Orchestra

SKU: PR.41641513L

V. From 'Mythology Symphony'. Composed by Stacy Garrop. Contemporary. Large Score. With Standard notation. Composed 2013. Duration 7 minutes, 20 seconds. Theodore Presser Company #416-41513L. Published by Theodore Presser Company (PR.41641513L).

UPC: 680160621347.

This movement is, in turns, both lighthearted and serious. The music depicts a young, naive Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.
This movement is, in turns, both lighthearted and serious. The music depicts a young, naïve Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.

Orchestra

SKU: PR.416415130

V. From 'Mythology Symphony'. Composed by Stacy Garrop. Contemporary. Full score. With Standard notation. Composed 2013. 27 pages. Duration 7 minutes, 20 seconds. Theodore Presser Company #416-41513. Published by Theodore Presser Company (PR.416415130).

UPC: 680160621330.

This movement is, in turns, both lighthearted and serious. The music depicts a young, naive Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.
This movement is, in turns, both lighthearted and serious. The music depicts a young, naïve Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

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Orchestra - all

SKU: PR.816600040

Composed by Wolfgang Amadeus Mozart. CD Sheet Music (Version 1). Full Scores to all of the major works for orchestra by Mozart - parts not included. Classical Period. CD Sheet Music. 2000 printable pages. Published by Theodore Presser Company (PR.816600040).

UPC: 680160600045. 5.5x5 inches.

This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.

About CD Sheet Music (Version 1)

CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.

Cello and orchestra

SKU: HL.49015261

En forme de Pas de trois. Composed by Bernd Alois Zimmermann. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1965-1966. 106 pages. Duration 24'. Schott Music #ED 7164. Published by Schott Music (HL.49015261).

ISBN 9790001075091. 9.25x12.0x0.305 inches.

3 (3. auch Picc.) * 3 (2., 3. auch Ob. d'am.) * 3 (3. auch Bassklar.) * Altsax. (auch Sopransax.) * 3 (3. auch Kfg.) - 2 * 2 (auch Cornett in B) * 2 * 1 - P. (1 Spieler) S. (2 Beck. * 3 hg. Beck. * Tamb. * Trgl. * Hi-Hat * 3 Tomt. * Ruhrtr. * kl. Tr. * gr. Tr. * Holztr. * Ratsche * Peitsche * Schuttelrohr * Mar. * Kuhgl. * Gurke * Kast. * Clav. * Glsp. * Vibr.) (5 Spieler) - Git. (auch E-Git.) * Mand. * Hfe. * Klav. (auch Cemb.) * Glasharfe (Cel.) * Zimbal - Str. (7 * 7 * 6 * 5 * 4).

Orchestra

SKU: HL.49032150

Set of Wind Parts. Composed by Wolfgang Amadeus Mozart. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. 54 pages. Schott Music #ED 6621. Published by Schott Music (HL.49032150).

ISBN 9790001070447. 8.25x11.75x0.255 inches.

Orchestra

SKU: HL.49013804

Ballettmusik. Composed by Christoph Willibald Von Gluck. Edited by Gabor Darvas. Sheet music. Edition Schott. Classical. Set of parts. 206 pages. Schott Music #CON64-50. Published by Schott Music (HL.49013804).

ISBN 9790001117074.

Second Edition. Composed by Danny Elfman. This edition: Paperback/Softcover. Sheet music. Study score. Composed 1989. 392 pages. Omni Music Publishing #OMNI 50797. Published by Omni Music Publishing

Opera. Composed by Henry Purcell (1659-1695). Edited by Michael Burden. This edition: Paperback/Soft Cover. Sheet music. Eulenburg Miniature Scores. Classical, Opera. Study score. 388 pages. Eulenburg Edition #ETP 8027. Published by Eulenburg Edition

Orchestra - intermediate

SKU: HL.49000208

Cello/Bass. Composed by Orlando Gibbons. Edited by Herbert Just. Arranged by Herbert Just. This edition: Saddle stitching. Sheet music. Antiqua (Chamber Music). Classical. Individual part. 4 pages. Schott Music #ANT 44-15. Published by Schott Music (HL.49000208).

ISBN 9790001001946. UPC: 073999286946. 9.0x12.0x0.015 inches. English - German.

Mixed Choir (SSATB) with strings.

Orchestra (Orchestra)

SKU: HL.49041188

Waltz. Composed by Johann Strauss Jr. Sheet music. Odeon. Piano Direction and Parts. Composed 1867. Op. 314. Duration 8'. Schott Music #OD 81-40. Published by Schott Music (HL.49041188).

ISBN 9790204000111. 8.75x12.0x0.714 inches.

Walzer fur Orchester - 2. Auflage. Composed by Johann Strauss Jr. (1825-1899). Edited by Michael Rot. Sheet music. Strauss Edition Wien / Neue Johann Strauss Gesamtausgabe. Version A/BC. Score and critical commentary. Op. 427. 99 pages. Duration 10'. Verlagsgruppe Hermann #VGH 242-11. Published by Verlagsgruppe Hermann (M7.VGH-242-11).

Often Referred to as the African-American National Anthem . Composed by J. Rosamond Johnson, words by James Weldon Johnson. Arranged by Bob Phillips. This edition: with Chorus. Part(s); Score; String Orchestra. Sound Innovations for String Orchestra. Folk; Multicultural. 80 pages. Published by Alfred Music (AP.44827).

Soprano voice and orchestra (Score)

SKU: HL.49007945

Composed by Joaquí and n Rodrigo. This edition: Saddle stitching. Sheet music. Ediciones Joaquin Rodrigo. Classical. Score. Composed 1946. 58 pages. Duration 12'. Schott Music #ED 8358. Published by Schott Music (HL.49007945).

ISBN 9790001084963. 8.25x11.75x0.235 inches.

By Andrew Lloyd Webber, Tim Rice. Full Orchestra. Size 8.5x11 inches. Published by Hal Leonard.

Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob Phillips and Daryl Silberman. Book; CD; Play-Along; String Orchestra Collection. Rock. 48 pages. Published by Alfred Music (AP.40742).

Orchestra (Study Score)

SKU: HL.51489071

Study Score. Composed by Franz Joseph Haydn. Henle Music Folios. Classical. Softcover. G. Henle #HN9071. Published by G. Henle (HL.51489071).

UPC: 840126989397. 6.75x9.5x0.268 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning; a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn's heading “Intrada” and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
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Ergaenzungen von Nors S. Josephson. Composed by Anton Bruckner (1824-1896). Arranged by Nors. S. Josephson. This edition: Paperbound. German title: Finale zur 9.Sinfonie. Full score. WAB 109, No. 4. 162 pages. Duration 15 minutes. Published by Carus Verlag (CA.4058800).

French Horn and Orchestra

SKU: HL.49002603

Composed by Don Banks. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1965. 54 pages. Duration 18'. Schott Music #ED 10985. Published by Schott Music (HL.49002603).

ISBN 9790220106835.

By Jerry Bock, Sheldon Harnick. Arranged by Ira Hearshen. (Score and Parts). Full Orchestra. Published by Hal Leonard.