| Hairspray, Selections from (featuring Come So Far (Got So Far to Go), Big, Blonde and Beautiful (Reprise), The New Girl in Town, and Ladies' Choice) (Score only) Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Featuring: Come So Far (Got So Far to Go) / Big, Blonde and Beautiful (Reprise) ...(+)
Featuring: Come So Far
(Got So Far to Go) / Big,
Blonde and Beautiful
(Reprise) / The New Girl
in Town / Ladies' Choice.
By Marc Shaiman, Scott
Wittman. Arranged by
Victor Lopez. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie. Level:
3 (grade 3). Score. 36
pages. Published by
Alfred Publishing.
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hairspray, Selections from Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Featuring "Come So Far (Got So Far to Go)," "Big, Blonde and Beautiful (Reprise)...(+)
Featuring "Come So Far
(Got So Far to Go),"
"Big, Blonde and
Beautiful (Reprise),"
"The New Girl in Town,"
and "Ladies' Choice". By
Scott Wittman, Marc
Shaiman. Arranged by
Victor Lopez. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie. Level:
3 (grade 3). Conductor
Score and Parts. 244
pages. Published by
Alfred Publishing.
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tangled Orchestre [Conducteur]
Orchestral Score. Composed by Alan Menken. This edition: Paperback/Softcover...(+)
Orchestral Score.
Composed by
Alan Menken. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
2010. Omni Music
Publishing
#OMNI 50796. Published by
Omni
Music Publishing
$106.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| How To Train Your Dragon 2 Orchestre [Conducteur]
Orchestral Score. Composed by John Powell. Sheet music. Study score. Compose...(+)
Orchestral Score.
Composed by
John Powell. Sheet music.
Study score. Composed
2014
(2021). 404 pages. Omni
Music
Publishing #OMNI 50799.
Published by Omni Music
Publishing
$106.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Psalm 23 Orchestre Brookfield Press
Orchestra (Print) Choral (Orchestra Accompaniment) SKU: HL.195818 A Jo...(+)
Orchestra (Print) Choral
(Orchestra Accompaniment)
SKU: HL.195818
A Journey with the
Shepherd. Composed by
Pepper Choplin.
Brookfield Choral Series.
Cantata, Christ The Good
Shepherd, General
Worship, Psalm, Sacred.
Softcover. Duration 2280
seconds. Published by
Brookfield Press
(HL.195818). UPC:
888680642617.
8.5x14.0x3.0
inches. This major
work is an affirmation of
assurance that takes us
on a musical and
spiritual pilgrimage
through the beloved 23rd
Psalm. Singers and
listeners will be carried
from peaceful meadows to
the shadowed valleys, and
from the fragile hope of
faith, to life
everlasting. A work of
scope and substance,
Psalm 23 - A Journey with
the Shepherd gives
directors a wonderful
opportunity to program
outside the seasonal box.
A glorious orchestration
by Michael Lawrence
decorates the expressive
choral writing with color
and a theatrical sweep.
Songs include: We Are Not
Alone; The Lord Is My
Shepherd; Restore My
Soul; Lead Me on the
Paths of Righteousness;
Though I Walk through the
Valley; You Comfort Me;
My Cup Overflows; We Are
Not Alone (reprise);
Surely Goodness and
Mercy. Score and Parts
(fl 1-2, ob, cl 1-2, bn,
tpt 1-3, hn 1-2, tbn 1-2,
tbn 3/tba, perc 1-2,
timp, hp, pno, vn 1-2,
va, vc, db) available as
a Printed Edition and as
a digital download. $350.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Henze Hw Fils De L'air Orchestre Schott
(Orchestra) SKU: HL.49013034 (Der Sohn der Luft oder Das Kind, das zum...(+)
(Orchestra) SKU:
HL.49013034 (Der
Sohn der Luft oder Das
Kind, das zum jungen Mann
wird). Composed by
Hans Werner Henze. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1962/1996. 170
pages. Duration 35'.
Schott Music #ED 9457.
Published by Schott Music
(HL.49013034). ISBN
9790001131926. 2
(2. auch Picc. u. Altfl.)
* 2 (2. auch Engl. Hr.) *
2 (2. auch Bassklar.) * 2
- 2 * 2 * 2 * 0 - P. S.
(Glsp. * Crot. * Vibr. *
Marimba * Trgl. * 3 hg.
Beck. * 3 Tomt. * 3 Tamt.
* 3 Bong. * kl. Tr. [mit
u. ohne Schnarrs.] *
Schellentr. * gr. Tr.
[mit u. ohne Beck.] *
Kast. * Ratsche * Woodbl.
* Guiro) (4 Spieler) -
Hfe * Klav. (auch Cel.) -
Str. - Hinter der Buhne:
Rohrengl.
2 (2.
auch Picc. u. Altfl.) * 2
(2. auch Engl. Hr.) * 2
(2. auch Bassklar.) * 2 -
2 * 2 * 2 * 0 - P. S.
(Glsp. * Crot. * Vibr. *
Marimba * Trgl. * 3 hg.
Beck. * 3 Tomt. * 3 Tamt.
* 3 Bong. * kl. Tr. [mit
u. ohne Schnarrs.] *
Schellentr. * gr. Tr.
[mit u. ohne Beck.] *
Kast. * Ratsche * Woodbl.
* Guiro) (4 Spieler) -
Hfe * Klav. (auch Cel.) -
Str. - Hinter der
Buhne: Rohrengl. $63.00 - Voir plus => Acheter | | |
| Burgon: Acquainted With Night Orchestre Chester
Orchestra (Score) SKU: HL.14005410 Composed by Geoffrey Burgon. Music Sal...(+)
Orchestra (Score) SKU:
HL.14005410 Composed
by Geoffrey Burgon. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. Chester
Music #CH55781. Published
by Chester Music
(HL.14005410).
'Acquainted
with Night', is a cycle
of six songs, for alto
and strings, harp and
timpani. The texts are
all concerned with
different aspects of
night. The first song,
'Lullaby' to a poem by
Beaumont and Fletcher,
seeks to evoke the
'care-charming' powers of
sleep. The second, a
setting of Robert Frost's
'Acquainted with the
night', is concerned with
the lonely world of a
strange city at night and
the music is
characterised by an
insistently repeated
figure in the
accompaniment. The third
song contrasts the
calmness of the night
with the turbulence in a
lover's mind - the poem
is by the Earl of Surrey.
'Out in the dark' a poem
by Edward Thomas, is the
text of the fourth song.
It is in the form of a
scherzo and deals with
the mystery and
strangeness of night,
and, as the poet puts it,
the 'might' of night. It
is, as the poet says, a
hymn to night and the
chordal nature of the
accompaniment suggests
this quality. This song
leads directly into the
last, which is in fact a
reprise of the opening
'Lullaby' so completing
the cycle. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Trumpet No. 1 - Trumpet Town Orchestre [Conducteur] - Intermédiaire/avancé Hal Leonard
B-flat Trumpet; Orchestra (SCORE) - Grade 4-5 SKU: HL.4008565 Solo Bb ...(+)
B-flat Trumpet; Orchestra
(SCORE) - Grade 4-5
SKU: HL.4008565
Solo Bb Trumpet &
Orchestra, Grade 4/Solo 5
Score. Composed by
Otto Schwarz. Symphonic
Dimensions. Classical,
Concerto. Softcover.
Duration 555 seconds. Hal
Leonard #SDP08623401.
Published by Hal Leonard
(HL.4008565). UPC:
196288180029. Compo
ser Otto M. Schwarz
completed his first
Concerto for trumpet in
October 2009. Schwarz
displays a special knack
in writing for this
instrument, thanks to his
trumpet studies
undertaken with Professor
Josef Pomberger at the
Music Conservatory in
Vienna. Concerto for
Trumpet No. 1 'Trumpet
Town' was commissioned by
the police-orchestra of
Upper Austria, under the
baton of Andreas
Schwarzenlander. The work
was premiered on 17
November 2009. The
soloist for the evening
was trumpeter Franz
Wagnermeyer, who also
studied at the Vienna
Conservatory and who
currently performs with,
amongst others, the
international group
“Ten of the
Bestâ€. A rapid
flourish in 12/8 time
opens Concerto for
Trumpet No. 1 'Trumpet
Town'. The metric changes
that follow affect the
pulse rhythmically and
melodically, in exciting
and unexpected ways. The
solo trumpet's displays
of technical prowess and
bravura alternate with
the film-score-like tutti
sections of the brass
ensemble. The slow,
almost elegiac, central
section can be performed
on the flugel horn, while
the closing reprise
demands that both the
soloist and the orchestra
give of their best as the
piece comes to an
exciting, colourful, and
uplifting finale. This
piece is also available
for trumpet and
piano. $42.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fidelio Op. 72 Orchestre Breitkopf & Härtel
Orchestra (2.2.2.2 - 4.2.2.0 - timp - str) SKU: BR.PB-5307-07 Overture...(+)
Orchestra (2.2.2.2 -
4.2.2.0 - timp - str)
SKU: BR.PB-5307-07
Overture to the Opera
- Urtext. Composed by
Ludwig van Beethoven.
Edited by Christian
Rudolf Riedel. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library). For
the new Fidelio
Overture, which was
written at lightning
speed in 1814, there is a
copy of the score in the
Austrian National Library
which offers a reliable
basis for a new,
text-critical
edition. Overture;
Classical. Study Score.
40 pages. Duration 7'.
Breitkopf and Haertel #PB
5307-07. Published by
Breitkopf and Haertel
(BR.PB-5307-07). ISBN
9790004212318. 6.5 x 9
inches. Urtext
virgin territory: the
Fidelio OvertureTo this
day, the two major
Fidelio overtures are
still performed from
music texts that go back
to the imprecise and
corrupted first editions
of the parts. In the
meantime, however, the
state of the sources for
both works has
significantly improved
through many new
findings.For the new
Fidelio Overture, which
was written at lightning
speed in 1814 for the
reprise of the opera (and
was performed with a
slight delay), there is a
copy of the score in the
Austrian National Library
which offers a reliable
basis for a new,
text-critical edition.
This manuscript, in which
one finds countless
indications of
corrections and
completions in
Beethoven's hand, is the
only extant source that
was examined by the
composer
himself.
For the
new Fidelio Overture,
which was written at
lightning speed in 1814,
there is a copy of the
score in the Austrian
National Library which
offers a reliable basis
for a new, text-critical
edition. $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Music with Robert Schumann Orchestre Breitkopf & Härtel
Orchestra (2.2.2.2. - 4.3.3.0. - timp.perc - hp -str) SKU: BR.PB-4862-07 ...(+)
Orchestra (2.2.2.2. -
4.3.3.0. - timp.perc - hp
-str) SKU:
BR.PB-4862-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library). World
premiere: Hannover, March
13, 1972 Music
post-1945. Study Score.
Composed 1972. 82 pages.
Duration 15'. Breitkopf
and Haertel #PB 4862-07.
Published by Breitkopf
and Haertel
(BR.PB-4862-07). ISBN
9790004206591. 7 x 9.5
inches. Variationen
(Ouverture / Thema /
Variation / Coda),
Lyrisches Intermezzo
(Sostenuto), Symphonische
Nachklange (Allegro con
moto).Immer wieder lassen
sich Komponisten von
Themen alterer oder auch
zeitgenossischer Meister
zu Variations-Zyklen
anregen (Brahms: Handel-
und Haydn-Variationen,
Reger:
Mozart-Variationen,
Holler:
Sweelinck-Variationen).
Themen von Robert
Schumann fanden bisher
relativ selten Beachtung
- (Regers
Schumann-Variationen fur
zwei Klaviere sind eine
Ausnahme) - vielleicht,
weil sie zu sehr in sich
vollendet und
abgeschlossen sind und
deshalb kaum
Moglichkeiten zur
Veranderung enthalten.
Dennoch beschaftigte mich
schon langer die Idee,
eine ,,Musik mit
Schumann, Nachklange oder
Erinnerungen an Schumann
zu gestalten, mit der
Absicht, ein heiteres,
liebenswurdiges (und
nachdenkliches) Werk zu
schreiben, einmal ohne
Experimente-, als
,,Divertimento fur den
Normalhorer, gelegentlich
behutsam verbunden mit
modernen Techniken -
nicht ohne
hintergrundigen Humor.
Der 1. Satz wurde
inspiriert von den
,,Papillons (opus 2 fur
Klavier); er gliedert
sich in vier
variationsahnliche
Abschnitte. Die
,,Ouverture exponiert
drei kurze Themen, die
sich trotz ihres
gegensatzlichen
Charakters wie
selbstverstandlich
erganzen
(Einleitungsgirlande und
Schlussfanfare der
Papillons und das
bekannte Anfangsmotiv aus
,,Vogel als Prophet). Die
Abschnitte ,,Thema,
,,Variationen und ,,Coda
entwickeln und verandern
das Hauptthema der
,,Papillons; dieses
dominiert uber weite
Strecken des Satzes und
wird mit den Motiven der
Ouverture kombiniert.
Vielfaltig gegliedert ist
das ,,Lyrische
Intermezzo. Zu Beginn
gewinnt ein Motiv aus den
,,Nachtstucken (fur
Klavier) Bedeutung,
taucht mehrere Male auf,
von mehrtonigen b-a-c-h
Clustern ,,gestort. Im
Mittelpunkt stehen das
Thema des 2. Satzes der
g-moll Klavier-Sonate op.
22 (ein Mondnachtlied
ohne Worte; Holzblaser)
und ein Adagio-Gedanke
aus dem Klavier-Zyklus
,,Kreisleriana (tiefe
Streicher); beide Themen
werden kontrapunktiert
von zwolftonigen
Strukturen und
Klangbandern
(Holzblaser). Die
,,Fruhlings-Symphonie-Fan
fare eroffnet das Finale.
Danach bilden sich uber
rotierenden Klangflachen
(Streicher) einzelne Tone
und Intervalle,
aleatorisch frei,
verdichten sich, wie aus
der Erinnerung
auftauchend, zu Motiven
aus Schumanns
bekanntester Symphonie.
Nach diesem zogernden
Beginn entwickelt sich
ein fast klassisch
anmutender
Sonaten-Durchfuhrungsteil
mit mehreren melodischen
Gedanken (Kopfmotiv der
g-moll Klaviersonate,
tanzerische und ostinate
Themen aus der
Fruhlings-Symphonie), die
zum Teil in- und
ubereinander geschichtet
werden, bis auf dem
Hohepunkt des Satzes das
Schlussthema der
Klavierfantasie op. 17,
pathetisch-ironisch in
den Blechblasern
erklingt. Eine kurze
Reprise mit dem
Hauptgedanken fuhrt zur
Anfangsfanfare zuruck;
der Satz verklingt im
pianissimo. Wollte man
dem ganzen opus ein Motto
voranstellen, dann die
Schumann-Uberschrift (aus
den Kinderszenen) :
,,Fast zu ernst - aber
eben nur ,,fast. (Jurg
Baur)CD:Sinfonieorchester
des Bayerischen
Rundfunks, cond.
Hanns-Martin SchneidtCD
Thorofon CTH 2270
Bibliography:Wallerang,
Lars: Die Orchesterwerke
Jurg Baurs als Dialog
zwischen Tradition und
Moderne, Koln: Dohr
2003.Nonnenmann, Rainer:
Vergegenwartigungen.
Umgang mit historischem
Material bei Zimmermann,
Baur, Killmayer, Schnebel
und Zender, in: Jurg
Baur, hrsg. von Ulrich
Tadday (= Musik-Konzepte.
Neue Folge, Heft
184/185), Munchen:
Edition Text+Kritik 2019,
S. 26-46. $79.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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