Orchestra (Score & Parts)

SKU: HL.48180419

For Orchestra. Composed by Bohuslav Martinu. Leduc. Classical. 50 pages. Alphonse Leduc #AL17700. Published by Alphonse Leduc (HL.48180419).

UPC: 888680846893. 9.0x12.0x0.34 inches.

Composed by the Czech composer Bohuslav Martinu in 1927, The Kitchen Revue is a ballet initially created for a sextet. This score was reviewed and tailored for an orchestra. This ballet, talking about the life of kitchen utensils, is divided in ten sections: 1. Prologue (Allegretto) 2. Introduction (Tempo de marche) 3. Danse du moulinet autour du caudron (Poco meno) 4. Danse du chaudron et du couvercle (Allegro) 5. Tango (Danse d'amour. Lento) 6. Duel (Poco a poco allegro. Tempo di Charleston) 7. Entracte (Lamentation du chaudron. Allegro moderato) 8. Marche funebre (Adagio) 9. Danse radieuse (Tempo di marche) 10. Fin du drame (Allegretto) The story focuses on the marriage of the Pot and Lid which is put at risk by the Twirling Stick, and the music features some strong jazz influences. Bohuslav Martinu (1890-1959) also wrote 13 other ballets, 15 operas and 6 symphonies and some orchestral and chamber music.

Orchestra (3D2.2+1.2+1.2+1/4.2+2.3. 1,timp,perc,2 hp,str)

SKU: TM.07789SC

Composed by Ralph Vaughan Williams. Score. Lucks Music Library #A8115. Published by Lucks Music Library (TM.07789SC).

Rev 1920; Can reduce instrumentation if necessary and have the absent instrument cues played by the orchestra: Omit FL III part and FL II will play from alternate FL II & Picc part instead. OB II and ENG HN can be performed by 1 player and follow notes when to omit one of the parts. BASS CL and CONTRA BN can be omitted. If using 2 COR(/TPT): use the 2 parts titled FOR REDUCED ORCHESTRA. If using 3 COR(/TPT): use regular parts and omit TPT II part.

Soloists, children's choir and chamber orchestra (Study Score)

SKU: HL.49032629

Rundfunkoper auf die Erzahlung von Franz Kafka (revidierte Fassung 1994). Composed by Hans Werner Henze. Sheet music. Edition Schott. Softcover. Composed 1951/1994. 80 pages. Duration 40'. Schott Music #ED8481. Published by Schott Music (HL.49032629).

ISBN 9790001112840. 8.25x11.75x0.242 inches. German.

1 (auch Picc.) * 1 * Engl. Hr. * 1 * Bassklar. * 1 * Kfg. - 2 * 2 * 1 * 1 - S. (P. * Trgl. * 2 Rohrengl. * hg. Beck. * Beckenpaar * Tamt. * 3 Tomt. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Clav. * Guiro * Trinidad steel-drums * Tempelbl. * Xyl. * Vibr. * Marimba) (3 Spieler) - Hfe. * 3 Klav. (1. u. 2. prap. Klav.) * Cel. * Org. - Str.

1 (auch Picc.) * 1 * Engl. Hr. * 1 * Bassklar. * 1 * Kfg. - 2 * 2 * 1 * 1 - S. (P. * Trgl. * 2 Rohrengl. * hg. Beck. * Beckenpaar * Tamt. * 3 Tomt. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Clav. * Guiro * Trinidad steel-drums * Tempelbl. * Xyl. * Vibr. * Marimba) (3 Spieler) -
Hfe. * 3 Klav. (1. u. 2. prap. Klav.) * Cel. * Org. - Str.

By John Williams. Arranged by Jerry Brubaker. Music by John Williams / arr. Jerry Brubaker. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Movie. Conductor Score & Parts. Published by Alfred Publishing.
Level: 3.5 (grade 3.5).

By John Williams. Arranged by Jerry Brubaker. Music by John Williams / arr. Jerry Brubaker. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Movie. Level: grade III 1/2. Conductor Score. Published by Alfred Publishing.

Orchestra

SKU: HL.48186057

Composed by Hector Berlioz. Leduc. Softcover. 14 pages. Alphonse Leduc #AL29885. Published by Alphonse Leduc (HL.48186057).

UPC: 888680828301. 8x11.75 inches.

Berlioz Reverie Et Caprice Op 8 Violin & Full Score.

Orchestra (Full Score)

SKU: HL.1190006

Overture for Orchestra. Composed by Kenneth Fuchs. E.B. Marks. Concert. Softcover. Edward B. Marks Music #MP077079. Published by Edward B. Marks Music (HL.1190006).

ISBN 9781705192504. UPC: 196288131731.

Forev er Free composed at the request of the Wheeling Symphony Orchestra, André Raphel, Music Director, to celebrate the sesquicentennial of the State of West Virginia. Maestro Raphel suggested a work incorporating indigenous elements of the State's musical heritage, capturing in musical sound the robust spirit of West Virginia citizens and the celebratory atmosphere surrounding the year-long commemoration of the State's 150th anniversary, June 20, 2013. Forever Free is cast in one movement in three sections, with the title inspired by the state motto, “Montani semper liberi,” usually translated as “Mountaineers forever free.” Versions for both orchestra and wind band are available.

Arranged by Robert W. Smith. Arr. Robert W. Smith. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 3.5 (grade 3.5). Conductor Score. 20 pages. Published by Alfred Publishing.

Arranged by Robert W. Smith. Arr. Robert W. Smith. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. 236 pages. Duration 2:32. Published by Alfred Publishing.

Full Orchestra (Score) - Grade 4

SKU: HL.4491497

Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Bob Krogstad. HL Full Orchestra. Disney, Movies. 28 pages. Published by Hal Leonard (HL.4491497).

UPC: 888680022037. 9.0x12.0x0.069 inches.

Includes: Do You Want to Build a Snowman?, For the First Time in Forever, Frozen Heart, In Summer, Let It Go. Click to view score with recording.

By Richard L. Saucedo. (Score and Parts). MusicWorks Grade 3. Concert Band. Score and full set of parts. Published by Hal Leonard.

Orchestra

SKU: HL.48189694

Composed by Michele Reverdy. Leduc. Softcover. Alphonse Leduc #NT20510Z. Published by Alphonse Leduc (HL.48189694).

UPC: 888680836542. 8.75x12.0x0.855 inches.

Reverdy Medee Orchestra Full Score.

Orchestra - intermediate

SKU: BP.BP2323C

Composed by Dan Forrest. Psalms. Church. Score and Parts. Beckenhorst Press #BP2323C. Published by Beckenhorst Press (BP.BP2323C).

UPC: 748769723234. 8.5 x 11 inches.

Orchestra parts and score for Forevermore accompaniment.

Orchestra - Grade 4

SKU: BT.WH31338

Composed by Erik Axel Wessberg. Book Only. Composed 2012. Edition Wilhelm Hansen #WH31338. Published by Edition Wilhelm Hansen (BT.WH31338).

ISBN 9788759822715. Danish.

I Hvem har skrevet noderne? forsøger Erik Axel Wessberg at rette lidt op på den kollektive forsømmelse af anerkendelsen af den musikalske arrangørs arbejde og trække ham og hans bidrag til vores kulturhistorie ud af den anonymitet, hvor det hidtil har befundet sig.Bogen henvender sig både til musikstuderende og professionelle musikere og arrangører men også til den almindelige musikinteresserede.En række nodeeksempler samt henvisninger til indspilninger af de analyserede arrangementer tilfører fremstillingen en ekstra dimension.

Study Score. By Peter Ilyich Tchaikovsky. Schott. Size 5.25x7.5 inches. 146 pages. Published by Eulenburg.

Orchestra

SKU: CA.4060107

Composed by Franz Joseph Haydn. This edition: Paperbound. Sacred vocal music. German title: 3 Missae Breves (40.600, 40.601, 40.602). Sacred vocal music. Study score. Composed circa 1749-50. 96 pages. Carus Verlag #CV 40.601/07. Published by Carus Verlag (CA.4060107).

ISBN 9790007092849.

Scor e available separately - see item CA.4060100.

Orchestra

SKU: SU.25100020

For Orchestra. Composed by Davis Brown. Orchestra. Study Score. Gusthold Music Publisher #25100020. Published by Gusthold Music Publisher (SU.25100020).

Originally written to celebrate the fall of the Iron Curtain; revised in 2016 to also commemorate the 500th anniversary of the Reformation. Suitable for university orchestras.2,1 2,1 2 2; 4231; timp 3perc; stgs Duration: 28’ Composed: 1990, rev. 2016 Published by: Gusthold Music Publisher Performance materials available on rental only:.

Orchestra

SKU: BR.SON-627

Ouverture JS 145, Baletscen JS 163. Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 196 pages. Breitkopf and Haertel #SON 627. Published by Breitkopf and Haertel (BR.SON-627).

ISBN 9790004803295. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Orchestra

SKU: BR.SON-625

Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625).

ISBN 9790004803271. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Orchestra

SKU: HL.50495052

(1982 - 83, Rev. 1988) - Partitura. Composed by Testoni G. MGB. Contemporary Music. Score Only. Composed 1989. Ricordi #NR133679. Published by Ricordi (HL.50495052).

(1982 - 83, REV. 1988) - PARTITURA.

(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (2 flutes/soprano flute/2 oboes/english horn/clarinet/2 bassoons/5 contrabassoons/2 trumpets/horn/2 trombones/tuba/percussion /celeste/2 harps/strings). This edition: Urtext edition. Paperback. Study score. Text Language: English/French/German. Duration 10 minutes. Published by Baerenreiter Verlag

Orchestra

SKU: SU.25100110

For Orchestra. Composed by Davis Brown. Orchestra. Study Score. Gusthold Music Publisher #25100110. Published by Gusthold Music Publisher (SU.25100110).

A zany fight scene from the composer's ballet.2,1 2,1 2,1 2; 4331; timp, 4perc; stgs Duration: 5’30 Composed: 1988, rev. 2015 Published by: Gusthold Music Publisher Performance materials available on rental only:.

Orchestra

SKU: SU.25100420

For Orchestra. Composed by Davis Brown. Orchestra. Full Score. Gusthold Music Publisher #25100420. Published by Gusthold Music Publisher (SU.25100420).

A grand, lush symphony for the new milliennium. Listen for the hymn in the 4th movement!2,1 2,1 3(1) 2,1; 43(flug)31; timp, 3perc, cel/kbd; stgs Duration: 50' Composed: 2002, rev. 2019 Published by: Gusthold Music Publisher Performance materials available on rental:.

Orchestra

SKU: SU.25100370

For Orchestra. Composed by Davis Brown. Orchestra. Study Score. Gusthold Music Publisher #25100370. Published by Gusthold Music Publisher (SU.25100370).

A tribute to the fallen. Suitable for July 4th concerts.Orchestra [2,1 2,1 2(alt),1 2,1; 4331; timp, 3perc; stgs] Duration: 9’ Composed: 2004, rev. 2019 Published by: Gusthold Music Publisher Performance materials available on rental:.

Orchestra

SKU: SU.94010400

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400).

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.