Score and Parts. Composed by Henry Mancini. Henry Mancini Concert Library. Published by Hal Leonard (HL.4491282).

(Deluxe Score). Composed by Henry Mancini. For Full Orchestra. Henry Mancini Concert Library. 16 pages. Published by Hal Leonard

(Score and Parts). By Henry Mancini. For Full Orchestra. Henry Mancini Concert Library. Published by Hal Leonard

Full Orchestra

SKU: HL.4491232

Deluxe Score. Composed by Henry Mancini. Henry Mancini Concert Library. 28 pages. Published by Hal Leonard (HL.4491232).

UPC: 884088881375. 10.5x14 inches.

Performa nce time - ca. 5:00

String orchestra (88555) - Grade 3

SKU: KN.9941

Composed by Jared Spears. Solo or Ensemble. Apex String Orchestra. Score and set of parts. Duration ca. 3 minutes, 25 seconds. Kendor Music Inc #9941. Published by Kendor Music Inc (KN.9941).

UPC: 822795099416.

Jared Spears, composer of the classic piece, Dance Diabolique, brings us this new programmatic work. Inspired by his many visits to the beautiful Wind River wilderness area in northwestern Wyoming during his college days, it is a satisfying mix of serene, peaceful passages and bold, exciting themes, with colorful surprises around every corner. Duration ca. 3:25.

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: PO.PEL22

Composed by Douglas Lilburn. Perfect. Score. Promethean Editions #PEL22. Published by Promethean Editions (PO.PEL22).

ISBN 9781877564475.

For Lilburn's only full-length choral work, Prodigal Country, the composer set three poems to music – Robin Hyde's Journey from New Zealand, Allen Curnow's New Zealand City and Walt Whitman's Song of Myself. Across a single, winding movement, Prodigal Country conjures nostalgia and strangeness through its sung text and drifting melodic contours. The imagery of the river dominates the work, which, for Lilburn, seemed to represent freedom, while elsewhere Hyde's evocative landscape is rugged and harsh, Curnow's text emphasises the hesitancy and unease reminiscent of the Depression and Whitman's romanticism is celebrated through Lilburn's lyrical, melodic treatment. Douglas Lilburn occupies a pre-eminent position in New Zealand music, with a legacy extending well beyond his compositional output. As a composer, teacher and mentor he presided in innumerable ways over the artistic growth of New Zealand from 1940 onwards. From the early works redolent of the influence of Sibelius and Vaughan Williams, to the electro-acoustic pieces of his later years, his works have been instrumental in establishing a genuine vernacular in New Zealand classical music.

Orchestra (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-00

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Softbound. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Full score. 84 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-00. Published by Breitkopf and Haertel (BR.EOS-20472-00).

ISBN 9790004780008. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Orchestra - Grade 3

SKU: AP.47477S

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 12 pages. Duration 1:45. Highland/Etling #00-47477S. Published by Highland/Etling (AP.47477S).

UPC: 038081544830. English.

Written to help students understand the concept of positions, this entire piece can be played by the violins, violas, and cellos in 3rd position with no shifting! Playing in positions is often a challenging hurdle for many young musicians yet an important prerequisite for advanced techniques. The rhythms are kept very simple so students can focus on playing in a new way.
With a dark, mature sound and named after an ancient Roman border river, this piece allows plenty of room for expression. To cross the Rubicon is to pass a point of no return and enter into a new realm. This work is both a valuable teaching tool for a new musical adventure and a thrilling concert piece that students will be excited to show off in concert. (1:45).

Orchestra - Grade 3

SKU: AP.47477

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 124 pages. Duration 1:45. Highland/Etling #00-47477. Published by Highland/Etling (AP.47477).

UPC: 038081544823. English.

Written to help students understand the concept of positions, this entire piece can be played by the violins, violas, and cellos in 3rd position with no shifting! Playing in positions is often a challenging hurdle for many young musicians yet an important prerequisite for advanced techniques. The rhythms are kept very simple so students can focus on playing in a new way.
With a dark, mature sound and named after an ancient Roman border river, this piece allows plenty of room for expression. To cross the Rubicon is to pass a point of no return and enter into a new realm. This work is both a valuable teaching tool for a new musical adventure and a thrilling concert piece that students will be excited to show off in concert. (1:45).

Orchestra

SKU: HL.14025900

Composed by Bernard Herrmann. Music Sales America. Classical. Studyscore. Music Sales #NOV750028. Published by Music Sales (HL.14025900).

0.453 inches.

Herrmann wanted to write a musical portrait of his friend and colleague Alfred Hitchcok, so choose motifs from the movie The Trouble With Harry, one of Hitchcock's more personal and humorous films. This single-movement work for Orchestra employs some of the more familiar elements of Herrmann's compositional style: short musical phrases repeated and then repeated again in other positions, sharp use of dynamics among them. From the first note, the creepiness begins.Bernard Herrmann was among the very greatest of all composers of music for cinema and there are many who avow that he was the greatest of all. A very short list of the films for which this award-winning composercreated soundtracks includes Citizen Kane, The Man Who Knew Too Much, Vertigo, Jason and Argonauts, Fahrenheit 451, Obsession and Taxi Driver. He had a long and fertile association with Alfred Hitchcock during the most productive period of Hitchcock's career and with Orson Welles from the time of the Mercury Theatre on the Air. In addition to his conducting and composing work for the entertainment world, Herrmann wrote concert pieces, including a symphony, opera and cantata.

Arranged by Michael Sweeney. Essential Elements Band Folios. Book and CD package. Size 9x12 inches. 76 pages. Published by Hal Leonard

Essential Elements for Strings. Arranged by Elliot A. Del Borgo. Essential Elements String Folios. Book and CD package. Size 9x12 inches. 76 pages. Published by Hal Leonard.

By George E. Strombeck. For Mixed Large Ensemble. Large Ensemble for Mixed Large Ensemble. Meter: 3/4, 4/4. Traditional. Level: 1.5-2.5. Duration 1'30". Published by David E. Smith Publications.

Orchestra (FULL SCORE)

SKU: HL.263038

For Orchestra. Composed by John Luther Adams. Music Sales America. Classical. Softcover. Composed 2017. 162 pages. Chester Music #CH87131. Published by Chester Music (HL.263038).

UPC: 888680952907. 12.0x16.5x0.565 inches.

“Over the years my orchestral music has become simpler and more expansive. Clouds of Forgetting, Clouds of Unknowing (1991-95) contains four different musical textures. In the White Silence (1998) has three. For Lou Harrison (2002) reduces this to just two. In Dark Waves (2007), I finally got to one. When I first heard that piece I began to wonder if I could sustain a similar sound for a longer span of time. The result is Become Ocean, a meditation on the vast, deep and mysterious tides of existence. The title is borrowed from a mesostic verse that John Cage wrote in honor of Lou Harrison's birthday. Likening Harrison's music to a river in delta, Cage writes: Listening to it we become ocean. Life on this earth first emerged from the sea. And as the polar ice melts and sea level rises, we humans find ourselves facing the prospect that once again we may quite literally become ocean.” John Luther Adams.

Orchestra - Grade 3

SKU: AP.49439S

Composed by Gary Fagan (ASCAP). Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Score. Duration 3:30. Belwin Music #00-49439S. Published by Belwin Music (AP.49439S).

ISBN 9781470650551. UPC: 038081571331. English.

Heroes Among Us by Gary Fagan is an original overture-style work for string orchestra that was inspired by the many people who worked tirelessly behind the scenes to make sure many school children who could not go to school received at least two hot meals each day throughout the COVID-19 pandemic. School bus drivers and cafeteria workers put in long hours to prepare meals and deliver them to students who otherwise may have gone hungry during the week. While teachers, nurses, doctors, etc. received accolades during the months when schools were out of session, many adults stepped in to take care of other necessities to ensure the well-being of the students they served. (3:30).

Orchestra - Grade 3

SKU: AP.49439

Composed by Gary Fagan (ASCAP). Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Score and Part(s). Duration 3:30. Belwin Music #00-49439. Published by Belwin Music (AP.49439).

ISBN 9781470650544. UPC: 038081571324. English.

Heroes Among Us by Gary Fagan is an original overture-style work for string orchestra that was inspired by the many people who worked tirelessly behind the scenes to make sure many school children who could not go to school received at least two hot meals each day throughout the COVID-19 pandemic. School bus drivers and cafeteria workers put in long hours to prepare meals and deliver them to students who otherwise may have gone hungry during the week. While teachers, nurses, doctors, etc. received accolades during the months when schools were out of session, many adults stepped in to take care of other necessities to ensure the well-being of the students they served. (3:30).

Arranged by Elena Roussanova Lucas. Traditional. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 5 (grade 5). Conductor Score and Parts. 324 pages. Published by Alfred Publishing.