Orchestra - Grade 2.5

SKU: AP.45886S

Composed by Gary Fagan. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 8 pages. Duration 3:20. Highland/Etling #00-45886S. Published by Highland/Etling (AP.45886S).

UPC: 038081523927. English.

An original passacaglia by Gary Fagan with the melody in the bass line, this piece will challenge your basses and provide opportunities for the orchestra to work on balance and listening down. (3:20).

Orchestra

SKU: HG.GH-11324A

Composed by Marti Heinz. Score. Hug Musikverlage #GH 11324A. Published by Hug Musikverlage (HG.GH-11324A).

ISBN 9790202809723.

The Masterworks Library. By Benjamin Britten. (Full Score). Boosey and Hawkes Scores and Books. Size 9x12 inches. 256 pages. Published by Boosey and Hawkes.

For Orchestra. By Benjamin Lees. (Study Score). Boosey and Hawkes Scores and Books. 33 pages. Published by Boosey & Hawkes.

Orchestra (picc.2.2.cor ang.2.B-clar.2.dble bsn - 4.3.3.1. - timp.perc(3) - hp - cel - str)

SKU: BR.PB-5105-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Bremen, February 1, 1982

Symphony; Music post-1945. Study Score. Composed 1981. 68 pages. Duration 17'. Breitkopf and Haertel #PB 5105-07. Published by Breitkopf and Haertel (BR.PB-5105-07).

ISBN 9790004208557. 9 x 12 inches.

Gesualdo, Don Carlo, Furst von Venosa (1560-1613) gehort zu den eigenwilligsten italienischen Madrigal-Komponisten der Spatrenaissance. Seine ungewohnlich kuhne, selbst fur heutige Ohren modern klingende Harmonik, seine chromatischen Stimmfortschreitungen, seine ubersteigerte expressive Tonsprache regten mich schon vor Jahren zu einer grosseren Orgelkomposition an und inspirierten mich 1981 zu den >>Sinfonischen Metamorphosen<<. Dieses Werk ist eine vielgestaltige weitausgesponnene Fantasie. Sieben choralartige typische Klangbeispiele aus Gesualdos spaten funfstimmigen Madrigalen (4., 5. u. 6. Band) werden teils streng, teils frei zitiert und von Holz- oder Blechblasern intoniert. Diese Zitate gliedern, als formale und inhaltliche Schwer- und Ruhepunkte, den Verlauf des gesamten Werks. Jedes Zitat steht zu Beginn eines neuen Satzabschnitts; die darauffolgenden >>Metamorphosen<< entwickeln sich als rhapsodische kontrastreiche Charakterstucke. Im >>Preludio<< werden aus den vertonbaren Buchstaben vom Namen >>Gesualdo<< (G - E - Es - A - D) schwebende Klangflachen, rezitativische Gedanken und ein pragnantes rhythmisches Paukenthema gebildet. Diese ,,Grundelemente (Grundstrukturen) tauchen im Verlauf des Stucks immer wieder leitmotivisch auf. Im zweiten Abschnitt stehen sich lineare Streicher-Episoden und dichte Blaser-Klangballungen kontrastierend gegenuber. Der dritte Teil lauft als Passacaglia (Thema ist der Bass eines Gesualdo-Zitats) in mehreren Variationen ab. Im vierten Abschnitt dominiert lebhafte Streicherbewegung, kontrapunktiert von tiefen Blaser-Signalen. Der funfte Teil steigert sich- nach kantablem Beginn- zum ekstatischen Trauermarsch. Abschnitt sechs stellt sich als >>Rondello<< dar, mit um sich selbst kreisenden Klangfiguren (in verschiedenen Tongruppen (zwei, drei, funf). Im siebten und letzten Teil wird die verhalten-resignierende Stimmung des Anfangs beschworen, ehe eine knappe Stretta in den hymnischen Schluss mundet. In den Textender ausgewahlten Zitatstellen geht es meist um Todessehnsucht, Liebesqual und Verzweiflung. z. B. 1. und 2. Zitat: Moro lasso, al mio duolo (Ich sterbe, matt, an meiner Qual) (6. Buch) 3. Zitat: Gia piansi nel dolore; o dolorosa Sorte (Schon weinte ich in Schmerzen, oh schmerzliches Geschick) (6. Buch) 4. Zitat: Ahi gia mi discolero (Ach schon entfarbte ich mich) (Wehe, der Tod kommt) (4. Buch) 5. Zitat: Dolcissima mia vita (Mein allerliebstes Leben) (Dich zu lieben oder zu sterben) (5. Buch) 6. Zitat: lo moro (Ich sterbe) (5. Buch) Dem Werk liegen zwar eine Reihe von dodekaphonischen Strukturen zugrunde (die teilweise von Gesualdos Klangzitaten abgeleitet wurden), doch sind die einzelnen Abschnitte auf,,tonale Pfeiler (G - E - A - D) gegrundet; das Stuck beginnt in G und endet aufD, ist also ubergeordnet tonal konzipiert, - der Versuch einer Synthese moderner Ausdrucksmittel von Vergangenheit und Gegenwart. Die >>Metamorphosen<< sind ein Stuck Bekenntnismusik - Bekenntnis zum Leben und Schaffen Gesualdos, eines Mannes, der vom Schicksal gezeichnet war, denn der Chronik Neapels bekannt war durch die Ermordung seiner ersten Frau und ihres Liebhabers. Dieser eminente Musiker war zugleich ein Mensch von ubertriebener Sensibilitat und wilder ekstatischer Heftigkeit: ,,Er wurde von einer Horde von Damonen heimgesucht, die ihm keine Ruhe gaben, heisst es in einem zeitgenossischen Bericht. Seine Kunst und sein Leben stand unter dem Gesetz der inneren Zerrissenheit, zwischen Auflehnung und Resignation (Verzweiflung und Hoffnung), zwischen Zartheit und Leidenschaft. Davon will meine Musik etwas aussagen. (Jurg Baur)CD:Sinfonieorchester des Westdeutschen Rundfunks, cond. Rudolf BarschaiCD Thorofon CTH 2270Bibliography:Abels, Robert: Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts (= Studien zur Musik 20), Leiden u. a.: Wilhelm Fink 2017, pp. 277-345, 485-489.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.

Orchestra (SYMPHONIC WO)

SKU: HL.50488047

Composed by Leo Weiner. 20th Century. EMB. Score. Op. 44. Duration 7'. Editio Musica Budapest #Z3716. Published by Editio Musica Budapest (HL.50488047).

ISBN 9790080037164. A/5 (14,2x20) inches.

By Witold Lutoslawski. For Orchestra. 20th Century. Sheet Music. 150 pages. Published by Chester Music.

Orchestra

SKU: BT.PWM8622010

Musik Für Orchester Nr. 5. Composed by Andrzej Dobrowolski. Classical. Score Only. Polskie Wydawnictwo Muzyczne #PWM8622010. Published by Polskie Wydawnictwo Muzyczne (BT.PWM8622010).

For Orchestra. Composed by Krzysztof Penderecki (1933-). This edition: Paperback/Soft Cover. Sheet music. Schott. Study Score (softcover). Composed 1988-1995. 9646. 116 pages. Duration 50'. Schott Music #ED9646. Published by Schott Music (HL.49033217).

Orchestra (Study Score)

SKU: HL.228114

For Orchestra. Composed by Carlos Surinach. Peermusic Classical. Classical. 102 pages. Peermusic Classical #61115-856. Published by Peermusic Classical (HL.228114).

UPC: 680160425358. 9x12 inches.

Orchestra (2+1.2.2+1.2+1/4.3.3.1,ti mp,perc,str)

SKU: TM.01537SET

Composed by Johann Sebastian Bach. Set Type: D. Set of parts. Lucks Music Library #A1225. Published by Lucks Music Library (TM.01537SET).

Chernomor's March.

Orchestra - Grade 3

SKU: AP.40465S

Composed by Michael Senturia. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Variations. Score. 20 pages. Highland/Etling #00-40465S. Published by Highland/Etling (AP.40465S).

UPC: 038081451367. English.

Here is an ideal way to introduce young string players to simple, yet endlessly fascinating Baroque variation technique. Above a stately bass line appears a series of contrasting textures, each requiring a different bowing technique. And at the end, there is a quick romp, itself also a variation!

By Karl Jenkins. (Full Score). Boosey and Hawkes Orchestra. Size 9x12 inches. 4 pages. Published by Boosey and Hawkes.

Orchestra

SKU: HL.14026547

Composed by Niels Viggo Bentzon. Music Sales America. Classical. Book Only. Edition Wilhelm Hansen #KP00753. Published by Edition Wilhelm Hansen (HL.14026547).

Orchestra (2+1.2.2+1.2+1/4.3.3.1,ti mp,perc,str)

SKU: TM.01537SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A1225. Published by Lucks Music Library (TM.01537SC).

Orchestra

SKU: SU.29020020

For Orchestra. Composed by Reinaldo Moya. Orchestra. Score & Parts. Subito Music Corporation #29020020. Published by Subito Music Corporation (SU.29020020).

Exciting piece for a smaller orchestra. Suitable for Youth OrchestrasFull Orchestra Duration: 10' Composed: 2015 Published by: Distributed Composer Performance materials available on rental only:.

Orchestra (Full Score) - Grade 4

SKU: HL.14032192

Full Score. Composed by Per Norgard. Music Sales America. 20Th Century, Classical. Softcover. 188 pages. Edition Wilhelm Hansen #KP00865. Published by Edition Wilhelm Hansen (HL.14032192).

ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).

Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.

Full Orchestra

SKU: SS.50016870

Composed by Hugo Kauder. Study Score. Published by Seesaw Music Corp (SS.50016870).

Copyright 1993.

Composed by Johann Sebastian Bach. Arranged by Leopold Stokowski. Broude Brothers. Baroque. Part(s). 196 pages. Edition Peters #98-0300510721. Published by Edition Peters

By Douglas Smith. For Orchestra. Large Ensemble for Orchestra. Traditional. Grade 3. Published by Psalm 150

Full Ochestra

SKU: SU.50016870

For Full Ochestra. Composed by Hugo Kauder. Orchestra. Study Score. Seesaw Music Corp #50016870. Published by Seesaw Music Corp (SU.50016870).

Copyright 1993. Published by: Seesaw Music.

Orchestra - Grade 3

SKU: AP.47441

Composed by Astor Piazzolla. Arranged by Jim Palmer. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Light Concert. Score and Part(s). 124 pages. Duration 4:45. Belwin Music #00-47441. Published by Belwin Music (AP.47441).

UPC: 038081547879. English.

This lyrical arrangement of an Argentinian tango is a wonderful introduction to the music of Astor Piazzolla. The melody is first introduced by the violas and then passed smoothly to the first violins. Your students will love the beautiful harmonies, interesting rhythms, and the variety of dynamics, and the piece includes many opportunities to teach shifting, glissando, balance, and phrasing. This piece is a perfect choice for a festival or any concert performance. (4:45).

Orchestra

SKU: HL.48187877

Composed by Giovanni Paisiello. Leduc. Classical. Softcover. Heugel & Cie #HE31767. Published by Heugel & Cie (HL.48187877).

UPC: 888680851699. 5.5x7.5x0.145 inches.

Giovanni Paisiello: Ouverture de 'Il Duello comico' (PH281) (Orchestra).

Orchestra

SKU: HL.48187853

Composed by Giovanni Paisiello. Leduc. Classical. Softcover. Heugel & Cie #HE31738. Published by Heugel & Cie (HL.48187853).

Giovanni Paisiello: Ouverture de 'The Barber of Seville' (PH280) (Orchestra).

Orchestra

SKU: BT.ALHE31767

Composed by Paisello. Classical. Study Score. 24 pages. Heugel & Cie #ALHE31767. Published by Heugel & Cie (BT.ALHE31767).

French.

Giovanni Paisiello: Ouverture de 'Il Duello comico' (PH281) (Orchestra).

Orchestra - Grade 3

SKU: AP.47441S

Composed by Astor Piazzolla. Arranged by Jim Palmer. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Light Concert. Score. 16 pages. Belwin Music #00-47441S. Published by Belwin Music (AP.47441S).

UPC: 038081547886. English.

This lyrical arrangement of an Argentinian tango is a wonderful introduction to the music of Astor Piazzolla. The melody is first introduced by the violas and then passed smoothly to the first violins. Your students will love the beautiful harmonies, interesting rhythms, and the variety of dynamics, and the piece includes many opportunities to teach shifting, glissando, balance, and phrasing. This piece is a perfect choice for a festival or any concert performance.

By Astor Piazzolla (1921-1992). Arranged by Carlos Franzetti. For Full Orchestra. Las Cuatro Estaciones Portenas. Tango. Score

Junior orcestra - Grade 1

SKU: RM.PIAZ03851-CO

Composed by Astor Piazzolla. Arranged by Jerome Naulais. Solo woodwinds. Orchestra. Conductor's score. Duration 1 minute, 26 seconds. Editions Robert Martin #PIAZ03851-CO. Published by Editions Robert Martin (RM.PIAZ03851-CO).