From Encanto. Composed by Lin- Manuel Miranda (1980-). Arranged by Robert Longfield. Easy Pop Specials For Strings. Disney, Movies. Softcover. Duration 180 seconds. Published by Hal Leonard

Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score and Parts. Composed by Johan De Meij. Amstel Music. Concert. Softcover. Duration 2580 seconds. Amstel Music #AM200- 010. Published by Amstel Music

(Chamber Orchestra)

SKU: HL.14066154

Composed by Sir Arthur Drummond Bliss. Orchestra. General Merchandise. Duration 240 seconds. Music Sales #JC90726. Published by Music Sales (HL.14066154).

Score and Parts. Composed by Lin-Manuel Miranda (1980-). Arranged by Larry Moore. Pop Specials for Strings. Disney, Movies. Softcover. Duration 160 seconds. Published by Hal Leonard

Full Score. Composed by Lin- Manuel Miranda. Arranged by Larry Moore. Pop Specials for Strings. Disney, Movies. Softcover. Duration 160 seconds. Published by Hal Leonard

Full orchestra (Fl-Picc , 3 Fl-A , 3 Ob , EnglHn , 3 clarinet , 2 bassoon , 4 Hn-Co , 3 Trp , 3 trombone , Tb , timpani , Schlgw , Piano , 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA10572-01

Composed by Bohuslav Martinu. Edited by Sharon Andrea Choa. This edition: complete edition, urtext edition. Linen. The Bohuslav Martinu Complete Edition II/1/4. Complete edition, Score. No. 4. Duration 31 minutes, 30 seconds. Baerenreiter Verlag #BA10572_01. Published by Baerenreiter Verlag (BA.BA10572-01).

ISBN 9790260107649. 33.5 x 26.5 cm inches. Text Language: Czech/English. Preface: Sharon Andrea Choa.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (2 Fl-Picc, 2 recorder, 2 Fl, 2 Cha, 2 Ob, 2 bassoon, 4Cor-dacc, Str, Continuo)

SKU: BA.BA05856

Passion oratorio in nine meditations. Composed by Georg Philipp Telemann. Edited by Ute Poetzsch. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Volume 33. Edition of selected works, Score. TWV 5. Duration 1 hour, 39 minutes, 59 seconds. Baerenreiter Verlag #BA05856_00. Published by Baerenreiter Verlag (BA.BA05856).

ISBN 9790006497959. 32.9 x 25.8 cm inches. Text: Georg Ph Telemann.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Full Score)

SKU: HL.244904

For Orchestra. Composed by Bryce Dessner. Music Sales America. Classical. Softcover. Composed 2017. 64 pages. Duration 1020 seconds. Chester Music #CH83985. Published by Chester Music (HL.244904).

8.25x12.0x0.508 inches.

Quilting, co-commissioned by the BBC Symphony Orchestra and the Los Angeles Philharmonic, is my first stand alone work for orchestraand is loosely inspired by the American tradition of quilt making. I composed Quilting while living most of last year in Paris.During my time there, I thought a lot about what it means to compose symphonic music as a young American in the 21st century, when so many of the many masterworks which are programmed year in and out by orchestras across the country are European. I considered which artistic traditions defined the American 19th-century. I began to think of the American crafts-tradition of quilting as a foilto the high-art tradition of European orchestral composition. As the score for my new work began to take shape, I started thinking about the manuscript itself as an object, its vertical and horizontal planes create a kind of patterned geometry of their own. Visually the way a musical score is woven together like patchwork brought to mind quilts and the great American tradition of quilting. I imagined about how conducting an orchestra can feellike stitching a piece together, or sewing together a large number of musical ideas and musicians into a coherent and transcendent whole. Quilting was an integral part of American vernacular in the 18th and 19th centuries, the African-American quilting tradition is especially fascinating, and the quilts tell the stories of the women and communities who made them. The names of the quilt patterns themselves can have their own sense of narrative: 'jacobs ladder', 'drunkards path', 'solomon's puzzle', and (my favorite for its relevance to this piece) 'the road to California. - Bryce Dessner.

Orchestra (Study Score)

SKU: HL.48024654

Orchestra Study Score. Composed by Magnus Lindberg. Boosey & Hawkes Scores/Books. Classical, Orchestra, Spanish. Softcover. 84 pages. Duration 780 seconds. Boosey & Hawkes #M060135835. Published by Boosey & Hawkes (HL.48024654).

ISBN 9781784545017. UPC: 888680949181. 8.25x11.75x0.288 inches.

New edition of this hitherto unpublished 13-minute work, which was first performed in 2002 by the Philharmonia Orchestra, conducted by Jukka-Pekka Saraste. The title clearly suggests a parade; but, as Lindberg points out, in Spanish, 'parada' also denotes a bus-stop or taxi-rank: a wry acknowledgement, perhaps, of the long wait for a slow movement from this composer at that time. For him, Parada is the middle panel of a loosely conceived triptych, the flanking sections of which are Feria (1997) and Cantigas (1999). Lindberg draws a parallel with Debussys Images, in which each of the three parts was conceived and premiered separately, and retains its own identity.

Orchestra (Score)

SKU: HL.283507

Orchestra Score. Composed by Bent Sorensen. Music Sales America. Classical. Softcover. 49 pages. Duration 780 seconds. Edition Wilhelm Hansen #KP01914. Published by Edition Wilhelm Hansen (HL.283507).

Exit Music for Orchestra was composed by Bent Sorensen in 2006-07. Exit Music was commissioned by the Bergen International Festival for the Bergen Philharmonic Orchestra, and is dedicated to Per Norgard on the occasion of his 75th birthday. Programme note It began with a dream, as it always does when I compose. I dreamt that I was standing in an open doorway on a hill in an otherwise open landscape. I do not know what was behind the door, but in front of it - towards the landscape - I saw my music disappearing. I stood looking for the music, and started to hear it, to remember it in time with its disappearance. The dream continued to recur as strange pictures in my daydreams, and I continued to try to write down the music that had vanished. It was also the dream that gave the piece its title- Exit Music. Exit Music is based on three simple songs (the songs that vanish through the doorway): a little lullaby, which continues to reappearin fragments; a strange polyphonic pop song that refers to a section of my opera Under the Sky; and a passionate little love song, which concludes the piece on the strings, very quietly and in unison. These simple songs are then constantly overpainted by enervating repeated motes in fairly simple rhythms, which push the songs out of the room. (Bent Sorensen).

Prestige collection - Grade 5

SKU: RM.BOUT02285-BA

Composed by Roger Boutry. Prestige avec soliste. Prestige collection. Orchestra. Full set. Duration 15 minutes, 50 seconds. Editions Robert Martin #BOUT02285-BA. Published by Editions Robert Martin (RM.BOUT02285-BA).

ISBN 9790231022858.

CD Musique francaise.

Prestige collection - Grade 5

SKU: RM.BOUT04428-CO

Composed by Roger Boutry. Original music. Prestige collection. Orchestra. Conductor's score. Duration 11 minutes, 30 seconds. Editions Robert Martin #BOUT04428-CO. Published by Editions Robert Martin (RM.BOUT04428-CO).

Prestige collection - Grade 5

SKU: RM.BOUT04360-BA

Composed by Roger Boutry. Prestige avec soliste. Prestige collection. Orchestra. Full set. Duration 18 minutes, 16 seconds. Editions Robert Martin #BOUT04360-BA. Published by Editions Robert Martin (RM.BOUT04360-BA).

ISBN 9790231043600.

Prestige collection - Grade 5

SKU: RM.BOUT04360-CO

Composed by Roger Boutry. Prestige avec soliste. Prestige collection. Orchestra. Conductor's score. Duration 18 minutes, 16 seconds. Editions Robert Martin #BOUT04360-CO. Published by Editions Robert Martin (RM.BOUT04360-CO).

Prestige collection - Grade 5

SKU: RM.BOUT02350-CO

Composed by Roger Boutry. Original music. Prestige collection. Orchestra. Conductor's score. Duration 8 minutes, 50 seconds. Editions Robert Martin #BOUT02350-CO. Published by Editions Robert Martin (RM.BOUT02350-CO).

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Marching band - Grade 2

SKU: RM.SEBA03536-BA

Composed by Patrick Boutot. Arranged by Solemar. Marching band. Orchestra. Full set. Duration 2 minutes, 20 seconds. Editions Robert Martin #SEBA03536-BA. Published by Editions Robert Martin (RM.SEBA03536-BA).

ISBN 9790231035360.

Prestige collection - Grade 4/Grade 5

SKU: RM.WEBE02631-PK

Composed by Carl Maria von Weber. Arranged by Roger Boutry. Transcription avec soliste. Prestige collection. Orchestra. Duration 22 minutes, 20 seconds. Editions Robert Martin #WEBE02631-PK. Published by Editions Robert Martin (RM.WEBE02631-PK).

Prestige collection - Grade 5

SKU: RM.BACH02262-CO

Composed by Johann Sebastien Bach. Arranged by Roger Boutry. Transcription. Prestige collection. Orchestra. Conductor's score. Duration 7 minutes, 18 seconds. Editions Robert Martin #BACH02262-CO. Published by Editions Robert Martin (RM.BACH02262-CO).

String orchestra (88555) with optional 3rd violin/viola TC (3 copies) - Grade 2

SKU: KN.9121

Arranged by Albert Wang. Solo or Ensemble. Voyager String Orchestra. Score and set of parts. Duration 3 minutes, 15 seconds. Kendor Music Inc #9121. Published by Kendor Music Inc (KN.9121).

UPC: 822795091212.

Origi nating as a peasant dance in the Dauphine region of southeastern France and requiring dancers to raise rather than slide their feet, the gavotte became popular in European courts during the Baroque era. In this setting of Gossec's famous Gavotte In D, simple rhythms and interesting ornaments make it perfect for any concert program. Duration 3:15. Available in SmartMusic.

Composed by Claude Debussy (1862-1918). Arranged by Roger Boutry. Transcriptions. Prestige collection. Grade 5. Conductor's score. Duration 8 minutes, 36 seconds. Published by Editions Robert Martin