Orchestra SKU: AP.49822 Warm-Up Exercises and Chorales to Improve Blen...(+)
Orchestra
SKU:
AP.49822
Warm-Up
Exercises and Chorales to
Improve Blend, Balance,
Intonation, Phrasing, and
Articulation.
Composed by Bob Phillips,
Chris M. Bernotas, David
Pope, Jim Palmer, and
Peter Boonshaft.
MakeMusic Cloud;
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Orchestra: Ensemble
Development. Score. 392
pages. Alfred Music
#00-49822. Published by
Alfred Music (AP.49822).
ISBN 9781470648442.
UPC: 038081569239.
English.
Sound
Orchestra: Ensemble
Development for String or
Full Orchestra provides a
comprehensive and clear
approach to developing
ensemble performance
skills at the
intermediate through
advanced level with the
goal of improving
technical facility and
musicianship in the
string or full orchestra.
This method focuses on
improving an ensemble's
tone quality, intonation,
and technique with 270
exercises grouped by key
signature, including
chorales and orchestral
themes, that students
will find both a joy and
challenge to work
through.
Sound
Orchestra thoroughly
complements performance
music for string or full
orchestra by isolating
and reinforcing each
ensemble concept,
focusing on improving
blend, balance, phrasing,
pitch accuracy, and
articulation. Additional
features: Percussion
parts are included *
Violin 3 book that
replicates the viola book
is available * Optional
piano and saxophone parts
are included * Teacher's
scores are available for
string orchestra or full
orchestra * For
intermediate through
advanced string orchestra
alone, full orchestra, or
string orchestra with any
combination of wind and
percussion players.
Written by By Bob
Phillips, Peter
Boonshaft, Chris
Bernotas, Jim Palmer, and
David Pope, this addition
to the revolutionary
Sound Innovations series
will help your students
create beautiful
music.
Orchestra SKU: AP.49823 Warm-Up Exercises and Chorales to Improve Blen...(+)
Orchestra
SKU:
AP.49823
Warm-Up
Exercises and Chorales to
Improve Blend, Balance,
Intonation, Phrasing, and
Articulation.
Composed by Bob Phillips,
Chris M. Bernotas, David
Pope, Jim Palmer, and
Peter Boonshaft.
MakeMusic Cloud;
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Orchestra: Ensemble
Development. Score. 164
pages. Alfred Music
#00-49823. Published by
Alfred Music (AP.49823).
ISBN 9781470648459.
UPC: 038081569246.
English.
Sound
Orchestra: Ensemble
Development for String or
Full Orchestra provides a
comprehensive and clear
approach to developing
ensemble performance
skills at the
intermediate through
advanced level with the
goal of improving
technical facility and
musicianship in the
string or full orchestra.
This method focuses on
improving an ensemble's
tone quality, intonation,
and technique with 270
exercises grouped by key
signature, including
chorales and orchestral
themes, that students
will find both a joy and
challenge to work
through.
Sound
Orchestra thoroughly
complements performance
music for string or full
orchestra by isolating
and reinforcing each
ensemble concept,
focusing on improving
blend, balance, phrasing,
pitch accuracy, and
articulation. Additional
features: Percussion
parts are included *
Violin 3 book that
replicates the viola book
is available * Optional
piano and saxophone parts
are included * Teacher's
scores are available for
string orchestra or full
orchestra * For
intermediate through
advanced string orchestra
alone, full orchestra, or
string orchestra with any
combination of wind and
percussion players.
Written by By Bob
Phillips, Peter
Boonshaft, Chris
Bernotas, Jim Palmer, and
David Pope, this addition
to the revolutionary
Sound Innovations series
will help your students
create beautiful
music.
Orchestra - Grade 3 SKU: AP.48062 As Performed by Trans-Siberian Orche...(+)
Orchestra - Grade 3
SKU: AP.48062
As Performed by
Trans-Siberian
Orchestra. Composed
by John Olivia and Paul
O'neill. Arranged by Bob
Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Christmas; Rock; Winter.
Score and Part(s). 140
pages. Duration 4:05.
Alfred Music #00-48062.
Published by Alfred Music
(AP.48062).
UPC:
038081556826.
English.
Imagine
the quiet, the
anticipation, the tree,
and all the lights as
Christmas Eve becomes
Christmas, and you will
have the feel of this
beautiful rock ballad,
Midnight Christmas Eve.
As seen in the
Trans-Siberian Orchestra
stage show The Christmas
Attic, this lyric piece,
arranged by Bob Phillips,
will add depth to any
holiday or winter
concert. Though an easy
piece for high school
orchestras, the optional
electric violin and
guitar parts provide the
perfect chance to feature
an electric instrument
and a more advanced
player. If you haven't
seen TSO, check it out
online and then share
this one with your
students. Perhaps include
a field trip to see the
band live with lights and
effects.
Listen
to the original
recordings of TSO to
decide which distortion
effects to use with the
electric violin or
electric guitar. This is
a great listening
exercise for the kids.
(4:05) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 3 SKU: AP.48062S As Performed by Trans-Siberian Orch...(+)
Orchestra - Grade 3
SKU: AP.48062S
As Performed by
Trans-Siberian
Orchestra. Composed
by John Olivia and Paul
O'neill. Arranged by Bob
Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Christmas; Rock; Winter.
Score. 24 pages. Duration
4:05. Alfred Music
#00-48062S. Published by
Alfred Music (AP.48062S).
UPC: 038081556833.
English.
Imagine
the quiet, the
anticipation, the tree,
and all the lights as
Christmas Eve becomes
Christmas, and you will
have the feel of this
beautiful rock ballad,
Midnight Christmas Eve.
As seen in the
Trans-Siberian Orchestra
stage show The Christmas
Attic, this lyric piece,
arranged by Bob Phillips,
will add depth to any
holiday or winter
concert. Though an easy
piece for high school
orchestras, the optional
electric violin and
guitar parts provide the
perfect chance to feature
an electric instrument
and a more advanced
player. If you haven't
seen TSO, check it out
online and then share
this one with your
students. Perhaps include
a field trip to see the
band live with lights and
effects.
Listen
to the original
recordings of TSO to
decide which distortion
effects to use with the
electric violin or
electric guitar. This is
a great listening
exercise for the kids.
(4:05) This title
available in MakeMusic
Cloud.
Orchestra - intermediate to advanced SKU: HL.49001913 Score. Compo...(+)
Orchestra - intermediate
to advanced
SKU:
HL.49001913
Score. Composed by
John Baston. Edited by
Bernard Thomas. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. 16 pages. Duration
3'. Schott Music #CON
197. Published by Schott
Music (HL.49001913).
ISBN 9790220100048.
UPC:
842819105473.
The
thoroughly edited scores
follow essentially the
first edition printed by
John Walsh in London in
1729. Baston was regarded
as an excellent recorder
and flute player who
worked with London opera
orchestras in the early
18th century. His easy
concertos anticipating
the elegant melody of the
early classical period
enjoy great popularity
representing a rewarding
task for music school
orchestras and advanced
recorder players.
Orchestra (Orchestra) SKU: HL.48184896 Composed by Olivier Messiaen. Ledu...(+)
Orchestra (Orchestra)
SKU: HL.48184896
Composed by Olivier
Messiaen. Leduc.
Classical. Softcover. 162
pages. Alphonse Leduc
#AL28226. Published by
Alphonse Leduc
(HL.48184896).
UPC:
888680859565.
9.5x12.5x0.471
inches.
Olivier
Messiaen (1908-1992) is
known for his unique
composition style.
Incorporating complex
rhythms, harmony,
melodies and his passion
for ornithology, his
Illuminations of the
Beyond for Orchestra is
no exception to the
composer's popular,
distinctive style.
Composed between
1987-1991, Illuminations
of the Beyond was one of
the composer's last
works, with the premiere
occuring six months after
his death. The work
includes Messiaen's
popular compositional
techniques, such as his
modes of limited
transposition, and the
use of birdsong.
Messiaen's piece for
orchestra is divided in
to eleven movements and a
typical performance lasts
about one hour.
Illuminations of the
Beyond is essential to
all advanced orchestras
seeking to expand and
vary their
repertoire..
Orchestra SKU: HL.48182754 Composed by Olivier Messiaen. Leduc. Post-1900...(+)
Orchestra
SKU:
HL.48182754
Composed
by Olivier Messiaen.
Leduc. Post-1900.
Softcover. 442 pages.
Alphonse Leduc #AL24364.
Published by Alphonse
Leduc (HL.48182754).
UPC: 888680948856.
12.5x16.5
inches.
“Oliv
ier Messiaen (1908-1992)
is known for his unique
composition style.
Incorporating complex
rhythms, harmony,
melodies and his passion
for ornithology, his The
Transfiguration of Our
Lord Jesus Christ for
Choir, Seven solo
instruments and Orchestra
is no exception to the
composer's popular,
distinctive style.
Composed between
1965-1969, The
Transfiguration of Our
Lord Jesus Christ is
based on the account of
Jesus' Transfiguration,
found in the Gospels of
Matthew, Mark and Luke.
The work requires a huge
200 performers and with
14 movements, a typical
performance lasts about
an hour and a half. The
Transfiguration of Our
Lord Jesus Christ
incorporates Messiaen's
popular compositional
techniques, such as his
modes of limited
transposition, and the
use of birdsong. Texts
are largely based on the
Bible. The
Transfiguration of Our
Lord Jesus Christ is
essential to all advanced
musicians seeking to
expand and vary their
ensemble repertoire on a
large-scale.&rdquo.
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Orchestra (Study Score) SKU: HL.49045924 Opera in 3 Acts Study Score(+)
Orchestra (Study Score)
SKU: HL.49045924
Opera in 3 Acts Study
Score. Composed by
Erich Wolfgang Korngold.
This edition:
Hardback/Hard Cover.
Sheet music. Study Score.
Die tote Stadt war von
Anfang an ein
durchschlagender Erfolg.
Bei der Urauffuhrung 1920
war der Komponist
Korngold, der spater in
Hollywood Karriere als
Filmkomponist machte,
gerade einmal 23 Jahre
alt. Das Libretto, ein
vielschichtig
gebrochenes, morbide.
Classical, Opera.
Hardcover. Composed
1916-1919. Op. 12. 696
pages. Duration 8700
seconds. Eulenburg
Edition #ETP8113.
Published by Eulenburg
Edition (HL.49045924).
ISBN 9783795711764.
UPC: 888680949426.
8.0x10.5x1.8 inches.
German. Korngold -
Librettist: Paul Schott;
Author of Original Text:
Georges
Rodenbach.
This
masterpiece, composed by
Erich Wolfgang Korngold
when he was only 23, was
one of the great stage
successes of the 1920s
and 30s before being
removed from theatre
schedules by the National
Socialists. Rediscovered
in the 1970s, it has
enjoyed continuing
popularity ever since.
The libretto was compiled
by the composer's father,
the music critic Julius
Korngold, writing under
the pseudonym 'Paul
Schott', a combination of
the name of the
protagonist and the
publishing house. A
vivacious theatre group
comes to liven up the
gloomy city of Bruges
(here, a symbol of death)
and the widower Paul is
forced to decide between
the past and the present.
Korngold was fascinated
by this symbolic plot and
created an iridescent
orchestral score washed
in vivid colours. A
variety of operatic
devices are intermingled
as if viewed through a
kaleidoscope: opulent
melodic arias, advanced
harmonies, psychoanalytic
profundity and cinematic
transitions oscillating
between reality and dream
worlds guarantee the
continuing modernity of
this work up to the
present day.
Orchestra SKU: HL.14042987 Composed by Niels Marthinsen. Music Sales Amer...(+)
Orchestra
SKU:
HL.14042987
Composed
by Niels Marthinsen.
Music Sales America.
Classical. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31917.
Published by Edition
Wilhelm Hansen
(HL.14042987).
ISBN
9788759829035.
The
Roads Round Pisa was
composed in 2013 by
Danish composer Niels
Marthinsen . Marthinsen
does not care
particularly for
traditional genre
divisions and his music
interweaves solid
classical instrumentation
with virtually all types
of popular music held
together by a clear sense
of line and an advanced
sense of musical form and
timing.
Orchestra - Grade 3 SKU: AP.41238 Composed by John Farmer and Thomas Morl...(+)
Orchestra - Grade 3
SKU: AP.41238
Composed by John Farmer
and Thomas Morley.
Arranged by Bud Caputo.
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form: Suite;
Transcription. Masterwork
Arrangement; Renaissance.
Score and Part(s). 148
pages. Highland/Etling
#00-41238. Published by
Highland/Etling
(AP.41238).
UPC:
038081483689.
English.
In keeping
with the efforts of
developing a curriculum
that fosters
Comprehensive
Musicianship, this string
orchestra arrangement of
three of the most popular
Renaissance madrigals,
will provide your
students with a peak into
this period of music
history that is
frequently overlooked.
Now Is the Month of
Maying, Sing We and Chant
It, both by Thomas
Morley, and Fair Phyllis,
by John Farmer, are basic
choral repertoire found
in most high school and
college full SATB and
madrigal ensembles. The
string ensemble may
perform the arrangement
alone with the added
Renaissance style
percussion. Or, better
yet, why not enhance the
performance by adding an
SATB chorus thereby
sharing the stage with
your school's most
advanced choral ensemble?
(5:00) This title is
available in MakeMusic
Cloud.