Orchestra

SKU: SU.32040140

For Orchestra. Composed by Amy Riebs Mills. Orchestra. Full Score. Subito Music Corporation #32040140. Published by Subito Music Corporation (SU.32040140).

2222; 4331; timp, 2 perc, pno; stgs Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC Like a modern Pictures at an Exhibition…. Ha Shamayim is an original piece for orchestra that was inspired by photographs taken by the Hubble space telescope. Each section is inspired by one photo; the title of each section is the title that NASA gave to the photograph. The words Ha Shamayim are Hebrew for The Heavens. They are written in Genesis 1:1, In the beginning God created the heavens and the earth. The words are also seen in Psalm 19. Section I: Warped Edge-On Galaxy ESO 510-G13 The piece begins in outer space with its glistening stars. Glissandi are used to depict the strange but beautiful warp seen in the photograph. Section II: Galaxy Fires at Neighboring Galaxy Suddenly the piece erupts as one galaxy fires blue gas at its neighbor. They engage in a cosmic battle. Section III: Youthful-looking Galaxy May Be an Adult The adolescent galaxy is personified by a humorous, gawky melody reminiscent of teenage boys who walk on feet that are still too big. Occasionally there is an argument with an authority figure, but the joy of exploring the universe quickly returns. Section IV: Star Birth in Galaxy M83 The dramatic photograph looks like a womb with veins. The music begins on one note, then it begins to explore the initial swelling and stretching. It morphs into an energetic fast theme, still growing. Ultimately it becomes glorious and expansive, like the new star. Section V: String of ‘Cosmic Pearls’ Surrounds an Exploding Star The first theme is a happy circle dance inspired by the circle of white dots in the photograph. The second theme is noble and joyful. It is reminiscent of the melody in the famous chorus in Haydn’s The Creation with the words from Psalm 19, The heavens are telling the glory of God. The music then has flashbacks to the earlier sections, and ends in triumph. The five sections in Ha Shamayim are continuous with no breaks. Difficulty Level: 5 (Advanced/Professional) See composer website for audio sample. Performance materials available on rental only:.

By Igor Stravinsky. Band/Orchestra. Size 9 3/8 x 12 1/4. 160 pages. Published by Dover Publications.

Orchestra - Grade 4

SKU: AP.38451S

Op. 162. Composed by Robert Sheldon. Full Orchestra; Performance Music Ensemble; Single Titles. Belwin Concert Full Orchestra. Score. 32 pages. Belwin Music #00-38451S. Published by Belwin Music (AP.38451S).

UPC: 038081438795. English.

A fantastic original piece for full orchestra, players and audiences will delight in this new work. Perfect for any occasion, this is a celebratory piece expressing the joy and exhilaration of a new beginning.

Orchestra - Grade 3

SKU: AP.48094S

Composed by Bob Phillips. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert; Masterwork Arrangement. Score. 20 pages. Duration 3:50. Highland/Etling #00-48094S. Published by Highland/Etling (AP.48094S).

UPC: 038081559209. English.

Starting with a slow, hypnotic rock ballad with beautiful melodic lines and then moving into a high-energy, bluesy Rock section, this piece by Bob Phillips will be a great opener or closer. Two soaring violin features appear in the second section and can be performed solo or soli. A repetitive, driving, never-stopping rock groove moves throughout this original piece and the soaring violin solo/soli part. Optimistic and powerful, Rockin' 67 Blues is sure to be a new classic. (3:50) This title available in MakeMusic Cloud.

Concert Band; Orchestra - Grade 4

SKU: AP.49212S

Composed by Carl Strommen. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Alfred Concert Band. Score. Duration 3:30. Alfred Music #00-49212S. Published by Alfred Music (AP.49212S).

ISBN 9781470648534. UPC: 038081569338. English.

This version of Cumberland Cross by Carl Strommen is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Your band will sound great with Carl Strommen's classic original piece. Cumberland Cross explores the rich American folk style in two sections. The first has broad, moving harmonies under a Shenandoah-like melody, and the second a lively dance reminiscent of Copland. It is not too difficult, yet very impressive!

- Percussion Accompaniment Track Download. (3:30).

Concert Band; Orchestra - Grade 4

SKU: AP.49212

Composed by Carl Strommen. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Alfred Concert Band. Score and Part(s). Duration 3:30. Alfred Music #00-49212. Published by Alfred Music (AP.49212).

ISBN 9781470648527. UPC: 038081569321. English.

This version of Cumberland Cross by Carl Strommen is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Your band will sound great with Carl Strommen's classic original piece. Cumberland Cross explores the rich American folk style in two sections. The first has broad, moving harmonies under a Shenandoah-like melody, and the second a lively dance reminiscent of Copland. It is not too difficult, yet very impressive!

- Percussion Accompaniment Track Download. (3:30).

Composed by Carl Strommen. Orchestra. Full Orchestra; Part(s); Score. Belwin Intermediate Full Orchestra. Grade 2.5. 202 pages. Published by Belwin Music

Orchestra - Grade 3

SKU: AP.48093S

Composed by Bob Phillips. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 20 pages. Duration 4:15. Highland/Etling #00-48093S. Published by Highland/Etling (AP.48093S).

UPC: 038081558721. English.

Full of energy and life, Streaks of Thunder, an original piece by Bob Phillips, includes moments of sheer exuberance as well as reflection. The series of memorable melodies and driving rhythms streak through all sections in an almost call and response between upper and lower strings. Excitement abounds in this piece, making it a great opener or closer! (4:15) This title available in MakeMusic Cloud.

Orchestra - Grade 3

SKU: AP.48094

Composed by Bob Phillips. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert; Masterwork Arrangement. Score and Part(s). 128 pages. Duration 3:50. Highland/Etling #00-48094. Published by Highland/Etling (AP.48094).

UPC: 038081559193. English.

Starting with a slow, hypnotic rock ballad with beautiful melodic lines and then moving into a high-energy, bluesy Rock section, this piece by Bob Phillips will be a great opener or closer. Two soaring violin features appear in the second section and can be performed solo or soli. A repetitive, driving, never-stopping rock groove moves throughout this original piece and the soaring violin solo/soli part. Optimistic and powerful, Rockin' 67 Blues is sure to be a new classic. (3:50) This title is available in MakeMusic Cloud.

Orchestra - Grade 3

SKU: AP.48093

Composed by Bob Phillips. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Programmatic. Score and Part(s). 128 pages. Duration 4:15. Highland/Etling #00-48093. Published by Highland/Etling (AP.48093).

UPC: 038081558714. English.

Full of energy and life, Streaks of Thunder, an original piece by Bob Phillips, includes moments of sheer exuberance as well as reflection. The series of memorable melodies and driving rhythms streak through all sections in an almost call and response between upper and lower strings. Excitement abounds in this piece, making it a great opener or closer! (4:15) This title is available in MakeMusic Cloud.

Orchestra

SKU: LO.30-2872H

Composed by Greg Gilpin. Arranged by Paul Langford. Conductor's score. Concert. Orchestral score and parts. Heritage Music Press #30/2872H. Published by Heritage Music Press (LO.30-2872H).

UPC: 000308132595.

Writt en to premiere at the 2012 Generations Together in Music concert at Carnegie Hall, this gorgeous original piece features emotive and dramatic choral writing that spans the full gamut of dynamics and expression. The traditional Latin text is set with rich vocal harmonies and accompanied by a distinctly melodic recurring piano theme. A pronunciation guide for the Latin text is included. Instrumentation: Fl, Ob, Cl, Bsn, 2 Perc, Timp, Pno, Harp, 2 Vln, Vla, Cello, Bass.

Orchestra - Grade 2.5

SKU: AP.45882S

Composed by Scott Watson. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 8 pages. Duration 2:55. Highland/Etling #00-45882S. Published by Highland/Etling (AP.45882S).

UPC: 038081523880. English.

With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson, A Joyous Celebration, is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies and recurring syncopations in the opening section give way to broad, expansive strokes in a brief, contrasting section. A fortissimo climax leads to the welcome return of the jubilant opening theme. The joyful music drives to a sparkling finish, conveying the feeling that anything is possible! (2:55).

String Orchestra string orchestra (88555) with optional 3rd Violin/Viola TC (3) - Grade 2

SKU: KN.9005

Standard string orchestra (88555) with optional 3rd Violin/Viola TC (3). Voyager String Orchestra. Score and Set of Parts. Kendor Music Inc #9005. Published by Kendor Music Inc (KN.9005).

UPC: 822795090055.

In this contest-worthy original for developing student groups, a gently expressive midsection featuring muted strings is flanked by vigorous opening and closing themes. Everyone shares in the presentation of prominent material, and some well-crafted counterpoint gives the closing section an especially dramatic, sophisticated sound. Duration 4:05.

Orchestra (2.2.2.2/2.2.0.0,timp,str ,vn solo)

SKU: TM.10196SC

Composed by Charles-Camille Saint-Saens. Score. Lucks Music Library #A3989. Published by Lucks Music Library (TM.10196SC).

Transposed: Cl 1+2, Bn 1+2 in Bass Clef, Hn 1+2, Tpt 1+2. Original Cl in A. Solo/pf.

Orchestra - Grade 2.5

SKU: AP.44840S

Composed by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 20 pages. Duration 3:30. Highland/Etling #00-44840S. Published by Highland/Etling (AP.44840S).

UPC: 038081518398. English.

Attention thrill-seekers! Invite your orchestra and audience to step aboard the Millennium Cyclone roller coaster, and take off on a wild ride! Filled with twists, turns, ups, and downs---and even a moment to catch your breath. Here's an original piece by Andrew H. Dabczynski that will delight and challenge intermediate string players. It's also a chance to introduce repeated 16th note figures and dramatically contrasting dynamics; this one is a sure must ride! (3:30).

Orchestra - Grade 1

SKU: AP.43837S

Composed by Todd Parrish. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 8 pages. Duration 2:00. Highland/Etling #00-43837S. Published by Highland/Etling (AP.43837S).

UPC: 038081497136. English.

Written to give young orchestras a full sound, this original piece features all the notes and bowings learned in the first year of study. Each section gets to play both melody and harmony while working on staccato bowings and varied dynamics. (2:00).

Orchestra - Grade 2.5

SKU: AP.44836S

Composed by Gary Fagan. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 12 pages. Duration 2:15. Highland/Etling #00-44836S. Published by Highland/Etling (AP.44836S).

UPC: 038081518312. English.

This original piece is in a style reminiscent of the music of the rich cultural heritage of the Appalachian Mountain area. Music is an important part of the Appalachian way of life. In fact, Appalachian music is one of the best-known manifestations of the culture. Traditional Appalachian music is derived primarily from the English and Scottish ballad tradition and Irish and Scottish fiddle music. African-American blues musicians played a significant role in developing the instrumental aspects of Appalachian music as well. (2:15).

Orchestra - Grade 0.5

SKU: AP.46677S

Composed by Michael Story. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Very Beginning String Orchestra. Fall; Halloween; Light Concert. Score. 8 pages. Belwin Music #00-46677S. Published by Belwin Music (AP.46677S).

ISBN 9781470658151. UPC: 038081533223. English.

Zombies are everywhere these days---at least in songs, movies, and on TV! This original piece is a tip of the hat to the wildly popular sci-fi craze. Written for first year orchestra students, Zombie Dance by Michael Story uses mostly quarter note rhythms and D-, A-, and G-string notes including a few C-naturals. Very easy optional piano and percussion parts are included, however it is playable by strings alone. Have fun with this one! This title is available in MakeMusic Cloud.

Orchestra - Grade 2.5

SKU: AP.45882

Composed by Scott Watson. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 110 pages. Duration 2:55. Highland/Etling #00-45882. Published by Highland/Etling (AP.45882).

UPC: 038081523873. English.

With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies and recurring syncopations in the opening section give way to broad, expansive strokes in a brief, contrasting section. A fortissimo climax leads to the welcome return of the jubilant opening theme. The joyful music drives to a sparkling finish, conveying the feeling that anything is possible! (2:55).

Orchestra - Grade 3

SKU: AP.33670S

Composed by Keith Sharp. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Score. 12 pages. Belwin Music #00-33670S. Published by Belwin Music (AP.33670S).

UPC: 038081381671. English.

Loaded with joyful and optimistic character, this original piece presents two contrasting themes. Moving from the initial rhythmic, fiddling style section into the warm lyricism of an old Celtic air and back to the rhythmic theme, all parts are musically engaging and encourage cohesive energy in the ensemble. Featured syncopation, some third position for the 1st violins, and rapid string crossing figures provide just the right amount of challenge. Clever bow technique and fun rolled into one!

Orchestra (2.2.2.2/2.2.0.0,timp,str ,vn solo)

SKU: TM.10196SET

Composed by Charles-Camille Saint-Saens. Set Type: D. Set of parts. Lucks Music Library #A3989. Published by Lucks Music Library (TM.10196SET).

Transposed: Cl 1+2, Bn 1+2 in Bass Clef, Hn 1+2, Tpt 1+2. Original Cl in A. Solo/pf.

By Elliot A. Del Borgo. Edited by George Megaw. Arranged by Elliot A. Del Borgo. Orchestra (Full orchestra). 282 pages. Published by Alfred Publishing.

(Original 1922 Version). By Arnold Schoenberg. (Study Score). Schott. 60 pages. Published by Eulenburg Germany (Schott).

Orchestra - Grade 3

SKU: AP.49009S

Composed by Chris M. Bernotas. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Folk; Light Concert. Score. 20 pages. Duration 3:00. Belwin Music #00-49009S. Published by Belwin Music (AP.49009S).

ISBN 9781470645298. UPC: 038081565330. English.

The Reel Deal by Chris M. Bernotas will be one of your students' favorite pieces. This original reel lies well in the key of D major. Surprising harmonies add to originality of this piece. All of the instruments get a chance to play the melody, and clear fingerings and bowings have been added throughout. The optional cajon creates an authentic Irish feel. A perfect closer to any festival or concert! (3:00) This title available in MakeMusic Cloud.

Orchestra - Grade 3

SKU: AP.49009

Composed by Chris M. Bernotas. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Form: Dance. Fiddle; Folk; Light Concert. Score and Part(s). 115 pages. Duration 3:00. Belwin Music #00-49009. Published by Belwin Music (AP.49009).

ISBN 9781470645281. UPC: 038081565323. English.

The Reel Deal by Chris M. Bernotas will be one of your students' favorite pieces. This original reel lies well in the key of D major. Surprising harmonies add to originality of this piece. All of the instruments get a chance to play the melody, and clear fingerings and bowings have been added throughout. The optional cajon creates an authentic Irish feel. A perfect closer to any festival or concert! (3:00) This title is available in MakeMusic Cloud.

Orchestra - Grade 2

SKU: AP.31581S

Composed by Wolfgang Amadeus Mozart. Arranged by Andrew H. Dabczynski. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Form: Transcription. Classical; Masterwork Arrangement. Score. 12 pages. Highland/Etling #00-31581S. Published by Highland/Etling (AP.31581S).

UPC: 038081350776. English.

Mozart's Early Quartet collection is recognized as a crown of string chamber music. This accessible arrangement, from an arranger recognized for his careful and creative adaptations, is very true to the original. An interesting bass part has been added, and the more taxing rhythms, accidentals and embellishments have been simplified. Playable by younger players, yet advanced students also will find this piece delightfully satisfying---even challenging---when played at a faster tempo. Here's a centerpiece for any string orchestra concert program! Correlates with String Explorer Book One, unit 13. This title is available in MakeMusic Cloud.

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob Phillips and Daryl Silberman. Book; CD; Play-Along; String Orchestra Collection. Rock. 48 pages. Published by Alfred Music (AP.40742).

Orchestra - Grade 4

SKU: AP.46690S

2nd Movement. Composed by Ludwig van Beethoven. Arranged by Michael Hopkins. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Symphonic String Orchestra. Classical; Masterwork Arrangement; Romantic. Score. 20 pages. Belwin Music #00-46690S. Published by Belwin Music (AP.46690S).

UPC: 038081533407. English.

The heroic second movement of Beethoven's Symphony No. 5 in C minor, Op. 67 is a theme and variations. In this arrangement by Michael Hopkins the original key of A-flat major has been changed to C major, and the original time signature of 3/8 has been changed to 3/4 meter. Beethoven's original dynamic markings and harmonies have been preserved. This movement is an excellent piece for teaching legato, hooked, martelé, and spiccato bowings; bow distribution; dynamic contrast; and phrasing. Your students will enjoy playing this accessible arrangement of one of the great masterpieces of the classical era.