Arranged by John Moss. MusicWorks Grade 2. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

Arranged by Bob Phillips. Orchestra. Full Orchestra; Masterworks; Score. Beginning Full Orchestra. Form: Dance. Masterwork Arrangement; Renaissance. Grade 1. 12 pages. Published by Alfred Music Publishing

Orchestra - Grade 3

SKU: AP.41238

Composed by John Farmer and Thomas Morley. Arranged by Bud Caputo. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Suite; Transcription. Masterwork Arrangement; Renaissance. Score and Part(s). 148 pages. Highland/Etling #00-41238. Published by Highland/Etling (AP.41238).

UPC: 038081483689. English.

In keeping with the efforts of developing a curriculum that fosters Comprehensive Musicianship, this string orchestra arrangement of three of the most popular Renaissance madrigals, will provide your students with a peak into this period of music history that is frequently overlooked. Now Is the Month of Maying, Sing We and Chant It, both by Thomas Morley, and Fair Phyllis, by John Farmer, are basic choral repertoire found in most high school and college full SATB and madrigal ensembles. The string ensemble may perform the arrangement alone with the added Renaissance style percussion. Or, better yet, why not enhance the performance by adding an SATB chorus thereby sharing the stage with your school's most advanced choral ensemble? (5:00) This title is available in MakeMusic Cloud.

Orchestra - Grade 2.5

SKU: AP.33682S

Arranged by Ralph Ford. Full Orchestra; Performance Music Ensemble; Single Titles. Belwin Intermediate Full Orchestra. Christmas; Renaissance; Sacred; Winter. Score. 12 pages. Belwin Music #00-33682S. Published by Belwin Music (AP.33682S).

UPC: 038081380346. English.

This well-loved carol provides a wonderful introduction to music of the Renaissance and includes many opportunities to work on articulations. A great first full orchestra experience and perfect for any holiday concert!

Orchestra - Grade 2

SKU: AP.45834

Composed by William Byrd. Arranged by Douglas E. Wagner. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Form: Suite. Masterwork Arrangement; Renaissance. Score and Part(s). 144 pages. Duration 4:25. Belwin Music #00-45834. Published by Belwin Music (AP.45834).

UPC: 038081526454. English.

The keyboard music of English composer William Byrd (1543--1623) has long been regarded as some of the most representative works produced during the late Renaissance period. The Fitzwilliam Virginal Book, the quintessential source of music for this idiom of the time, is also the source of the three Byrd titles included in this suite: The Bells, John, and Sellinger's Round.

The arrangements by Douglas E. Wagner are richly scored to flatter the sound of ensembles of any size. Care has been taken to eliminate technical obstacles for younger players, with musically interesting individual parts a strong consideration. (4:25).

Orchestra - Grade 2

SKU: AP.33647S

Composed by Orlande De Lassus. Arranged by Jack Bullock. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Love; Masterwork Arrangement; Renaissance; Wedding. Score. 4 pages. Belwin Music #00-33647S. Published by Belwin Music (AP.33647S).

UPC: 038081376783. English.

A fantastic and accessible introduction to music written in the late Renaissance period! This lovely transcription of a work for vocal ensemble includes unison and part playing for young string orchestra.

Orchestra - Grade 2

SKU: AP.45834S

Composed by William Byrd. Arranged by Douglas E. Wagner. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Form: Suite. Masterwork Arrangement; Renaissance. Score. 16 pages. Duration 4:25. Belwin Music #00-45834S. Published by Belwin Music (AP.45834S).

UPC: 038081526461. English.

The keyboard music of English composer William Byrd (1543--1623) has long been regarded as some of the most representative works produced during the late Renaissance period. The Fitzwilliam Virginal Book, the quintessential source of music for this idiom of the time, is also the source of the three Byrd titles included in this suite: The Bells, John, and Sellinger's Round.

The arrangements by Douglas E. Wagner are richly scored to flatter the sound of ensembles of any size. Care has been taken to eliminate technical obstacles for younger players, with musically interesting individual parts a strong consideration. (4:25).

Orchestra - Grade 2

SKU: AP.44798

Jouissance vous donnerai. Arranged by Deborah Baker Monday. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Form: Dance. Renaissance; Traditional. Score and Part(s). 80 pages. Duration 1:45. Belwin Music #00-44798. Published by Belwin Music (AP.44798).

UPC: 038081517292. English. Traditional.

One of several popular dances from time of the French Renaissance, jouissance refers to a dance in which the feet stay on the floor, as opposed to one with leaps or lifts. This setting by Deborah Baker Monday has a driving pulse with attractive modal harmonies in the friendly key of E natural minor. All instruments have melodic lines. This arrangement also provides a great opportunity for teaching double up-bows and two-note slurs followed by two separate notes. The added percussion part will make this piece a great selection for festival or your next concert! (1:45).

By Bruce Pearson. Orchestra. Music Book. Published by Neil A. Kjos Music Company.
Level: Grade 1.5.

Orchestra (Orchestra)

SKU: HL.14018690

Composed by Ian Lawrence. Music Sales America. Classical. Book Only. Composed 2006. Chester Music #CH09791. Published by Chester Music (HL.14018690).

Full Score. Composed by Adriano Banchieri (1568-1634). Arranged by Carl Strommen. SWS. Carl Fischer Young Performance Series. Classical. Full Score. With Standard notation. 16 pages. Carl Fischer Music #YPS18F. Published by Carl Fischer Music (CF.YPS18F).

By Lukas Foss. Orchestra. First performance: Buffalo, NY by Carol Wincenc, flutist, and the Buffalo Philharmonic, Lukas Foss, conductor, May 10, 1986. Full Score - Study. 124 pages. Published by Carl Fischer.

Orchestra

SKU: SU.50027660

For Orchestra. Composed by Robert Rollin. Orchestra. Study Score. Seesaw Music Corp #50027660. Published by Seesaw Music Corp (SU.50027660).

Parts available on rental.Copyright 1990. Published by: Seesaw Music.

SKU: BR.SON-170

Composed by Heinrich Schutz. Edited by Philipp Spitta. Linen. Complete Works.

Supplements from Arnold Schering and Heinrich Spitta Reprint of the Edition 1885ff., 18 Vol., summarized in 13 Vol. - Clothbound

Renaissance/early Baroque; Baroque. Complete Works. Breitkopf and Haertel #SON 170. Published by Breitkopf and Haertel (BR.SON-170).

ISBN 9790004800669. 0 x 0 inches.

Hrsg. von Ph. Spitta, Supplemente von A. Schering und H. Spitta. Reprint der Ausgabe 1885ff. 18 Bde., zusammengefasst in 13 Bd. - Ganzleinen
CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717

Composed by Anne McGinty (1945-). For orchestra. Orchestra method/study. Queenwood Developing String Orchestra. Score. Published by Queenwood Publications

Orchestra (Orchestra)

SKU: HL.14008415

Composed by Sir Peter Maxwell Davies. Music Sales America. Post-1900. Sheet Music, Miniature Score. With Text language: English. 110 pages. Chester Music #CH55687. Published by Chester Music (HL.14008415).

UPC: 884088808242. 8.5x11.0x0.261 inches.

This work, written by Maxwell Davies in 1983 for chamber orchestra, was commissioned to celebrate the quartercentenary of Edinburgh University. The first performance was given by the Scottish Chamber Orchestra conducted by Edward Harper in October 1983. Duration c. 29mins. This work was thought through in outline following a visit to the ruined pre-Reformation church of Hoy in Orkney, on a fine Spring afternoon after Maxwell Davies had played the harmonium for the tiny congregation in its large bleak Victorian replacement. The old church was surrounded by the graves of centuries, the more recent ones with familiar names, largely of people who lived in houses now ruinous - crofters, fishermen, clerics, sea-captains. Next to it stood the chief farmhouse, the Bu, going back to Viking times. He thought of the lives and deaths encompassed there, expressed through hundreds of years of music in the church, and in the big barn of the farm. The plainsongs 'Dies Irae' and 'Victimae Paschali Laudes' are used throughout the work - the first concerning the Day of Judgement, from the Mass for the Dead, the second particular to Easter Sunday and the Resurrection. These are subject to constant transformation - the intervallic contour slowly changes from one into the other, and their notes are made to dance through Renaissance astrological 'magic square' patterns. The orchestra consists of double woodwind, two horns, two trumpets and strings.

Orchestra - Grade 1

SKU: AP.48078

Composed by Richard Meyer. MakeMusic Cloud; Performance Music Ensemble; Single Titles; Solo Small Ensembles; String Orchestra. Highland/Etling String Explorer. Light Concert; Renaissance. Score and Part(s). 72 pages. Duration 2:00. Highland/Etling #00-48078. Published by Highland/Etling (AP.48078).

ISBN 9781470656911. UPC: 038081557632. English.

This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental-- -free of charge.

Using the notes of the D major scale, Dizzy Digits by Richard Meyer was written to improve early readers' finger dexterity and note-reading skills. Your students are sure to rise to the challenge of this fun, perpetual-motion style selection that is great for concert or contest. Start slow and increase the tempo a bit each day and watch those digits start flying! A great motivator for year one and two string students! Correlated to String Explorer, Book 1, Unit 8. (2:00) This title is available in MakeMusic Cloud.

Arranged by Bob Phillips. Orchestra. For full (timpani, snare drum, bass drum, triangle, tamb, vln3). Full Orchestra; Masterworks; Part(s); Score. Beginning Full Orchestra. Form: Dance. Masterwork Arrangement. Grade 1. 120 pages. Published by Alfred Music Publishing

Orchestra (picc.2.2.cor ang.2.B-clar.2.dble bsn - 4.3.3.1. - timp.perc(3) - hp - cel - str)

SKU: BR.PB-5105-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Bremen, February 1, 1982

Symphony; Music post-1945. Study Score. Composed 1981. 68 pages. Duration 17'. Breitkopf and Haertel #PB 5105-07. Published by Breitkopf and Haertel (BR.PB-5105-07).

ISBN 9790004208557. 9 x 12 inches.

Gesualdo, Don Carlo, Furst von Venosa (1560-1613) gehort zu den eigenwilligsten italienischen Madrigal-Komponisten der Spatrenaissance. Seine ungewohnlich kuhne, selbst fur heutige Ohren modern klingende Harmonik, seine chromatischen Stimmfortschreitungen, seine ubersteigerte expressive Tonsprache regten mich schon vor Jahren zu einer grosseren Orgelkomposition an und inspirierten mich 1981 zu den >>Sinfonischen Metamorphosen<<. Dieses Werk ist eine vielgestaltige weitausgesponnene Fantasie. Sieben choralartige typische Klangbeispiele aus Gesualdos spaten funfstimmigen Madrigalen (4., 5. u. 6. Band) werden teils streng, teils frei zitiert und von Holz- oder Blechblasern intoniert. Diese Zitate gliedern, als formale und inhaltliche Schwer- und Ruhepunkte, den Verlauf des gesamten Werks. Jedes Zitat steht zu Beginn eines neuen Satzabschnitts; die darauffolgenden >>Metamorphosen<< entwickeln sich als rhapsodische kontrastreiche Charakterstucke. Im >>Preludio<< werden aus den vertonbaren Buchstaben vom Namen >>Gesualdo<< (G - E - Es - A - D) schwebende Klangflachen, rezitativische Gedanken und ein pragnantes rhythmisches Paukenthema gebildet. Diese ,,Grundelemente (Grundstrukturen) tauchen im Verlauf des Stucks immer wieder leitmotivisch auf. Im zweiten Abschnitt stehen sich lineare Streicher-Episoden und dichte Blaser-Klangballungen kontrastierend gegenuber. Der dritte Teil lauft als Passacaglia (Thema ist der Bass eines Gesualdo-Zitats) in mehreren Variationen ab. Im vierten Abschnitt dominiert lebhafte Streicherbewegung, kontrapunktiert von tiefen Blaser-Signalen. Der funfte Teil steigert sich- nach kantablem Beginn- zum ekstatischen Trauermarsch. Abschnitt sechs stellt sich als >>Rondello<< dar, mit um sich selbst kreisenden Klangfiguren (in verschiedenen Tongruppen (zwei, drei, funf). Im siebten und letzten Teil wird die verhalten-resignierende Stimmung des Anfangs beschworen, ehe eine knappe Stretta in den hymnischen Schluss mundet. In den Textender ausgewahlten Zitatstellen geht es meist um Todessehnsucht, Liebesqual und Verzweiflung. z. B. 1. und 2. Zitat: Moro lasso, al mio duolo (Ich sterbe, matt, an meiner Qual) (6. Buch) 3. Zitat: Gia piansi nel dolore; o dolorosa Sorte (Schon weinte ich in Schmerzen, oh schmerzliches Geschick) (6. Buch) 4. Zitat: Ahi gia mi discolero (Ach schon entfarbte ich mich) (Wehe, der Tod kommt) (4. Buch) 5. Zitat: Dolcissima mia vita (Mein allerliebstes Leben) (Dich zu lieben oder zu sterben) (5. Buch) 6. Zitat: lo moro (Ich sterbe) (5. Buch) Dem Werk liegen zwar eine Reihe von dodekaphonischen Strukturen zugrunde (die teilweise von Gesualdos Klangzitaten abgeleitet wurden), doch sind die einzelnen Abschnitte auf,,tonale Pfeiler (G - E - A - D) gegrundet; das Stuck beginnt in G und endet aufD, ist also ubergeordnet tonal konzipiert, - der Versuch einer Synthese moderner Ausdrucksmittel von Vergangenheit und Gegenwart. Die >>Metamorphosen<< sind ein Stuck Bekenntnismusik - Bekenntnis zum Leben und Schaffen Gesualdos, eines Mannes, der vom Schicksal gezeichnet war, denn der Chronik Neapels bekannt war durch die Ermordung seiner ersten Frau und ihres Liebhabers. Dieser eminente Musiker war zugleich ein Mensch von ubertriebener Sensibilitat und wilder ekstatischer Heftigkeit: ,,Er wurde von einer Horde von Damonen heimgesucht, die ihm keine Ruhe gaben, heisst es in einem zeitgenossischen Bericht. Seine Kunst und sein Leben stand unter dem Gesetz der inneren Zerrissenheit, zwischen Auflehnung und Resignation (Verzweiflung und Hoffnung), zwischen Zartheit und Leidenschaft. Davon will meine Musik etwas aussagen. (Jurg Baur)CD:Sinfonieorchester des Westdeutschen Rundfunks, cond. Rudolf BarschaiCD Thorofon CTH 2270Bibliography:Abels, Robert: Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts (= Studien zur Musik 20), Leiden u. a.: Wilhelm Fink 2017, pp. 277-345, 485-489.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.