience for listeners and performers alike. The arranger has included suggested cuts if time is a consideration. An exciting addition to the repertoire!

Composed by Ludwig van Beethoven (1770-1827). Edited by Lewis Lockwood, Martina Rebmann, and Jonathan Del Mar. This edition: facsimile. Half- leather binding. Documenta musicologica II/42 / Barenreiter Facsimile. Facsimile. Opus 125, No. 9. 476 pages. Baerenreiter Verlag #BVK02471. Published by Baerenreiter Verlag

Orchestra

SKU: HL.14001616

Composed by Hugo Alfven. Music Sales America. 20th Century. Score. Composed 2002. 66 pages. Edition Wilhelm Hansen #WH13974. Published by Edition Wilhelm Hansen (HL.14001616).

ISBN 9788759857625. 11.75x16.5x0.44 inches.

Full Score edition of Hugo Alfven's Midsommarvaka from Opus 19.

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. For orchestra. Complete Works. Complete works. Opus 21, 26, 27, 32. 364 pages. Published by Breitkopf and Haertel

Orchestra (2.2.2.2. - 4.3.3.0. - timp.perc - hp -str)

SKU: BR.PB-4862-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Hannover, March 13, 1972

Music post-1945. Study Score. Composed 1972. 82 pages. Duration 15'. Breitkopf and Haertel #PB 4862-07. Published by Breitkopf and Haertel (BR.PB-4862-07).

ISBN 9790004206591. 7 x 9.5 inches.

Variationen (Ouverture / Thema / Variation / Coda), Lyrisches Intermezzo (Sostenuto), Symphonische Nachklange (Allegro con moto).Immer wieder lassen sich Komponisten von Themen alterer oder auch zeitgenossischer Meister zu Variations-Zyklen anregen (Brahms: Handel- und Haydn-Variationen, Reger: Mozart-Variationen, Holler: Sweelinck-Variationen). Themen von Robert Schumann fanden bisher relativ selten Beachtung - (Regers Schumann-Variationen fur zwei Klaviere sind eine Ausnahme) - vielleicht, weil sie zu sehr in sich vollendet und abgeschlossen sind und deshalb kaum Moglichkeiten zur Veranderung enthalten. Dennoch beschaftigte mich schon langer die Idee, eine ,,Musik mit Schumann, Nachklange oder Erinnerungen an Schumann zu gestalten, mit der Absicht, ein heiteres, liebenswurdiges (und nachdenkliches) Werk zu schreiben, einmal ohne Experimente-, als ,,Divertimento fur den Normalhorer, gelegentlich behutsam verbunden mit modernen Techniken - nicht ohne hintergrundigen Humor. Der 1. Satz wurde inspiriert von den ,,Papillons (opus 2 fur Klavier); er gliedert sich in vier variationsahnliche Abschnitte. Die ,,Ouverture exponiert drei kurze Themen, die sich trotz ihres gegensatzlichen Charakters wie selbstverstandlich erganzen (Einleitungsgirlande und Schlussfanfare der Papillons und das bekannte Anfangsmotiv aus ,,Vogel als Prophet). Die Abschnitte ,,Thema, ,,Variationen und ,,Coda entwickeln und verandern das Hauptthema der ,,Papillons; dieses dominiert uber weite Strecken des Satzes und wird mit den Motiven der Ouverture kombiniert. Vielfaltig gegliedert ist das ,,Lyrische Intermezzo. Zu Beginn gewinnt ein Motiv aus den ,,Nachtstucken (fur Klavier) Bedeutung, taucht mehrere Male auf, von mehrtonigen b-a-c-h Clustern ,,gestort. Im Mittelpunkt stehen das Thema des 2. Satzes der g-moll Klavier-Sonate op. 22 (ein Mondnachtlied ohne Worte; Holzblaser) und ein Adagio-Gedanke aus dem Klavier-Zyklus ,,Kreisleriana (tiefe Streicher); beide Themen werden kontrapunktiert von zwolftonigen Strukturen und Klangbandern (Holzblaser). Die ,,Fruhlings-Symphonie-Fan fare eroffnet das Finale. Danach bilden sich uber rotierenden Klangflachen (Streicher) einzelne Tone und Intervalle, aleatorisch frei, verdichten sich, wie aus der Erinnerung auftauchend, zu Motiven aus Schumanns bekanntester Symphonie. Nach diesem zogernden Beginn entwickelt sich ein fast klassisch anmutender Sonaten-Durchfuhrungsteil mit mehreren melodischen Gedanken (Kopfmotiv der g-moll Klaviersonate, tanzerische und ostinate Themen aus der Fruhlings-Symphonie), die zum Teil in- und ubereinander geschichtet werden, bis auf dem Hohepunkt des Satzes das Schlussthema der Klavierfantasie op. 17, pathetisch-ironisch in den Blechblasern erklingt. Eine kurze Reprise mit dem Hauptgedanken fuhrt zur Anfangsfanfare zuruck; der Satz verklingt im pianissimo. Wollte man dem ganzen opus ein Motto voranstellen, dann die Schumann-Uberschrift (aus den Kinderszenen) : ,,Fast zu ernst - aber eben nur ,,fast. (Jurg Baur)CD:Sinfonieorchester des Bayerischen Rundfunks, cond. Hanns-Martin SchneidtCD Thorofon CTH 2270 Bibliography:Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.Nonnenmann, Rainer: Vergegenwartigungen. Umgang mit historischem Material bei Zimmermann, Baur, Killmayer, Schnebel und Zender, in: Jurg Baur, hrsg. von Ulrich Tadday (= Musik-Konzepte. Neue Folge, Heft 184/185), Munchen: Edition Text+Kritik 2019, S. 26-46.

Orchestra

SKU: FG.55011-610-8

Two mythical scenes op 1. Composed by Aulis Sallinen. Study score. Fennica Gehrman #55011-610-8. Published by Fennica Gehrman (FG.55011-610-8).

ISBN 9790550116108.

Two Mythical Scenes for orchestra was completed in 1956, when Sallinen was Aarre Merikanto's composition student for his second term. The work received its premiere performance only after a good deal of pressure from Prof. Merikanto's side, and was finally premiered in a concert by the Sibelius Academy Symphony Orchestra, conducted by Jussi Jalas. The work received opus number 1, as it was the first publicly performed work by Sallinen.
The composer has told that he was inspired by a 1947 book published by the Finnish Literary Society (SKS) Myytillisia kuvia (Mythical Scenes/Images). The second movement of the work, Kalmanvaen joulukirkko (The Christmas Service of the Dead) is based on the stories in which the dead rise from their graves early in the Christmas Day morning to attend their own special ceremony led by a dead priest. The opening movement Kulkue (Procession) depicts the dead in a procession towards the church.
In 2020 Sallinen revised the score slightly. In his own words with very small changes helping the sixty years younger and less experienced self. The revisions mostly concerned nuances and dynamics, bowings and some bridges. The original structure, rhythmic and harmonic world is still the same as they were when young Sallinen composed the work in 1956.

Orchestra

SKU: BT.AL-0811A

Composed by Edmund Rubbra. Study Score. Alfred Lengnick & Co #AL 0811A. Published by Alfred Lengnick & Co (BT.AL-0811A).

English.

Orchestra

SKU: HL.50513274

Composed by E. Rubbra. Lengnick Publishing. Classical. Score Only. Alfred Lengnick & Co #AL0811A. Published by Alfred Lengnick & Co (HL.50513274).

Orchestra - Grade 2.5

SKU: AP.49006

Opus 20a, No.1 Scène. Composed by Peter Ilyich Tchaikovsky. Arranged by Chris M. Bernotas. Full Orchestra; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Intermediate String/Full Orchestra. Form: Dance. Masterwork Arrangement. Score and Part(s). 105 pages. Duration 2:40. Belwin Music #00-49006. Published by Belwin Music (AP.49006).

ISBN 9781470645243. UPC: 038081563909. English.

Chris M. Bernotas has provided a fantastic arrangement of one of the most beautiful Tchaikovsky themes from Swan Lake, Op. 20a, No. 1 Scène. This arrangement will work perfectly for your string orchestra alone or with added winds and percussion up to a full orchestra. This hauntingly beautiful and powerful piece has many opportunities for students to develop their phrasing, tremolo, dynamic contrasts, and rhythmic understanding. (2:40) This title is available in MakeMusic Cloud.

Orchestra - Grade 2.5

SKU: AP.49006S

Opus 20a, No.1 Scène. Composed by Peter Ilyich Tchaikovsky. Arranged by Chris M. Bernotas. Full Orchestra; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Intermediate String/Full Orchestra. Masterwork Arrangement. Score. 16 pages. Duration 2:40. Belwin Music #00-49006S. Published by Belwin Music (AP.49006S).

ISBN 9781470645250. UPC: 038081563916. English.

Chris M. Bernotas has provided a fantastic arrangement of one of the most beautiful Tchaikovsky themes from Swan Lake, Op. 20a, No. 1 Scène. This arrangement will work perfectly for your string orchestra alone or with added winds and percussion up to a full orchestra. This hauntingly beautiful and powerful piece has many opportunities for students to develop their phrasing, tremolo, dynamic contrasts, and rhythmic understanding. (2:40) This title available in MakeMusic Cloud.

Orchestra

SKU: BR.SON-636

Composed by Jean Sibelius. Edited by Timo Virtanen. Orchestra; Linen. Complete Works. Late-romantic; Early modern. Complete Works. 244 pages. Breitkopf and Haertel #SON 636. Published by Breitkopf and Haertel (BR.SON-636).

ISBN 9790004803912. 10 x 12.5 inches.

The present volume contains five orchestral works, which Sibelius composed in 1904-1910: Die Dryade (Op. 45 No. 1), Musik zu einer Szene [Op. 45 No. 2/1904], Tanz-Intermezzo (Op. 45 No. 2), Pohjolas Tochter (Op. 49), and Pan und Echo (Op. 53a). An early version of Tanz-Intermezzo is included as an appendix. In addition, a fragment illustrating the unrealized plan of a symphonic poem called Luonnotar, which Sibelius reworked into Pohjolas Tochter, appears as a facsimile. Musik zu einer Szene is now published for the first time. Except for Pohjolas Tochter, all the works were composed for a choreographic purpose, (sub-)titled or referred to as dance intermezzos, or related to opus 45.

Version of 1851 - Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Symphony. Orchester-Bibliothek (Orchestral Library). The 5 study scores of the symphonies (incl. early version of the 4 th symphony) in slipcase are temporarily out of print. The single editions are, however, still available. Romantic. Double bass part. Breitkopf and Haertel #OB 5264-27. Published by Breitkopf and Haertel (BR.OB-5264-27). 0.48

Orchestra

SKU: HL.14028646

Composed by Aulis Sallinen. Music Sales America. Opera or Operetta. Book [Softcover]. 28 pages. Music Sales #NOV890191. Published by Music Sales (HL.14028646).

ISBN 9780853609629. 8.25x11.75x0.113 inches.

Opus 68a; Overture to the opera The Palace (1994). The libretto (by Irene Dische and Hans Magnus Enzenberger) is strongly influenced by Mozart's Die Entfuhrung aus dem Serail and it alludes to the original Bretzner/Stephanie text as wellas the book King of The Kings by Ryszard Kapuscinski which tells of the downfall of Haile Selassie's court in Ethiopia. Facsimile Study Score. Duration 6-7mins. Orchestration: 2.2.2.2 4.2.2.1 Timpani, 2 Percussion, Harp, Strings.

Orchestra - Grade 3

SKU: AP.41264

Composed by George Frideric Handel. Arranged by Robert Sieving. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Transcription. Baroque; Masterwork Arrangement. Score and Part(s). 124 pages. Duration 4:30. Highland/Etling #00-41264. Published by Highland/Etling (AP.41264).

UPC: 038081480770. English.

This trio shines as transcribed for string orchestra and makes possible the inclusion of a viola part, both as an equal player in the primary melodic material and in fulfilling harmonic realizations. All parts are playable in first position with the exception of fourth position required occasionally for cellos. Opportunities abound for students to polish Baroque bowing techniques. (4:30) This title is available in MakeMusic Cloud.

Orchestra (2(picc).2.2.2. - 4.3.3.1. - timp.perc(4) - hp - str)

SKU: BR.PB-4850-07

Music (based on G. Ungaretti) in memoriam B. A. Zimmermann. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Aachen, June 2, 1971

Music post-1945. Study Score. Composed 1971. 84 pages. Duration 17'. Breitkopf and Haertel #PB 4850-07. Published by Breitkopf and Haertel (BR.PB-4850-07).

ISBN 9790004206485. 6.5 x 9 inches.

Dieses vierteilige Opus ist keine avantgardistische Musik, sondern fur den Normalhorer gedacht, obwohl darin verschiedene moderne Kompositionstechniken verwendet werden. Die vier Satze des Werkes sind Impressionen uber Gedichte des grossen italienischen Lyrikers G. Ungaretti, der 1970 82jahrig starb. Giorno per giorno (Tag fur Tag) ist der Titel des Zyklus auf den Tod eines seiner Kinder - in der Musik fur Orchester zugleich die Uberschrift fur das ganze Werk und den ersten Satz - und bedeutet inhaltlich: Schmerz ohne Trostung und ohne Ausweg ( es hat irgendeine Trostung notwendig, mein armes zerfallenes Herz). Auch die anderen Satzbezeichnungen stehen uber einzelnen Gedichten oder Gedichtgruppen von Ungaretti; so ist der zweite Satz uberschrieben Allegria di naufragi (Freude der Schiffbruche). Das Wagnis dieser Schiffbruche wird musikalisch durch aleatorische Strukturen symbolisiert (Und auf einmal nimmst du die Fahrt wieder auf). Der dritte Satz tragt die Uberschrift La terra promessa (Das verheissene Land'. Die Stille einer mediterranen Herbstlandschaft klingt an (Die Traube ist reif, das Feld ist bestellt). Das Finale mit dem Titel Soldati beginnt mit einer falschen Fanfare und steigert sich nach mehreren unruhigen Episoden zu einem aggressiven Schlussteil (Den Tod busst man lebend ab).(Jurg Baur).