By Benjamin R. Hanby. Arranged by William Owens. For orchestra. FJH Beginning Strings. Full set (score and parts). Score only also available: ST6188S. Christmas. Grade 1.5. Score and set of parts. Composed 2009. Published by The FJH Music Company Inc

(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with String Orchestra (Solo Marimba Percussion 1 (xylophone, bells, chimes) Percussion 2 (brake drum, cowbell, shaker, suspended cymbal, crash cymbals, temple blocks, triangle) Percussion 3 (4 toms, crash cymbals, bass drum, suspended cymbal, tam tam, hi hat) Violin I Violin II). Medium difficult. Orchestra score only. Duration 16:30. Published by C. Alan Publications

(for the victims of the September 11, 2001 attacks and all victims of senseless violence). By Rene Clausen. Orchestra. For Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets, Bass Clarinet, 2 Bassoons, 4 Horns, 3 Trumpets, 2 Trombones, Bass Trombone, Tuba, Timpani, Cymbals, Mallets, Snare Drum, Bass Drum, Percussion, Harp, Piano, 2 Violins, Viola, Cello, Double Bass. Concert. Orchestral Full Score and Parts. Published by Roger Dean Publishing

By Richard Strauss. Arranged by Stephan Kohler. (Study Score). Schott. 172 pages. Published by Eulenburg.

By Franz Liszt (1811-1886). Edited by Otto Taubmann. Orchestra. For [2+1, 2, 2, 2 - 4, 3, 3, 1], timpani, percussion, organ, strings. This edition: Paperback. Original Works, Tone Poems. Romantic Period; Hungarian. Study Score. 96 pages. Published by Sere

By Alan Hovhaness (1911-2000). Contemporary Large Ensemble/Orchestra. For Xylophone Solo, [3.2.2.2-4.3.3.1], Timpani, 3 Percussion, 2 Harp (Harp 2 ad lib), celeste, strings. Modern. Full score. Duration circa 15 minutes. Published by Edition Peters

By William Windham. By William Windham. For Full Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Level: Easy to Medium Easy (grade II-III). Conductor Score, Parts & CD. Duration 2:05. Published by Alfred Publishing.

Concert Band; Orchestra - Grade 1

SKU: AP.49165S

Composed by George Gershwin and Ira Gershwin. Arranged by Michael Story. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Pop Beginning Band. Classic Pop; Jazz. Score. 16 pages. Duration 1:45. Alfred Music #00-49165S. Published by Alfred Music (AP.49165S).

UPC: 038081563688. English.

This version of I Got Rhythm arranged by Michael Story is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

This timeless George and Ira Gershwin jazz classic has been covered by dozens of popular artists. The song remains one of the most recognizable melodies from the 20th century. In a charismatic contemporary arrangement, I Got Rhythm is accessible to first-year students and will be an upbeat addition to any program. (1:45) This title is available in MakeMusic Cloud.

Percussion Accompaniment Track Downloads:
with click.
without click.

Concert Band; Orchestra - Grade 1

SKU: AP.49165

Composed by George Gershwin and Ira Gershwin. Arranged by Michael Story. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Pop Beginning Band. Classic Pop; Jazz. Score and Part(s). 76 pages. Duration 1:45. Alfred Music #00-49165. Published by Alfred Music (AP.49165).

UPC: 038081563671. English.

This version of I Got Rhythm arranged by Michael Story is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

This timeless George and Ira Gershwin jazz classic has been covered by dozens of popular artists. The song remains one of the most recognizable melodies from the 20th century. In a charismatic contemporary arrangement, I Got Rhythm is accessible to first-year students and will be an upbeat addition to any program. (1:45) This title is available in MakeMusic Cloud.

Percussion Accompaniment Track Downloads:
with click.
without click.

Orchestra

SKU: LO.30-2651L

Composed by Pepper Choplin. Arranged by Stan Pethel. Choral. Sacred Anthem, Palm/Palm-Passion Sunday. Orchestral score and parts. Lorenz Publishing Company #30/2651L. Published by Lorenz Publishing Company (LO.30-2651L).

UPC: 000308125962.

With pulsating energy, Pepper Choplin's creative genius vividly conveys the excitement and the tension of the crowd as Jesus rode through the Jerusalem streets. There are opportunities for soloists in this anthem and the option of using trumpet and percussion or full orchestra for accompaniment. Questions from the people are answered with shouts of affirmation in this perfect choice for Palm Sunday. (From the cantata Come, Touch the Robe SATB--55/1123L; SAB--55/1124L) The orchestra includes a Conductor's Score and parts for Flute, Oboe, Clarinet, 2 Horns, 2 Trumpets, 2 Trombones, 2 Percussion, Piano, Guitar (nylon strings), 2 Violins, Viola, Cello, and Bass.

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: SU.94010400

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400).

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

Composed by John Moss. MusicWorks Grade 2. Concert. Score and parts (with online audio). Published by Hal Leonard

Orchestra full orchestra - Grade 4.5

SKU: KJ.O1071C

Composed by Kirt Mosier. String Tracks. Score and parts. Neil A. Kjos Music Company #O1071C. Published by Neil A. Kjos Music Company (KJ.O1071C).

Prophet's dance is a programmatic work that suggests the events of a prophecy. There is tension in the telling of the future , which is heard in the opening percussion, and in the running string lines as the piece continues. The middle dream-like section depicts the actual receiving of a prophecy & once again the ending depicts the tension as the prophecy is shared with the public.

Orchestra full orchestra - Grade 4.5

SKU: KJ.O1071F

Composed by Kirt Mosier. Score. Neil A. Kjos Music Company #O1071F. Published by Neil A. Kjos Music Company (KJ.O1071F).

Prophet's dance is a programmatic work that suggests the events of a prophecy. There is tension in the telling of the future , which is heard in the opening percussion, and in the running string lines as the piece continues. The middle dream-like section depicts the actual receiving of a prophecy & once again the ending depicts the tension as the prophecy is shared with the public.

Concert Band; Orchestra - Grade 1.5

SKU: AP.49213S

Composed by Robert Sheldon. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Sound Innovations for Concert Band. Score. Duration 2:10. Alfred Music #00-49213S. Published by Alfred Music (AP.49213S).

ISBN 9781470648558. UPC: 038081569352. English.

This version of As Twilight Falls by Robert Sheldon is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

The sense of peace and tranquility of twilight on a summer's evening inspires this lovely, lyrical offering. An excellent teaching opportunity for phrasing and expression, As Twilight Falls provides a moment of contrast at any young band's concert performance and is now available in Alfred's 5-part FLEX format. Correlates to Book 1, Level 5 of Sound Innovations for Concert Band.

Percussio n Accompaniment Track Download. (2:10).

Concert Band; Orchestra - Grade 1.5

SKU: AP.49213

Composed by Robert Sheldon. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Sound Innovations for Concert Band. Score and Part(s). Duration 2:10. Alfred Music #00-49213. Published by Alfred Music (AP.49213).

ISBN 9781470648541. UPC: 038081569345. English.

This version of As Twilight Falls by Robert Sheldon is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

The sense of peace and tranquility of twilight on a summer's evening inspires this lovely, lyrical offering. An excellent teaching opportunity for phrasing and expression, As Twilight Falls provides a moment of contrast at any young band's concert performance and is now available in Alfred's 5-part FLEX format. Correlates to Book 1, Level 5 of Sound Innovations for Concert Band.

Percussio n Accompaniment Track Download. (2:10).

String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3), piano and percussion (2) - Grade 1

SKU: KN.8108

Composed by Lennie Niehaus. Accent String Orchestra. Score and set of parts. Duration 2 minutes, 20 seconds. Kendor Music Inc #8108. Published by Kendor Music Inc (KN.8108).

UPC: 822795081084.

This five-part rondo showcases the high, middle and low registers of the orchestra in contrasting passages. A mix of majestic and lyrical themes adds to the overall appeal. If the optional percussion part for snare and bass drums is used, care should be taken to ensure that the string parts are clearly heard at all times. Duration 2:20. Available in SmartMusic.

Orchestra

SKU: HL.14035756

Composed by Per Norgard. Music Sales America. Classical. Book [Softcover]. 16 pages. Music Sales #KP00298. Published by Music Sales (HL.14035756).

ISBN 9788759868294. English.

Wenn Die Rose Sich Selbst Schmückt, Schmückt Sie Auch Den Garten (When The Rose Beautifies Itself, It Beautifies The Garden ) was composed by Per Nørgård in 1971.

Chamber Cantata for four performers

Scored for Soprano, Alto Flute, Double Bass and Percussion (all playing also Crotales).

Composed for and dedicated to Dorothy Dorrow.

Parts available: KP01092

Preface / Programme Note

The title of the work is borrowed from a fragment by the German poet Friedrich Rückert.
This fragment, this short sentence (which Rückert apparently neverelaborated upon) is the entire basis of the work. I was inspired by the meaning as well as the sound of these words.
I perceive the meaning of the sentence as being a defence for the refinement of an individual’s personal gifts - far from the present hostility toward individuality and the senseless praise of impersonal success in society. Personal refinement can, so the fragment in my interpretation, at its best be accompanied by a deep sense of responsibility, and become an active and positive influence in society.
The sound, the timbre, of the individual words and characters is employed both in
straightforward text-sequences, as well as in the exploration of individual vowels and consonants as pure sounds. The soprano is often used purely instrumentally, echoing and pre-echoing discreetly the notes of the flute and the harmonics of the double bass, often imperceptably stealing their notes and altering them into human sounds, which then yet
again are absorbed into the instrumental tapestry.

Per Nørgård, 1971

Orchestra (2(1).2(1).2(1).2(1) - 4.3.3.1 - 4 percussion, harp, piano/celesta; strings)

SKU: SU.95010320

For Orchestra. Composed by Judith Lang Zaimont. Orchestra. Study Score. Composed 1994. Duration 29'. Subito Music Corporation #95010320. Published by Subito Music Corporation (SU.95010320).

Instrumentation : 2,1 2,1 2,1 2,1; 4331; 4perc, hp, pno/cel; stgs Duration: 29' Full Score & Part: available for rental Composed: 1994 Published by: Subito Music Publishing ...sensuous and effusive, using enriched post-tonal harmonies and kaleidoscopic scoring to convey a joyful sense of mystery and beauty. -- American Record Guide (July/August 2007).

Orchestra (3 flutes (piccolo), 2 oboes, 2 clarinets, 2 bassoons; 4horn, 3 trumpets, 2 trombones (bass), tuba; timpani, 4 percussion, harp, piano; strings)

SKU: SU.90810040

For Orchestra. Composed by Nancy Galbraith. Orchestra. Study Score. Composed 1997. Duration 3'. Subito Music Corporation #90810040. Published by Subito Music Corporation (SU.90810040).

Instrumentation : 3fl(picc), 2ob, 2cl, 2bn; 4hn, 3tpt, 2tbn(bs), tba; timp, 4 perc, hrp, pno; strings Duratiion: 3' Full Score & Parts: available on rental Composed: 1997 Published by: Subito Music Publishing Composer's Note: A Festive Violet Pulse opens with lively textures in the woodwinds which are used as accompaniment for a melodic statement in the violins. This melody is answered contrapuntally by the celli, and develops into a web of repeated melodic phrases. The middle section is very rhythmic, highlighting the percussion section and making use of many polyrhtyhms. A soft tremolo begins to emerge in the strings and gradually evolves into the foreground material. A repeated note theme enters in the celli and is answered sequentially by each string section. A strong statement of the original theme in the trumpets and violins climaxes the movement. --N.G.

String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3), piano and percussion - Grade 1

SKU: KN.8180

Composed by John Caponegro. Accent String Orchestra. Score and set of parts. Duration 1 minute, 40 seconds. Kendor Music Inc #8180. Published by Kendor Music Inc (KN.8180).

UPC: 822795081800.

Score d in D major, this winning march for first-year strings opens and ends with dramatic pyramid entrances from the bottom up -- cellos and basses first, then violas, then 2nd Violins, and finally 1st Violins. Rhythms are simple, bowings are clearly marked, and the optional percussion part for snare drum and bass drum enhances the parade-style theme. Duration 1:40.

Composed by Michael Sweeney. MusicWorks Grade 3. Concert. Score and parts. Published by Hal Leonard

Orchestra

SKU: LO.30-2655L

Composed by Cindy Berry. Arranged by Michael Lawrence. Choral. Sacred Anthem, Eastertide, General, Lent, Palm/Palm-Passion Sunday. Orchestral score and parts. Lorenz Publishing Company #30/2655L. Published by Lorenz Publishing Company (LO.30-2655L).

UPC: 000308126716.

This dramatic, personal response to Christ's sacrificial gift of life and love opens with graceful, unison choral writing and builds in texture and emotion throughout. Whether performed with keyboard alone or with the optional orchestration, an accompaniment filled with lush harmonies helps to convey the believer's awe and praise for the risen Savior. The orchestra includes a Conductor's Score and parts for 2 Flutes, Oboe, 2 Clarinets, Bassoon (sub Bass Clarinet), 3 Trumpets, 2 Horns (sub 2 Alto Saxes), 2 Trombones (sub 2 Tenor Saxes), Tuba, Percussion, Harp, Piano, 2 Violins, Viola, Cello, and Bass (string reduction included).

Orchestra

SKU: LO.30-2422L

Composed by Ruth Elaine Schram. Choral. Sacred Anthem, General, Lent. Orchestral score and parts. Lorenz Publishing Company #30/2422L. Published by Lorenz Publishing Company (LO.30-2422L).

UPC: 000308121483.

How great is the Father’s love for us! Full of awe and wonder, this song of reverent faith opens quietly, with unison voices. The vocals thicken gradually as the verses rise in successive keys, warmly supported by the artful accompaniment. Lyrical and reflective, it’s a gift of love for our gracious, compassionate God. (From the cantata The Living Last Supper. SATB – 55/1110L; SAB – 55/1116L.) Instrumentation: Flute, Oboe, 2 Clarinets, Percussion, Violin 1 & 2, Viola, Cello, and Bass.

Orchestra - Grade 1

SKU: AP.45868

Composed by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Form: March. Score and Part(s). 152 pages. Duration 2:15. Highland/Etling #00-45868. Published by Highland/Etling (AP.45868).

UPC: 038081523699. English.

In the tradition of great British wind band marches like British Eighth and Colonel Bogey, this original is intended for beginning orchestra. Students in their first year will find this piece absolutely playable, using only open strings, notes within a one-octave D scale, and simple bowing patterns. Optional beginning percussion and piano parts ensure that British March by Andrew H. Dabczynski will make a perfect opening or closing piece on any concert program. (2:15).