Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Composed by Ludwig van Beethoven (1770-1827). Edited by Jens Dufner. For Orchest...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jens Dufner.
For Orchestra (Study
Score). Henle Study
Scores. Softcover. 119
pages. G. Henle #HN9816.
Published by G. Henle
Orchestra (Study Score) SKU: HL.51489059 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489059
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 58 pages. G.
Henle #HN9059. Published
by G. Henle
(HL.51489059).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
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longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489060 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489060
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 64 pages. G.
Henle #HN9060. Published
by G. Henle
(HL.51489060).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
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binding
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exclusively for Urtext
editions)
Orchestra SKU: ST.B676 Composed by Frederick Delius. Edited by Eric Fenby...(+)
Orchestra
SKU:
ST.B676
Composed by
Frederick Delius. Edited
by Eric Fenby. Books &
Study Scores. Full Score.
Edited Eric Fenby
(Complete Works Volume
24a). Full Score. Stainer
& Bell Ltd. #B676.
Published by Stainer &
Bell Ltd. (ST.B676).
Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by ...(+)
Orchestra Study Score.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Andreas Friesenhagen.
Henle
Study Scores. Classical.
Softcover. 52 pages. G.
Henle #HN9056. Published
by
G. Henle
Orchestra SKU: HL.14021044 Composed by Sir Peter Maxwell Davies. Music Sa...(+)
Orchestra
SKU:
HL.14021044
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical.
Studyscore. Composed
2002. 114 pages. Chester
Music #CH61797. Published
by Chester Music
(HL.14021044).
ISBN
9780711984813.
Roma
, Amor, Labyrinthos for
orchestra was
commissioned by the Royal
Philharmonic Orchestra
and first performed on
2nd May 2000 at the
Barbican Hall, London.
The Independent, May
2000: Roma, Amor,
Labyrinthus captures the
composers recollections
of Rome as a student in
the late '50s under
Goffredo Petrassi, to
whom the work is
dedicated... [this is]
one of Sir Peter's most
spectacular scores,
evoking the might of the
ancient city from a very
personal viewpoint.
Duration 43 minutes.
Conductor's score and
orchestral parts are
available on hire.
Orchestra (Study Score) SKU: HL.51489058 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489058
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 63 pages. G.
Henle #HN9058. Published
by G. Henle
(HL.51489058).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
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binding
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longest Urtext
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exclusively for Urtext
editions)
Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by ...(+)
Orchestra Study Score.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Andreas Friesenhagen.
Henle
Study Scores. Classical.
Softcover. 45 pages. G.
Henle #HN9057. Published
by
G. Henle
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
(Study Score -
Flute/Piccolo, Oboe,
Clarinet, Horn, Bassoon,
Bass). Composed by Leos
Jan�¡cek. Edited by
JirÃ?Â
Zahr�¡dka. For Mixed
Woodwind Ensemble,
Woodwind Ensemble (Study
Score). Henle Study
Scores. Softcover. G.
Henle #HN7093. Published
by G. Henle
Version of 1851 - Urtext. Composed by Robert Schumann. Edited by Joachim ...(+)
Version of 1851 -
Urtext. Composed by
Robert Schumann. Edited
by Joachim Draheim.
Symphony.
Orchester-Bibliothek
(Orchestral Library). The
5 study scores of the
symphonies (incl. early
version of the 4 th
symphony) in slipcase are
temporarily out of print.
The single editions are,
however, still available.
Romantic. Double bass
part. Breitkopf and
Haertel #OB 5264-27.
Published by Breitkopf
and Haertel
(BR.OB-5264-27).
0.48
[Cembalokonzert Nr. 1
D-Moll BWV 1052] Study
Score. Composed by
Johann Sebastian Bach.
Henle Study Scores.
Classical. Softcover. G.
Henle #HN7380. Published
by G. Henle
(HL.51487380).
UPC:
840126932881.
6.75x9.5x0.251
inches.
Bach's
harpsichord concerti,
extremely popular among
pianists, are presumably
reworkings of pieces
originally written for
the violin. Bach,
however, succeeded in
transferring the diverse
idiosyncrasies of violin
technique to the keyboard
with such ingenuity that
most of today's pianists
also include these
concerti in their
standard repertoire. The
first concerto in D minor
is perhaps the most
popular - not least
because of its jaunty
outer movements and the
eminently forceful solo
part. Now, as a prelude
to a series of all of
Bach's harpsichord
concerti, G. Henle
Publishers presents a
piano reduction and study
edition (score) of the
D-minor concerto. None
other than András
Schiff, the outstanding
Bach expert, has provided
fingering
suggestions.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
French Horn; Orchestra (Study Score) SKU: HL.51487253 Hornkonzert Nr. ...(+)
French Horn; Orchestra
(Study Score)
SKU:
HL.51487253
Hornkonzert Nr. 1
Es-Dur Opus 11 Study
Score. Composed by
Richard Strauss. Edited
by Peter Damm. Henle
Study Scores. Classical.
Softcover. 83 pages. G.
Henle #HN7253. Published
by G. Henle
(HL.51487253).
UPC:
840126933048.
6.75x9.5x0.245
inches.
With his
first horn concerto, the
merely eighteen-year-old
Richard Strauss succeeded
in producing a
captivating masterstroke.
To this day, the concerto
is beloved throughout the
world (not only) by horn
players, and together
with Mozart's
masterworks, numbers
among the essential
pieces in the
instrument's repertoire.
Peter Damm, former
principal horn for the
Staatskapelle Dresden and
world-class soloist, has
not only performed the
concerto publicly over
170 times himself, but
has also presented
pivotal research findings
and publications on its
genesis. Prepared after
reviewing all surviving
sources, the Urtext
edition he has edited may
thus been regarded as the
edition of reference. The
orchestral score,
available in a practical
study edition, eliminates
innumerable errors from
the first edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Overture. Composed
by Richard Wagner. Edited
by Ernst Praetorius.
Arranged by Ernst
Praetorius. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical,
Romantic. Study Score. 66
pages. Duration 12'.
Eulenburg Edition #ETP
671. Published by
Eulenburg Edition
(HL.49010126).
ISBN
9783795772499. UPC:
073999928266.
5.25x7.5x0.203
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score....(+)
Double Bass; Orchestra
(STUDY SCORE)
SKU:
HL.51487451
Study
Score. Composed by
Serge Koussevitzky.
Edited by Tobias Glö
and ckler. Henle Study
Scores. Classical.
Softcover. 92 pages. G.
Henle #HN7451. Published
by G. Henle
(HL.51487451).
UPC:
196288158110.
6.75x9.5x0.294
inches.
Thanks to
its skilful combination
of Romantic melody and
sparkling virtuosity,
KoussevitzkyÂ’s Double
Bass Concerto op. 3 has
been one of the most
popular works of its
genre since its Moscow
premiere in 1905. No
wonder, for the virtuoso
double bass player
Koussevitzky had composed
it for his very own
instrument. As early as
1906/07 a first piano
reduction was published
in Moscow, followed by a
second in 1910 in
Leipzig. However, both
contain so many mistakes
in the solo part that
there is still
uncertainty about the
correct musical text in
many passages to this
day. The double bass
player Tobias Glöckler
has therefore prepared
his Urtext edition using
several sources: as well
as the manuscript
performance material and
the piano reductions
published during the
composer's lifetime, he
has also studied
recordings with
Koussevitzky as soloist -
thereby finally producing
a
thoroughly-researchedUrte
xt edition of the
orchestral score and
piano reduction of this
classic of the double
bass literature. As with
all double bass concertos
published by Henle
Publishers, this edition
also contains the piano
reduction by Christoph
Sobanski in two keys (E
minor and F sharp minor)
for performance with solo
or orchestral tuning.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Overture. Composed
by Ludwig van Beethoven.
Edited by Max Unger.
Arranged by Max Unger.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Op. 117. 72 pages.
Eulenburg Edition #ETP
631. Published by
Eulenburg Edition
(HL.49010093).
ISBN
9783795769765. UPC:
841886007741.
5.25x7.5x0.26
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra (Study Score) SKU: HL.51489819 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489819
Study Score.
Composed by Ludwig van
Beethoven. Edited by
Beate Angelika Kraus.
Henle Study Scores.
Classical. Softcover. 266
pages. G. Henle #HN9819.
Published by G. Henle
(HL.51489819).
UPC:
840126932737.
6.75x9.5x0.712
inches.
After the
first sketches had been
put to paper in 1815,
Beethoven only finally
put the finishing touches
to his last completed
symphony in 1824. With
its extended finale in
which soloists and choir
perform, building the
bridge to the symphonic
cantata with their
invocation of fraternity,
it marks a caesura in the
history of the symphony
that echoed long into the
nineteenth century. The
main theme of the ode
“To Joy†by
Friedrich Schiller, set
to music in the final
movement, has become one
of the most popular
melodies in all of
classical music and today
serves as the official
anthem of Europe. Based
on the musical text of
the Beethoven Complete
Edition and furnished
with a new preface, this
recently prepared edition
reflects the latest in
Beethoven scholarship.
Now,in this study
edition, it is available
to everyone at a
reasonable price and in a
handy format.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489817 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489817
Orchestra Study
Score. Composed by
Ludwig van Beethoven.
Edited by Ernst
Herttrich. Henle Study
Scores. Classical.
Softcover. 120 pages. G.
Henle #HN9817. Published
by G. Henle
(HL.51489817).
UPC:
840126932782.
6.75x9.5x0.341
inches.
The
premiere of this work in
December 1813 ranks among
the greatest successes
Beethoven ever celebrated
in public as a composer.
One reviewer wrote at the
time that in its themes
the new symphony was
“so favourable and
easily comprehensible
that every music lover
falls for the powerful
allure of its
beauty.†The
incisiveness of the
themes is fundamentally
related to the basic
ostinato rhythms, which
help shape each
movementÂ’s
distinctive character.
Richard Wagner even
called the composition,
with its ecstatic finale,
an “apotheosis of
the dance.†Based
on the musical text of
the Beethoven Complete
Edition and furnished
with a new preface, this
recently prepared edition
reflects the latest in
Beethoven scholarship.
Now, in this study
edition, it is available
to everyone at a
reasonable price and in a
handy format.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489818 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489818
Orchestra Study
Score. Composed by
Ludwig van Beethoven.
Edited by Ernst
Herttrich. Henle Study
Scores. Classical.
Softcover. 86 pages. G.
Henle #HN9818. Published
by G. Henle
(HL.51489818).
UPC:
840126932744.
6.75x9.5x0.25
inches.
Sandwiched
between the popular
Symphonies Nos. 7 and 9,
the relatively short
Eighth Symphony finds
itself in a difficult
position even now. Right
after the premiere in
February 1814, one critic
opined that it had made
“no splash.â€
At first glance it makes
recourse to already
outmoded forms and
genres, even reviving a
minuet for the third
movement (in lieu of a
slow movement) after an
Allegretto scherzoso. But
Beethoven engages
intensively with music
history, breaking apart
traditional procedures
and patterns and finding
new, surprising solutions
that make his Eighth a
milestone in symphonic
history. Based on the
musical text of the
Beethoven Complete
Edition and furnished
with a new preface, this
recently prepared edition
reflects the latest in
Beethoven scholarship.
Now,in this study
edition, it is available
to everyone at a
reasonable price and in a
handy format.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Study Score.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Duration 900
seconds. Boosey & Hawkes
#M060136009. Published by
Boosey & Hawkes
(HL.48024880).
ISBN
9781784545154. UPC:
840126918670.
7.25x10.25x0.319
inches.
This
publication presents
under one cover various
short works for sundry
orchestral scorings.
Larghetto for Orchestra
is MacMillan's
orchestration (2017) of
his celebrated Miserere
for a cappella mixed
choir (2009), a setting
in Latin of Psalm 51,
'Have mercy upon me, O
God, according to thy
great mercy', the
penitential text famously
set in the 17th century
by Gregorio Allegri. The
Larghetto orchestration
was commissioned by the
Pittsburgh Symphony
Orchestra in celebration
of Manfred Honeck's 10th
Anniversary as Music
Director. Memoire
imperiale is one of a
number of variations on
General John Reids march
tune Old Gaul
commissioned from
Scottish composers to
mark the centenary in
1994 of the Faculty of
Music at Edinburgh
University. The Faculty
was established following
a bequest by General Reid
(1721-1807), a former law
student at the University
and a renowned flute
player and composer of
marches for the
BritishArmy, and he asked
that an annual concert be
organised at which one or
more of his compositions
be played. Composed in
2012 for the Britten
Sinfonia, One is a monody
in which a single line is
passed around the
instruments, painting it
with different colours as
it emerges and develops.
Lasting only a few
minutes, its singularity
is maintained until
blossoming in the lastfew
bars. For Sonny (2011,
orch 2013) and Ein
Lamplein verlosch (2018,
orch 2019) are short,
private memorial tributes
originally for string
quartet and here rescored
for string orchestra.
Hirta was composed in
2016 as part of Deccas
The Lost Songs of St
Kilda project. Nearly a
century ago, the last 36
residents were evacuated
from the most remote part
of the British Isles, St
Kilda, an isolated
archipelago off the
beautiful and rugged
western coast of
Scotland. After 86 years,
the music of St Kilda was
rediscovered, recorded in
a Scottish care home by
Trevor Morrison, an
elderly man who had been
taught piano by an
inhabitant of St Kilda.
The songs were
'reimagined' for the
Decca album by
various.
Orchestra (Study Score) SKU: HL.50606858 In A Major, Op. 141. Comp...(+)
Orchestra (Study Score)
SKU: HL.50606858
In A Major, Op.
141. Composed by
Dmitri Shostakovich.
Study Score. Classical.
Softcover. Sikorski
#SIK2515. Published by
Sikorski (HL.50606858).
UPC:
196288194552.
Weake
ned by a series of
chronic illnesses and
aware of his impending
death, Shostakovich looks
back on his life in
Symphony No.15 inA major,
op.141. The work opens
with cheerful
reminiscences from his
youth, featuring
quotations from his early
works and allusions to
Rossini. But already by
the second movement, a
funeral march rich with
self-quotation, the mood
changes. In the cantabile
movement which follows,
one hears the murmuring
ghosts of the past. With
echoes of Richard Wagner,
the eerie finale
ultimately instructs the
listener to remain
fearful through its
crumbling tonality. This
volume is part of the
revised and corrected new
edition of all 15
symphonies by Dmitri
Shostakovich published by
Boosey & Hawkes and
Sikorski as large format
study scores for optimal
legibility. All scores
and the related
orchestral parts have
been newly computer
typeset, and the
orchestral parts are also
compatible for
performance use with
scores in “The New
Collected Works of
DmitriShostakovichâ€
.
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Import titles are
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import title, it will be
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warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
Orchestra SKU: HL.49009448 Composed by Franz Schubert. Edited by Max Albe...(+)
Orchestra
SKU:
HL.49009448
Composed
by Franz Schubert. Edited
by Max Alberti. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
54 pages. Duration 8'.
Eulenburg Edition #ETP
1130. Published by
Eulenburg Edition
(HL.49009448).
ISBN
9790200209600.
5.5x7.5x0.165
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
St John Passion Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Baritone, Choral, Orchestra (Study Score) SKU: HL.48024806 The Passion...(+)
Baritone, Choral,
Orchestra (Study Score)
SKU: HL.48024806
The Passion of our
Lord Jesus Christ
according to John Study
Score. Composed by
James Macmillan. Boosey &
Hawkes Scores/Books.
Classical, Sacred.
Softcover. 380 pages.
Boosey & Hawkes
#M060134470. Published by
Boosey & Hawkes
(HL.48024806).
ISBN
9781784543792. UPC:
888680978648. 8.25x11.75
inches.
Scored for
baritone solo, small
'narrator' chorus, large
chorus and orchestra,
MacMillan's first Passion
setting was composed in
2007. Lasting 87 minutes
the work is divided into
two parts, with 10
movements overall. As
Paul Spicer has
commented, “The
originality of the St
John Passion lies in
MacMillan's ability to
mix old with new, rather
in the manner of Bach in
his day. There are
passages of sumptuous
polyphony and there is a
fresh look at the text
where passages of Latin
are interspersed with the
Gospel story in English.
In movement seven ('Jesus
and his Mother'),
MacMillan introduces not
only part of the Stabat
Mater but also his own
words ('Lully, lulla, my
dear darling'). The final
movement, which is purely
orchestral, is a kind of
via doloroso march with a
Scots lament over quite
brass chords. The string
writing here, with its
elegiac cello lines, is
deeply reminiscent of the
early 20th-century
English school. This
should be the War Requiem
of the 21st
century.&rdquo.
Orchestra (Study Score) SKU: HL.51489061 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489061
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9061.
Published by G. Henle
(HL.51489061).
UPC:
840126932836.
6.75x9.5x0.22
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489063
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 55
pages. G. Henle #HN906.
Published by G. Henle
(HL.51489063).
UPC:
840126932867.
6.75x9.5x0.204
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.49009580 From Les Troyens - for Orches...(+)
Orchestra (Study Score)
SKU: HL.49009580
From Les Troyens - for
Orchestra. Composed
by Hector Berlioz. Edited
by Hugh MacDonald. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
40 pages. Eulenburg
Edition #ETP 1371.
Published by Eulenburg
Edition (HL.49009580).
ISBN 9790200210965.
UPC: 884088083304.
5.5x7.5x0.112
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.