Choral (Orchestra) SKU: HP.C6194 Composed by William Runyan. Arranged by ...(+)
Choral (Orchestra)
SKU: HP.C6194
Composed by William
Runyan. Arranged by Mary
McDonald. Piano
Accompaniment with
Optional Orchestra.
Hymntune, Hymn
Arrangements,
Scripture-Based,
Thanksgiving,
Thanksgiving, General
Worship, Faith &
Faithfulness, God -
Faithfulness. Octavo. 12
pages. Hope Publishing
Company #C6194. Published
by Hope Publishing
Company (HP.C6194).
Classic
hymn tune Fully
expressing God's
unchangeable faithfulness
in any circumstance, this
epic choral setting
displays the power and
grandeur of this
cherished hymn. The
orchestration by Michael
Lawrence magnifies the
dramatic sweep of this
ebullient, raise the
rooftops setting.
Orchestration:
Conductor's Score, 2
Flutes, Oboe, 2
Clarinets, Bassoon, 3
Trumpets, 2 Horns, 2
Trombones, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola, Cello
and String Bass.
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
(from Psalm 19).
Composed by Benedetto
Marcello. Arranged by
Vernon Leidig. Full
Orchestra; Masterworks.
Highland/Etling Full
Orchestra. Baroque;
Masterwork Arrangement.
Score. 20 pages.
Highland/Etling
#00-4319S. Published by
Highland/Etling
(AP.4319S).
UPC:
038081027319.
English.
From the
masterful pen of Vernon
Leidig comes this special
orchestration of
Marcello's well-known
majestic march. Scored
with today's
multipleability large
groups in mind (alternate
string and wind parts,
etc.), the piece is
adaptable to virtually
any performance
situation, including
combined festival
orchestra. Your young
group will sound full and
mature with this
excellent
arrangement.
(from Psalm 19).
Composed by Benedetto
Marcello. Arranged by
Vernon Leidig. Full
Orchestra; Masterworks;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Form: March.
Baroque; Masterwork
Arrangement. Score and
Part(s). 104 pages.
Highland/Etling #00-4319.
Published by
Highland/Etling
(AP.4319).
UPC:
038081026176.
English.
From the
masterful pen of Vernon
Leidig comes this special
orchestration of
Marcello's well-known
majestic march. Scored
with today's
multipleability large
groups in mind (alternate
string and wind parts,
etc.), the piece is
adaptable to virtually
any performance
situation, including
combined festival
orchestra. Your young
group will sound full and
mature with this
excellent
arrangement.
A Journey with the
Shepherd. Composed by
Pepper Choplin.
Brookfield Choral Series.
Cantata, Christ The Good
Shepherd, General
Worship, Psalm, Sacred.
Softcover. Duration 2280
seconds. Published by
Brookfield Press
(HL.195818).
UPC:
888680642617.
8.5x14.0x3.0
inches.
This major
work is an affirmation of
assurance that takes us
on a musical and
spiritual pilgrimage
through the beloved 23rd
Psalm. Singers and
listeners will be carried
from peaceful meadows to
the shadowed valleys, and
from the fragile hope of
faith, to life
everlasting. A work of
scope and substance,
Psalm 23 - A Journey with
the Shepherd gives
directors a wonderful
opportunity to program
outside the seasonal box.
A glorious orchestration
by Michael Lawrence
decorates the expressive
choral writing with color
and a theatrical sweep.
Songs include: We Are Not
Alone; The Lord Is My
Shepherd; Restore My
Soul; Lead Me on the
Paths of Righteousness;
Though I Walk through the
Valley; You Comfort Me;
My Cup Overflows; We Are
Not Alone (reprise);
Surely Goodness and
Mercy. Score and Parts
(fl 1-2, ob, cl 1-2, bn,
tpt 1-3, hn 1-2, tbn 1-2,
tbn 3/tba, perc 1-2,
timp, hp, pno, vn 1-2,
va, vc, db) available as
a Printed Edition and as
a digital download.
Choir Sacred Children's
choir, SATB choir, and
Orchestra
SKU:
PE.EP72565B
For
Children's Choir, SATB
Choir, and Orchestra
(2014). Composed by
Jonathan Dove. Choral
Works (inc. Oratorios).
Edition Peters. Modern.
Book. 72 pages. Duration
00:15:00. Edition Peters
#98-EP72565B. Published
by Edition Peters
(PE.EP72565B).
ISBN
9790577008219.
English.
Commiss
ioned by The Bach Choir
in memory of Leopold de
Rothschild (1927-2012), a
singing member of the
Choir for 50 years and
Chairman for 23 years.
Following his resignation
as a singer Leo became
the Choir's President, a
position he held until
his death; over this
extraordinary period of
devotion to the Choir he
became a friend to vast
numbers of his fellow
singers, and gave
unstintingly of his time
and wisdom
First
performance 10 June 2014
in the Royal Festival
Hall, London, by The Bach
Choir, the Philharmonia
Orchestra, and The Young
Singers, a choir formed
by The Bach Choir in
partnership with the
Tri-borough Music Hub,
conducted by David
Hill.
Orchestra SKU: BP.BP2196B Composed by Craig Courtney. Band & orchestra. F...(+)
Orchestra
SKU:
BP.BP2196B
Composed
by Craig Courtney. Band &
orchestra. Full score and
parts. Beckenhorst Press
#BP2196B. Published by
Beckenhorst Press
(BP.BP2196B).
Full score and
parts for solo flute,
solo oboe, B-flat
clarinet I, II, bassoon
I, II, horn in F I, II,
trombone I, II, bass
trombone, tuba, suspended
and crash cymbals, harp,
violin I, II, viola,
cello and contrabass.
Orchestra SKU: BP.BP2197B Composed by Craig Courtney. Band & orchestra. F...(+)
Orchestra
SKU:
BP.BP2197B
Composed
by Craig Courtney. Band &
orchestra. Full score and
parts. Beckenhorst Press
#BP2197B. Published by
Beckenhorst Press
(BP.BP2197B).
Full score and
parts for solo flute,
solo oboe, B-flat
clarinet I, II, bassoon
I, II, horn in F I, II,
trombone I, II, bass
trombone, tuba, suspended
and crash cymbals, harp,
violin I, II, viola,
cello and contrabass.
Orchestra SKU: BP.BP2195B Composed by Craig Courtney. Band & orchestra. F...(+)
Orchestra
SKU:
BP.BP2195B
Composed
by Craig Courtney. Band &
orchestra. Full score and
parts. Beckenhorst Press
#BP2195B. Published by
Beckenhorst Press
(BP.BP2195B).
Full score and
parts for solo flute,
solo oboe, B-flat
clarinet I, II, bassoon
I, II, horn in F I, II,
trombone I, II, bass
trombone, tuba, suspended
and crash cymbals, harp,
violin I, II, viola,
cello and contrabass.
Study Score.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Duration 900
seconds. Boosey & Hawkes
#M060136009. Published by
Boosey & Hawkes
(HL.48024880).
ISBN
9781784545154. UPC:
840126918670.
7.25x10.25x0.319
inches.
This
publication presents
under one cover various
short works for sundry
orchestral scorings.
Larghetto for Orchestra
is MacMillan's
orchestration (2017) of
his celebrated Miserere
for a cappella mixed
choir (2009), a setting
in Latin of Psalm 51,
'Have mercy upon me, O
God, according to thy
great mercy', the
penitential text famously
set in the 17th century
by Gregorio Allegri. The
Larghetto orchestration
was commissioned by the
Pittsburgh Symphony
Orchestra in celebration
of Manfred Honeck's 10th
Anniversary as Music
Director. Memoire
imperiale is one of a
number of variations on
General John Reids march
tune Old Gaul
commissioned from
Scottish composers to
mark the centenary in
1994 of the Faculty of
Music at Edinburgh
University. The Faculty
was established following
a bequest by General Reid
(1721-1807), a former law
student at the University
and a renowned flute
player and composer of
marches for the
BritishArmy, and he asked
that an annual concert be
organised at which one or
more of his compositions
be played. Composed in
2012 for the Britten
Sinfonia, One is a monody
in which a single line is
passed around the
instruments, painting it
with different colours as
it emerges and develops.
Lasting only a few
minutes, its singularity
is maintained until
blossoming in the lastfew
bars. For Sonny (2011,
orch 2013) and Ein
Lamplein verlosch (2018,
orch 2019) are short,
private memorial tributes
originally for string
quartet and here rescored
for string orchestra.
Hirta was composed in
2016 as part of Deccas
The Lost Songs of St
Kilda project. Nearly a
century ago, the last 36
residents were evacuated
from the most remote part
of the British Isles, St
Kilda, an isolated
archipelago off the
beautiful and rugged
western coast of
Scotland. After 86 years,
the music of St Kilda was
rediscovered, recorded in
a Scottish care home by
Trevor Morrison, an
elderly man who had been
taught piano by an
inhabitant of St Kilda.
The songs were
'reimagined' for the
Decca album by
various.
(Orchestra) SKU: HL.35027092 Composed by J. Paul Williams. Arranged by Jo...(+)
(Orchestra)
SKU:
HL.35027092
Composed
by J. Paul Williams.
Arranged by Joseph M.
Martin. Harold Flammer
Easter. Communion, Holy
Week, Lent. CD-ROM, Score
and Parts. Published by
Shawnee Press
(HL.35027092).
UPC:
884088472344. 5x5
inches.
Uses:
Communion, Lent, Holy
Week
Scripture:
Psalm 16:11; 1
Corinthians 11:23-26;
Isaiah 25:1-9; Luke
22:19-20
This J.
Paul Williams gem is set
to a well-known American
folk song with
breathtaking results.
Each verse presents a
different tableau in the
life of Christ and takes
us on a journey through
his life and ministry.
Ideal for Communion or
Holy Week services!
Thoughtful! Available
separately: SATB, iPrint
Orch CD-ROM (Flt
1&2,Oboe,Clnt
1&2,Bassoon, Horn 1&2,
Perc 1&2, Harp, Violin 1,
Violin 2, Viola, Cello,
Dbl Bass), StudioTrax CD;
Duration: ca. 3:05.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra SKU: CA.2034619 Composed by Heinrich Schutz. Edited by Konrad K...(+)
Orchestra
SKU:
CA.2034619
Composed
by Heinrich Schutz.
Edited by Konrad Kuster.
This edition: urtext.
Cycles: Schutz:
Symphoniae sacrae II SWV
341-367. Stuttgart Urtext
Edition: Schutz. Ich
Werde Nicht Sterben/Ich
Danke Dir. Sacred
concertos, Sacred vocal
music, Psalms, German,
Lent and Passiontide,
Easter and Eastertide.
Set of Orchestra Parts.
Carus Verlag #CV
20.346/19. Published by
Carus Verlag
(CA.2034619).
ISBN
9790007140533.
Scor
e and parts available
separately - see item
CA.2034600.
SKU: HL.50073110 Score. By F. Degrada. By Antonio Vivaldi. Edited ...(+)
SKU: HL.50073110
Score. By F.
Degrada. By Antonio
Vivaldi. Edited by F.
Degrada. Orchestra.
Classical. Score Only.
Composed 1972. Ricordi
#NR131676. Published by
Ricordi (HL.50073110).
Full orchestra SKU: LO.30-3720MD Composed by Marty Parks. Choral. Sacred ...(+)
Full orchestra
SKU:
LO.30-3720MD
Composed
by Marty Parks. Choral.
Sacred Anthem, Christmas.
Orchestral score and CD
with printable parts.
Medallion Music
#30/3720MD. Published by
Medallion Music
(LO.30-3720MD).
UPC:
000308154191.
Orche
stral Score and CD with
Printable Parts for
10/5336MD Inspired by and
using text from Psalm 98,
this fully orchestrated
Marty Parks arrangement
of Watts’s
cherished “Joy to
the World!†is full
of rejoicing from
beginning to end. Very
singable and easy to
learn, it is a unique and
incredibly practical
selection for Christmas
services.