(on a Little Piano Piece by Arnold Schonberg Orchestra Study Score). By Victor Ullmann (1898-1944). Study Score. Book only. 76 pages

Composed by Erik Satie (1866-1925). Arranged by Bob Phillips. Full Orchestra; Masterworks; Performance Music Ensemble; Single Titles; SmartMusic. Belwin Beginning Full Orchestra. 20th Century; Masterwork Arrangement; Romantic. Part(s); Score. 120 pages. Duration 2:30. Belwin Music #00-41198. Published by Belwin Music (AP.41198).

Arranged by Sandra Dackow. Conductor's score and set of performance parts for string orchestra (8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treble clef), 5 - viola, 5 - cello, 5 - string bass, 1 - piano accompaniment). Series: Orchestra Expressions Series. Published by Alfred Publishing.

(Miniature Score). By Wolfgang Amadeus Mozart (1756-1791). Orchestra. Full Orchestra (Miniature Score); Masterworks. Kalmus Edition. Classical; Masterwork. Miniature Score. 120 pages

Eulenburg Audio Score Series. By Robert Schumann. This edition: EAS104. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 180 pages. Published by Eulenburg.

Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS140. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 82 pages. Published by Eulenburg.

Orchestra (Orchestra)

SKU: HL.49008405

Composed by Rodion Shchedrin. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1996. 26 pages. Duration 10'. Schott Music #ED 9400. Published by Schott Music (HL.49008405).

ISBN 9790001131209. 8.25x11.75x0.121 inches.

Shchedrin has turned these well-known piano pieces into contemporary orchestral works without losing any of their verve and flavour. The transcriptions are based on movements in A minor, and in D major with additional quotes from other piano pieces by Albeniz.

(Chopin National Edition 33 B Vol. VIIIa). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier and Pawel Kaminski. For Orchestra (Study Score). PWM. 110 pages. Polskie Wydawnictwo Muzyczne #51600911. Published by Polskie Wydawnictwo Muzyczne

Composed by Sergei Rachmaninoff (1873-1943). Orchestra. Full Orchestra (Miniature Score); Larger Works; Masterworks. Dover Edition. 20th Century; Masterwork; Romantic. Miniature Score. Published by Dover Publications

String orchestra (Score) - easy

SKU: HL.49027525

Composed by Bela Bartok. Arranged by Rudolf Maros. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Score. 16 pages. Duration 8'. Schott Music #CON 18. Published by Schott Music (HL.49027525).

ISBN 9790001116909. 9.0x12.0x0.072 inches.

The 10 easy pieces adapted from piano pieces from the famous collection For Children offer an ideal approach to modern music. Numerous school orchestras have played this music with fun and success. Because the individual parts are technically easy, one may concentrate at once on interpretational subtleties (rubato, articulation, tonal nuances etc.).

Orchestra, Piano (Orchestra)

SKU: HL.48010758

Piano Part Only. Composed by Various. Arranged by David Stone. Boosey & Hawkes Orchestra. Classical, Collection, Contemporary. 10 pages. Boosey & Hawkes #M060065248. Published by Boosey & Hawkes (HL.48010758).

UPC: 073999764574. 9x12 inches.

Contents: Entry of the Priests (Gluck) • March in Bb (Beethoven) • Roneau (Purcell) • Gavot (Boyce) • Two Dances (Praetorius) • Praise to the Lord (trad.) • At Church (Tchaikovsky) • Shortnin' Bread (trad.).

Orchestra (pf,str)

SKU: TM.09758SET

Composed by Jean-Baptiste Lully. Arranged by Brown. Set Type: B. Set of parts. Lucks Music Library #A5706. Published by Lucks Music Library (TM.09758SET).

Gavotte, Air, Sarabande, Hornpipe, Menuet Cibel; piano in score.

Orchestra (pf,str)

SKU: TM.09758SC

Composed by Jean-Baptiste Lully. Arranged by Brown. Score. Lucks Music Library #A5706. Published by Lucks Music Library (TM.09758SC).

Gavotte, Air, Sarabande, Hornpipe, Menuet Cibel; piano in score.

Orchestra (3 vl1, 3 vl2, 3 vl3, 2 vlc)

SKU: HL.50485103

By Laszlo Zempleni. By Franz Schubert. Arranged by Lá, Zemplé, ni, and szló. EMB. Children. Score and parts. Editio Musica Budapest #Z14335. Published by Editio Musica Budapest (HL.50485103).

ISBN 9790080143353. UPC: 073999457063. 9.0x12.0x0.319 inches. Franz Schubert; Laszlo Zempleni.

The material of this volume consists of the dances most popular in Vienna at he beginning of the 19th century: landler, ecossaises and German dances. They were originally piano pieces, but were certainly performed on all sorts of instruments at social gatherings and in public places of entertainment. This transcription for children's orchestra of these miniature compositions is a modern continuation of the old tradition of their 'transcription'.

(For Theater Or Chamber Orchestra). Composed by Charles Ives (1874-1954). For chamber orchestra (oboe, flute, or clarinet ad lib., english horn or cornet, 2 Bb clarinets, bassoon (or Eb baritone saxophone), or trombone, horn/trombone solo (e.h./a cl. for smaller strings), trombone, tympani, bells (high and low), piano (4 hands), harps/violins at a di). Contemporary. Full score - study. Standard notation. 24 pages. Duration 7 minutes, 30 seconds. Theodore Presser Company #446-41262. Published by Theodore Presser Company

Orchestra

SKU: BT.ALHE31215

Composed by Francis Poulenc. Classical. Study Score. 128 pages. Heugel & Cie #ALHE31215. Published by Heugel & Cie (BT.ALHE31215).

French.

This edition of Les Biches by Francis Poulenc features the score for the whole Orchestra. Initially written as Ballet, it was revised as a suite for Orchestra in the 1940s. This piece has a light style, considered _x001A_beautiful andmelancholic_x001A_ by Jean Cocteau. Lasting 15 minutes 30 seconds, it is divided into five parts: 1. Rondeau 2. Adagietto 3. Rag-Mazurka 4. Andantino 5. Finale Francis Poulenc is French composer and pianist. He also producedPiano and Chamber pieces, Operas, ballets as well as some Orchestral works.

Orchestra - Grade 2.5

SKU: AP.48079

Composed by Turlough O'carolan. Arranged by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Folk; Traditional. Score and Part(s). 140 pages. Duration 4:40. Highland/Etling #00-48079. Published by Highland/Etling (AP.48079).

UPC: 038081557106. English.

Filled with enchanting melodies and harmonies, O'Carolan's Draught is a lyrical air by Ireland's beloved Baroque-era composer, Turlough O'Carolan, and arranged by Andrew H. Dabczynski. Truly a crossover piece, it is a tune often played by folk and classical musicians alike. An optional harp/piano part enhances this arrangement and makes it a centerpiece for any program for intermediate or advanced players. Correlated to String Explorer, Book 1, Unit 13. (4:40).

Orchestra - Grade 2.5

SKU: AP.48079S

Composed by Turlough O'carolan. Arranged by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Folk; Traditional. Score. 12 pages. Duration 4:40. Highland/Etling #00-48079S. Published by Highland/Etling (AP.48079S).

UPC: 038081557113. English.

Filled with enchanting melodies and harmonies, O'Carolan's Draught is a lyrical air by Ireland's beloved Baroque-era composer, Turlough O'Carolan, and arranged by Andrew H. Dabczynski. Truly a crossover piece, it is a tune often played by folk and classical musicians alike. An optional harp/piano part enhances this arrangement and makes it a centerpiece for any program for intermediate or advanced players. Correlated to String Explorer, Book 1, Unit 13. (4:40).

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: HL.48187533

Composed by Francis Poulenc. Heugel. Classical. Softcover. 128 pages. Heugel & Cie #HE31215. Published by Heugel & Cie (HL.48187533).

UPC: 888680843779. 6x8.25 inches.

“This edition of Les Biches by Francis Poulenc features the score for the whole Orchestra. Initially written as Ballet, it was revised as a suite for Orchestra in the 1940s. This piece has a light style, considered 'beautiful and melancholic' by Jean Cocteau. Lasting 15 minutes 30 seconds, it is divided into five parts: 1. Rondeau 2. Adagietto 3. Rag-Mazurka 4. Andantino 5. Finale Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces, Operas, ballets as well as some Orchestral works.&rdquo.

Cello; Double Bass; Orchestra; Piano; Viola; Violin (Orchestra)

SKU: HL.48011549

Complete Set. Composed by Peter Wastall. Boosey & Hawkes Orchestra. Classical, Contemporary. Boosey & Hawkes #M060096082. Published by Boosey & Hawkes (HL.48011549).

UPC: 073999158526.

Sessi on Time is an album of solos that expand to create opportunities for exciting group music-making. Each piece can be played as a solo or as a group piece. The optional ensemble parts extend the harmonic and musical structure of each piece, enabling each performer to play an important part in the group.

Orchestra

SKU: HL.14027993

Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2006. 164 pages. Edition Wilhelm Hansen #WH30602. Published by Edition Wilhelm Hansen (HL.14027993).

ISBN 9788759811832. English.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.

3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo
3 Oboes, 3rd also Cor Anglais in F
3 Clarinets in Bb, 3rd also Bass Clarinet in Bb
3 Bassoons, 3rd also Contra Bassoon

4 Horn in F
3 Trumpets in Bb
3 Trombones
1 Tuba

Timpani
4 Percussion, four players
Player 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)
Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese Cymbal
Player 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle Cymbal
Player 4 - Bass Drum, Glockenspiel, Xylophone

1 Harp

1 Piano, also Celesta

Strings - 16/14/12/10/8

All transposing instruments are notated in their relevant transpositions.
Any accidental apply only to the note that it immediately precedes, except tied notes.
Naturals appear occasionally 'for safety'.

'LIST ENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.
The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic.
I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.

Orchestra (Score) - Grade 4

SKU: HL.14027994

Composed by Poul Ruders. Music Sales America. Classical. Set. 86 pages. Edition Wilhelm Hansen #WH29830. Published by Edition Wilhelm Hansen (HL.14027994).

ISBN 9788759864593.

New York is the city which fascinates and inspires Ruders. Time and again he goes back there to work. 'Manhattan Abstraction' (1982) subtitles - a symphonic skyline for large orchestra - was conceived there. Ruders' Brittish colleague Oliver Knussen defines the piece as: - a performance of an extraordinary Morden-Times-like construction. It is a sort of symphonic sculpture, which in the composer's own words words propels forth from one particular inspiration: the New York profile, as seen from Liberty Island, one icy cold January day with it's open, clear sky and dazzling sun light. 'Manhatten Abstraction' appears as an amalgam of some of the compositorical habits found in present pieces. For instance, are present here compositorical ideas and melodic loans from 'Capriccio Pian'e Forte', 2nd String Quartet(1979), 'Four Compositions' (1980), and 2nd Piano Sonata(1982). The question at hand is mainly concerned with the enhanced elaboration of Ruders' use of the classic English change-ringing system: a permuting method pre-determining the order of tone-appearances and /or tone groups; a serial technique in other words. In spite of the rigidly fixed material, Ruders somehow manages to chisel out a personal expression by way of emphasising contrasting elements already existing within the material itself. The spiky, repetitive sections form a counterpart to a more human violin-solo. This dialectical tension is - as hinted by the title - a symphonic abstraction of a fascinating metropolis; the most beautiful and the ugliest. The subtitle: a symphonic skyline reflects the musical erection of the Manhattan profile, which under the clear sky, materializes into the most powerful and compelling man-made sculpture on earth. Thus 'Manhattan Abstraction' is a homage to, as well as a vision of, this giant contraption of concrete, glass, and chrome.

Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob Phillips and Daryl Silberman. Book; CD; Play-Along; String Orchestra Collection. Rock. 48 pages. Published by Alfred Music (AP.40742).