Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob ...(+)
Classic Rock for the
String Orchestra
(Teacher's Score).
Arranged by Bob Phillips
and Daryl Silberman.
Book; CD; Play-Along;
String Orchestra
Collection. Rock. 48
pages. Published by
Alfred Music (AP.40742).
Richard II Orchestre [Conducteur] Promethean Editions
Incidental music for a radio production of William Shakespeare\'s play....(+)
Incidental music for a
radio
production of William
Shakespeare\'s play.
Composed
by Ralph Vaughan Williams
(1872-1958). Full score.
Promethean Editions
#PME16S.
Published by Promethean
Editions
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennic...(+)
Orchestra
SKU:
FG.55011-315-2
Composed by Kalevi Aho.
Study score. Fennica
Gehrman #55011-315-2.
Published by Fennica
Gehrman (FG.55011-315-2).
ISBN
9790550113152.
The
Sieidi concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normal
ly, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
By Jacquelyn Dillon, James Kjelland, and John O'Reilly. For Conductor's Score. S...(+)
By Jacquelyn Dillon,
James Kjelland, and John
O'Reilly. For Conductor's
Score. String Orchestra
Method/Supplement. Book.
216 pages. Published by
Alfred Publishing.
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192S
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown.
Condensed score. Carl
Fischer Music #PO192S.
Published by Carl Fischer
Music (CF.PO192S).
ISBN 9781491157367.
UPC:
680160915927.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192F
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown. Full
score. Carl Fischer Music
#PO192F. Published by
Carl Fischer Music
(CF.PO192F).
ISBN
9781491157374. UPC:
680160915934.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
First flute, second flute, first oboe (oboe-dam), second oboe, Ob 3, first basso...(+)
First flute, second
flute, first oboe
(oboe-dam), second oboe,
Ob 3, first bassoon,
second bassoon,
Cor-daccordion, first
trumpet, second trumpet,
third trumpet, timpani
(1. Flute, 2. Flute, 1.
Oboe (Oboe d´amore),
2. Oboe, 3. Oboe, 1.
Bassoon, 2. Bassoon,
Corno da caccia, 1.
Trumpet, 2. Trumpet, 3.
Trumpet, Timpani)
SKU:
BA.BA05293-65
Missa BWV 230I
(version of 1733). Credo
in unum Deum BVW II/1
(early version in G maj).
Sanctus BWV 232III
(version of 1724).
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Set
of wind parts. BWV 230,
BWV 232. Baerenreiter
Verlag #BA05293_65.
Published by Baerenreiter
Verlag (BA.BA05293-65).
ISBN 9790006532674.
32.5 x 25.5 cm inches.
Key: B minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(Suite from Volume Alpha). Composed by Daniel Rosefeld. Arranged by Ralph Fo...(+)
(Suite from Volume
Alpha).
Composed by Daniel
Rosefeld.
Arranged by Ralph Ford.
Concert Band. Concert
Band;
Score. Pop Young Band.
Form:
Suite. Video Game. Grade
2.5. 24 pages. Published
by
Alfred Music
Orchestra SKU: PO.UME17S Composed by Anthony Ritchie. Perfect. Full score...(+)
Orchestra
SKU:
PO.UME17S
Composed by
Anthony Ritchie. Perfect.
Full score. Promethean
Editions #UME17S.
Published by Promethean
Editions (PO.UME17S).
ISBN
9781877564857.
Ritc
hie's expansive and
concept-heavy Symphony
No.2 sees insistent
quaver and semiquaver
rhythms organised into
jagged patterns, with
playfully syncopated
rhythmic interplay.
Thunderous percussion and
powerful brass evoke
destructive warfare,
turning to optimism in
celebration of human
progress, while tightly
twisting canonic lines,
infused with metaphorical
meaning, display
Ritchie's mastery of
counterpoint.
Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra
Dackow. Conductor's score
and set of performance
parts for string
orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- 3rd violin/viola
(treble clef), 5 - viola,
5 - cello, 5 - string
bass, 1 - piano
accompaniment). Series:
Orchestra Expressions
Series. Published by
Alfred Publishing.
Orchestra SKU: CF.C1232 Arranged by Sean O'Loughlin. Set of Score and Par...(+)
Orchestra
SKU:
CF.C1232
Arranged by
Sean O'Loughlin. Set of
Score and Parts.
12+1+1+1+1+1+1+1+1+1+1+1+
1+1+1+1+1+1+1+1+1+1+1+1+1
+1+1+1+1+1+1 pages. Carl
Fischer Music #C1232.
Published by Carl Fischer
Music (CF.C1232).
ISBN
9781491160923. UPC:
680160919529. Transcribed
by John Stafford
Smith.
The
celebratory and dramatic
rendition of The
Star-Spangled Banner by
Sean O'Loughlin, first
arranged for brass and
percussion, is now
beautifully scored for
full orchestra.
O'Loughlin's popular
arrangement has become a
favorite of both the
Oregon Symphony and
Baltimore Symphony brass
players, being played at
sporting events including
Portland Trailblazers NBA
basketball games,
Baltimore Orioles
baseball games, and
Baltimore Ravens football
games.With fanfare
flourishes and colorful
touches, this grand
arrangement gives each
section an opportunity to
play the melody, making
for a truly dynamic
experience.
Orchestra SKU: CF.C1232F Arranged by Sean O'Loughlin. Full score. 12 page...(+)
Orchestra
SKU:
CF.C1232F
Arranged by
Sean O'Loughlin. Full
score. 12 pages. Carl
Fischer Music #C1232F.
Published by Carl Fischer
Music (CF.C1232F).
ISBN 9781491161371.
UPC: 680160919963.
Transcribed by John
Stafford Smith.
The
celebratory and dramatic
rendition of The
Star-Spangled Banner
first arranged for brass
and percussion by Sean
O'Loughlin is now
beautifully scored for
full orchestra.
O'Loughlin's popular
arrangement has become a
favorite of both the
Oregon Symphony and
Baltimore Symphony brass
players, being played at
sporting events including
Portland Trailblazers NBA
basketball games,
Baltimore Orioles
baseball games, and
Baltimore Ravens football
games.With fanfare
flourishes and colorful
touches, this grand
arrangement gives each
section an opportunity to
play the melody, making
for a truly dynamic
experience.
Merry-Go-Round Orchestre [Conducteur et Parties séparées] - Facile Kendor Music Inc.
String orchestra - Grade 2 SKU: KN.9249 Composed by John Caponegro. Solo ...(+)
String orchestra - Grade
2
SKU: KN.9249
Composed by John
Caponegro. Solo or
Ensemble. Voyager String
Orchestra. Score and Set
of Parts. Kendor Music
Inc #9249. Published by
Kendor Music Inc
(KN.9249).
UPC:
822795092493.
This
will be a big hit with
young groups since this
kind of counterpoint
relies on all players to
carry melodic material.
Then for extra fun, they
also play the round
backwards. This piece
provides good training
and experience in
contrapuntal playing and
makes an excellent choice
for concerts. Duration
ca. 3:30. Available in
SmartMusic.
Urtext. Composed
by Georges Bizet. Edited
by Lesley A. Wright.
Orchestra; Softcover.
Eulenburg Orchestral
Series.
The world
premiere of the play
L'Arlesienne
with the incidental music
by Georges Bizet was a
notable failure not only
for the playwright
Alphonse Daudet, but also
for the composer.
Suite; Romantic. Full
score. 60 pages. Duration
17'. Breitkopf and
Haertel #EOS 20828.
Published by Breitkopf
and Haertel
(BR.EOS-20828).
ISBN
9790004784693. 10 x 12.5
inches.
The two
four-movement orchestral
suites, in turn, are
still thrilling
concert-goers all over
the world, ever since
their first performances
in 1872 and 1880
respectively. In 1998 and
2001, Lesley A. Wright
presented the score and
orchestral parts of the
two repertoire pieces in
an Urtext edition
prepared for the first
time on the basis of all
relevant sources. Thus
not only will the yellow
Urtext angel be gracing
the conducting score and
orchestral parts, but,
next to the standardized
large format and new
layout of the parts,
there are other
user-friendly
improvements, such as
practical page-turns,
page-turn aids and
intelligent cue
notes.
Full orchestra SKU: LO.30-3547L Composed by Jay Rouse. Choral. Sacred Ant...(+)
Full orchestra
SKU:
LO.30-3547L
Composed
by Jay Rouse. Choral.
Sacred Anthem,
Eastertide. Orchestral
score and parts. Lorenz
Publishing Company
#30/3547L. Published by
Lorenz Publishing Company
(LO.30-3547L).
UPC:
000308149265.
Boost
the power of the message
from “This Is What
Is Meant by Loveâ€
(10/4972L) with the
orchestration in this
score and parts set. The
anthem, featuring a
stunning text by Rose
Aspinall and music by Jay
Rouse, paints vivid
imagery of the
resurrection and embodies
the love displayed by the
empty tomb.
Shadowlands Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 2 SKU: AP.48084S Composed by Gary Fagan. MakeMusic Clou...(+)
Orchestra - Grade 2
SKU: AP.48084S
Composed by Gary Fagan.
MakeMusic Cloud;
Performance Music
Ensemble; String
Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score. 8
pages. Duration 2:15.
Highland/Etling
#00-48084S. Published by
Highland/Etling
(AP.48084S).
UPC:
038081550909.
English.
Full of
dark energy and mystery,
with contemporary
harmonies and moving
melodic lines,
Shadowlands by Gary Fagan
will provide the means
for directors to teach
contrasting styles,
dynamics, and varied
articulations to young
players in an easy and
fun-to-play format. This
lively piece, in A
natural minor, will
provide younger players
with excellent
opportunities for
achieving rhythmic
independence while also
providing them with
sections that are
rhythmically similar. The
slower lyrical opening
section gives way to a
contrasting tempo and
style that will appeal to
players and audiences
alike. (2:15) This title
available in MakeMusic
Cloud.
Orchestra - Grade 2 SKU: AP.48084 Composed by Gary Fagan. MakeMusic Cloud...(+)
Orchestra - Grade 2
SKU: AP.48084
Composed by Gary Fagan.
MakeMusic Cloud;
Performance Music
Ensemble; String
Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 62 pages.
Duration 2:15.
Highland/Etling
#00-48084. Published by
Highland/Etling
(AP.48084).
UPC:
038081550893.
English.
Full of
dark energy and mystery,
with contemporary
harmonies and moving
melodic lines,
Shadowlands by Gary Fagan
will provide the means
for directors to teach
contrasting styles,
dynamics, and varied
articulations to young
players in an easy and
fun-to-play format. This
lively piece, in A
natural minor, will
provide younger players
with excellent
opportunities for
achieving rhythmic
independence while also
providing them with
sections that are
rhythmically similar. The
slower lyrical opening
section gives way to a
contrasting tempo and
style that will appeal to
players and audiences
alike. (2:15) This title
is available in MakeMusic
Cloud.
Composed by Tanner Otto.
Performance Music
Ensemble; String
Orchestra. Belwin
Beginning String
Orchestra. Score and
Part(s). 47 pages. Belwin
Music #00-49036.
Published by Belwin Music
(AP.49036).
ISBN
9781470645502. UPC:
038081564043.
English.
Fight the
Resistance! by Tanner
Otto is an exciting and
dynamic march-style piece
and was written to
highlight the skill of
playing closer to the
bridge. In order to play
the sustained melodic
lines forte, students
must fight the resistance
of the bridge by changing
their bowing lane. It
also reinforces the low-2
finger pattern (A minor)
with a few accidentals.
The cellos have very
accessible shifting, and
all sections get to play
the melody. Great for
working on staccato and
accents.
Composed by Tanner Otto.
Performance Music
Ensemble; String
Orchestra. Belwin
Beginning String
Orchestra. Score. 8
pages. Belwin Music
#00-49036S. Published by
Belwin Music (AP.49036S).
ISBN 9781470645519.
UPC: 038081564050.
English.
Fight the
Resistance! by Tanner
Otto is an exciting and
dynamic march-style piece
and was written to
highlight the skill of
playing closer to the
bridge. In order to play
the sustained melodic
lines forte, students
must fight the resistance
of the bridge by changing
their bowing lane. It
also reinforces the low-2
finger pattern (A minor)
with a few accidentals.
The cellos have very
accessible shifting, and
all sections get to play
the melody. Great for
working on staccato and
accents.
Orchestra 2+Picc.2.2.2+CBsn: 4.2.3.1: Timp.Perc(1) Str (9.8.7.6.5 in set) [solo ...(+)
Orchestra
2+Picc.2.2.2+CBsn:
4.2.3.1: Timp.Perc(1) Str
(9.8.7.6.5 in set) [solo
piano not included]
SKU: AP.36-A241002
Composed by Sergei
Prokofiev. Full
Orchestra. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A241002.
Published by
LudwigMasters
Publications
(AP.36-A241002).
UPC:
659859220901.
English.
Sergei
Prokofiev (1891-1953)
dedicated his CONCERTO
for Piano No. 1 in
D-flat, Op. 10, to his
teacher Nikolai
Tcherepnin. Composing it
in the years 1911 and
1912, he gave the
premiere in Moscow on May
18, 1912 under the baton
of Konstantin Saradzhev.
On July 25, his
performance of the work
for the Saint Petersburg
Conservatory earned the
Anton Rubinstein Prize
and a newly-built grand
piano. About thirteen
minutes in length, it is
performed in one
continuous movement,
displaying the ambitious
energy of the young
composer.
Instrumentation:
2+Picc.2.2.2+CBsn:
4.2.3.1: Timp.Perc(1) Str
(9.8.7.6.5 in set) [solo
piano not included].
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra - Intermediate SKU: LO.765762213401 Composed by Ed Hogan. Alleg...(+)
Orchestra - Intermediate
SKU:
LO.765762213401
Composed by Ed Hogan.
Allegis. Orchestration,
enhanced CD. Lillenas
Publishing Company
#765762213401. Published
by Lillenas Publishing
Company
(LO.765762213401).
UPC:
765762213401.
The
fresh and creative
Allegis Orchestral Series
is designed to give small
to mid-sized churches an
instrumental resource
that can be played with a
mix of players, but
includes everything the
large church orchestra
needs, as well. These
moderately difficult hymn
arrangements have been
created in popular styles
that your
instrumentalists and
congregation alike with
love. With three
accompaniment options
(piano, live rhythm
section, or recorded
rhythm tracks) this
series fits the needs of
any size group, from
eight players to a full
orchestra. Everything you
need for practice and
performance is included
on the Enhanced CD:
printable instrumental
parts, optional
instrumental parts, capo
guitar parts, and
rhythm/piano
accompaniment, plus the
rhythm accompaniment
track and demonstration
track. Minimum
Instrumentation: Part 1
– Fl; Part 2
– Ob (Cl, S Sax);
Part 3 – Cl (A
Sax); Part 4 –
Tpt; Part 5 – Tpt
(A Sax); Part 6 –
Hn (A Sax, Cl); Part 7
– Tbn (Bari TC, T
Sax).
Mighty to Save Orchestre - Intermédiaire Lillenas Publishing Co.
Orchestra - Intermediate SKU: LO.765762192508 Composed by Billy Payne. Al...(+)
Orchestra - Intermediate
SKU:
LO.765762192508
Composed by Billy Payne.
Allegis. Orchestration,
enhanced CD. Lillenas
Publishing Company
#765762192508. Published
by Lillenas Publishing
Company
(LO.765762192508).
UPC:
765762192508.
The
fresh and creative
Allegis Orchestral Series
is designed to give small
to mid-sized churches an
instrumental resource
that can be played with a
mix of players, but
includes everything the
large church orchestra
needs, as well. These
moderately difficult hymn
arrangements have been
created in popular styles
that your
instrumentalists and
congregation alike with
love. With three
accompaniment options
(piano, live rhythm
section, or recorded
rhythm tracks) this
series fits the needs of
any size group, from
eight players to a full
orchestra. Everything you
need for practice and
performance is included
on the Enhanced CD:
printable instrumental
parts, optional
instrumental parts, capo
guitar parts, and
rhythm/piano
accompaniment, plus the
rhythm accompaniment
track and demonstration
track. Minimum
Instrumentation: Part 1
– Fl; Part 2
– Ob (Cl, S Sax);
Part 3 – Cl (A
Sax); Part 4 –
Tpt; Part 5 – Tpt
(A Sax); Part 6 –
Hn (A Sax, Cl); Part 7
– Tbn (Bari TC, T
Sax).