By Franz Liszt (1811-1886). Edited by Otto Taubmann. Orchestra. For [2+1, 2, 2, 2 - 4, 3, 3, 1], timpani, percussion, organ, strings. This edition: Paperback. Original Works, Tone Poems. Romantic Period; Hungarian. Study Score. 96 pages. Published by Sere

Symphonic Poem No. 4 - Study Score. By Franz Liszt. Schott. Size 5.5x7.5 inches. 54 pages. Published by Eulenburg London (Schott).

By John Tatgenhorst. Orchestra. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. 4 (grade 4). Score. 12 pages

Symphonic Poem No. 5 - Study Score. By Franz Liszt. Schott. 88 pages. Published by Eulenburg London (Schott).

The Poem of Fire. By Alexander Scriabin. Arranged by Faubion Bowers. (Study Score). Schott. 79 pages. Published by Eulenburg.

Symphonic Poem No. 10 - Study Score. By Franz Liszt. Schott. 56 pages. Published by Eulenburg London (Schott).

Orchestra (3D1.2+1.2+1.3/4.3.3.6,ti mp,perc,2hp,str,Mez solo)

SKU: TM.06193SC

Composed by Enrique Granados. Score. Lucks Music Library #A5372. Published by Lucks Music Library (TM.06193SC).

Orchestra (3D1.2+1.2+1.3/4.3.3.6,ti mp,perc,2hp,str,Mez solo)

SKU: TM.06193SET

Composed by Enrique Granados. Set Type: D. Set of parts. Lucks Music Library #A5372. Published by Lucks Music Library (TM.06193SET).

Orchestra (2 (piccolo).2 (English horn).2 (bass clarinet).2 (contrabassoon) - 4.3.3.1 - timpani, 3 percussion, harp, piano; strings)

SKU: SU.91410150

For Orchestra. Composed by Dan Locklair. Orchestra. Study Score. Composed 1986; Revised: 1999. Duration 13'. Subito Music Corporation #91410150. Published by Subito Music Corporation (SU.91410150).

Instrumentation : 2,picc 2,eh 2,bcl 2,cbn; 4331; timp, 3perc, hp, pno; str Duration: 13' Composed: 1986; Revised: 1999 Full Score & Parts: available on rental Published by: Subito Music Publishing.

Orchestra (2+1.2+1.2.2/4.2.3.1,timp ,perc,2hp,str)

SKU: TM.09779SET

Composed by Albert Roussel. Set Type: D. Set of parts. Lucks Music Library #A5681. Published by Lucks Music Library (TM.09779SET).

Orchestra (2+1.2+1.2.2/4.2.3.1,timp ,perc,2hp,str)

SKU: TM.09779SC

Composed by Albert Roussel. Score. Lucks Music Library #A5681. Published by Lucks Music Library (TM.09779SC).

(Russian Song). By Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arranged by Victor López. Orchestra. Full Orchestra; Masterworks; Part(s); Score. Belwin Concert Full Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Grade 4. 232 pages. Published by Belwin Music

Orchestra (Picc. * 2 * 2 * Engl. Hr. * 2 * Bassklar. * 2 * Kfg. - 4 * 2 * 2 * 1 - Str.)

SKU: HL.49004987

Composed by Hans Werner Henze. Sheet music. Edition Schott. Classical. Study Score. Composed 1955. 44 pages. Duration 9'. Schott Music #ED 4558. Published by Schott Music (HL.49004987).

ISBN 9790001053471. 6.0x9.0x0.163 inches.

By Richard Strauss. Band/Orchestra. Size 9 3/8 x 12 1/4. 286 pages. Published by Dover Publications.

Composed by Camille Saint- Saens (1835-1921). Edited by Hugh MacDonald. This edition: Edition of selected works, Urtext edition. Cloth bound. Saint-Saens, Camille. OEuvres instrumentales completes I/4. Edition of Selected Works, Score, anthology, Urtext Edition. Baerenreiter Verlag #BA10307-01. Published by Baerenreiter Verlag

Orchestra (2 (piccolo).2 (English horn).2.2 - 4.2.3.1 - timpani, 3 percussion, piano; strings)

SKU: SU.91410060

For Orchestra. Composed by Dan Locklair. Orchestra. Study Score. Composed 1993. Duration 12'. Subito Music Corporation #91410060. Published by Subito Music Corporation (SU.91410060).

Instrumentation : 2(picc) 2(eh) 22; 4231; timp, 3perc, pno; str Duration 12' Composed: 1993 Full Score & Parts: available on rental Published by: Subito Music Publishing.

Orchestra (4(2picc).3(cor ang).heck.Eb-clar.2.Bb-cl ar(clar).4(dble bsn) - 8(4T-tuba).2alphn.4.4.2 - org.cel - 2hp.2timp.perc(6).wind m.thunder m - str - off stage: 12hn.2trp.2tbne)

SKU: BR.PB-5710

Tone Poem - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphonic poem; Late-romantic; Early modern. Sheet Music. 204 pages. Duration 50'. Breitkopf and Haertel #PB 5710. Published by Breitkopf and Haertel (BR.PB-5710).

ISBN 9790004216477. 10.5 x 14 inches.

Richard Strauss's last completed tone poem is regarded as the pinnacle of his art of orchestration: Now I've finally learned to orchestrate, he himself is once supposed to have said about it after the dress rehearsal. The single-movement Alpine symphony that we know today ultimately evolved - over almost 15 years - from the original drafts of an artist's tragedy, titled Der Antichrist. Eine Alpensinfonie [The Antichrist. An Alpine Symphony] up to the stage of the last sketches. With unprecedented plasticity, the work showcases a (metaphysical?) mountain hike with stops in the forest, at the waterfall, on the alpine pasture and, of course, at the summit. Apropos alpine pastures: up to the score's fair copy stage, Strauss envisaged a high and a low alphorn for the section Auf der Alm [On the Alpine Pasture] and the well-known Dulioh theme, though for various reasons first detailed in our new Urtext edition, these exotic instruments did not find their way into the printed version. In the new edition, the editor, Nick Pfefferkorn, reproduces the alphorn passages in small print, also adding two alphorn parts to the performance material, besides evaluating the corrections made by Walter Seifert at Strauss's request.

First Urtext edition since the first editionEvaluation of all available sources, including sketches and the score corrected by Walter Seifert Extensive preface on the work's compositional history and receptionDetailed Critical ReportFacsimile pages.

Orchestra (3(picc).2.cor angl.2.B-clar.2.dble bsn. - 4.3.3.0. - timp - str)

SKU: BR.PB-5586

Tone Poem - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Kari Kilpelainen. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Late-romantic; Early modern. Full score. 76 pages. Duration 20'. Breitkopf and Haertel #PB 5586. Published by Breitkopf and Haertel (BR.PB-5586).

ISBN 9790004213964. 10 x 12.5 inches.

... a forest god in New YorkThe symphonic poem Tapiola is the final major composition for orchestra that Sibelius was able to complete and publish. In January 1926 he had accepted the commission from the conductor Walter Damrosch to compose an orchestral work of at most 20 minutes in length for a performance in New York at the end of that year. Shortly thereafter Sibelius was successful in getting Breitkopf & Hartel to do the first publication of this tone poem. The premiere of Tapiola took place on 26 December 1926. The edition takes over the music text published in volume I/16 of the complete edition Jean Sibelius Works.

Orchestra (3(picc).2.cor angl.2.B-clar.2.dble bsn. - 4.3.3.0. - timp - str)

SKU: BR.PB-5587-07

Tone Poem - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Kari Kilpelainen. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Late-romantic; Early modern. Study Score. 80 pages. Duration 20'. Breitkopf and Haertel #PB 5587-07. Published by Breitkopf and Haertel (BR.PB-5587-07).

ISBN 9790004213971. 6.5 x 9 inches.

... a forest god in New YorkThe symphonic poem Tapiola is the final major composition for orchestra that Sibelius was able to complete and publish. In January 1926 he had accepted the commission from the conductor Walter Damrosch to compose an orchestral work of at most 20 minutes in length for a performance in New York at the end of that year. Shortly thereafter Sibelius was successful in getting Breitkopf & Hartel to do the first publication of this tone poem. The premiere of Tapiola took place on 26 December 1926. The edition takes over the music text published in volume I/16 of the complete edition Jean Sibelius Works.

Orchestra (3(3.picc).2.cor ang.2.2.dble bsn - 4.3.3.1 - timp - perc - hp - str)

SKU: BR.PB-5709

Tone Poem for Large Orchestra after N. Lenau - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphonic poem; Early modern. Full score. 120 pages. Duration 19'. Breitkopf and Haertel #PB 5709. Published by Breitkopf and Haertel (BR.PB-5709).

ISBN 9790004216460. 10 x 12.5 inches.

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Already completed in the fall, it took over a year until its premiere in Weimar on November 11, 1889. Breitkopf & Hartel's new Urtext edition assesses not only the autograph and the first edition, but also for the first time the parts used under the composer's direction, resulting in some surprisingly new readings. An extensive preface, facsimile pages, and a detailed critical report round off this authoritative Urtext edition.

First Urtext edition since the first edition. Evaluation of all available sources, including some orchestral parts used by Strauss. A detailed critical report. Complete orchestral material available for purchase.

Orchestra (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-00

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Softbound. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Full score. 84 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-00. Published by Breitkopf and Haertel (BR.EOS-20472-00).

ISBN 9790004780008. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Orchestra (3.2.Eh.2.B-clar.2.dble bsn - 4.3.3.1 - timp - tamt - 2hp - str)

SKU: BR.PB-5654

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Late-romantic. Full score. 104 pages. Duration 24'. Breitkopf and Haertel #PB 5654. Published by Breitkopf and Haertel (BR.PB-5654).

ISBN 9790004215517. 10 x 12.5 inches.

Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions.

Orchestra

SKU: HL.14027993

Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2006. 164 pages. Edition Wilhelm Hansen #WH30602. Published by Edition Wilhelm Hansen (HL.14027993).

ISBN 9788759811832. English.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.

3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo
3 Oboes, 3rd also Cor Anglais in F
3 Clarinets in Bb, 3rd also Bass Clarinet in Bb
3 Bassoons, 3rd also Contra Bassoon

4 Horn in F
3 Trumpets in Bb
3 Trombones
1 Tuba

Timpani
4 Percussion, four players
Player 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)
Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese Cymbal
Player 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle Cymbal
Player 4 - Bass Drum, Glockenspiel, Xylophone

1 Harp

1 Piano, also Celesta

Strings - 16/14/12/10/8

All transposing instruments are notated in their relevant transpositions.
Any accidental apply only to the note that it immediately precedes, except tied notes.
Naturals appear occasionally 'for safety'.

'LIST ENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.
The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic.
I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.

Orchestra (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.PB-3642-07

From the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Softbound. Partitur-Bibliothek (Score Library). Symphonic poem; Romantic. Study Score. 68 pages. Duration 13'. Breitkopf and Haertel #PB 3642-07. Published by Breitkopf and Haertel (BR.PB-3642-07).

ISBN 9790004201282. 6.5 x 9 inches.

Orchestra (4.1.4.0. - 6.4.4.0. - perc - hp - cel - str)

SKU: BR.DV-1774

Composed by Edison Denissow. Orchestra; Softcover. Deutscher Verlag. Symphonic poem; Music post-1945. Full score. Composed 1988. 28 pages. Duration 16'. Deutscher Verlag fur Musik #DV 1774. Published by Deutscher Verlag fur Musik (BR.DV-1774).

ISBN 9790200471533. 9 x 12 inches.

Orchestra orchestra - Grade 3

SKU: KJ.SO379F

Composed by William Holfeldt. Score only. Neil A. Kjos Music Company #SO379F. Published by Neil A. Kjos Music Company (KJ.SO379F).

UPC: 8402704725.

William Hofeldt's inspiration comes from the Oscar Wilde poem with the same name. It's sheer depth and beauty is clearly Hofeldt at his best, once again. G Major. 3/4 time. Shifting work during octave divisi moments.

Duration: 4:37.

Orchestra - Grade 3

SKU: AP.49438S

From Pines of Rome. Composed by Ottorino Respighi (1879--1936). Arranged by Douglas E. Wagner. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Masterwork Arrangement. Score. Duration 4:50. Belwin Music #00-49438S. Published by Belwin Music (AP.49438S).

ISBN 9781470650575. UPC: 038081571355. English.

All the shrouded mystery and resplendent grandeur of the fourth movement of Respighi's masterpiece, Pines of Rome, has been effectively captured in this brilliant arrangement by Douglas E. Wagner for string orchestra and timpani (required). The symphonic poem, The Pines of the Appian Way is one of Respighi's most frequently performed and recorded works and stands as the most popular of all three of his Rome-inspired suites. (4:50).