Orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel - str)

SKU: BR.PB-15154-07

Impresiones sinfonicas - Urtext. Composed by Manuel de Falla. Edited by Ullrich Scheideler. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Symphonic poem; Late-romantic; Early modern. Study Score. Duration 23'. Breitkopf and Haertel #PB 15154-07. Published by Breitkopf and Haertel (BR.PB-15154-07).

ISBN 9790004215593. 6.5 x 9 inches.

Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation.

By Franz Liszt (1811-1886). Edited by Otto Taubmann. Orchestra. For [2+1, 2, 2, 2 - 4, 3, 3, 1], timpani, percussion, organ, strings. This edition: Paperback. Original Works, Tone Poems. Romantic Period; Hungarian. Study Score. 96 pages. Published by Sere

Orchestra (3+1.3+1.3+1.3+1/8.5.3.1, timp,perc,2hp,str)

SKU: TM.05916SC

Composed by Alexander N. Scriabin. Score. Lucks Music Library #A2025. Published by Lucks Music Library (TM.05916SC).

Andante con Variationi, Scherzo, Romance, Rondo.

Orchestra (3+1.3+1.3+1.3+1/8.5.3.1, timp,perc,2hp,str)

SKU: TM.05916SET

Composed by Alexander N. Scriabin. Set Type: D. Set of parts. Lucks Music Library #A2025. Published by Lucks Music Library (TM.05916SET).

Andante con Variationi, Scherzo, Romance, Rondo.

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

After Arnold Bocklin. By Max Reger. Arranged by Susanne Popp. (Study Score). Schott. 108 pages. Published by Eulenburg.

Orchestra

SKU: HL.14027993

Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2006. 164 pages. Edition Wilhelm Hansen #WH30602. Published by Edition Wilhelm Hansen (HL.14027993).

ISBN 9788759811832. English.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.

3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo
3 Oboes, 3rd also Cor Anglais in F
3 Clarinets in Bb, 3rd also Bass Clarinet in Bb
3 Bassoons, 3rd also Contra Bassoon

4 Horn in F
3 Trumpets in Bb
3 Trombones
1 Tuba

Timpani
4 Percussion, four players
Player 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)
Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese Cymbal
Player 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle Cymbal
Player 4 - Bass Drum, Glockenspiel, Xylophone

1 Harp

1 Piano, also Celesta

Strings - 16/14/12/10/8

All transposing instruments are notated in their relevant transpositions.
Any accidental apply only to the note that it immediately precedes, except tied notes.
Naturals appear occasionally 'for safety'.

'LIST ENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.
The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic.
I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.

By Sergei Rachmaninoff (1873-1943). Orchestra. For [3d1, 2 1, 2 1, 2 1 - 6, 3, 3, 1], timpani, percussion, harp, strings. This edition: Paperback. Original Works, Tone Poems. Romantic Period; Russian. Study Score. 90 pages. Published by Serenissima

Orchestra (2 (piccolo).2 (English horn).2 (bass clarinet).2 (contrabassoon) - 4.3.3.1 - timpani, 3 percussion, harp, piano; strings)

SKU: SU.91410150

For Orchestra. Composed by Dan Locklair. Orchestra. Study Score. Composed 1986; Revised: 1999. Duration 13'. Subito Music Corporation #91410150. Published by Subito Music Corporation (SU.91410150).

Instrumentation : 2,picc 2,eh 2,bcl 2,cbn; 4331; timp, 3perc, hp, pno; str Duration: 13' Composed: 1986; Revised: 1999 Full Score & Parts: available on rental Published by: Subito Music Publishing.

Orchestra

SKU: BT.PWM8821

Composed by Mieczyslaw Karlowicz. Classical. Score Only. 248 pages. Polskie Wydawnictwo Muzyczne #PWM8821. Published by Polskie Wydawnictwo Muzyczne (BT.PWM8821).

Work on this piece began in the spring of 1899 durng Kar owiczs studies in Berlin and he finished it after graduating and returning home in June 1902. Its premiere took place on March 21, 1903 in Berlin, and the Polish premiere on April 7, 1903 in Lviv. The symphony has a classic, four-movement structure, but in terms of architecture it is much closer to symphonic poems. It consists of the movements: 1. Andante. Allegro 2. Andante non troppo 3. Vivace 4. Allegro maestoso. ''In terms of orchestration and instrumentation technique it represents Kar owiczs early, academic period. The composer still used double wind enriched with piccolo flute, unlike in his later orchestral works the symphonic poems. The orchestration of the work indicates that the composer was guided by Tchaikovskys symphonic model. Kar owicz here still willingly operates with various sound blocks of entire instrumental groups, treating them in a choral manner, with tight chordal pillars'' (Leszek Polony). Before the Polish premiere the composer gave a comprehensive literary programme of the work in the Lviv newspaper S owo Polskie, in which he referred to each consecutive movement of the Symphony. In his last words he wrote, ''We hear a hymn of revival, at first quiet and sweet, then wider and wider, and fuller. Already the time has come; to hear the fanfare. Only one more step! And although the spirits fall again in doubt, we hear a powerful and solemn hymn of rebirth.''.

Composed by Traditional. Edited by J. Cameron Law. Arranged by David Bobrowitz. For string orchestra. Grade 2+. Score and set of parts. Duration 3 minutes. Published by Grand Mesa Music

Orchestra (2.1.cor ang.1.B-clar.2 - 4.3.3.0 - perc - str)

SKU: BR.PB-5584

Lemminkainen Tuonelassa - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Suite; Early modern; Late-romantic. Full score. 64 pages. Duration 15'. Breitkopf and Haertel #PB 5584. Published by Breitkopf and Haertel (BR.PB-5584).

ISBN 9790004213940. 10 x 12.5 inches.

Little is known about the actual composition process of Lemminkainen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical material may have found its way into the Lemminkainen pieces which he started composing during that time. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.Sibelius said about Lemminkainen in Tuonela: The cradle song at the end of the work is maternal love, which rakes the pieces of Lemminkainen together from the River Tuonela..

Orchestra (2+1.2+1.2.2/4.2.3.1,timp ,perc,2hp,str)

SKU: TM.09779SET

Composed by Albert Roussel. Set Type: D. Set of parts. Lucks Music Library #A5681. Published by Lucks Music Library (TM.09779SET).

Orchestra (2+1.2+1.2.2/4.2.3.1,timp ,perc,2hp,str)

SKU: TM.09779SC

Composed by Albert Roussel. Score. Lucks Music Library #A5681. Published by Lucks Music Library (TM.09779SC).

(Study Score). Composed by Aram Ilyich Khachaturian (1903-1978). For Orchestra (Study Score). Study Score. Softcover. 158 pages. Hal Leonard #ZN892559. Published by Hal Leonard

Orchestra (3+1.3+1.3+1.3+1/8.5.3.1, timp,perc,2hp,cel,org,str )

SKU: TM.05908SET

Composed by Alexander N. Scriabin. Set Type: D. Set of parts. Lucks Music Library #A2026. Published by Lucks Music Library (TM.05908SET).

Orchestra (3+1.3+1.3+1.3+1/8.5.3.1, timp,perc,2hp,cel,org,str )

SKU: TM.05908SC

Composed by Alexander N. Scriabin. Score. Lucks Music Library #A2026. Published by Lucks Music Library (TM.05908SC).

Orchestra (2 (piccolo).2 (English horn).2.2 - 4.2.3.1 - timpani, 3 percussion, piano; strings)

SKU: SU.91410060

For Orchestra. Composed by Dan Locklair. Orchestra. Study Score. Composed 1993. Duration 12'. Subito Music Corporation #91410060. Published by Subito Music Corporation (SU.91410060).

Instrumentation : 2(picc) 2(eh) 22; 4231; timp, 3perc, pno; str Duration 12' Composed: 1993 Full Score & Parts: available on rental Published by: Subito Music Publishing.

Orchestra

SKU: SU.24200230

For Orchestra. Composed by Max A. Friedman. Orchestra. Study Score. Subito Music Corporation #24200230. Published by Subito Music Corporation (SU.24200230).

Tone poem for large orchestra.2,1 2,1 3,1 2,1; 4331; timp, perc; stgs Duration: 15' Composed: 2015-16 Published by: Asher Rose Music Performance materials available on rental only:.

Orchestra (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-00

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Softbound. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Full score. 84 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-00. Published by Breitkopf and Haertel (BR.EOS-20472-00).

ISBN 9790004780008. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Orchestra (4(2picc).3(cor ang).heck.Eb-clar.2.Bb-cl ar(clar).4(dble bsn) - 8(4T-tuba).2alphn.4.4.2 - org.cel - 2hp.2timp.perc(6).wind m.thunder m - str - off stage: 12hn.2trp.2tbne)

SKU: BR.PB-5710

Tone Poem - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphonic poem; Late-romantic; Early modern. Sheet Music. 204 pages. Duration 50'. Breitkopf and Haertel #PB 5710. Published by Breitkopf and Haertel (BR.PB-5710).

ISBN 9790004216477. 10.5 x 14 inches.

Richard Strauss's last completed tone poem is regarded as the pinnacle of his art of orchestration: Now I've finally learned to orchestrate, he himself is once supposed to have said about it after the dress rehearsal. The single-movement Alpine symphony that we know today ultimately evolved - over almost 15 years - from the original drafts of an artist's tragedy, titled Der Antichrist. Eine Alpensinfonie [The Antichrist. An Alpine Symphony] up to the stage of the last sketches. With unprecedented plasticity, the work showcases a (metaphysical?) mountain hike with stops in the forest, at the waterfall, on the alpine pasture and, of course, at the summit. Apropos alpine pastures: up to the score's fair copy stage, Strauss envisaged a high and a low alphorn for the section Auf der Alm [On the Alpine Pasture] and the well-known Dulioh theme, though for various reasons first detailed in our new Urtext edition, these exotic instruments did not find their way into the printed version. In the new edition, the editor, Nick Pfefferkorn, reproduces the alphorn passages in small print, also adding two alphorn parts to the performance material, besides evaluating the corrections made by Walter Seifert at Strauss's request.

First Urtext edition since the first editionEvaluation of all available sources, including sketches and the score corrected by Walter Seifert Extensive preface on the work's compositional history and receptionDetailed Critical ReportFacsimile pages.

Prestige collection - Grade 5

SKU: RM.LISZ03031-CO

Composed by Franz Liszt. Arranged by Pierre Dupont. Transcription. Prestige collection. Orchestra. Conductor's score. Editions Robert Martin #LISZ03031-CO. Published by Editions Robert Martin (RM.LISZ03031-CO).

By Richard Strauss (1864-1949). For Full Orchestra. Full Orchestra (Full Score). Dover Edition. Masterwork. Full Score. Published by Dover Publications Full Score Masterwork

Orchestra - Grade 3

SKU: AP.48090S

Composed by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Novelty. Score. 24 pages. Duration 8:50. Highland/Etling #00-48090S. Published by Highland/Etling (AP.48090S).

UPC: 038081550947. English.

Pay tribute to your school with this imaginative musical portrait of the school day as viewed by typical students through the inspired genius of composer Richard Meyer. Six creative musical interludes portray the subjects of the school day (History, Math, English, Physical Education, Science, and Orchestra), each introduced with a short poem read by a narrator. The delightful poems were written by middle-school students and offer amusing and enlightening insights into their encounters with the wonders (and perils) of education. The subjects are linked together by brief and hectic musical passing periods based on the Promenade from Mussorgsky's famous Pictures at an Exhibition. Use the poems included or, for a wonderful writing prompt, have your students compose their own! School is the perfect piece for an assembly, a concert for the parents, or a recruiting tour. (8:50).

Orchestra - Grade 3

SKU: AP.48090

Composed by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Novelty; Programmatic. Score and Part(s). 128 pages. Duration 8:50. Highland/Etling #00-48090. Published by Highland/Etling (AP.48090).

UPC: 038081550930. English.

Pay tribute to your school with this imaginative musical portrait of the school day as viewed by typical students through the inspired genius of composer Richard Meyer. Six creative musical interludes portray the subjects of the school day (History, Math, English, Physical Education, Science, and Orchestra), each introduced with a short poem read by a narrator. The delightful poems were written by middle-school students and offer amusing and enlightening insights into their encounters with the wonders (and perils) of education. The subjects are linked together by brief and hectic musical passing periods based on the Promenade from Mussorgsky's famous Pictures at an Exhibition. Use the poems included or, for a wonderful writing prompt, have your students compose their own! School is the perfect piece for an assembly, a concert for the parents, or a recruiting tour. (8:50).