Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob Phillips and Daryl Silberman. Book; CD; Play-Along; String Orchestra Collection. Rock. 48 pages. Published by Alfred Music (AP.40742).

Arranged by Sandra Dackow. Conductor's score and set of performance parts for string orchestra (8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treble clef), 5 - viola, 5 - cello, 5 - string bass, 1 - piano accompaniment). Series: Orchestra Expressions Series. Published by Alfred Publishing.

Orchestra 2+Picc.2.2.2+CBsn: 4.2.3.1: Timp.Perc(1) Str (9.8.7.6.5 in set) [solo piano not included]

SKU: AP.36-A241002

Composed by Sergei Prokofiev. Full Orchestra. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A241002. Published by LudwigMasters Publications (AP.36-A241002).

UPC: 659859220901. English.

Sergei Prokofiev (1891-1953) dedicated his CONCERTO for Piano No. 1 in D-flat, Op. 10, to his teacher Nikolai Tcherepnin. Composing it in the years 1911 and 1912, he gave the premiere in Moscow on May 18, 1912 under the baton of Konstantin Saradzhev. On July 25, his performance of the work for the Saint Petersburg Conservatory earned the Anton Rubinstein Prize and a newly-built grand piano. About thirteen minutes in length, it is performed in one continuous movement, displaying the ambitious energy of the young composer. Instrumentation: 2+Picc.2.2.2+CBsn: 4.2.3.1: Timp.Perc(1) Str (9.8.7.6.5 in set) [solo piano not included]. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra (0.2.0.0/2.0.0.0,str,pf solo)

SKU: TM.00010SC

Composed by Wolfgang Amadeus Mozart. Score. Lucks Music Library #A1755. Published by Lucks Music Library (TM.00010SC).

Horns in F only; sol/pf; 2 copies required if played by 2 pianos. cello/bass.

Orchestra (0.2.0.0/2.0.0.0,str,pf solo)

SKU: TM.00010SET

Composed by Wolfgang Amadeus Mozart. Set Type: D. Set of parts. Lucks Music Library #A1755. Published by Lucks Music Library (TM.00010SET).

Horns in F only; sol/pf; 2 copies required if played by 2 pianos. cello/bass.

Orchestra (1.2.2.2/2.2.0.0,timp,str ,pf solo)

SKU: TM.00011SET

Composed by Ludwig van Beethoven. Set Type: D. Set of parts. Lucks Music Library #A1279. Published by Lucks Music Library (TM.00011SET).

Horns in F only; sol/pf; 2 copies required if played by 2 pianos.

Orchestra

SKU: TM.00011TPS

Composed by Ludwig van Beethoven. Transposed Score. Lucks Music Library #A1279. Published by Lucks Music Library (TM.00011TPS).

Horns in F only; sol/pf; 2 copies required if played by 2 pianos.

(Warm-up Exercises for Tone and Technique for Advanced String Orchestra (Piano Acc.)). Composed by Bob Phillips and Kirk Moss. Orchestra. For Piano Acc.. This edition: Piano Accompaniment. Book; Method/Instruction; SmartMusic; String Orchestra Method/Supplement. Sound Innovations Series for Strings. 108 pages. Published by Alfred Music

Orchestra (2.2.2.2/2.2.3.0,timp,str ,pf solo)

SKU: TM.00067SET

Composed by Nikolay Andreyevich Rimsky-Korsakov. Set Type: D. Set of parts. Lucks Music Library #A1931. Published by Lucks Music Library (TM.00067SET).

Solo/pf; two copies required to play solo with piano accompaniment.

Orchestra (2.2.2.2/2.2.3.0,timp,str ,pf solo)

SKU: TM.00067SC

Composed by Nikolay Andreyevich Rimsky-Korsakov. Score. Lucks Music Library #A1931. Published by Lucks Music Library (TM.00067SC).

Solo/pf; two copies required to play solo with piano accompaniment.

By Charlie Parker. Edited by Jeffrey Sultanof. Arranged by Joe Lippman. For studio ensemble with alto saxophone soloist (Solo Alto Saxophone, Oboe, French Horn, 4 Violins, 2 Violas, Cello, Harp, Guitar (Optional), Piano, Bass, Drums). Ballad. Difficult. Published by Jazz Lines Publications

(Chopin National Edition 33 B Vol. VIIIa). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier and Pawel Kaminski. For Orchestra (Study Score). PWM. 110 pages. Polskie Wydawnictwo Muzyczne #51600911. Published by Polskie Wydawnictwo Muzyczne

Orchestra (Study Score)

SKU: HL.132243

Chopin National Edition. Composed by Frederic Chopin. Edited by Jan Ekier and Pawel Kaminski. PWM. Classical. Study Score. Polskie Wydawnictwo Muzyczne #51600913. Published by Polskie Wydawnictwo Muzyczne (HL.132243).

UPC: 884088970772.

Piano concertos combine two elements: pure playing and full poetic expression. Virtuosity and romance. Pianistic brilliance, educated in the works in the stile brillant, brought to perfection, but at the same time - a farewell. Both are forms of direct expression of the personality of the composer, which showed itself in them for the first time with so much strength and is manifested in a group of characteristics of forming Chopin's individual style. Piano Concerto in F minor In terms of size, substantially smaller than the E minor concerto and also a different kind of expression: more lyrical, drawn in delicate pastel colours. Especially famous is the second movement, the Larghetto, which Chopin wrote under the inspiration of his first love. Critical source-edition edited by Jan Ekier and Pawel Kaminski based on manuscripts, copies approved by Chopin himself, and first editions. Its purpose is to present the works of Chopin in authentic form.

FUN WITH STRINGS (For Young String Orchestra Players) [Muller & Elmquist]. By Alonso de Alba. ORCHESTRA. Published by Bourne Music Co.

(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra. Breitkopf Full Scores. Parts, Urtext. 104 pages

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: CF.PO192S

On We Wish You a Merry Christmas. Composed by Robert B. Brown. Condensed score. Carl Fischer Music #PO192S. Published by Carl Fischer Music (CF.PO192S).

ISBN 9781491157367. UPC: 680160915927.

Progr am note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  .
Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. .

Orchestra

SKU: CF.PO192F

On We Wish You a Merry Christmas. Composed by Robert B. Brown. Full score. Carl Fischer Music #PO192F. Published by Carl Fischer Music (CF.PO192F).

ISBN 9781491157374. UPC: 680160915934.

Progr am note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  .
Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. .

Orchestra - Grade 2

SKU: AP.24936S

Composed by Edmund J. Siennicki. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling Strictly Strings. Score. 8 pages. Highland/Etling #00-24936S. Published by Highland/Etling (AP.24936S).

UPC: 038081275895. English.

Imagine the stately bird, the blue heron, in the marshes along Lake Erie. When standing on one leg in the water, the bird is visible to the careful observer, yet their large wingspan makes them majestic flyers. This piece calls for a moderate tempo. After the short introduction, the next 16 measures are played piano, mezzo forte and forte. This is followed by two versions with variations. All players get to play the melody and bowings and dynamics make the music more interesting for the audience and performers as the piece comes to a loud ending.

Orchestra - Grade 1

SKU: AP.38393S

Arranged by Michael Story. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Christmas; Novelty; Rock; Secular; Traditional; Winter. Score. 8 pages. Alfred Music #00-38393S. Published by Alfred Music (AP.38393S).

UPC: 038081438597. English. Traditional.

Have a rockin' good time at your holiday concert with this fun arrangement! Written for first-year string players, with both arco and pizzicato opportunities, as well as optional piano and hand percussion parts, this will be a favorite with both your students and your audience!

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str)

SKU: BR.OB-5641-60

Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Set of parts. 1116 pages. Duration 65'. Breitkopf and Haertel #OB 5641-60. Published by Breitkopf and Haertel (BR.OB-5641-60).

ISBN 9790004348833. 10.5 x 14 inches.

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this.

Orchestra - Grade 1

SKU: AP.49465

Composed by Doug Spata. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland String Orchestra (HSO). Score and Part(s). Duration 2:05. Highland/Etling #00-49465. Published by Highland/Etling (AP.49465).

ISBN 9781470650209. UPC: 038081570983. English.

Beginning string students will have a diabolically good time with this all-pizzicato selection. Gleefully sinister melodies pass between all sections and simple quarter and half note accompaniment parts help keep everyone together. The optional piano accompaniment sets the pace with even 8th notes, helping young players subdivide their rhythms. Part independence and note range are minimized while doubling and repetition are emphasized, making this an easy piece for kids to master. Midnight Mischief by Doug Spata is a fun piece that kids will love to play while supporting essential ensemble playing and listening skills. (2:05) This title is available in MakeMusic Cloud.

Orchestra - Grade 1

SKU: AP.49465S

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland String Orchestra (HSO). Score. Duration 2:05. Highland/Etling #00-49465S. Published by Highland/Etling (AP.49465S).

ISBN 9781470650216. UPC: 038081570990. English.

Beginning string students will have a diabolically good time with this all-pizzicato selection. Gleefully sinister melodies pass between all sections and simple quarter and half note accompaniment parts help keep everyone together. The optional piano accompaniment sets the pace with even 8th notes, helping young players subdivide their rhythms. Part independence and note range are minimized while doubling and repetition are emphasized, making this an easy piece for kids to master. Midnight Mischief by Doug Spata is a fun piece that kids will love to play while supporting essential ensemble playing and listening skills. (2:05).

Orchestra

SKU: HL.14027993

Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2006. 164 pages. Edition Wilhelm Hansen #WH30602. Published by Edition Wilhelm Hansen (HL.14027993).

ISBN 9788759811832. English.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.

3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo
3 Oboes, 3rd also Cor Anglais in F
3 Clarinets in Bb, 3rd also Bass Clarinet in Bb
3 Bassoons, 3rd also Contra Bassoon

4 Horn in F
3 Trumpets in Bb
3 Trombones
1 Tuba

Timpani
4 Percussion, four players
Player 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)
Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese Cymbal
Player 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle Cymbal
Player 4 - Bass Drum, Glockenspiel, Xylophone

1 Harp

1 Piano, also Celesta

Strings - 16/14/12/10/8

All transposing instruments are notated in their relevant transpositions.
Any accidental apply only to the note that it immediately precedes, except tied notes.
Naturals appear occasionally 'for safety'.

'LIST ENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.
The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic.
I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.

Orchestra - Intermediate

SKU: LO.765762213401

Composed by Ed Hogan. Allegis. Orchestration, enhanced CD. Lillenas Publishing Company #765762213401. Published by Lillenas Publishing Company (LO.765762213401).

UPC: 765762213401.

The fresh and creative Allegis Orchestral Series is designed to give small to mid-sized churches an instrumental resource that can be played with a mix of players, but includes everything the large church orchestra needs, as well. These moderately difficult hymn arrangements have been created in popular styles that your instrumentalists and congregation alike with love. With three accompaniment options (piano, live rhythm section, or recorded rhythm tracks) this series fits the needs of any size group, from eight players to a full orchestra. Everything you need for practice and performance is included on the Enhanced CD: printable instrumental parts, optional instrumental parts, capo guitar parts, and rhythm/piano accompaniment, plus the rhythm accompaniment track and demonstration track. Minimum Instrumentation: Part 1 – Fl; Part 2 – Ob (Cl, S Sax); Part 3 – Cl (A Sax); Part 4 – Tpt; Part 5 – Tpt (A Sax); Part 6 – Hn (A Sax, Cl); Part 7 – Tbn (Bari TC, T Sax).

Orchestra - Intermediate

SKU: LO.765762192508

Composed by Billy Payne. Allegis. Orchestration, enhanced CD. Lillenas Publishing Company #765762192508. Published by Lillenas Publishing Company (LO.765762192508).

UPC: 765762192508.

The fresh and creative Allegis Orchestral Series is designed to give small to mid-sized churches an instrumental resource that can be played with a mix of players, but includes everything the large church orchestra needs, as well. These moderately difficult hymn arrangements have been created in popular styles that your instrumentalists and congregation alike with love. With three accompaniment options (piano, live rhythm section, or recorded rhythm tracks) this series fits the needs of any size group, from eight players to a full orchestra. Everything you need for practice and performance is included on the Enhanced CD: printable instrumental parts, optional instrumental parts, capo guitar parts, and rhythm/piano accompaniment, plus the rhythm accompaniment track and demonstration track. Minimum Instrumentation: Part 1 – Fl; Part 2 – Ob (Cl, S Sax); Part 3 – Cl (A Sax); Part 4 – Tpt; Part 5 – Tpt (A Sax); Part 6 – Hn (A Sax, Cl); Part 7 – Tbn (Bari TC, T Sax).

Orchestra - Intermediate

SKU: LO.765762191808

Composed by Ed Hogan. Allegis. Orchestration, enhanced CD. Lillenas Publishing Company #765762191808. Published by Lillenas Publishing Company (LO.765762191808).

UPC: 765762191808.

The fresh and creative Allegis Orchestral Series is designed to give small to mid-sized churches an instrumental resource that can be played with a mix of players, but includes everything the large church orchestra needs, as well. These moderately difficult hymn arrangements have been created in popular styles that your instrumentalists and congregation alike with love. With three accompaniment options (piano, live rhythm section, or recorded rhythm tracks) this series fits the needs of any size group, from eight players to a full orchestra. Everything you need for practice and performance is included on the Enhanced CD: printable instrumental parts, optional instrumental parts, capo guitar parts, and rhythm/piano accompaniment, plus the rhythm accompaniment track and demonstration track. Minimum Instrumentation: Part 1 – Fl; Part 2 – Ob (Cl, S Sax); Part 3 – Cl (A Sax); Part 4 – Tpt; Part 5 – Tpt (A Sax); Part 6 – Hn (A Sax, Cl); Part 7 – Tbn (Bari TC, T Sax).

Orchestra - Intermediate

SKU: LO.765762213203

Composed by Billy Payne. Allegis. Orchestration, enhanced CD. Lillenas Publishing Company #765762213203. Published by Lillenas Publishing Company (LO.765762213203).

UPC: 765762213203.

The fresh and creative Allegis Orchestral Series is designed to give small to mid-sized churches an instrumental resource that can be played with a mix of players, but includes everything the large church orchestra needs, as well. These moderately difficult hymn arrangements have been created in popular styles that your instrumentalists and congregation alike with love. With three accompaniment options (piano, live rhythm section, or recorded rhythm tracks) this series fits the needs of any size group, from eight players to a full orchestra. Everything you need for practice and performance is included on the Enhanced CD: printable instrumental parts, optional instrumental parts, capo guitar parts, and rhythm/piano accompaniment, plus the rhythm accompaniment track and demonstration track. Minimum Instrumentation: Part 1 – Fl; Part 2 – Ob (Cl, S Sax); Part 3 – Cl (A Sax); Part 4 – Tpt; Part 5 – Tpt (A Sax); Part 6 – Hn (A Sax, Cl); Part 7 – Tbn (Bari TC, T Sax).