Gesu Bambino Orchestre [Conducteur et Parties séparées] Shawnee Press
By Pietro A. Yon (1886-1943). Arranged by Mark Hayes. For Orchestra (Score and P...(+)
By Pietro A. Yon
(1886-1943). Arranged by
Mark Hayes. For Orchestra
(Score and Parts).
Shawnee Press. Shawnee
Press #LB5768. Published
by Shawnee Press
O Holy Night Orchestre [Conducteur et Parties séparées] Shawnee Press
O Holy Night (René Clausen Series). By Adolphe-Charles Adam (1803-1856). Arrang...(+)
O Holy Night (René
Clausen Series). By
Adolphe-Charles Adam
(1803-1856). Arranged by
René Clausen. For
Orchestra (Score and
Parts). Shawnee Press.
Shawnee Press #MO2195.
Published by Shawnee
Press
Composed by PDQ Bach (1935-). Edited by Professor Peter Schickele. Orchestra. Fo...(+)
Composed by PDQ Bach
(1935-). Edited by
Professor Peter
Schickele. Orchestra. For
2 Flutes (2nd Also
Piccolo), 2 Oboes, 2
Clarinets in Bb, 2
Bassoons, 2 Horns in F, 2
Trumpets in C (Straight,
Cup Mutes), 3 Trombones
(1 and 2 Straight, Cup
Mutes)(3rd Tenor/Bass),
Timpani (Also Large
Tam-Tam), 2 Percussion: I
- Tambourine, Xylophone,
Tri. Classical. Full
score (study). Standard
notation. (S. 2 are
better than one). 109
pages. Duration 26
minutes. Theodore Presser
Company #416-41392.
Published by Theodore
Presser Company
Composed by PDQ Bach (1935-). Edited by Professor Peter Schickele. Orchestra. Fo...(+)
Composed by PDQ Bach
(1935-). Edited by
Professor Peter
Schickele. Orchestra. For
2 Flutes (2nd Also
Piccolo), 2 Oboes, 2
Clarinets in Bb, 2
Bassoons, 2 Horns in F, 2
Trumpets in C (Straight,
Cup Mutes), 3 Trombones
(1 and 2 Straight, Cup
Mutes)(3rd Tenor/Bass),
Timpani (Also Large
Tam-Tam), 2 Percussion: I
- Tambourine, Xylophone,
Tri. Classical. Full
score (study). Standard
notation. (S. 2 are
better than one). 109
pages. Duration 26
minutes. Theodore Presser
Company #416-41392L.
Published by Theodore
Presser Company
Orchestra SKU: PR.446410680 Composed by Ellen Taaffe Zwilich. With Standa...(+)
Orchestra
SKU:
PR.446410680
Composed
by Ellen Taaffe Zwilich.
With Standard notation.
Duration 24 minutes.
Theodore Presser Company
#446-41068. Published by
Theodore Presser Company
(PR.446410680).
Orchestra SKU: LO.30-2872H Composed by Greg Gilpin. Arranged by Paul Lang...(+)
Orchestra
SKU:
LO.30-2872H
Composed
by Greg Gilpin. Arranged
by Paul Langford.
Conductor's score.
Concert. Orchestral score
and parts. Heritage Music
Press #30/2872H.
Published by Heritage
Music Press
(LO.30-2872H).
UPC:
000308132595.
Writt
en to premiere at the
2012 Generations Together
in Music concert at
Carnegie Hall, this
gorgeous original piece
features emotive and
dramatic choral writing
that spans the full gamut
of dynamics and
expression. The
traditional Latin text is
set with rich vocal
harmonies and accompanied
by a distinctly melodic
recurring piano theme. A
pronunciation guide for
the Latin text is
included.
Instrumentation: Fl, Ob,
Cl, Bsn, 2 Perc, Timp,
Pno, Harp, 2 Vln, Vla,
Cello, Bass.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Full orchestra SKU: LO.30-3640H Composed by Andre J. Thomas. Arranged by ...(+)
Full orchestra
SKU:
LO.30-3640H
Composed
by Andre J. Thomas.
Arranged by Robert Elhai.
Conductor's score. Major
Work. Orchestral score
and parts. Heritage Music
Press #30/3640H.
Published by Heritage
Music Press
(LO.30-3640H).
UPC:
000308154870.
Orche
stral Score and Parts for
45/1635H A true testament
to his strength and skill
as a composer, Andre
Thomas's Mass combines
the power of love and joy
with the beauty and
sophistication of
top-tier choral music.
Written in five
movements, the Mass can
be performed in its
entirety or as separate
selections. This
gospel-style work may be
performed with piano,
piano with bass and
drums, or with full
orchestra. Also available
is a piano accompaniment
CD (99/3967H). The Mass
is dedicated to the
Tallahassee Community
Chorus.
Full orchestra (2fl(II+picc), 2ob(II+ca), 2cl, 2bsn, 2hn, 2tpt, tbn, timp, 3perc...(+)
Full orchestra
(2fl(II+picc),
2ob(II+ca), 2cl, 2bsn,
2hn, 2tpt, tbn, timp,
3perc (pti, tri, BD, SD,
sus cym, glock, xyl,
bell, rattles), hp, str)
- Moderately Difficult
SKU:
OU.9780193519718
Composed by Ralph Vaughan
Williams. Arranged by
Martin Yates. Orchestral
parts for sale. Study
score. 264 pages.
Duration 50'. Oxford
University Press
#9780193519718. Published
by Oxford University
Press (OU.9780193519718).
ISBN 9780193519718. 10
x 7
inches.
Originally
the title for Vaughan
Williams's opera Sir John
in Love, Fat Knight was
conceived as a
seven-movement orchestral
suite that drew upon the
opera and had, as its
central character,
Shakespeare's Falstaff.
Vaughan Williams never
completed the work and
left only a two-piano
score, the basis of this
realisation.
Orchestra (Score & Parts) - Grade 3 SKU: HL.35006562 By K Mostras. By Alf...(+)
Orchestra (Score & Parts)
- Grade 3
SKU:
HL.35006562
By K
Mostras. By Alfred Burt.
Arranged by Hawley Ades.
Orchestra 5/5/3/3/3.
Shawnee Press. Print on
demand - publisher prints
this title after order is
received. Christmas.
Piano Reduction. Composed
2016. 96 pages. Shawnee
Press #J0049. Published
by Shawnee Press
(HL.35006562).
Score
and Parts. Composed
by Kenneth Baird. Shawnee
Press. Score and Parts.
Shawnee Press #J0172.
Published by Shawnee
Press (HL.35024759).
UPC: 747510071556.
8.5x11 inches.
Ken
Baird has created music
that is exciting and
enjoyable, music that has
movement, dynamic
contrast, and stylistic
interest, and music that
is interesting for both
young performers and
young audiences alike.
Each of the 3 sets
contains four individual
pieces. Pricing will make
these sets a bargain for
directors of young
orchestras. Optional
Violin 3 parts are
available to reinforce or
substitute for viola. A
piano part, which is not
required for performance,
is included to be helpful
to beginning
orchestras.
String Orchestra - Grade 2-3 SKU: HL.35024760 Full Score. Composed...(+)
String Orchestra - Grade
2-3
SKU:
HL.35024760
Full
Score. Composed by
Kenneth Baird. Shawnee
Press. 16 pages. Shawnee
Press #JC0585. Published
by Shawnee Press
(HL.35024760).
UPC:
888680046606. 8.5x11
inches.
Ken Baird
has created music that is
exciting and enjoyable,
music that has movement,
dynamic contrast, and
stylistic interest, and
music that is interesting
for both young performers
and young audiences
alike. Each of the 3 sets
contains four individual
pieces. Pricing will make
these sets a bargain for
directors of young
orchestras. Optional
Violin 3 parts are
available to reinforce or
substitute for viola. A
piano part, which is not
required for performance,
is included to be helpful
to beginning
orchestras.
Orchestra (Score & Parts) - Grade 2 SKU: HL.35020084 Suite by T. Malin...(+)
Orchestra (Score & Parts)
- Grade 2
SKU:
HL.35020084
Suite
by T. Malinina-Fedkina
for Piano, 4 Hands.
Composed by Franz Joseph
Haydn. Arranged by
Bauernschmidt. Orchestra
8/8/5/5/5/5. Shawnee
Press. Print on demand -
publisher prints this
title after order is
received. Classical. Book
Only. Composed 2018. 76
pages. Shawnee Press
#J0087. Published by
Shawnee Press
(HL.35020084).
Orchestra SKU: SU.80101469 For Orchestra. Composed by Carson Cooma...(+)
Orchestra
SKU:
SU.80101469
For
Orchestra. Composed
by Carson Cooman.
Keyboard,
Piano/Harpsichord. Study
Score. Zimbel Press
#80101469. Published by
Zimbel Press
(SU.80101469).
Liminal
(Symphony No. 4) (2014)
is scored for an
orchestra of brass, two
harps, and strings. It is
in one movement. A
recording is available on
Divine Art #DDV 24161.
Instrumentation:
Orchestra Duration: 22'
Composed: 2014 Published
by: Zimbel Press
Performance materials
available on rental only:
Subito Music Rental
Library via Zinfonia.
