Version of 1851 - Urtext. Composed by Robert Schumann. Edited by Joachim ...(+)
Version of 1851 -
Urtext. Composed by
Robert Schumann. Edited
by Joachim Draheim.
Symphony.
Orchester-Bibliothek
(Orchestral Library). The
5 study scores of the
symphonies (incl. early
version of the 4 th
symphony) in slipcase are
temporarily out of print.
The single editions are,
however, still available.
Romantic. Double bass
part. Breitkopf and
Haertel #OB 5264-27.
Published by Breitkopf
and Haertel
(BR.OB-5264-27).
0.48
Rhenish Symphony - Urtext. Composed by Robert Schumann. Edited by Joachim...(+)
Rhenish Symphony -
Urtext. Composed by
Robert Schumann. Edited
by Joachim Draheim.
Symphony.
Orchester-Bibliothek
(Orchestral Library). The
5 study scores of the
symphonies (incl. early
version of the 4th
symphony) in slipcase are
temporarily out of print.
The single editions are,
however, still available.
Romantic. Violoncello
part. Breitkopf and
Haertel #OB 5263-23.
Published by Breitkopf
and Haertel
(BR.OB-5263-23).
0.48
Rhenish Symphony - Urtext. Composed by Robert Schumann. Edited by Joachim...(+)
Rhenish Symphony -
Urtext. Composed by
Robert Schumann. Edited
by Joachim Draheim.
Symphony.
Orchester-Bibliothek
(Orchestral Library). The
5 study scores of the
symphonies (incl. early
version of the 4th
symphony) in slipcase are
temporarily out of print.
The single editions are,
however, still available.
Romantic. Violin 2 part.
Breitkopf and Haertel #OB
5263-16. Published by
Breitkopf and Haertel
(BR.OB-5263-16).
0.48
Orchestra (2.2.2.2. -
4.3.3.0. - timp.perc - hp
-str)
SKU:
BR.PB-4862-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Hannover, March
13, 1972
Music
post-1945. Study Score.
Composed 1972. 82 pages.
Duration 15'. Breitkopf
and Haertel #PB 4862-07.
Published by Breitkopf
and Haertel
(BR.PB-4862-07).
ISBN
9790004206591. 7 x 9.5
inches.
Variationen
(Ouverture / Thema /
Variation / Coda),
Lyrisches Intermezzo
(Sostenuto), Symphonische
Nachklange (Allegro con
moto).Immer wieder lassen
sich Komponisten von
Themen alterer oder auch
zeitgenossischer Meister
zu Variations-Zyklen
anregen (Brahms: Handel-
und Haydn-Variationen,
Reger:
Mozart-Variationen,
Holler:
Sweelinck-Variationen).
Themen von Robert
Schumann fanden bisher
relativ selten Beachtung
- (Regers
Schumann-Variationen fur
zwei Klaviere sind eine
Ausnahme) - vielleicht,
weil sie zu sehr in sich
vollendet und
abgeschlossen sind und
deshalb kaum
Moglichkeiten zur
Veranderung enthalten.
Dennoch beschaftigte mich
schon langer die Idee,
eine ,,Musik mit
Schumann, Nachklange oder
Erinnerungen an Schumann
zu gestalten, mit der
Absicht, ein heiteres,
liebenswurdiges (und
nachdenkliches) Werk zu
schreiben, einmal ohne
Experimente-, als
,,Divertimento fur den
Normalhorer, gelegentlich
behutsam verbunden mit
modernen Techniken -
nicht ohne
hintergrundigen Humor.
Der 1. Satz wurde
inspiriert von den
,,Papillons (opus 2 fur
Klavier); er gliedert
sich in vier
variationsahnliche
Abschnitte. Die
,,Ouverture exponiert
drei kurze Themen, die
sich trotz ihres
gegensatzlichen
Charakters wie
selbstverstandlich
erganzen
(Einleitungsgirlande und
Schlussfanfare der
Papillons und das
bekannte Anfangsmotiv aus
,,Vogel als Prophet). Die
Abschnitte ,,Thema,
,,Variationen und ,,Coda
entwickeln und verandern
das Hauptthema der
,,Papillons; dieses
dominiert uber weite
Strecken des Satzes und
wird mit den Motiven der
Ouverture kombiniert.
Vielfaltig gegliedert ist
das ,,Lyrische
Intermezzo. Zu Beginn
gewinnt ein Motiv aus den
,,Nachtstucken (fur
Klavier) Bedeutung,
taucht mehrere Male auf,
von mehrtonigen b-a-c-h
Clustern ,,gestort. Im
Mittelpunkt stehen das
Thema des 2. Satzes der
g-moll Klavier-Sonate op.
22 (ein Mondnachtlied
ohne Worte; Holzblaser)
und ein Adagio-Gedanke
aus dem Klavier-Zyklus
,,Kreisleriana (tiefe
Streicher); beide Themen
werden kontrapunktiert
von zwolftonigen
Strukturen und
Klangbandern
(Holzblaser). Die
,,Fruhlings-Symphonie-Fan
fare eroffnet das Finale.
Danach bilden sich uber
rotierenden Klangflachen
(Streicher) einzelne Tone
und Intervalle,
aleatorisch frei,
verdichten sich, wie aus
der Erinnerung
auftauchend, zu Motiven
aus Schumanns
bekanntester Symphonie.
Nach diesem zogernden
Beginn entwickelt sich
ein fast klassisch
anmutender
Sonaten-Durchfuhrungsteil
mit mehreren melodischen
Gedanken (Kopfmotiv der
g-moll Klaviersonate,
tanzerische und ostinate
Themen aus der
Fruhlings-Symphonie), die
zum Teil in- und
ubereinander geschichtet
werden, bis auf dem
Hohepunkt des Satzes das
Schlussthema der
Klavierfantasie op. 17,
pathetisch-ironisch in
den Blechblasern
erklingt. Eine kurze
Reprise mit dem
Hauptgedanken fuhrt zur
Anfangsfanfare zuruck;
der Satz verklingt im
pianissimo. Wollte man
dem ganzen opus ein Motto
voranstellen, dann die
Schumann-Uberschrift (aus
den Kinderszenen) :
,,Fast zu ernst - aber
eben nur ,,fast. (Jurg
Baur)CD:Sinfonieorchester
des Bayerischen
Rundfunks, cond.
Hanns-Martin SchneidtCD
Thorofon CTH 2270
Bibliography:Wallerang,
Lars: Die Orchesterwerke
Jurg Baurs als Dialog
zwischen Tradition und
Moderne, Koln: Dohr
2003.Nonnenmann, Rainer:
Vergegenwartigungen.
Umgang mit historischem
Material bei Zimmermann,
Baur, Killmayer, Schnebel
und Zender, in: Jurg
Baur, hrsg. von Ulrich
Tadday (= Musik-Konzepte.
Neue Folge, Heft
184/185), Munchen:
Edition Text+Kritik 2019,
S. 26-46.
Orchestra SKU: HL.49017939 In memoriam Robert Schumann. Composed b...(+)
Orchestra
SKU:
HL.49017939
In
memoriam Robert
Schumann. Composed by
Aribert Reimann. This
edition: Saddle
stitching. Sheet music.
Study Score. Study score.
Composed 1988. 56 pages.
Duration 14'. Schott
Music #ED20024. Published
by Schott Music
(HL.49017939).
ISBN
9790001144711. UPC:
884088566869.
8.25x11.75x0.205
inches.
This most
frequently played
orchestral work by
Aribert Reimann quotes
from and makes use of
Robert Schumann's last
finished composition, the
so-called
'Geistervariationen'
[Ghost Variations] in E
flat major for piano from
1854, composed shortly
before Schumann's suicide
attempt. Reflecting on
Schumann's subsequent
life in Endenich, Reimann
leaves the lyrical
character of the original
unchanged. But the
breaking up of the theme
into the third, fifth and
seventh fragments
symbolizes the transition
from dreamy imagination
to sickly brooding.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Urtext
of Schumanns Sinfonietta.
Overture; Romantic. Study
Score. 72 pages. Duration
17'. Breitkopf and
Haertel #PB 5544-07.
Published by Breitkopf
and Haertel
(BR.PB-5544-07).
ISBN
9790004213544. 6.5 x 9
inches.
That
Schumann truly dug his
heels into symphonic
creation becomes clear at
the latest when we look
not only at his four
well-known symphonies,
but also at the works
between the genres, such
as the Overture, Scherzo
and Finale. Unlike the
traditional symphonic
form, this work has no
slow movement. Schumann
spoke of it as a suite
which hints at a loose
connection of movements
and as a sinfonietta.
Ultimately, he decided to
name it after the
headings of the three
movements which also
share common traits among
one another. Overture,
Scherzo and Finale is
being published here for
the first time with an
Urtext score and parts.
The genesis of the work
was marked by corrections
and revisions. Schumann
subjected the work to a
thorough revision after
the premiere performance
and, after the
publication of the
orchestral parts in 1846,
made more changes for the
first edition of the
score seven years
later.
Full Orchestra SKU: VD.ED10154 Vervollstandigt von Robert Schumann...(+)
Full Orchestra
SKU:
VD.ED10154
Vervollstandigt von
Robert Schumann.
Composed by Norbert
Burgmuller. Edited by
Klaus Martin Kopitz.
Denkmäler rheinischer
Musik Bd. 37. Classical.
Score. 236 S. pages.
Verlag Dohr #ED10154.
Published by Verlag Dohr
(VD.ED10154).
Orchestra (Study Score) SKU: HL.48024129 For Chamber Orchestra. Co...(+)
Orchestra (Study Score)
SKU: HL.48024129
For Chamber
Orchestra. Composed
by Franz Schubert and
Robert Schumann. Arranged
by Benjamin Britten.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. 32 pages.
Boosey & Hawkes
#M060132568. Published by
Boosey & Hawkes
(HL.48024129).
ISBN
9781784542344. UPC:
888680708894. 7.25x10.25
inches.
Britten's
arrangements of
Schubert's The Trout (op
32/D550) for small
orchestra, and Schumann's
Spring Night (op 39 no
12) for chamber
orchestra, dating from
1942, are settings of
anonymous English
translations. The new
edition includes the
original German words
(Schubart, Eichendorff),
as many performers and
audiences will prefer the
songs in the original
language. In his preface,
Nicholas Clark, Librarian
at the Britten-Pears
Foundation, speculates on
why the songs were set in
English and on the
possibility that the
translator was Peter
Pears, commenting that
“the English
language settings allowed
[Britten] to edge away
from existing versions of
the songs, to assist him
in imprinting his own
unique mark on both
works.” The Trout
is scored for 2 clarinets
& strings; Spring Night
for flute, oboe, 2
clarinets, bassoon, 2
horns, 2 trumpets,
trombone, triangle, harp
(or piano) and
strings.
Eulenburg Audio Score Series, Vol. 62. Composed by Robert Schumann. Edite...(+)
Eulenburg Audio Score
Series, Vol. 62.
Composed by Robert
Schumann. Edited by Linda
Correll Roesner. Study
Score. Softcover with CD.
226 pages. Eulenburg
Edition #EAS162.
Published by Eulenburg
Edition (HL.49018161).
Eulenburg Audio Score Series. By Robert Schumann. This edition: EAS104. Eulenbur...(+)
Eulenburg Audio Score
Series. By Robert
Schumann. This edition:
EAS104. Eulenburg Audio
Score (Pocket Scores
CD). Study score and CD.
180 pages. Published by
Eulenburg.
Overture to Scenes
from Goethe's Faust WoO 3
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). The
Faust Overture in its
First Urtext Edition.
Overture; Romantic. Study
Score. 36 pages. Duration
7'. Breitkopf and Haertel
#PB 5545-07. Published by
Breitkopf and Haertel
(BR.PB-5545-07).
ISBN
9790004213551. 6.5 x 9
inches.
The
question Why add music to
such perfect poetry?
preoccupied Schumann long
and intensively. His
first compositional
approach to Goethes Faust
began in 1844, but it was
not until 1851 that he
finally completed the
Scenes. At Liszts
suggestion, Schumann
added an overture in
1853, a symphonic
instrumental introduction
which atmospherically
evokes the action of the
Scenes but has no direct
thematic reference to
them. As an independent
overture, the work has
been played relatively
rarely in concert halls
to this day; the general
prejudice towards
Schumanns late works was
no doubt partly
responsible for this. The
first Urtext edition of
the overture was based on
the autograph score that
was revised by Schumann
and served as the
principal source. It
should give new impulses
to the future reception
of this work which Paul
Dukas hailed as a
miracle, from beginning
to end.
Orchestra (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.PB-5548-07 (+)
Orchestra (picc.2.2.2.2 -
2.2.0.0 - small dr - str)
SKU: BR.PB-5548-07
Overture to Goethe's
Hermann und Dorothea -
Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Urtext
of the Revolutionary.
Overture; Romantic. Study
Score. 40 pages. Duration
10'. Breitkopf and
Haertel #PB 5548-07.
Published by Breitkopf
and Haertel
(BR.PB-5548-07).
ISBN
9790004213582. 6.5 x 9
inches.
The
Overture to Hermann and
Dorothea is the only
compositional result that
Schumann reaped from
Goethes epic poem. He had
originally planned an
entire opera, then a
Singspiel, and finally an
oratorio. In the end
(1851), he quickly
produced an orchestral
score that remained
unprinted during his
lifetime. The striking
thematic use of the
Marseillaise is multiply
motivated: Goethes poem
unfolds in 1796, when the
two eponymous lovers are
fleeing from the French
revolutionary troops;
Schumann had directly
experienced the
revolutionary uprisings
of 1848 in Dresden;
finally, Louis Napoleons
coup detat of 2 December
1851 must also have made
an impact on the
composer. The primary
source of the Urtext
edition of Schumanns
Revolutionary Overture is
the carefully written
autograph.
Orchestra (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.PB-5320 Ov...(+)
Orchestra (picc.2.2.2.2 -
2.2.0.0 - small dr - str)
SKU: BR.PB-5320
Overture to Goethe's
Hermann und Dorothea -
Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Urtext of
Revolutionary
Overture
Overture;
Romantic. Full score. 44
pages. Duration 10'.
Breitkopf and Haertel #PB
5320. Published by
Breitkopf and Haertel
(BR.PB-5320).
ISBN
9790004212363. 10 x 12.5
inches.
The
Overture to Hermann and
Dorothea is the only
compositional result that
Schumann reaped from
Goethes epic poem. He had
originally planned an
entire opera, then a
Singspiel, and finally an
oratorio. In the end
(1851), he quickly
produced an orchestral
score that remained
unprinted during his
lifetime. The striking
thematic use of the
Marseillaise is multiply
motivated: Goethes poem
unfolds in 1796, when the
two eponymous lovers are
fleeing from the French
revolutionary troops;
Schumann had directly
experienced the
revolutionary uprisings
of 1848 in Dresden;
finally, Louis Napoleons
coup detat of 2 December
1851 must also have made
an impact on the
composer. The primary
source of the Urtext
edition of Schumanns
Revolutionary Overture is
the carefully written
autograph.
Orchestra (solo: T - choir: SATB - picc.2.2.2.2 - 6(davon 2 hinter der Buhne ad ...(+)
Orchestra (solo: T -
choir: SATB -
picc.2.2.2.2 - 6(davon 2
hinter der Buhne ad
lib).2.3.0 - timp - str)
SKU: BR.PB-5092-07
Fragment of an
Opera. Composed by
Robert Schumann. Edited
by Joachim Draheim.
Softcover.
Partitur-Bibliothek
(Score Library). Opera;
Music theatre; Romantic.
Study Score. 40 pages.
Duration 7'. Breitkopf
and Haertel #PB 5092-07.
Published by Breitkopf
and Haertel
(BR.PB-5092-07).
ISBN
9790004208434. 5.5 x 7.5
inches.
Die
Aufzahlung von Schumanns
Opernplanen gleicht einem
abenteuerlichen Streifzug
quer durch die
Literaturgeschichte.
Seinem ,,Haushaltbuch II,
einer Art Tagebuch,
konnen wir entnehmen,
dass er sich am 28.Juni
1844 plotzlichmit dem
,,Corsar von Byron
befasste. Schumann war
zunachst von dem Stoff so
begeistert, dass er
sofort mit der
Komposition begann, noch
ehe der Plan wirklich
ausgereift war, aber
schon einen Monat spater
wandte er sich einer
anderen Arbeit zu,
namlich den Faust-Szenen,
die ihn bis 1853
beschaftigen sollten.Von
einer Ouverture ist
nichts bekannt, ein
einleitender ,,Chor der
Corsaren, in dem diese -
mit ihren Frauen, denn es
ist ein gemischter Chor!
- in enger textlicher
Anlehnung an den Anfang
des Byronschen Versepos
ihr wildes, ungebundenes
Leben auf dem Meer
besingen, wurde in
vollstandiger Partitur
niedergeschrieben. Ihm
schliesst sich, ebenfalls
vollstandig
instrumentiert, ein
Nachspiel an, das durch
seine zauberhafte
romantische Stimmung
gefangennimmt. Ein
c-uroll Akkord schlagt
die harmonische Brucke
zur Nr. 2 (Arie des
Conrad), die in B-dur
steht und mit den fur
Schumann so typischen
punktierten Figuren den
Titelhelden als
Kampfernatur zu
charakterisieren sucht.
Doch schon nach 5 Takten
bricht die Partitur ab,
von der Singstimme sind
noch weitere 6 Takte, am
Schluss ohne Text,
niedergeschrieben.Die
Urauffuhrung fand am 25.
April 1981 im Rahmen
eines konzertanten
Opernabends mit dem Titel
,,Opernfragmente der
Romantik im Badischen
Staatstheater Karlsruhe
statt.
Overture to the
Dramatic Poem Manfred by
Lord Byron - Urtext.
Composed by Robert
Schumann. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Romantic. Study
Score. 60 pages. Duration
11'. Breitkopf and
Haertel #PB 5546-07.
Published by Breitkopf
and Haertel
(BR.PB-5546-07).
ISBN
9790004213568. 6.5 x 9
inches.
Spiritual
AffinitiesSchumann had
already worked on Byron's
Manfred as a law student,
and the topic fascinated
him from that time on.
Perhaps he discovered a
spiritual affinity to
himself in the romantic
hero's inner conflict? In
any event, he decided on
a stage rendition of the
drama with incidental
music, an entirely new
genre that he had been
dreaming of for some time
already. He conducted the
overture - it dates from
1848 - for the first time
as a separate piece in
March 1852. In addition,
he followed the
preparations for the
first edition of the
complete performance
material very closely,
which was published by
Breitkopf in Leipzig that
same year. The Breitkopf
Urtext edition of the
Manfred Overture is based
on this first print of
the score and parts
revised by Schumann. At
the same time, this
edition also marks a new
chapter in the expansion
of the collection of
Schumann overtures that
have already been
published by Breitkopf
(to Hermann und Dorothea
op. 136, Szenen aus
Goethes Faust WoO 3 and
Genoveva op.
81).
Audiences
should be ready for
something new and unheard
of, wrote Robert Schumann
to Franz Liszt in late
1851, referring to the
world premiere of his
Dramatic Poem
Manfred.
Overture to the Opera
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). The
Urtext debut of
Schumann's beloved
overture. Overture;
Romantic. Study Score. 40
pages. Duration 10'.
Breitkopf and Haertel #PB
5549-07. Published by
Breitkopf and Haertel
(BR.PB-5549-07).
ISBN
9790004213599. 6.5 x 9
inches.
Robert
Schumann placed great
importance on the genre
of the overture, as can
be seen in the chronology
of the genesis of his
sole opera Genoveva. In
his Haushaltbuch the
composer entered as his
first idea thoughts of an
overture, then produced
the score even before
having begun working on
the actual opera.
Schumann was right on the
mark when he suspected
that the overture alone
should enjoy a favorable
reception. The Overture
appeared in print at
about the same time that
the opera was premiered.
It established itself in
the concert hall as an
autonomous work and ranks
today - along with the
Manfred Overture - among
Schumann's most beloved
concert overtures. The
Genoveva Overture is
being released in a
text-critical Breitkopf
Urtext edition for the
first time. The main
source is the first
printing revised by
Schumann.
Orchestra SKU: HL.49044904 Composed by Robert Schumann. Edited by Ute Sch...(+)
Orchestra
SKU:
HL.49044904
Composed
by Robert Schumann.
Edited by Ute Scholz.
This edition: Full-cloth
binding. Sheet music.
Edition Schott.
Hardcover. Op. 120. 344
pages. Schott Music
#RSA1004. Published by
Schott Music
(HL.49044904).
ISBN
9783795793388.
10.0x13.25x1.3
inches.
The New
Robert Schumann Edition
(RSA) is intended as a
historico-critical
edition of the collected
works. They will be
carefully studied and
prepared according to
present-day musicological
and editorial techniques
and presented in their
entirety. Drafts,
sketches and fragments,
in short, everything that
has come down to us as
being authentically by
Schumann and which, in
most cases, has been
deliberately preserved by
him, will be brought
together, evaluated as to
its importance and
documented in some form
or other in the edition
of the complete works.It
is the aim of the edition
to reproduce authentic
texts which - having
corrected scribal,
copying and printing
errors and eradicated
later additions and other
textual corruptions -
will approach as closely
as is possible the
intention of the
originals.The critical
edition will form the
basis of accurate
performance material for
Robert Schumann's
work.
Orchestra SKU: HL.48187646 Composed by Robert Schumann. Heugel. Romantic....(+)
Orchestra
SKU:
HL.48187646
Composed
by Robert Schumann.
Heugel. Romantic.
Softcover. Heugel & Cie
#HE31440. Published by
Heugel & Cie
(HL.48187646).
UPC:
888680845186.
5.5x7.5x0.568
inches.
Interesting
ly, Schumann?s Third
Symphony was in fact his
last symphony, as the
fourth symphony was
actually composed after
the first. The Symphony
No.3 in E flat Op.97 was
written 1850 during the
composer?s tenure as
conductor at Dusseldorf
on the famous river
Rhine. Schumann claimed
that the history and
spirit surrounding the
noble river inspired him
when writing the
symphony, hence it being
called the ?Rhenish?
symphony. The symphony
was less successful at
its premiere in February
1851 (conducted by
Schumann himself) than
his previous two
symphonic premiers had
been.This symphony is in
five movements, with the
?extra? fourth movement,
originally subtitled ?In
the style of an
accompaniment to a solemn
ceremony?, was inspired
by a visit to Cologne
Cathedral.Available here
is a study score of
Schumann?s Symphony No.3
in E flat ?Rhenish? Op.97
, which is ideal for
study and perusal
usage..
Orchestra (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-5745 First Versi...(+)
Orchestra (2.2.2.2 -
4.2.3.0 - timp - str)
SKU: BR.PB-5745
First Version of 1841
- Urtext. Composed by
Robert Schumann. Edited
by Jon Finson. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Sheet
Music. Duration 26'.
Breitkopf and Haertel #PB
5745. Published by
Breitkopf and Haertel
(BR.PB-5745).
ISBN
9790004217078. 10 x 12.5
inches.
Immediately
after finishing his First
Symphony in B flat major
op. 38, Robert Schumann
wrote the present D minor
Symphony in 1841. Despite
its successful world
premiere at the Leipzig
Gewandhaus on 4 December
1841, this first version
remained unpublished
during the composer's
lifetime. It took the
great Johannes Brahms
himself to recognize its
qualities and commit
himself actively and
successfully to a renewed
performance in 1889. We
owe it to the many
supporters of the two
versions that they
practically stand on an
equal footing today, and
are both often heard in
the concert hall.
Choral; Orchestra (Study Score) SKU: HL.49017950 Eulenburg Study Score...(+)
Choral; Orchestra (Study
Score)
SKU:
HL.49017950
Eulenburg Study
Score. Composed by
Robert Schumann. Edited
by Bernhard R. Appel.
This edition:
Paperback/Soft Cover.
Sheet music. Choral Large
Works. Classical.
Softcover. Op. 147. 176
pages. Eulenburg Edition
#ETP1602. Published by
Eulenburg Edition
(HL.49017950).
ISBN
9783795771867. UPC:
841886014534.
6.25x8.75x0.397 inches.
Latin.
Whoever
attempted to compose a
Latin mass in the middle
of the 19th century had
to compete with great
models and traditional
composition techniques.
Bach's Mass in B minor
and Beethoven's Missa
solemnis, but even his
earlier Mass in C major
(performed by Schumann)
are among the key works
of a great mass tradition
in the reception of High
Romanticism. Not unlike
Schubert and later
Bruckner before,
Schumann's Mass in C
minor too is bound by
tradition, yet finds its
very own formulation of
the 'Ordinarium Missae',
the characteristic
features of which point
to the late style of the
composer.
Chorus; Orchestra (Study Score) SKU: HL.49019503 Chorus and Orchestra<...(+)
Chorus; Orchestra (Study
Score)
SKU:
HL.49019503
Chorus
and Orchestra.
Composed by Robert
Schumann. Edited by Ute
Baer. This edition:
Paperback/Soft Cover.
Sheet music. Study Score.
Classical. Softcover. Op.
144. 116 pages. Eulenburg
Edition #ETP1711.
Published by Eulenburg
Edition (HL.49019503).
ISBN 9783795772437.
UPC: 841886019751.
6.25x9.0x0.263 inches.
German.
The score
is based on volume
IV/3/1,2 (RSA 1032-20) of
the Schumann Complete
Edition. Translator:
Margit McCorkle.
