| Star Wars: The Rise of Skywalker (Suite for Orchestra) Orchestre [Conducteur et Parties séparées] Hal Leonard
Score and Parts Full Orchestra (Score and Parts) SKU: HL.4492547 John ...(+)
Score and Parts Full
Orchestra (Score and
Parts) SKU:
HL.4492547 John
Williams Signature
Edition Orchestra.
Composed by John
Williams. John Williams
Signature Edition
Orchestra. Concert,
Movies, Orchestra.
Softcover. Published by
Hal Leonard (HL.4492547).
UPC: 840126915495.
10.75x14.0x1.87
inches. Concert
suite from Star Wars
Episode IX I. The Rise of
Skywalker 4:00 II. Psalm
of the Sith 4:00 III. Rey
and Ben 3:00 IV. Speeder
Chase 3:45. $695.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sky Suite Orchestre [Conducteur] - Débutant Belwin
Orchestra - Grade 1.5 SKU: AP.47430S I. Clouds / II. Rain / III. Thund...(+)
Orchestra - Grade 1.5
SKU: AP.47430S
I. Clouds / II. Rain /
III. Thunder / IV.
Sun. Composed by
Katie O'Hara LaBrie.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score. 24
pages. Belwin Music
#00-47430S. Published by
Belwin Music (AP.47430S).
ISBN 9781470653194.
UPC: 038081544670.
English. There is a
method book hidden within
the context of this
concert piece! While
floating through the
Clouds, Rain, Thunder,
and Sun, this
multi-movement work
focuses students on music
literacy. A-, D-, and
G-string notes are
introduced one movement
at a time. Throughout
each of the movements,
students will explore
different time
signatures, tempi, and
bow techniques---then get
a chance to put all their
knowledge together in the
finale. Perfect as a
review for intermediate
players or even as an
intro to music reading
for beginners! This title
is available in MakeMusic
Cloud. $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Composizioni per orchestra I Orchestre [Conducteur] Barenreiter
Composed by Pavel Josef Vejvanovsky (1633-1693). Musica Antiqua Bohemica I/47. C...(+)
Composed by Pavel Josef
Vejvanovsky (1633-1693).
Musica Antiqua Bohemica
I/47. Czech title:
Composizioni per
orchestra I. Classical,
orchestral music. Score.
With Publication
language: Czech.
Published by Editio
Baerenreiter Praha
(PA.H3079).
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Golden Cockerel Orchestre [Conducteur d'étude / Miniature] Eulenburg
Orchestra (Study Score) SKU: HL.49009584 Suite from the Opera for Orch...(+)
Orchestra (Study Score)
SKU: HL.49009584
Suite from the Opera
for Orchestra.
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
144 pages. Duration 24'.
Eulenburg Edition #ETP
1377. Published by
Eulenburg Edition
(HL.49009584). ISBN
9790200211009. UPC:
073999596618.
5.25x7.5x0.36
inches. With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition. $17.99 - Voir plus => Acheter | | |
| Lasske tance - Lachische Tanze - Lachian Dances Orchestre Barenreiter
Orchestra (Orchestra) SKU: BA.BA06845 6 Tänze für Orchester....(+)
Orchestra (Orchestra)
SKU: BA.BA06845
6 Tänze für
Orchester. Composed
by Leos Janacek. Edited
by Jarmil Burghauser and
Radomil Eliska. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek D/4.
Lachische
Tänze/Lachian Dances.
Tanz (Dance). Complete
edition, Score. Composed
1889/1927. Baerenreiter
Verlag #BA06845_00.
Published by Baerenreiter
Verlag (BA.BA06845).
ISBN 9790006483273.
34.3 x 27 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$173.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scheherazade, Op. 35 Orchestre [Conducteur d'étude / Miniature] Eulenburg
Study Score. By Nikolay Rimsky-Korsakov, Nikolaj A. Rimskij-Korsakow. Schott. Si...(+)
Study Score. By Nikolay
Rimsky-Korsakov, Nikolaj
A. Rimskij-Korsakow.
Schott. Size 5.25x7.5
inches. 263 pages.
Published by Eulenburg.
$23.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Christmas Scherzo Orchestre Hal Leonard
Score and Parts. Arranged by Don Sebesky. Boston Pops Concert Library. Holid...(+)
Score and Parts. Arranged
by
Don Sebesky. Boston Pops
Concert Library. Holiday,
Christmas. Conductor
Score
(Full Score) and Parts.
Published by Hal Leonard
$375.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Christmas Scherzo Orchestre Hal Leonard
Full Orchestra SKU: HL.4492358 Deluxe Score. Arranged by Don Sebes...(+)
Full Orchestra SKU:
HL.4492358 Deluxe
Score. Arranged by
Don Sebesky. Boston Pops
Concert Library.
Christmas, Holiday. 26
pages. Published by Hal
Leonard (HL.4492358).
UPC: 888680827632.
10.5x14.0x0.104
inches. Performance
time - ca. 3:30. $35.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Exit Music Orchestre Wilhelm Hansen
Orchestra (Score) SKU: HL.283507 Orchestra Score. Composed by Bent...(+)
Orchestra (Score) SKU:
HL.283507
Orchestra Score.
Composed by Bent
Sorensen. Music Sales
America. Classical.
Softcover. 49 pages.
Duration 780 seconds.
Edition Wilhelm Hansen
#KP01914. Published by
Edition Wilhelm Hansen
(HL.283507).
Exit Music for
Orchestra was composed by
Bent Sorensen in 2006-07.
Exit Music was
commissioned by the
Bergen International
Festival for the Bergen
Philharmonic Orchestra,
and is dedicated to Per
Norgard on the occasion
of his 75th birthday.
Programme note It began
with a dream, as it
always does when I
compose. I dreamt that I
was standing in an open
doorway on a hill in an
otherwise open landscape.
I do not know what was
behind the door, but in
front of it - towards the
landscape - I saw my
music disappearing. I
stood looking for the
music, and started to
hear it, to remember it
in time with its
disappearance. The dream
continued to recur as
strange pictures in my
daydreams, and I
continued to try to write
down the music that had
vanished. It was also the
dream that gave the piece
its title- Exit Music.
Exit Music is based on
three simple songs (the
songs that vanish through
the doorway): a little
lullaby, which continues
to reappearin fragments;
a strange polyphonic pop
song that refers to a
section of my opera Under
the Sky; and a passionate
little love song, which
concludes the piece on
the strings, very quietly
and in unison. These
simple songs are then
constantly overpainted by
enervating repeated motes
in fairly simple rhythms,
which push the songs out
of the room. (Bent
Sorensen). $54.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stratoscape: Metaphorical Views on Planet Earth Orchestre [Conducteur] - Intermédiaire Hal Leonard
Wind Orchestra (Score) - Grade 4 SKU: HL.4008703 Concert Band, Grade 4...(+)
Wind Orchestra (Score) -
Grade 4 SKU:
HL.4008703 Concert
Band, Grade 4, 13:30
Score. Composed by
Gauthier Dupertuis. FC
Music Publishing. Concert
Band. Softcover. Duration
810 seconds. Hal Leonard
#FCMP002-SC. Published by
Hal Leonard (HL.4008703).
UPC:
196288190837. Strat
oscape, by Swiss composer
Gauthier Dupertuis, is a
colorful and contrasting
work for wind orchestra,
depicting the view of our
earth as seen from the
stratosphere. This voyage
into the sky is pictural,
but also metaphorical, as
it is also about
distancing from our
world. The work is
divided into five
sections: I Ignition!, II
Broadness & The Big
Blue, III Stars Shining
from Down to Above, IV
Destructive Forces, V One
and Only Home Five
contrasting movements,
starting with Ignition in
which Gauthier Dupertuis
tries to musically convey
the majesty of our planet
seeing if from the
atmosphere, ending with
One and Only Hope, as the
title say, a message of
hope. In between three
movements that depict the
broadness of the
landscapes of our planet
(second movement), the
fragility of our earth at
night with only the stars
shining (third movement).
But also sheer reality in
the fourth movement when
the composer translates
into music the damage
caused toour planet by us
human beings.
Stratoscape: a fantastic
view of Planet Earth! $67.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Carol of the Bells Orchestre [Conducteur et Parties séparées] Carl Fischer
(Ukrainian Christmas Carol - Full Score and Parts). By Peter Wilhousky. Arranged...(+)
(Ukrainian Christmas
Carol - Full Score and
Parts). By Peter
Wilhousky. Arranged by
Richard Hayman.
Orchestra. For Piccolo,
Flute I, Flute II, Oboe
I, Oboe II, Clarinet I,
Clarinet II, Bassoon I,
Bassoon II, Horn I, Horn
II, Horn III, Horn IV,
Trumpet I, Trumpet II,
Trumpet III, Tenor I,
Tenor II, Tenor III,
Tuba, Timpani,
Glockenspiel, Chimes,
Swiss Hand Bells, Suspe.
Carl Fischer Orchestra
Edition. Score and
part(s). Standard
notation. 29 pages.
Published by Carl Fischer
$95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Carol of the Bells Orchestre [Conducteur] Carl Fischer
Ukrainian Christmas Carol. By Peter Wilhousky, Mykola Leontovich. Edited by Shar...(+)
Ukrainian Christmas
Carol. By Peter
Wilhousky, Mykola
Leontovich. Edited by
Shari Lewis. Arranged by
Richard Hayman.
Orchestra. For Piccolo,
Flute I, Flute II, Oboe
I, Oboe II, Clarinet I,
Clarinet II, Bassoon I,
Bassoon II, Horn I, Horn
II, Horn III, Horn IV,
Trumpet I, Trumpet II,
Trumpet III, Tenor I,
Tenor II, Tenor III,
Tuba, Timpani,
Glockenspiel, Chimes,
Swiss Hand Bells,
Suspended Cymbal,
Vibraphone, Harp,
Celesta, Piano, Violin I,
Violin II, Viola, Cello,
Double Bass. Carl Fischer
Orchestra Edition.
Classical. Full Score -
Large. 29 pages.
Published by Carl
Fischer.
$20.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prologue, Hymn & Dance Orchestre [Conducteur et Parties séparées] Theodore Presser Co.
(For Orchestra). Composed by Jaroslav Holesovsky. Orchestra. For Piccolo, Flute ...(+)
(For Orchestra). Composed
by Jaroslav Holesovsky.
Orchestra. For Piccolo,
Flute I, Flute II, Oboe
I, Oboe II, Bb Clarinet
I, Bb Clarinet II, Bb
Bass Clarinet, Bassoon I,
Bassoon II, F Horn I, F
Horn II, F Horn III, F
Horn IV, Bb Trumpet I, Bb
Trumpet II, Bb Trumpet
III, Trombone I, Trombone
II, Tuba, Timpani, Snare
Dru. Contemporary. Score
and parts. Standard
notation. 30 + pages.
Duration 5 minutes.
Theodore Presser Company
#166-00035. Published by
Theodore Presser Company
$130.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prologue, Hymn & Dance Orchestre [Conducteur] Theodore Presser Co.
(For Orchestra). By Jaroslav Holesovsky. Orchestra. For Piccolo, Flute I, Flute ...(+)
(For Orchestra). By
Jaroslav Holesovsky.
Orchestra. For Piccolo,
Flute I, Flute II, Oboe
I, Oboe II, Bb Clarinet
I, Bb Clarinet II, Bb
Bass Clarinet, Bassoon I,
Bassoon II, F Horn I, F
Horn II, F Horn III, F
Horn IV, Bb Trumpet I, Bb
Trumpet II, Bb Trumpet
III, Trombone I, Trombone
II, Tuba, Timpani, Snare
Dru. Contemporary. Full
score (study). Standard
notation. 30 pages.
Duration 5 minutes.
Published by Theodore
Presser Company
$28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Capriccio italien Op. 45 Orchestre [Conducteur] Breitkopf & Härtel
Orchestra (3(picc).2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc - hp - str) SKU...(+)
Orchestra (3(picc).2.cor
ang.2.2. - 4.2.2CaP.3.1.
- timp.perc - hp - str)
SKU: BR.PB-5394
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Polina Vajdman.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). The
Russian musicologist
Polina Vajdman has
consulted all relevant
sources. Romantic
period. Full score. 120
pages. Duration 15'.
Breitkopf and Haertel #PB
5394. Published by
Breitkopf and Haertel
(BR.PB-5394). ISBN
9790004211304. 10 x 12.5
inches. The present
edition is based on all
relevant sources. The
preface sketches the
work's genesis from the
moment of its conception
in Rome in late December
1879 (Yesterday, out in
the streets, I heard a
wonderful folksong that I
will most certainly make
use of.) to the first
reviews, in which
Tchaikovsky was accused
of triviality and of
having made an extremely
unfortunate choice of
themes. Yet this did
nothing to hamper the
worldwide success of the
work, and Tchaikovsky's
composer colleagues also
culled ideas from it: a
few years later,
Tchaikovsky himself was
the dedicatee of Nikolay
Rimsky-Korsakov's
Capriccio espagnol.Mit
seinen
Urtext-Studienpartituren
setzt Breitkopf nicht nur
auf eine bewahrte
Tradition, sondern blickt
offenbar auch guten Mutes
in die Zukunft. (Michael
Kube, Schweizer
Musikzeitung)Mit
bemerkenswerter
Konsequenz wird die
Neuherausgabe von
Studienpartituren
fortgesetzt. Fast
unnotig, zu erwahnen,
dass die
uberdurchschnittliche
Seitenaufteilung, der
vorbildlich klarer Druck
das Studium auch eines so
bekannten Werkes zu einer
genussreichen Freude
machen. (Das
Liebhaberorchester) The Russian
musicologist Polina
Vajdman has consulted all
relevant sources. $85.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Basic Fiddlers Philharmonic Celtic Fiddle Tunes Orchestre [Partition + CD] Alfred Publishing
(Teacher's Manual). By Bob Phillips and Andrew H. Dabczynski. Orchestra. For Tea...(+)
(Teacher's Manual). By
Bob Phillips and Andrew
H. Dabczynski. Orchestra.
For Teacher's Manual.
String Orchestra
Collection. World. Book
and CD. 40 pages
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Compositions for String Orchestra Orchestre Lucks Music Library
Orchestra (1 perc,hp,str) SKU: TM.07066SET Composed by Victor Herbert. Se...(+)
Orchestra (1 perc,hp,str)
SKU: TM.07066SET
Composed by Victor
Herbert. Set Type: D. Set
of parts. Lucks Music
Library #A7312. Published
by Lucks Music Library
(TM.07066SET).
Orchestrated by
Rimsky-Korsakov. Dawn on
the Moska River (Act I
Scene 1). For famous
introduction, see #05505
KHOVANTCHINA, LA:
Entr'acte Act IV, Scene 2
No. 5 Galitian
Journey. $60.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Compositions for String Orchestra Orchestre [Conducteur] Lucks Music Library
Orchestra (1 perc,hp,str) SKU: TM.07066SC Composed by Victor Herbert. Sco...(+)
Orchestra (1 perc,hp,str)
SKU: TM.07066SC
Composed by Victor
Herbert. Score. Lucks
Music Library #A7312.
Published by Lucks Music
Library (TM.07066SC).
Orchestrated by
Rimsky-Korsakov. Dawn on
the Moska River (Act I
Scene 1). For famous
introduction, see #05505
KHOVANTCHINA, LA:
Entr'acte Act IV, Scene 2
No. 5 Galitian
Journey. $15.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Carol of the Bells/Greensleeves Orchestre [Conducteur et Parties séparées] - Facile Carl Fischer
By Mykola Leontovich. Arranged by Larry Clark. Text: Peter J. Wilhousky. Concert...(+)
By Mykola Leontovich.
Arranged by Larry Clark.
Text: Peter J. Wilhousky.
Concert Band. For Flute,
Oboe, Flute II, Clarinet
I, Clarinet II, Bass
Clarinet, Bassoon, Alto
Saxophone, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Horn, Tenor,
Treble Clef Baritone,
Euphonium, Tuba, Bells,
Chimes, Timpani, Snare
Drum, Bass Drum,
Suspended Cymbal,
Tambourine, Triangle.
Carl Fischer Young
Performance Series.
Classical. Level: Grade
2-2.5. Score and Set of
Parts. 20 pages.
Published by Carl
Fischer.
(1)$70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Western Dreams Orchestre - Débutant Highland/Etling
Orchestra - Grade 1 SKU: AP.38491 Featuring: I. Sunset / II. Barn Danc...(+)
Orchestra - Grade 1
SKU: AP.38491
Featuring: I. Sunset /
II. Barn Dance (Old Joe
Clark). Composed by
Lauren Bernofsky.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Patriotic.
Score and Part(s). 136
pages. Highland/Etling
#00-38491. Published by
Highland/Etling
(AP.38491). UPC:
038081434711.
English. This set
of two tunes that engage
the imagination and are
fun---really fun---to
play will teach young
players to love music.
Easy parts that sound
great are featured, and
all parts have
interesting lines. Two
movements are included:
I. Sunset, and II. Barn
Dance (Old Joe
Clark). $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Composizioni per orchestra II Orchestre [Conducteur] Barenreiter
Composed by Pavel Josef Vejvanovsky (1633-1693). Musica Antiqua Bohemica I/48. C...(+)
Composed by Pavel Josef
Vejvanovsky (1633-1693).
Musica Antiqua Bohemica
I/48. Czech title:
Composizioni per
orchestra II. Classical,
orchestral music. Score.
With Publication
language:
Czech/German/English.
Published by Editio
Baerenreiter Praha
(PA.H3171).
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphonie Concertante (Symphony No. 5) Orchestre [Conducteur d'étude / Miniature] Schott
Orchestra (Study Score) SKU: HL.49004862 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.49004862
Study Score.
Composed by Karl Amadeus
Hartmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1950. 68 pages.
Duration 20'. Schott
Music #ED 4404. Published
by Schott Music
(HL.49004862). ISBN
9790001051736. UPC:
073999457575.
8.25x11.75x0.28
inches. $39.00 - Voir plus => Acheter | | |
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