Orchestra (Study Score)

SKU: HL.49009570

For Orchestra. Composed by Franz Liszt. Edited by Robert Collet. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1859-1860. 102 pages. Eulenburg Edition #ETP 1361. Published by Eulenburg Edition (HL.49009570).

ISBN 9783795764869. UPC: 841886011687. 5.25x7.5x0.315 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Second Edition. Composed by Danny Elfman. This edition: Paperback/Softcover. Sheet music. Study score. Composed 1989. 392 pages. Omni Music Publishing #OMNI 50797. Published by Omni Music Publishing

SKU: SU.00120043

Orchestra. CD Set (PDF Scores). CD Sheet Music #00120043. Published by CD Sheet Music (SU.00120043).

AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY Complete set of Harp, Keyboard (Piano, Organ, etc.) and auxiliary parts for The Orchestra Musician's CD-ROM Library�, Volumes 1-5, 7-12 [11 CD-ROMs]. Parts for over 700 orchestral works in thestandard repertoire from the 18th through early 20th centuries. If these parts were purchased separately, this collection could cost several thousand dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Visit for more information

Ple ase note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

Opera. Composed by Henry Purcell (1659-1695). Edited by Michael Burden. This edition: Paperback/Soft Cover. Sheet music. Eulenburg Miniature Scores. Classical, Opera. Study score. 388 pages. Eulenburg Edition #ETP 8027. Published by Eulenburg Edition

Orchestra

SKU: HL.49012387

Exercises and Pieces. Composed by Veit Erdmann-Abele. This edition: Saddle stitching. Sheet music. Workshop. Classical. Playing score. 16 pages. Schott Music #WKS 13. Published by Schott Music (HL.49012387).

ISBN 9790001103558.

Orchestral Score. Composed by John Powell. This edition: Paperback/Softcover. Sheet music. Study score. Composed 2010. 412 pages. Omni Music Publishers #OMNI 50792. Published by Omni Music Publishers

Orchestra (Study Score)

SKU: HL.49010347

3me Production. Composed by Georg Philipp Telemann. Edited by Walter Bergmann. Arranged by Walter Bergmann. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Baroque, Classical. Study Score. Composed 1733. 86 pages. Eulenburg Edition #ETP879. Published by Eulenburg Edition (HL.49010347).

ISBN 9790200207552. UPC: 888680949273. 5.25x7.5x0.235 inches.

Contents: Suite for Two Oboes and Strings in B Major * Quartet for Violin, Flute, Cello and Basso Continuo in E minor * Concerto for Two Horns and Strings in E-lat Major * Trio for Two Flutes and Continuo in D Major * Solo for Oboe and Continuo in G minor.

Orchestra (Picc. * 2 (2. auch Picc.) * 2 (2. auch Engl. Hr.) * 2 * 2 - 3 * 2 * 3 * Basstb. - 2 Paar P. S. (Trgl. * 2 Beck. * kl. Tr. * gr. Tr.) (2 Spieler) - Str. (mogl. stark besetzt))

SKU: HL.49008321

Composed by Harald Genzmer. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1959. 52 pages. Duration 10'. Schott Music #ED 9168. Published by Schott Music (HL.49008321).

ISBN 9790001126717. 6.0x9.0x0.166 inches.

There is no greater virtue befitting to Mankind than faith, which manifested, doth friendship firmly bind. This verse was written by Simon Dach, the leader of the Konisberg circle of poets, during the Thirty Years' War, and a little later was set to music by Heinrich Albert. The anxieties and tribulations of the period are reflected in the songs and make it particularly applicable to us as survivors of the strife and disorder of our own day. Thus, Harald Genzmer has adopted it as the cantus firmus of his Prologue for Orchestra, in which we are reminded of it throughout, in its original form, in inversion, fanfare introduction, funeral march, intermezzo and final allegro.

Orchestra

SKU: HL.49006198

Study Score. Composed by Carl Orff. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1963-1967. 428 pages. Duration 130'. Schott Music #ED6337. Published by Schott Music (HL.49006198).

ISBN 9790001067386. UPC: 073999353501. 7.5x10.75x1.13 inches. Ancient Greek - German.

Tragodie des Aischylos. Soli, mixed choir and orchestra. Study score - Old Greek/German.

Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voices, S/A) and orchestra (Score) - difficult

SKU: HL.49006187

(The Raft of the Medusa). Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1968/1990. 168 pages. Duration 70'. Schott Music #ED6326. Published by Schott Music (HL.49006187).

ISBN 9790001067270. UPC: 884088099282. 8.25x11.75x0.41 inches. German - English.

4 (1., 2. auch Picc., 3., 4. auch Altfl.) * 1 * Ob. d'am. * Engl. Hr. * Heckelphon * Es-Klar. * 1 * Altklar. (oder Bassetthr.) * Bassklar. * Sopransax. * Tenorsax. * 2 * Kfg. - 4 * Picc.-Trp. * 2 * Basstrp. * Altpos. * 1 * Basspos. * Alt-Ofikleide (oder Bombardino) * Bass-Ofikleide (oder Pos. mit Quartventil) * Bombardino (oder Tb. in F) * Wagnertb. * 1 * Kb.-Tb. - P. S. (3 Trgl. * 3 hg. Beck. * Beckenpaar * 3 Gongs * Kuhgl. * 5 Tamt. * Tamb. * Mil. Tr. * 3 Bong. * Tabla * orient. Woodbl. * gr. Tr. * 2 Tempelbl. * Metallbl. * Woodbl. * Mar. * Guiro * Bambusbundel * 3 Metallplatten * Shell-Chimes * Vibr. * Marimba * Rohrengl.) (12 Spieler) - E-Git. * E-Bassgit. * 2 Hfn. * Klav. * E-Org. - Str. (12 * 0 * 8 * 6 * 4).

Orchestra (Study Score)

SKU: HL.49014150

For Orchestra. Composed by Sir Peter Maxwell Davies. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1958. Op. 8. 98 pages. Duration 20'. Schott Music #ED10709. Published by Schott Music (HL.49014150).

ISBN 9790220104343. UPC: 073999872170. 8.5x11.75x0.372 inches.

Walzer fur Orchester. Composed by Josef Strauss (1827-1870). Edited by Michael Rot. Sheet music. Neuausgabe Josef Strauss. Score and critical commentary. Op. 132. Duration 10'. Verlagsgruppe Hermann #VGH 338-11. Published by Verlagsgruppe Hermann (M7.VGH-338-11).

By Carl August Nielsen. For Orchestra. 20th Century. Sheet Music. 128 pages. Published by Edition Wilhelm Hansen.

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Orchestra (P+KRB)

SKU: HL.49041350

Composed by Paul Hindemith. Edited by Giselher Schubert. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 258 pages. Schott Music #PHA206. Published by Schott Music (HL.49041350).

ISBN 9783795794729. 11.0x15.25x0.988 inches. German.

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of ‚Unpublished pieces for an eventual complete edition‘.The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor.Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary.The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.

Orchestra (Full Score)

SKU: HL.14043216

Orchestra Full Score. Composed by Michael Nyman. Music Sales America. Classical, Contemporary. Softcover. 160 pages. Chester Music #CH60952. Published by Chester Music (HL.14043216).

ISBN 9781783056200. English.

Mic hael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed music’ and was commissioned by the Festival de Lille for the inauguration of the TGV North EuropeanParis-Lille line in 1993.

This piece of sheet music runs continuously, but was conceived as an abstract, imaginary journey; or rather five inter-connected journeys, each ending with a slow, mainly stepwise melody which isonly heard in its 'genuine' form when the piece reaches its destination.

Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic, melodic, harmonic, motivic, textural -constantly change their identity as they pass through different musical 'environments'.

The opening bars establish both a recurrent rhythmic principle - 9, 11, or 13-beat rhythmic cycles heard against a regular 8 - and aharmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally, MGV begins in C and ends in E). A later scalic, syncopated figure (again first heard over C, E and A)begins the second section, featuring Brass, in D flat.

The topography of MGV should be experienced without reference to planning, description or timetables. Its tempo changes and unpredictable slowings downbear no logical relation to the high speed of the Paris-Lille journey, while the temptation to treat MGV as a concerto grosso, with the Michael Nyman band as the ripeno, was resisted: more suitably theband (amplified in live performance) lays down the tracks on which MGV runs.

Orchestra (solo: S - 4(2picc).3(cor ang).3(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.0.0 - hp.timp.perc(4) - str)

SKU: BR.OB-5634-60

Final Version 1911 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Set of parts. 1076 pages. Duration 55'. Breitkopf and Haertel #OB 5634-60. Published by Breitkopf and Haertel (BR.OB-5634-60).

ISBN 9790004345085. 10.5 x 14 inches.

Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. The Heavenly Life, a humoresque composed in 1892 for soprano and piano, which he already wanted to use in the final movement of the Third Symphony under the title What the Child Tells Me, ultimately became the nucleus and final movement of the Fourth. Even after publication in 1901, Mahler kept repeatedly refining the orchestration. His maxim not without my retouching led to a whole series of revised reprints. It is probably no coincidence that Mahler performed especially the Fourth Symphony in his last two New York concerts in February 1911, using this opportunity to review once again the score and parts. This performance material with his retouching served as the main source for the new edition. Furthermore, included for the first time were corrections and annotations in conjunction with performances of the Fourth, which Mahler entered into the scores of conductors such as Mengelberg and Wickenhauser. PB 5664 has been awarded the Presto Sheet Music Award 2020.

Orchestra (Score) - Advanced

SKU: HL.14019142

Composed by Magnus Lindberg. Music Sales America. Classical. Sheet Music, Score. With Text language: English. 200 pages. Chester Music #CH61322. Published by Chester Music (HL.14019142).

UPC: 884088490355. 8.75x11.75x0.461 inches.

In memoriam Witold Lutoslawski for Orchestra. This work was commissioned for the Suntory International program for music composition 1994. The first performance was given on 11 June 1994 Tokyo. Duration 40 minutes.