(Suite for Orchestra with Narrator - Score Only). By James Newton Howard. Arranged by Patrick Russ. Score. Symphony Pops. Grade 5-6. 66 pages. Published by Hal Leonard

(Featuring: Opening Overture / Mine Escape / Pirates vs. Natives vs. Heroes vs. Chickens / Transfiguration / Fetching the Boys). Composed by John Powell. Arranged by Douglas E. Wagner. Orchestra. Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Movie. Grade 3. 214 pages. Published by Alfred Music

Orchestra - Grade 4

SKU: PE.TSGOR002S

(Fanfare for Full Orchestra). Composed by Tyler S. Grant. Full Orchestra; Performance Music Ensemble. Tyler S. Grant Music Works. Score. Duration 3:00. Edition Peters #98-TSGOR002S. Published by Edition Peters (PE.TSGOR002S).

UPC: 038081584539.

Origi nally scored for brass and percussion, this dynamic fanfare has been rescored for full orchestra, expanding the harmonic colors and textures. Panoramic Landscapes by Tyler S. Grant is an excellent concert opener that will launch your performance in resplendent fashion while not overtaxing your musicians. (3:00).

(Fanfare for Full Orchestra). Composed by Tyler S. Grant. Full Orchestra; Performance Music Ensemble. Tyler S. Grant Music Works. Score and Part(s). Duration 3:00. Edition Peters #98-TSGOR002. Published by Edition Peters

By Ruth Elaine Schram. For orchestra (conductor's score). Holy Week, Holy Communion. Cantata. Published by Lorenz Publishing Company

Orchestra

SKU: LM.JJ2102

Composed by Olivier Penard. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ2102. Published by Editions Jobert (LM.JJ2102).

ISBN 9790230821025.

(Featuring: I'm Flying / I Won't Grow Up). Composed by Carolyn Leigh, music by Mark Charlap. Arranged by Bob Cerulli. Orchestra. Score; String Orchestra. Pop Intermediate String Orchestra. Form: Medley. Movie. Grade 2.5. 12 pages. Published by Alfred Music

Junior orcestra - Grade 1+

SKU: RM.DIVE04526-BA

Composed by Wallace. Arranged by Jerome Naulais. Solo woodwinds. Orchestra. Full set. Duration 8 minutes, 20 seconds. Editions Robert Martin #DIVE04526-BA. Published by Editions Robert Martin (RM.DIVE04526-BA).

ISBN 9790231045260.

Junior orcestra - Grade 1+

SKU: RM.DIVE04527-BA

Composed by Wallace. Arranged by Jerome Naulais. Solo woodwinds. Orchestra. Full set. Duration 8 minutes, 10 seconds. Editions Robert Martin #DIVE04527-BA. Published by Editions Robert Martin (RM.DIVE04527-BA).

ISBN 9790231045277.

Junior orcestra - Grade 1+

SKU: RM.DIVE04527-CO

Composed by Wallace. Arranged by Jerome Naulais. Solo woodwinds. Orchestra. Conductor's score. Duration 8 minutes, 10 seconds. Editions Robert Martin #DIVE04527-CO. Published by Editions Robert Martin (RM.DIVE04527-CO).

Junior orcestra - Grade 1+

SKU: RM.DIVE04526-CO

Composed by Wallace. Arranged by Jerome Naulais. Solo woodwinds. Orchestra. Conductor's score. Duration 8 minutes, 20 seconds. Editions Robert Martin #DIVE04526-CO. Published by Editions Robert Martin (RM.DIVE04526-CO).

Choir Sacred Mezzo-soprano voice, Tenor voice soli; SATB chorus; orchestra

SKU: PE.EP72184

2003. Composed by Rowland Lee. Choral Works (inc. Oratorios). Edition Peters. Book. Composed 2003; First Performance: December 3rd, 2003, at Saint Martin in the Fields. 148 pages. Duration 01:10:00. Edition Peters #98-EP72184. Published by Edition Peters (PE.EP72184).

ISBN 9790577000282. English.

Text selected from the Requiem Mass, D.H. Lawrence, Percy Bysshe Shelley and the Old Testament

First performance 3rd December 2003 at St. Martin-in-the-Fields

< p>Subsequent revisions have been small, mainly consisting of a brand new Benedictus (to replace one which, in the original performance, had beeen borrowed from a liturgical setting of the Mass), the expansion of the Dies Irae and the creation of a bigger orchestration, as an alternative to the chamber scoring, to make the most of the forces available at the second performance, in St. Petersburg.

Orchestra

SKU: PE.EP11114B

Concert Edition. Composed by Earle Brown. Chamber Orchestra. Peters Contemporary Library. 20th Century. Score and Part(s). 112 pages. Edition Peters #98-EP11114B. Published by Edition Peters (PE.EP11114B).

ISBN 9790014123192.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

About Peters Contemporary Library

Ma rk Andre
Milton Babbitt
Daniel Bjarnason
Earle Brown
John Cage
Henry Cowell
James Dillon
Jonathan Dove
Brian Ferneyhough
Roxanna Panufnik
Rebecca Saunders
Erkki-Sven Tuur
Charles Wuorinen

These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike.

Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.

Orchestra

SKU: PE.EP14096

Composed by Daníel Bjarnason. Full Score. Peters Contemporary Library. Living Composer. Score. 48 pages. Edition Peters #98-EP14096. Published by Edition Peters (PE.EP14096).

ISBN 9790014122768.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

About Peters Contemporary Library

Ma rk Andre
Milton Babbitt
Daniel Bjarnason
Earle Brown
John Cage
Henry Cowell
James Dillon
Jonathan Dove
Brian Ferneyhough
Roxanna Panufnik
Rebecca Saunders
Erkki-Sven Tuur
Charles Wuorinen

These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike.

Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.

Orchestra

SKU: PE.EP71041

For Orchestra. Composed by James Dillon. Score. Peters Contemporary Library. Living Composer. Score. 76 pages. Edition Peters #98-EP71041. Published by Edition Peters (PE.EP71041).

ISBN 9790577009483.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

About Peters Contemporary Library

Ma rk Andre
Milton Babbitt
Daniel Bjarnason
Earle Brown
John Cage
Henry Cowell
James Dillon
Jonathan Dove
Brian Ferneyhough
Roxanna Panufnik
Rebecca Saunders
Erkki-Sven Tuur
Charles Wuorinen

These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike.

Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.

Orchestra

SKU: PE.EP72293A

Composed by James Dillon. Score. Peters Contemporary Library. Living Composer. Score. 94 pages. Edition Peters #98-EP72293A. Published by Edition Peters (PE.EP72293A).

ISBN 9790577003856.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

About Peters Contemporary Library

Ma rk Andre
Milton Babbitt
Daniel Bjarnason
Earle Brown
John Cage
Henry Cowell
James Dillon
Jonathan Dove
Brian Ferneyhough
Roxanna Panufnik
Rebecca Saunders
Erkki-Sven Tuur
Charles Wuorinen

These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike.

Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.

Orchestra

SKU: HL.14020998

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 8 pages. Chester Music #CH60356. Published by Chester Music (HL.14020998).

ISBN 9780711930766. UPC: 884088435059. 5.5x7.5 inches.

A short piece for small orchestra, written in 1989 when the composer heard of Michael Vyner's death. Premiered in October 1989 at Glyndebourne Sussex, by the London Sinfonietta and conducted by the composer just six days after Vyman's death. Approximately six minutes in duration, it is based on the plainsong 'Cor meum et caro mea exultaverunt in Deum vivum' and is scored for two oboes, two bassoons, two horns, two trumpets, timpani and strings.

Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-timpani-4 percussion-harp-piano-str ings

SKU: PE.EP73403

Liepaja Concerto No. 3 (Liepajas koncerts Nr. 3). Composed by Rihards Dubra. Orchestra. Edition Peters. Book. Duration 00:33:00. Edition Peters #98-EP73403. Published by Edition Peters (PE.EP73403).

ISBN 9790577018331. 297 x 420 mm inches. English.

Rihards Dubra (born Latvia, 1964) wrote his piano concerto – Liepaja Concerto No. 3 – in 2012. A 33-minute work for solo piano and symphony orchestra comprising triple wind and brass, percussion, harp and strings, the concerto starts with a mournful piano melody. It has an elemental beauty – we hear water in the sonorities of harps and chime-bells, earth in the rhythmic formulae, and fire in his colourful harmonic sequences – ending with a majestic and vibrant conclusion.

This full score (EP 73403) is now available as part of the Peters Baltic Library.

• Peter s Baltic Library is a new series of full scores of orchestral music by contemporary composers from the Baltic States.
• Published in partnership with the leading music publisher from the region: Musica Baltica.
• Peters Baltic Library presents a rich selection of compositions that demonstrates both the distinctiveness and the variety of stylistic approaches adopted by the region's most prominent composers.

< br>This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Composed by Peter Ilyich Tchaikovsky (1840-1893). Orchestra. Full Orchestra (Full Score); Larger Works; Masterworks. Dover Edition. Christmas; Masterwork; Romantic; Winter. Full Score. Published by Dover Publications

For Orchestra. Composed by Roxanna Panufnik. Chamber Ensemble; Single Titles. Peters Contemporary Library. Classical; Contemporary. Book. 20 pages. Edition Peters #98- EP72402. Published by Edition Peters

Orchestra 4(II&IV=piccolo), piccolo, 2 Btrombonne, timpani, 4 percussion, harp, strings(20, 8)

SKU: PE.EP7759

Speed-Dating for Two Orchestras. Composed by Errollyn Wallen. Orchestra. Edition Peters. Living Composer. Score. Composed 2004; First Performance: BBC Concert Orchestra and Kensington Symphony Orchestra. 56 pages. Duration 20 minutes. Edition Peters #98-EP7759. Published by Edition Peters (PE.EP7759).

ISBN 9790577020914. 297 x 420 mm inches.

Study score

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

By Peter Ilyich Tchaikovsky. Arranged by Robert Longfield. (Score and Parts). MusicWorks Grade 2. Concert Band. Score and full set of parts. Published by Hal Leonard.

By Hector Villa-Lobos. Edited by Taub. For flute, oboe, clarinet, bassoon soli, 4 (piccolo) 4 (english horn) 5 (bass clarinet) 3/4 (contrabassoon) 6461 timpani, percussion (4), celesta, harp (contrabass clarinet, contrabass optional). Duration 12. Published by C.F. Peters.

By Arnold Schoenberg. For 4 (2 piccolo) 3 (english horn) 4 (e|,bass clarinet) 3 (contrabassoon) 4331 timpani, percussion, celesta, harp, strings. Op.16.New Version reduced for normal-sized orchestra by the composer. Duration 20'. Published by C.F. Peters.

By Alan Hovhaness (1911-2000). Contemporary Large Ensemble/Orchestra. For Xylophone Solo, [3.2.2.2-4.3.3.1], Timpani, 3 Percussion, 2 Harp (Harp 2 ad lib), celeste, strings. Modern. Full score. Duration circa 15 minutes. Published by Edition Peters

Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.