Orchestra (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SK...(+)
Orchestra (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.PB-5569-07
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). An
homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way. Have a look into PB
5540. Suite; Ballet;
Early modern. Study
Score. 72 pages. Duration
17'. Breitkopf and
Haertel #PB 5569-07.
Published by Breitkopf
and Haertel
(BR.PB-5569-07).
ISBN
9790004213797. 6.5 x 9
inches.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Orchestra SKU: LO.30-2423L The followers of Jesus reflect on His final...(+)
Orchestra
SKU:
LO.30-2423L
The
followers of Jesus
reflect on His final
days. Composed by
Lloyd Larson. Choral,
cantatas. Eastertide,
Lent, Sacred. Orchestral
score and parts. Lorenz
Publishing Company
#30/2423L. Published by
Lorenz Publishing Company
(LO.30-2423L).
UPC:
000308120899.
This
compelling reflection
upon Jesus’ final
days is viewed through
His eyes and the eyes of
those surrounding Him:
Mary, sister of Martha;
an officer to Caiaphas;
Judas; Peter; Jesus
Himself; Pilate; Mary,
the mother of Jesus; Mary
Magdalene; and Thomas. A
sequence of dramatic,
scripture-based
monologues tells the
story, alternating with
Lloyd Larson’s
masterfully inspired
music as the “voice
of the believerâ€
responds. Flexibly
conceived, this work may
be presented as simply or
as elaborately as you
wish, depending upon your
resources and
preferences. Performance
options range from use as
a source of single
anthems for your seasonal
service needs to a short
worship program with
monologues and choruses
or a special, fully
staged production. It is
our hope that this work
will prompt your own
reflections upon the
great wonder and mystery
of the Incarnate God Who,
for the love of His
people, humbled Himself,
dying for our salvation
and triumphing over
death.
Ergaenzungen von Nors S. Josephson. Composed by Anton Bruckner (1824-1896...(+)
Ergaenzungen von Nors
S. Josephson.
Composed by Anton
Bruckner (1824-1896).
Arranged by Nors. S.
Josephson. This edition:
Paperbound. German title:
Finale zur 9.Sinfonie.
Full score. WAB 109, No.
4. 162 pages. Duration 15
minutes. Published by
Carus Verlag
(CA.4058800).
Composed by Howard
Skempton. Orchestral
parts for sale. Full
score. 16 pages. Duration
13'. Oxford University
Press #9780193676503.
Published by Oxford
University Press
(OU.9780193676503).
ISBN 9780193676503. 12
x 8 inches.
Lento
is monolithic; major and
minor triads generate a
sequence of
processionals. The tempo
is more or less constant.
It uses the same
orchestral forces as
Wagner's prelude to
Parsifal, though
deployment is radically
different. Most of Lento
is scored for strings
only. A central episode
turns the spotlight on
the trombones and the
bassoons. Otherwise,
woodwind, brass and
timpani serve primarily
to lend weight to
restatements of the two
principal subjects.
(Death
& Transfiguration)
Clothbound Score,
Complete Edition in
G. Edition Schott.
Classical. Hardcover.
Duration 1440 seconds.
Schott Music #RSW306.
Published by Schott Music
(HL.49047172).
UPC:
196288143406.
When
the 24-year-old Richard
Strauss, assistant
conductor in Munich,
began the composition of
his third tone poem in
the summer of 1888, he
saw himself close to the
aspiration prescribed by
his mentor Alexander
Ritter: to become the
successor of Richard
Wagner as a musical
dramatist. Strauss had
already been working on
the text of his first
opera Guntram for a year
and additionally devoted
himself to programmatic
orchestral works oriented
to the musical language
of Liszt and Wagner in
order to prepare himself
compositionally for his
new task. With the aid of
Strauss and other
musicians including
Ludwig Thuille and
Friedrich Rösch who
had been gathering for
“Ritter's round
table†in Munich
between 1886 and 1889,
RitterÂ’s intention
was to achieve success on
a broad front with the
New German School
following the death of
its two protagonists
Wagner and Liszt. We do
not know whether Ritter
and his supporters
jointly planned Strauss's
compositional path
towards opera, determined
the subjectsof his
prospective tone poems
and considered various
strategies of their
musical realization, but
the influence of this
group shouldnot be
underestimated. It cannot
be ruled out that the
number of three tone
poems was fixed, as was
their sequence of
composition, which would
progressively achieve its
zenith in an increasing
orientation to Liszt and
Wagner. The circle could
possibly have also
discussed initial links
to literary subjects
(Macbeth and Don Juan)
and ultimately the
abstention from this
practice in the third and
final tone poem. The
subject of the work, or
rather in StraussÂ’s
formulation its
“poetic
modelâ€, has
occasionally been
interpreted from an
autobiographical aspect.
Strauss however did not
experience serious
illness until May 1891
and once more in June
1892, long after Tod und
Verklärung had been
composed. Even without an
external reason, the
material would have been
only too attractive for
an admirer of Wagner and
Liszt like Strauss, not
to mention for his mentor
Alexander Ritter. The
concept of 'death and
transfiguration' had
already played a central
role in LisztÂ’s
symphonic poems Tasso and
Prometheus.
By Gioachino Rossini. Edited by Tommy J. Fry. Arranged by Erik W. G. Leidzen. Co...(+)
By Gioachino Rossini.
Edited by Tommy J. Fry.
Arranged by Erik W. G.
Leidzen. Concert Band.
For Piccolo, Flute I,
Flute II, Oboe I, Oboe
II, English Horn,
Clarinet I, Clarinet II,
Clarinet III, Bass
Clarinet, Bassoon I,
Bassoon II, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Trumpet IV, Horn I, Horn
II, Horn III, Horn IV,
Tenor I, Tenor II, Tenor
III, Euphonium, Tuba,
Contrabass, Timpani,
Snare Drum, Xylophone,
Triangle, Suspended
Cymbal, Bass Drum. Carl
Fischer Classic Band
Editions. Level: Grade 6.
Score and Set of Parts.
79 pages. Duration 3:15.
Published by Carl
Fischer.
Orchestra (Study Score) SKU: HL.49044357 For Ensemble (2012) Music of ...(+)
Orchestra (Study Score)
SKU: HL.49044357
For Ensemble (2012)
Music of Our Time
Series. Composed by
Sir Maxwell Davies. This
edition: Saddle
stitching. Sheet music.
Study Score. Based on the
detailed account of the
intense and injurious
physical contests from
Virgil's Aeneid.
Classical. Softcover.
Composed 2012. Op. 321.
36 pages. Duration 14'.
Schott Music #ED13710.
Published by Schott Music
(HL.49044357).
ISBN
9790220135156. UPC:
841886023673.
8.25x11.75x0.143
inches.
This highly
complex and virtuosic
ensemble work shows that
even in his 80s Sir Peter
Maxwell Davies shows no
signs of taking it easy.
Composed in Italy in
2012, The Trojan Games
depicts a sequence of
physical contests far
more intense than any
sporting event we're
familiar with today.
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Conductor's
Score). Composed by
Bob Phillips; Kirk Moss;
Matt Turner; Stephen
Benham. This edition:
Teacher's Score.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Score. 101
pages. Alfred Music
#00-44213. Published by
Alfred Music (AP.44213).
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra
(Cello/Bass).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Cello/Bass.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44212. Published by
Alfred Music (AP.44212).
Orchestra (Score) SKU: HL.51485151 Haydn Complete Edition, Series I, V...(+)
Orchestra (Score)
SKU:
HL.51485151
Haydn
Complete Edition, Series
I, Vol. 16 Paperbound
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Complete Edition.
Paperbound. Henle
Complete Edition.
Classical. Score
(paperbound). 225 pages.
G. Henle #HN5151.
Published by G. Henle
(HL.51485151).
ISBN
9790201851518. UPC:
884088181680. 10.25x13
inches.
Orchestra SKU: HL.51485141 Haydn Complete Edition, Series I, Vol. 15 P...(+)
Orchestra
SKU:
HL.51485141
Haydn
Complete Edition, Series
I, Vol. 15 Paperbound
Score. Composed by
Franz Joseph Haydn.
Edited by Gernod Gruber
and Robert v. Zahn.
Complete Edition.
Paperbound. Henle
Complete Edition.
Classical. Softcover. 193
pages. G. Henle #HN5141.
Published by G. Henle
(HL.51485141).
Orchestra (Orchestra) SKU: HL.14019146 Composed by Magnus Lindberg. Music...(+)
Orchestra (Orchestra)
SKU: HL.14019146
Composed by Magnus
Lindberg. Music Sales
America. Classical.
Score. 170 pages. Music
Sales #KP00137. Published
by Music Sales
(HL.14019146).
ISBN
9788759855775.
12.0x16.5x0.525 inches.
English.
The
harmonic model for this
piece is based on a
subdivision of pitches in
primary and secondary
notes, in principle any
chord can be viewed from
it's structural qualities
including interval
content and symmetry, but
it might also be
conceived from a more
acoustical point of view.
The parallel basis for
this work is a sequence
of 12-tone chords
repeated as a chaconne,
every chord has it's
Alter-Ego, an overtone
series the fundamentals
of which together form a
bass line. By
articulating the cycle
differently, with always
varied diagonal paths
between two layers
Lindberg has aimed to
give the music some
direction despite it's
vague repetitive
structure. Work for
Orchestra premiered at
the Queen Elizabeth Hall,
London, by the London
Sinfonietta under the
direction of Esa-Pekka
Salonen, April 1990.
Orchestra (Score) SKU: HL.51485172 Haydn Complete Edition, Series I, V...(+)
Orchestra (Score)
SKU:
HL.51485172
Haydn
Complete Edition, Series
I, Vol. 18 Clothbound
Score. Composed by
Franz Joseph Haydn.
Edited by Hubert
Unverricht. Complete
Edition. Clothbound.
Henle Complete Edition.
Classical. Score
(clothbound). 242 pages.
G. Henle #HN5172.
Published by G. Henle
(HL.51485172).
ISBN
9790201851723. UPC:
884088181734. 10x13
inches.
Orchestra (Score) SKU: HL.51485112 Haydn Complete Edition, Series I, V...(+)
Orchestra (Score)
SKU:
HL.51485112
Haydn
Complete Edition, Series
I, Vol. 12 Clothbound
Score. Composed by
Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Complete Edition.
Clothbound. Henle
Complete Edition.
Classical. Score
(clothbound). 138 pages.
G. Henle #HN5112.
Published by G. Henle
(HL.51485112).
ISBN
9790201851129. UPC:
884088181628. 10x13
inches.
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Viola).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Viola.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44211. Published by
Alfred Music (AP.44211).
By Jacquelyn Dillon, James Kjelland, and John O'Reilly. For Conductor's Score. S...(+)
By Jacquelyn Dillon,
James Kjelland, and John
O'Reilly. For Conductor's
Score. String Orchestra
Method/Supplement. Book.
216 pages. Published by
Alfred Publishing.
Haydn Complete Edition, Series I, Vol. 12 Paperbound Score. By Franz Jose...(+)
Haydn Complete
Edition, Series I, Vol.
12 Paperbound Score.
By Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Henle Complete Edition.
Classical. Critical
report (paperbound). 28
pages. G. Henle #HN5113.
Published by G. Henle
(HL.51485113).
Orchestra (Score) SKU: HL.51485162 Haydn Complete Edition, Series I, V...(+)
Orchestra (Score)
SKU:
HL.51485162
Haydn
Complete Edition, Series
I, Vol. 17 Clothbound
Score. Composed by
Franz Joseph Haydn.
Edited by Horst Walter.
Complete Edition.
Clothbound. Henle
Complete Edition.
Classical. Score
(clothbound). 246 pages.
G. Henle #HN5162.
Published by G. Henle
(HL.51485162).
ISBN
9790201851624. UPC:
884088181710. 10.25x13
inches.
Orchestra (Score) SKU: HL.51485163 Haydn Complete Edition, Series I, V...(+)
Orchestra (Score)
SKU:
HL.51485163
Haydn
Complete Edition, Series
I, Vol. 17 Paperbound
Score. Composed by
Franz Joseph Haydn.
Edited by Horst Walter.
Complete Edition.
Paperbound. Henle
Complete Edition.
Classical. Critical
report (paperbound). 72
pages. G. Henle #HN5163.
Published by G. Henle
(HL.51485163).
ISBN
9790201851631. UPC:
884088181727. 6.75x9.5
inches.
Orchestra (Study Score) SKU: HL.49045788 Suite for Orchestra 1919 Edit...(+)
Orchestra (Study Score)
SKU: HL.49045788
Suite for Orchestra
1919 Edition Eulenburg
No. 1475. Composed by
Igor Stravinsky. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Writing music to
heighten dramatic
situations, such as
battle and crisis, was a
speciality of Igor
Stravinsky. In his
ballet, The Firebird,
premiered in 1910, the 27
year old composer
surpassed many of today's
film composers by
depicting a breathtaking
ba. Classical. Softcover.
Composed 1919. 124 pages.
Duration 1200 seconds.
Schott Music #ETP1475.
Published by Schott Music
(HL.49045788).
ISBN
9783795714567. UPC:
888680747985.
6.0x8.75x0.309 inches.
Edition Eulenburg No.
1475.
Igor
Stravinsky's musical
setting of the Slavic
fable The Firebird is one
of the most
ground-breaking
orchestral works of the
early 20th century. The
reviews of the world
premiere of the ballet at
the Theatre National de
l'Opera in Paris lauded
Stravinsky's 'dazzling
music in all shades of
colour'; as a
consequence, he composed
two orchestral suites of
his ballet. The version
of 1919 is now published
as a new edition with a
modern notation and new
orchestral material.
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.
(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Ar...(+)
(Concerto No. 1 for
Marimba, Strings and
Percussion). Composed by
Gillingham. Arranged by
Nathan Daughtrey. For
Soloist(s) with String
Orchestra (Solo Marimba
Percussion 1 (xylophone,
bells, chimes) Percussion
2 (brake drum, cowbell,
shaker, suspended cymbal,
crash cymbals, temple
blocks, triangle)
Percussion 3 (4 toms,
crash cymbals, bass drum,
suspended cymbal, tam
tam, hi hat) Violin I
Violin II). Medium
difficult. Orchestra
score only. Duration
16:30. Published by C.
Alan Publications
Urtext. Composed
by Ludwig van Beethoven.
Edited by Peter
Hauschild. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
Hauschild combines
source criticism with the
demands of performance
practice, while keeping
the Critical Notes brief
(it goes without saying
that they are in the
score). His editorial
emendations can thus be
checked immediately.
Symphony; Classical. Full
score. 80 pages. Duration
27'. Breitkopf and
Haertel #PB 5238.
Published by Breitkopf
and Haertel (BR.PB-5238).
ISBN 9790004210000. 10
x 12.5
inches.
Ludwig van
Beethoven composed his
Eighth Symphony op. 93 in
1811/1812. As a
consequence of the
wartime upheavals of
those years, the world
premiere of the work did
not take place until 27
February 1814 in Vienna
under the composer's
direction.Hauschilds new
edition is based on all
the major primary
sources. With masterful
expertise, Hauschild
combines source criticism
with the demands of
performance practice,
while keeping the
Critical Notes brief (it
goes without saying that
they are in the score).
His editorial emendations
can thus be checked
immediately. Whoever
seeks more about how the
Breitkopf new edition
differs from other
available editions will
also find this
information quickly and
easily.
Hauschild
combines source criticism
with the demands of
performance practice,
while keeping the
Critical Notes brief (it
goes without saying that
they are in the score).
His editorial emendations
can thus be checked
immediately.
Orchestra SKU: LO.30-3153L Composed by Mary McDonald. Choral. Sacred Anth...(+)
Orchestra
SKU:
LO.30-3153L
Composed
by Mary McDonald. Choral.
Sacred Anthem,
Discipleship, General.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/3153L. Published by
Lorenz Publishing Company
(LO.30-3153L).
UPC:
000308138962.
Soari
ng and majestic, this
Mary McDonald original
work is filled with rich
harmonies and sequencing
modulations that build to
a powerful close as the
chorus answers the call
with We will go!.