Orchestra SKU: FG.55011-444-9 Composed by Einojuhani Rautavaara. Score (l...(+)
Orchestra
SKU:
FG.55011-444-9
Composed by Einojuhani
Rautavaara. Score
(large). Fennica Gehrman
#55011-444-9. Published
by Fennica Gehrman
(FG.55011-444-9).
ISBN
9790550114449.
Eino
juhani Rautavaara
(1928-2016) was one of
Finland's internationally
most successful
composers. He made his
major breakthrough with
the Symphony No. 7, Angel
of Light, in the 1990s,
but his output includes
numerous classic operas,
concertos, chamber music
and choral works.
Over his extensive
career, he progressed
from Neo-Classicism to
strict dodecaphony to
free-tonal
Neo-Romanticism,
combining modernism with
mystical romanticism in
his later works.
According to the
composer, the role of the
composer is to be
mediator, a midwife, who
helps the music become
alive on its own terms;
Listen to what the music
wants to tell you, he
told his composition
students, sense where it
wants to go.
Rautavaara rose to great
international fame with
the success of his
Symphony No. 7, Angel of
Light (1995) powered by
the prize-winning
recording (Helsinki
Philharmonic, Segerstam,
Ondine label) later the
same year. Many
high-profile
international commissions
followed, creating yet
more prize-winning
recordings. To mark
the 25th anniversary of
the work's premiere - in
its original form as the
Bloomington Symphony - by
the Bloomington Symphony
Orchestra and conductor
David Pickett, Fennica
Gehrman is publishing an
entirely new edition of
the symphony based on all
available sources,
including the composer's
manuscript and his
markings in various
printed scores. This
is a large-sized
conductor score with
extensive analysis of the
work and its genesis.
Orchestra SKU: HL.153129 Composed by Bruce Adolphe. LKM Music. Lauren Kei...(+)
Orchestra
SKU:
HL.153129
Composed by
Bruce Adolphe. LKM Music.
Lauren Keiser Music
Publishing #X077587.
Published by Lauren
Keiser Music Publishing
(HL.153129).
UPC:
888680095147. 9x12
inches.
Commissione
d by the St. Paul Chamber
Orchestra, this
concertino was originally
conceived as a part of a
complete educational
concertprogram. Four
concertini, each
featuring a different
instrumental family
within the chamber
orchestra, are played in
succession to demonstrate
the characteristic sounds
of those instruments. The
music is thematically
related but not identical
to the Concertino for
Chamber Orchestra (parts
available on rental from
the publisher), which
serves as the program's
closer, demonstrating all
of theorchestral sections
playing together. This
program is suggested by
the composer for
orchestra concerts,
however this concertino
can be performed
individually to great
effect as a short concert
opener.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra
SKU:
PR.11641867L
Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L).
UPC:
680160683215.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Full orchestra SKU: LO.30-3538L Composed by Mary McDonald. Choral, cantat...(+)
Full orchestra
SKU:
LO.30-3538L
Composed
by Mary McDonald. Choral,
cantatas. Eastertide,
Holy Week. Full score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3538L. Published by
Lorenz Publishing Company
(LO.30-3538L).
UPC:
000308148961.
The
resurrection of Jesus
changed the world and
continues to change the
world today. Jesus! The
Resurrection of the
Messiah tells the
intimate story of the
grief, the fear, the
hope, the love, the
tenderness, and the
longing of God for His
children expressed
through the life, death,
and resurrection of
Jesus. Mary McDonald and
Rose Aspinall combined
their talents to create a
compelling musical that
will take you through the
emotions of the Triumphal
Entry, the raising of
Lazarus, the Last Supper,
the moment in the garden
when Jesus is arrested,
the Crucifixion, and
finally to the joyous
Resurrection. This work
may be programmed in its
entirety or presented in
segments during Palm
Sunday, Holy Week, and
Resurrection Sunday
worship settings. It may
be done with choir and
piano alone or can
include the optional
orchestrations created by
Michael Lawrence and Ed
Hogan. This powerful
worship tool is an
inspiring reminder of the
life-changing impact of
this Deliverer, Redeemer,
and
Savior….Jesus!
Orchestra (Full Score) SKU: HL.244904 For Orchestra. Composed by B...(+)
Orchestra (Full Score)
SKU: HL.244904
For Orchestra.
Composed by Bryce
Dessner. Music Sales
America. Classical.
Softcover. Composed 2017.
64 pages. Duration 1020
seconds. Chester Music
#CH83985. Published by
Chester Music
(HL.244904).
8.25x12.0x0.508
inches.
Quilting,
co-commissioned by the
BBC Symphony Orchestra
and the Los Angeles
Philharmonic, is my first
stand alone work for
orchestraand is loosely
inspired by the American
tradition of quilt
making. I composed
Quilting while living
most of last year in
Paris.During my time
there, I thought a lot
about what it means to
compose symphonic music
as a young American in
the 21st century, when so
many of the many
masterworks which are
programmed year in and
out by orchestras across
the country are European.
I considered which
artistic traditions
defined the American
19th-century. I began to
think of the American
crafts-tradition of
quilting as a foilto the
high-art tradition of
European orchestral
composition. As the score
for my new work began to
take shape, I started
thinking about the
manuscript itself as an
object, its vertical and
horizontal planes create
a kind of patterned
geometry of their own.
Visually the way a
musical score is woven
together like patchwork
brought to mind quilts
and the great American
tradition of quilting. I
imagined about how
conducting an orchestra
can feellike stitching a
piece together, or sewing
together a large number
of musical ideas and
musicians into a coherent
and transcendent whole.
Quilting was an integral
part of American
vernacular in the 18th
and 19th centuries, the
African-American quilting
tradition is especially
fascinating, and the
quilts tell the stories
of the women and
communities who made
them. The names of the
quilt patterns themselves
can have their own sense
of narrative: 'jacobs
ladder', 'drunkards
path', 'solomon's
puzzle', and (my favorite
for its relevance to this
piece) 'the road to
California. - Bryce
Dessner.
Full orchestra SKU: LO.30-3537L Composed by Mary McDonald. Choral, cantat...(+)
Full orchestra
SKU:
LO.30-3537L
Composed
by Mary McDonald. Choral,
cantatas. Eastertide,
Holy Week. CD with
printable parts. Lorenz
Publishing Company
#30/3537L. Published by
Lorenz Publishing Company
(LO.30-3537L).
UPC:
000308148930.
The
resurrection of Jesus
changed the world and
continues to change the
world today. Jesus! The
Resurrection of the
Messiah tells the
intimate story of the
grief, the fear, the
hope, the love, the
tenderness, and the
longing of God for His
children expressed
through the life, death,
and resurrection of
Jesus. Mary McDonald and
Rose Aspinall combined
their talents to create a
compelling musical that
will take you through the
emotions of the Triumphal
Entry, the raising of
Lazarus, the Last Supper,
the moment in the garden
when Jesus is arrested,
the Crucifixion, and
finally to the joyous
Resurrection. This work
may be programmed in its
entirety or presented in
segments during Palm
Sunday, Holy Week, and
Resurrection Sunday
worship settings. It may
be done with choir and
piano alone or can
include the optional
orchestrations created by
Michael Lawrence and Ed
Hogan. This powerful
worship tool is an
inspiring reminder of the
life-changing impact of
this Deliverer, Redeemer,
and
Savior….Jesus!
Natural horn brass band - Grade 1 SKU: RM.LEFE02995 Composed by Jean Yves...(+)
Natural horn brass band -
Grade 1
SKU:
RM.LEFE02995
Composed
by Jean Yves Lefevre.
Enseignement pour
batterie-fanfare.
Orchestra. Editions
Robert Martin #LEFE02995.
Published by Editions
Robert Martin
(RM.LEFE02995).
Tintinabulations Orchestre [Conducteur et Parties séparées] - Facile Kjos Music Company
Orchestra full orchestra - Grade 3 SKU: KJ.O1057C Composed by Katherine W...(+)
Orchestra full orchestra
- Grade 3
SKU:
KJ.O1057C
Composed by
Katherine Wolf Punwar.
String Tracks. Score and
parts. Neil A. Kjos Music
Company #O1057C.
Published by Neil A. Kjos
Music Company
(KJ.O1057C).
Tintinabulation
s is a light novelty
piece containing the
stylistic variations from
the familiar holiday song
Jingle Bells. The first
portion of the piece goes
back in time to the early
1800's and adopts the
style of Gioacchino
Rossini. This it seques
to the elegance of waltz
music from the days of
the Strauss family.
Progressing into the
twentieth century, Jingle
Bells becomes a jazzy
delight featuring a
special tuba solo. As the
piece comes to a climatic
ending, the familiar
melody takes on the
lively sound of
Country-Western music.
With bells in the
background throughout
most of the piece, the
definition of
tintinabulations comes to
mind; the ringing sound
of bells.
Composed
by Heribert Breuer. Carus
digital: Extra digital
products. Fröhliche
Weihnachten! Full Score.
16 pages. Duration 4
minutes. Carus Verlag
#1021400. Published by
Carus Verlag
(CA.1021400).
ISBN
9790007299873. Key: D
major.
Latin/German.
A
perfect way to finish off
a Christmas concert.
Heribert Breuer, founder
and conductor of the
Berlin Bach Academy,
conceived this
four-minute piece as a
final farewell to follow
performances of the
Christmas Oratorio.
Alternatively it can
easily be programmed
together with other
Christmas pieces with
similar
scoring.
The
Sicilian folk tune O
sanctissima gradually
emerges from a sustained
organ pedal point in the
orchestra. This melody
seems familiar to the
listeners ... and then
the mystery is solved:
hidden in the alto part
can be heard the first
verse of the German carol
O du fröhliche! The
second verse is given
over to the sopranos, and
the audience is invited
to sing along in the
third verse. After a
brief coda all the
performers wish the
audience “Merry
Christmas!â€
Composed
by Heribert Breuer.
Fröhliche Weihnachten!
Choral Score. 4 pages.
Duration 4 minutes. Carus
Verlag #1021405.
Published by Carus Verlag
(CA.1021405).
ISBN
9790007299880. Key: D
major.
Latin/German.
A
perfect way to finish off
a Christmas concert.
Heribert Breuer, founder
and conductor of the
Berlin Bach Academy,
conceived this
four-minute piece as a
final farewell to follow
performances of the
Christmas Oratorio.
Alternatively it can
easily be programmed
together with other
Christmas pieces with
similar
scoring.The
Sicilian folk tune O
sanctissima gradually
emerges from a sustained
organ pedal point in the
orchestra. This melody
seems familiar to the
listeners ... and then
the mystery is solved:
hidden in the alto part
can be heard the first
verse of the German carol
O du fröhliche! The
second verse is given
over to the sopranos, and
the audience is invited
to sing along in the
third verse. After a
brief coda all the
performers wish the
audience “Merry
Christmas!â€.
Score available
separately - see item
CA.1021400.
A Whitney Houston Tribute Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Queen of the Night / I Have Nothing / I'm Your Baby Tonight / Greate...(+)
(Featuring: Queen of the
Night / I Have Nothing /
I'm Your Baby Tonight /
Greatest Love of All).
Arranged by Victor
López. Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Medley.
Pop. Grade 3.5. 252
pages. Published by
Alfred Music Publishing
(Featuring: Queen of the Night / I Have Nothing / I'm Your Baby Tonight / Greate...(+)
(Featuring: Queen of the
Night / I Have Nothing /
I'm Your Baby Tonight /
Greatest Love of All).
Arranged by Victor
López. Orchestra. Full
Orchestra; Score. Pop
Concert Full Orchestra.
Form: Medley. Pop. Grade
3.5. 32 pages. Published
by Alfred Music
Publishing
Composed
by Heribert Breuer.
Fröhliche Weihnachten!
Set of Orchestra Parts.
Duration 4 minutes. Carus
Verlag #1021409.
Published by Carus Verlag
(CA.1021409).
ISBN
9790007312244. Key: D
major.
Latin/German.
A
perfect way to finish off
a Christmas concert.
Heribert Breuer, founder
and conductor of the
Berlin Bach Academy,
conceived this
four-minute piece as a
final farewell to follow
performances of the
Christmas Oratorio.
Alternatively it can
easily be programmed
together with other
Christmas pieces with
similar
scoring.The
Sicilian folk tune O
sanctissima gradually
emerges from a sustained
organ pedal point in the
orchestra. This melody
seems familiar to the
listeners ... and then
the mystery is solved:
hidden in the alto part
can be heard the first
verse of the German carol
O du fröhliche! The
second verse is given
over to the sopranos, and
the audience is invited
to sing along in the
third verse. After a
brief coda all the
performers wish the
audience “Merry
Christmas!â€.
Score and parts available
separately - see item
CA.1021400.
Composed
by Heribert Breuer.
Fröhliche Weihnachten!
Set of Orchestra Parts.
Duration 4 minutes. Carus
Verlag #1021419.
Published by Carus Verlag
(CA.1021419).
ISBN
9790007312299. Key: D
major.
Latin/German.
A
perfect way to finish off
a Christmas concert.
Heribert Breuer, founder
and conductor of the
Berlin Bach Academy,
conceived this
four-minute piece as a
final farewell to follow
performances of the
Christmas Oratorio.
Alternatively it can
easily be programmed
together with other
Christmas pieces with
similar
scoring.The
Sicilian folk tune O
sanctissima gradually
emerges from a sustained
organ pedal point in the
orchestra. This melody
seems familiar to the
listeners ... and then
the mystery is solved:
hidden in the alto part
can be heard the first
verse of the German carol
O du fröhliche! The
second verse is given
over to the sopranos, and
the audience is invited
to sing along in the
third verse. After a
brief coda all the
performers wish the
audience “Merry
Christmas!â€.
Score and parts available
separately - see item
CA.1021400.
String Orchestra string
orchestra (88555) with
optional 3rd violin/viola
TC (3), piano and drum
set - Grade 2.5
SKU:
KN.8932
Composed by
John Caponegro. Voyager
String Orchestra. Score
and set of parts.
Duration 3 minutes.
Kendor Music Inc #8932.
Published by Kendor Music
Inc (KN.8932).
UPC:
822795089325.
This
imaginative jazz waltz
based on a standard blues
chord progression will be
a refreshing
change-of-pace for any
concert program and
provides a great
opportunity to teach
students to swing 8th
notes. Duration 3:00.
Full
Score. Composed by
Per Norgard. Music Sales
America. 20Th Century,
Classical. Softcover. 188
pages. Edition Wilhelm
Hansen #KP00865.
Published by Edition
Wilhelm Hansen
(HL.14032192).
ISBN
9788759858394.
12.0x16.5x0.78 inches.
International (more than
one
language).
Symphony
No. 6 for orchestra,
1997-99. Preface /
Program Note:... with the
Lord a day is like a
thousand years, and a
thousand years is like a
day(New Testament, 2
Peter 3:8)My SYMPHONY NO.
6 was commissioned by the
Danish National Radio
Symphony Orchestra, the
Gteborg Symphony
Orchestra and the Oslo
Philharmonic Orchestra,
to be premiered at the
millenium 2000.The
subtitle AT THE END OF
THE DAY can be understood
literally or it can mean
when all is added up.
However, in my opinion,
nothing ever quite adds
up, there is always
something missing, any
ending will be
provisional ...This
symphony appears to end
only a few minutes into
the first movement, the
first passage, as the
music fades away to
almost-silence, after a
start of flying colours.
But then there is still
something, a small motive
(first heard in the
initial sound-waves)
which reappears,
hesitant, but persistent,
and this embryo is what
leads on the musical
progression. An agitated
section of many
instrumental voices comes
next, until all the
voices become obsessed
with the same phrase, a
see-saw motive based on
thirds. This section
evolves into almost
martial ferocity, when
broken off by a tutti
descent into an extreme
bass-world (a bass-world
which actually permeates
the whole symphony,
emplyoing instruments
that I have never used
before: double-bass tuba,
double-bass trombone,
double-bass clarinet, and
bass flute).The second
movement, the second
passage, apparently takes
off where the first
passage ended, but now
the events are more
ambiguous, and the same
music may be perceived as
fast-moving one moment
and slow-moving the next.
This section is a kind of
passacaglia, the
characteristic baroque
bass-variation.Without a
break follows the third
and last passage, in a
contrasting high
register. The music is
rhythmically knotty as
well as freely flowing.
As in the beginning of
the symphony, a
never-ending descent or
fall breaks off the
events, and at the very
end a delta of new
beginnings, of other
worlds, is revealed
....The symphony is
dedicated to Helle, my
wife. - Per Norgard.
Orchestra SKU: HL.14021435 Composed by Palle Mikkelborg. Music Sales Amer...(+)
Orchestra
SKU:
HL.14021435
Composed
by Palle Mikkelborg.
Music Sales America.
Classical. Score. Music
Sales #KP01379. Published
by Music Sales
(HL.14021435).
ISBN
9788759878606.
English.
Palle
Mikkelborg GOING TO
PIECES WITHOUT FALLING
APART 2002 for violin,
harpe og strygereTilegnet
Elise Batnes og Helen
DaviesForord l
Programnote En solful d
morgentur i Melbourne
bragte mig forbi en
boghandel der
specialiserede sig i
spiritualbooks, og i
vinduet faldt mine ojne
pa et citat som
ojeblikkeligt ramte mig
folelsesmaessigtstaerkt-
og jeg folte at jeg havde
fundet titlen pa den
komposition jeg pa
tankeplan allerede vari
gang med. Citatet
lod:going to pieces ...
without falling apartTre
temaer og relaterede
skalaer, baseret pa
henholdsvis Elise
Batnes', Helen Davies' og
BergenKammerensembles
navne, har vaeret
afgorende for dele af
tonesproget, og
forekommer badeielose-up
og mere douche i
kompositionens syv
hovedafsnit. Det
barnlige, det enkle, det
her-og-nu naive, det
umiddelbare, kom til at
spille en vigtig
rolleunder arbejdet. Ikke
fordi selve mit tonesprog
er saerligt meget
anderledes end ellers
(hvordanskulle det ogsa
kunne blive det?), men
formuleringen: at go to
pieces fik mig til at
taenke pa atblive som
barn pa ny, atter at
vaere u-bange, at turde
tro pa det enkle.Udover
denne- i bedste
betydning- enkle
inspiration er onsket at
kompositionens kurve
kanopleves som en mulig
meditiations-rejse: i
starten en tro pa egen
ro, langsomt breder
uroensig, og i lystfulde
glimt ser man sig selv
danse en rituel dans, med
andehuller her og der:
ogfristelsen til at rive
forhaenget vaek og go to
pieces, og angsten for
maske at miste sig selv
undervejs,breder sig.
Dog, til sidst erkender
man at det var rejsen
vaerd, og at man heller
ikke denne gangfaldt
apart, men kan se frem
mod atter at vise livet
sin respekt ved
spirituelt fuldstaendigt
at givesig hen, dog vel
vidende at livet
merciless & merciful, med
kaerlig hand villade
diggo to pieces ...
without falling apartMen
selvklart er mit
egentlige onske: at man
blot lader musikken leve
sit eget ordlose liv -
atlytteren har sin egen
rejse. Palle
Mikkelborg.
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192S
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown.
Condensed score. Carl
Fischer Music #PO192S.
Published by Carl Fischer
Music (CF.PO192S).
ISBN 9781491157367.
UPC:
680160915927.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192F
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown. Full
score. Carl Fischer Music
#PO192F. Published by
Carl Fischer Music
(CF.PO192F).
ISBN
9781491157374. UPC:
680160915934.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Full orchestra SKU: NR.97183 Fantastisches Ballett in einem Akt : eine...(+)
Full orchestra
SKU:
NR.97183
Fantastisches Ballett
in einem Akt : eine Suite
für grosses
Orchester. Composed
by Nikolai Nikolaevich
Tcherepnin. Orchestra (10
and more instruments).
Score. Noten Roehr
#97183. Published by
Noten Roehr (NR.97183).
Orchestra (Violoncello) SKU: BA.BA07887-82 Composed by Gabriel Faure. Edi...(+)
Orchestra (Violoncello)
SKU: BA.BA07887-82
Composed by Gabriel
Faure. Edited by Robin
Tait. This edition:
urtext edition. Folded.
Barenreiter Urtext.
Single part. Opus 50. 3
pages. Duration 7
minutes. Baerenreiter
Verlag #BA07887_82.
Published by Baerenreiter
Verlag (BA.BA07887-82).
ISBN 9790006558537.
32.5 x 25.5 cm
inches.
The
popularity of Faure's
Pavane is mostly
attributed to its many
arrangements but the
original version for
orchestra is being
published here for the
first time. Shortly after
completing the orchestral
work, Faure began work on
a version for choir,
which was actually
premiered before the
orchestral
version.
This new
Barenreiter edition
offers conductors and
orchestras a reliable
Urtext edition of the
Pavane's original
orchestral version which
will surely enhance
symphonic concert
programmes
everywhere.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Orchestra (Viola) SKU: BA.BA07887-79 Composed by Gabriel Faure. Edited by...(+)
Orchestra (Viola)
SKU:
BA.BA07887-79
Composed by Gabriel
Faure. Edited by Robin
Tait. This edition:
urtext edition. Folded.
Barenreiter Urtext.
Single part. Opus 50. 3
pages. Duration 7
minutes. Baerenreiter
Verlag #BA07887_79.
Published by Baerenreiter
Verlag (BA.BA07887-79).
ISBN 9790006558520.
32.5 x 25.5 cm
inches.
The
popularity of Faure's
Pavane is mostly
attributed to its many
arrangements but the
original version for
orchestra is being
published here for the
first time. Shortly after
completing the orchestral
work, Faure began work on
a version for choir,
which was actually
premiered before the
orchestral
version.
This new
Barenreiter edition
offers conductors and
orchestras a reliable
Urtext edition of the
Pavane's original
orchestral version which
will surely enhance
symphonic concert
programmes
everywhere.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Orchestra SKU: SU.25100410 For Orchestra. Composed by Mikael Rasmu...(+)
Orchestra
SKU:
SU.25100410
For
Orchestra. Composed
by Mikael Rasmusson.
Orchestra. Full Score.
Gusthold Music Publisher
#25100410. Published by
Gusthold Music Publisher
(SU.25100410).
Three
depictions of the
post-apocalypse,
programmable individually
or together.2(1) 2 2(1)
2(1); 4231; timp, perc;
stgs Duration: 23'
Composed: 2019 Published
by: Gusthold Music
Publisher Performance
materials available on
rental:.
Full orchestra SKU: LO.30-3648L Composed by Lloyd Larson. Arranged by Jay...(+)
Full orchestra
SKU:
LO.30-3648L
Composed
by Lloyd Larson. Arranged
by Jay Rouse. Choral,
cantatas. Eastertide,
Holy Week. Score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3648L. Published by
Lorenz Publishing Company
(LO.30-3648L).
UPC:
000308152142.
Score
and parts plus CD with
printable parts for
Calvary's Love (55/1194L
and 55/1196L) In
“Calvary’s
Love,†Lloyd Larson
and Jay Rouse offer an
inspiring reminder of the
gifts of love and life
that are ours because of
the price Jesus paid at
Calvary. Flexibly
conceived for Lent, Holy
Week, or Eastertide
programming, it may be
performed as a whole, or
each individual anthem
may be presented during
the weeks leading up to
Easter, depending on your
programming needs. Small
and large choirs alike
will find the choral
writing appealing and
versatile, and
accompaniment options
range from piano only to
Ed Hogan’s
powerful orchestration.
Choirs and congregations
will be encouraged by
this musical telling of
the timeless message of
God’s sacrifice
and love through Jesus.
“Greater love has
no one than this: that
one lay down His life for
His friends.â€.
Full orchestra SKU: LO.30-3647L Composed by Lloyd Larson. Arranged by Jay...(+)
Full orchestra
SKU:
LO.30-3647L
Composed
by Lloyd Larson. Arranged
by Jay Rouse. Choral,
cantatas. Eastertide,
Holy Week. CD with
printable parts. Lorenz
Publishing Company
#30/3647L. Published by
Lorenz Publishing Company
(LO.30-3647L).
UPC:
000308152135.
CD
with printable parts for
Calvary's Love (55/1194L
and 55/1196L) In
“Calvary’s
Love,†Lloyd Larson
and Jay Rouse offer an
inspiring reminder of the
gifts of love and life
that are ours because of
the price Jesus paid at
Calvary. Flexibly
conceived for Lent, Holy
Week, or Eastertide
programming, it may be
performed as a whole, or
each individual anthem
may be presented during
the weeks leading up to
Easter, depending on your
programming needs. Small
and large choirs alike
will find the choral
writing appealing and
versatile, and
accompaniment options
range from piano only to
Ed Hogan’s
powerful orchestration.
Choirs and congregations
will be encouraged by
this musical telling of
the timeless message of
God’s sacrifice
and love through Jesus.
“Greater love has
no one than this: that
one lay down His life for
His friends.â€.
Full orchestra SKU: LO.30-3646L Composed by Lloyd Larson. Arranged by Jay...(+)
Full orchestra
SKU:
LO.30-3646L
Composed
by Lloyd Larson. Arranged
by Jay Rouse. Choral,
cantatas. Eastertide,
Holy Week. Instrumental
parts. Lorenz Publishing
Company #30/3646L.
Published by Lorenz
Publishing Company
(LO.30-3646L).
UPC:
000308152128.
Set
of parts for Calvary's
Love (55/1194L and
55/1196L) In
“Calvary’s
Love,†Lloyd Larson
and Jay Rouse offer an
inspiring reminder of the
gifts of love and life
that are ours because of
the price Jesus paid at
Calvary. Flexibly
conceived for Lent, Holy
Week, or Eastertide
programming, it may be
performed as a whole, or
each individual anthem
may be presented during
the weeks leading up to
Easter, depending on your
programming needs. Small
and large choirs alike
will find the choral
writing appealing and
versatile, and
accompaniment options
range from piano only to
Ed Hogan’s
powerful orchestration.
Choirs and congregations
will be encouraged by
this musical telling of
the timeless message of
God’s sacrifice
and love through Jesus.
“Greater love has
no one than this: that
one lay down His life for
His friends.â€.
Full orchestra SKU: LO.30-3645L Composed by Lloyd Larson. Arranged by Jay...(+)
Full orchestra
SKU:
LO.30-3645L
Composed
by Lloyd Larson. Arranged
by Jay Rouse. Choral,
cantatas. Eastertide,
Holy Week. Full score.
Lorenz Publishing Company
#30/3645L. Published by
Lorenz Publishing Company
(LO.30-3645L).
UPC:
000308152111.
Full
score for Calvary's Love
(55/1194L and 55/1196L)
In
“Calvary’s
Love,†Lloyd Larson
and Jay Rouse offer an
inspiring reminder of the
gifts of love and life
that are ours because of
the price Jesus paid at
Calvary. Flexibly
conceived for Lent, Holy
Week, or Eastertide
programming, it may be
performed as a whole, or
each individual anthem
may be presented during
the weeks leading up to
Easter, depending on your
programming needs. Small
and large choirs alike
will find the choral
writing appealing and
versatile, and
accompaniment options
range from piano only to
Ed Hogan’s
powerful orchestration.
Choirs and congregations
will be encouraged by
this musical telling of
the timeless message of
God’s sacrifice
and love through Jesus.
“Greater love has
no one than this: that
one lay down His life for
His friends.â€.
Orchestra - Grade 3.5 SKU: AP.43781 From Fourteen Songs, Opus 34, N...(+)
Orchestra - Grade 3.5
SKU: AP.43781
From Fourteen
Songs, Opus 34, No.
14. Composed by
Sergei Rachmaninoff.
Arranged by Douglas E.
Wagner. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
20th Century; Masterwork
Arrangement; Romantic.
Score and Part(s). 130
pages. Duration 6:15.
Belwin Music #00-43781.
Published by Belwin Music
(AP.43781).
UPC:
038081504926.
English.
The
calming strains of this
incredibly beautiful
music have been
thoughtfully and
carefully scored in this
string arrangement. The
composer's full
orchestration has been
pared down to its basic
elements, leaving a work
that will captivate and
entrance your audiences.
Not only for concert
programming, this work
also makes a superb
choice in your contest
program. (6:15).