Orchestra - all

SKU: PR.816600040

Composed by Wolfgang Amadeus Mozart. CD Sheet Music (Version 1). Full Scores to all of the major works for orchestra by Mozart - parts not included. Classical Period. CD Sheet Music. 2000 printable pages. Published by Theodore Presser Company (PR.816600040).

UPC: 680160600045. 5.5x5 inches.

This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.

About CD Sheet Music (Version 1)

CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.

Orchestra (picc.2.2.2.2. - 2.0.0.0. - str(without vl))

SKU: BR.PB-16106

Urtext from the new Brahms Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Musgrave. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The study score (,,Studien-Edition) is available at G. Henle Verlag.

Serenade/divertimento; Romantic. Full score. 92 pages. Duration 30'. Breitkopf and Haertel #PB 16106. Published by Breitkopf and Haertel (BR.PB-16106).

ISBN 9790004214336. 10 x 12.5 inches.

Classical ReminiscencesDuring his time as conductor of the Detmold court orchestra, the young Brahms was inspired by the local wind ensemble to compose two serenades. Serenade No. 2, scored for five pairs of winds, violas, cellos, and string basses (leaving out the violins) is strongly reminiscent in sound of Mozart's wind serenades. The expressive Adagio is the heart of the five-movement work. Quite untypical of Brahms, he acquired a liking for the work from the outset, still undertaking a revision scarcely 15 years after the premiere of 1860; this has now been made available in a new practical edition based on the Johannes Brahms Complete Edition (JBG).

(Study Score). By Johannes Brahms (1833-1897). Edited by Michael Musgrave. For Orchestra (Study Score). Henle Study Scores. Softcover. 100 pages. G. Henle #HN9858. Published by G. Henle

(Study Score). Composed by Johannes Brahms (1833-1897). Edited by Michael Musgrave. For Orchestra (Study Score). Henle Study Scores. Softcover. 256 pages. G. Henle #HN9857. Published by G. Henle

Orchestra (Orchestra)

SKU: BA.BA04518-01

Composed by Wolfgang Amadeus Mozart. Edited by Günter Haußwald. This edition: complete edition, urtext edition. Linen. New Mozart Edition (Neue Mozart Ausgabe - NMA) Series IV, Volume 11, No. 7. Complete edition, Score, anthology. Baerenreiter Verlag #BA04518_01. Published by Baerenreiter Verlag (BA.BA04518-01).

ISBN 9790006449583. 33 x 26 cm inches.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra - Grade 3

SKU: AP.49471S

Composed by John Atteberry. Performance Music Ensemble; Single Titles; String Orchestra. Highland String Orchestra (HSO). Score. Duration 3:00. Highland/Etling #00-49471S. Published by Highland/Etling (AP.49471S).

ISBN 9781470650094. UPC: 038081570877. English.

The folk-like tune of Ruby Mountain Serenade may seem familiar but is in fact an original tune from composer John Atteberry. Beginning in D major, this graceful tone poems opens intimately, with optional soloists from each section. Following the introduction, all sections of the orchestra work to guide the music through statements of the primary and secondary themes, leading to a smooth modulation to F major and an emotional climax. A great opportunity for young musicians to explore programmatic music. (3:00).

Orchestra - Grade 3

SKU: AP.49471

Composed by John Atteberry. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland String Orchestra (HSO). Score and Part(s). Duration 3:00. Highland/Etling #00-49471. Published by Highland/Etling (AP.49471).

ISBN 9781470650087. UPC: 038081570860. English.

The folk-like tune of Ruby Mountain Serenade may seem familiar but is in fact an original tune from composer John Atteberry. Beginning in D major, this graceful tone poems opens intimately, with optional soloists from each section. Following the introduction, all sections of the orchestra work to guide the music through statements of the primary and secondary themes, leading to a smooth modulation to F major and an emotional climax. A great opportunity for young musicians to explore programmatic music. (3:00) This title is available in MakeMusic Cloud.

Score and Parts. By Michael Weinstein. (Set). Boosey and Hawkes Chamber Music. Published by Boosey and Hawkes.

Orchestra (str)

SKU: TM.12486SET

Composed by Ludwig van Beethoven. Arranged by Cleuver. Set Type: D. Set of parts. Lucks Music Library #A8986. Published by Lucks Music Library (TM.12486SET).

Arr. for string orch from Serenade in D, op. 8 for String Trio.

Orchestra (str)

SKU: TM.12486SC

Composed by Ludwig van Beethoven. Arranged by Cleuver. Score. Lucks Music Library #A8986. Published by Lucks Music Library (TM.12486SC).

Arr. for string orch from Serenade in D, op. 8 for String Trio.

In D Major. By Johannes Brahms. Arranged by Wilhelm Altmann. (Study Score). Schott. 164 pages. Published by Eulenburg.

In A Major. By Johannes Brahms. Arranged by Wilhelm Altmann. (Study Score). Schott. 85 pages. Published by Eulenburg.

Orchestra (Study Score)

SKU: HL.49010332

In D Major. Composed by Wolfgang Amadeus Mozart. Edited by Rudolf Gerber. Arranged by Rudolf Gerber. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1776. 32 pages. Eulenburg Edition #ETP 859. Published by Eulenburg Edition (HL.49010332).

ISBN 9783795769901. UPC: 841886015319. 5.25x7.5x0.1 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS134. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 74 pages. Published by Eulenburg.

(Eulenburg Audio Score 73). By Antonin Dvorák and Antonin Dvor. Eulenberg Audio plus Score. Softcover with CD. 80 pages. Eulenburg (Schott Music) #EAS173. Published by Eulenburg (Schott Music)

Orchestra - Grade 3.5

SKU: AP.35981S

Composed by Antonin Dvorak. Arranged by Art Sheinberg. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Score. 20 pages. Highland/Etling #00-35981S. Published by Highland/Etling (AP.35981S).

UPC: 038081414911. English.

Here is the perfect concert or festival piece for the high school string orchestra that is almost---but not quite---ready for the Dvorák Serenade! With much of the composer's signature use of folk idioms and lyricism, this piece offers great teaching possibilities, including a slow middle section in E Major with a bass solo. The exuberant accelerando ending will put an exclamation point to this certain favorite with your students and audiences.

By George Frideric Handel (1685-1759). Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterworks. First Philharmonic. Baroque; Masterwork Arrangement. Grade 2. Conductor Score and Parts. 102 pages. Published by Alfred Music Publishing

Orchestra (Orchestra)

SKU: BA.BA04555-02

Composed by Wolfgang Amadeus Mozart. Edited by Günter Haußwald and Wolfgang Plath. This edition: complete edition, urtext edition. Half-leather binding. New Mozart Edition (NMA) IV/12/1. Complete edition, Score, anthology. K. 63, K. 99 863a), K. 62, K. 100 (62a). Baerenreiter Verlag #BA04555_02. Published by Baerenreiter Verlag (BA.BA04555-02).

ISBN 9790006547159. 34 x 27 cm inches. Preface: Haußwald, Günter / Plath, Wolfgang.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra

SKU: PR.41641576L

For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L).

UPC: 680160636549. 11 x 17 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra

SKU: BA.BA09174

Based on Serenade K. 250 (248b). Composed by Wolfgang Amadeus Mozart. Edited by Günter Haußwald. This edition: urtext edition. Stapled. Barenreiter Urtext. Based on Serenade K. 250 (248b). Score. KV 250 (248b). 58 pages. Baerenreiter Verlag #BA09174_00. Published by Baerenreiter Verlag (BA.BA09174).

ISBN 9790006528615. 30 x 23 cm inches. Key: D major.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BA.BA09175

Based on Serenade K. 320. Composed by Wolfgang Amadeus Mozart. Edited by Günter Haußwald. This edition: urtext edition. Stapled. Barenreiter Urtext. Based on Serenade K. 320. Score. KV 320. 43 pages. Baerenreiter Verlag #BA09175_00. Published by Baerenreiter Verlag (BA.BA09175).

ISBN 9790006528677. 30 x 23 cm inches. Key: D major.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Full Orchestra

SKU: RU.5248S

Composed by Johannes Brahms. Score. RBC Publications #5248S. Published by RBC Publications (RU.5248S).

By Peter Ilyich Tchaikovsky, Peter Tschaikowsky. Arranged by Theodor Kirchner. Schott. Size 9x12 inches. 8 pages. Published by Schott.

Full Score. By Arnold Schoenberg. Schott. Book only. 88 pages. Published by Schoenberg.

Full Orchestra full orchestra - Grade 3

SKU: RU.5248

Composed by Johannes Brahms. Arranged by Richard Meyer. Score and Parts. RBC Publications #5248. Published by RBC Publications (RU.5248).

SKU: CL.016-0175-00

Composed by Robert Schumann. Arranged by Allen. Orchestra. Score and set of parts. Composed 1911. C.L. Barnhouse #016-0175-00. Published by C.L. Barnhouse (CL.016-0175-00).

This product contains two titles on one sheet of music: The Lotus Flower Theme from Serenade Op. 8.

Orchestra (2.2.2.2/2.0.0.0,1perc,st r,cello solo)

SKU: TM.00621SET

Composed by Victor Herbert. Set Type: B. Set of parts. Lucks Music Library #A1587. Published by Lucks Music Library (TM.00621SET).

Solo (no pf) in set; P/C in set. Solo/pf sold separately.